World of Warcraft: the Adventure Game Rules
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Planning for Non-Player Characters by Learning from Demonstration
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2018 Planning For Non-Player Characters By Learning From Demonstration John Drake University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Computer Sciences Commons Recommended Citation Drake, John, "Planning For Non-Player Characters By Learning From Demonstration" (2018). Publicly Accessible Penn Dissertations. 2756. https://repository.upenn.edu/edissertations/2756 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2756 For more information, please contact [email protected]. Planning For Non-Player Characters By Learning From Demonstration Abstract In video games, state of the art non-player character (NPC) behavior generation typically depends on hard-coding NPC actions. In many game situations however, it is hard to foresee how an NPC should behave to appear intelligent or to accommodate human preferences for NPC behavior. We advocate the creation of a more flexible method ot allow players (and developers) to train NPCs to execute novel behaviors which are not hard-coded. In particular, we investigate search-based planning approaches using demonstration to guide the search through high-dimensional spaces that represent the full state of the game. To this end, we developed the Training Graph heuristic, an extension of the Experience Graph heuristic, that guides a search smoothly and effectively even when a demonstration is unreachable in the search space, and ensures that more of the demonstrations are utilized to better train the NPC's behavior. To deal with variance in the initial conditions of such planning problems, we have developed heuristics in the Multi-Heuristic A* framework to adapt demonstration trace data to new problems. -
Nordic Game Is a Great Way to Do This
2 Igloos inc. / Carcajou Games / Triple Boris 2 Igloos is the result of a joint venture between Carcajou Games and Triple Boris. We decided to use the complementary strengths of both studios to create the best team needed to create this project. Once a Tale reimagines the classic tale Hansel & Gretel, with a twist. As you explore the magical forest you will discover that it is inhabited by many characters from other tales as well. Using real handmade puppets and real miniature terrains which are then 3D scanned to create a palpable, fantastic world, we are making an experience that blurs the line between video game and stop motion animated film. With a great story and stunning visuals, we want to create something truly special. Having just finished our prototype this spring, we have already been finalists for the Ubisoft Indie Serie and the Eidos Innovation Program. We want to validate our concept with the European market and Nordic Game is a great way to do this. We are looking for Publishers that yearn for great stories and games that have a deeper meaning. 2Dogs Games Ltd. Destiny’s Sword is a broad-appeal Living-Narrative Graphic Adventure where every choice matters. Players lead a squad of intergalactic peacekeepers, navigating the fallout of war and life under extreme circumstances, while exploring a breath-taking and immersive world of living, breathing, hand-painted artwork. Destiny’s Sword is filled with endless choices and unlimited possibilities—we’re taking interactive storytelling to new heights with our proprietary Insight Engine AI technology. This intricate psychology simulation provides every character with a diverse personality, backstory and desires, allowing them to respond and develop in an incredibly human fashion—generating remarkable player engagement and emotional investment, while ensuring that every playthrough is unique. -
Understanding Visual Novel As Artwork of Visual Communication Design
MUDRA Journal of Art and Culture Volume 32 Nomor 3, September 2017 292-298 P-ISSN 0854-3461, E-ISSN 2541-0407 Understanding Visual Novel as Artwork of Visual Communication Design DENDI PRATAMA, WINNY GUNARTI W.W, TAUFIQ AKBAR Departement of Visual Communication Design, Fakulty of Language and Art Indraprasta PGRI. University, Jakarta Selatan, Indonesia [email protected] Visual Novel adalah sejenis permainan audiovisual yang menawarkan kekuatan visual melalui narasi dan karakter visual. Data dari komunitas pengembang Visual Novel (VN) Project Indonesia menunjukkan masih terbatasnya pengembang game lokal yang memproduksi Visual Novel Indonesia. Selain itu, produksi Visual Novel Indonesia juga lebih banyak dipengaruhi oleh gaya anime dan manga dari Jepang. Padahal Visual Novel adalah bagian dari produk industri kreatif yang potensial. Studi ini merumuskan masalah, bagaimana memahami Visual Novel sebagai karya seni desain komunikasi visual, khususnya di kalangan mahasiswa? Penelitian ini merupakan studi kasus yang dilakukan terhadap mahasiswa desain komunikasi visual di lingkungan Universitas Indraprasta PGRI Jakarta. Hasil penelitian menunjukkan masih rendahnya tingkat pengetahuan, pemahaman, dan pengalaman terhadap permainan Visual Novel, yaitu di bawah 50%. Metode kombinasi kualitatif dan kuantitatif dengan pendekatan semiotika struktural digunakan untuk menjabarkan elemen desain dan susunan tanda yang terdapat pada Visual Novel. Penelitian ini dapat menjadi referensi ilmiah untuk lebih mengenalkan dan mendorong pemahaman tentang Visual Novel sebagai karya seni Desain Komunikasi Visual. Selain itu, hasil penelitian dapat menambah pengetahuan masyarakat, dan mendorong pengembangan karya seni Visual Novel yang mencerminkan budaya Indonesia. Kata kunci: Visual novel, karya seni, desain komunikasi visual Visual Novel is a kind of audiovisual game that offers visual strength through the narrative and visual characters. -
Role Playing Games Role Playing Computer Games Are a Version Of
Role Playing Games Role Playing computer games are a version of early non-computer games that used the same mechanics as many computer role playing games. The history of Role Playing Games (RPG) comes out of table-top games such as Dungeons and Dragons. These games used basic Role Playing Mechanics to create playable games for multiple players. When computers and computer games became doable one of the first games (along with Adventure games) to be implemented were Role Playing games. The core features of Role Playing games include the following features: • The game character has a set of features/skills/traits that can be changed through Experience Points (xp). • XP values are typically increased by playing the game. As the player does things in the game (killing monsters, completing quests, etc) the player earns XP. • Player progression is defined by Levels in which the player acquires or refines skills/traits. • Game structure is typically open-world or has open-world features. • Narrative and progress is normally done by completing Quests. • Game Narrative is typically presented in a non-linear quests or exploration. Narrative can also be presented as environmental narrative (found tapes, etc), or through other non-linear methods. • In some cases, the initial game character can be defined by the player and the initial mix of skills/traits/classes chosen by the player. • Many RPGs require a number of hours to complete. • Progression in the game is typically done through player quests, which can be done in different order. • In Action RPGs combat is real-time and in turn-based RPGs the combat is turn-based. -
Frequently Asked Questions
last updated 11/23/09 ® KED S S A TION S TM UE UENTLY Q Q RE F FRE Q UENTLY AS KED QUE S TION S The stance meter is a tool that provides the player characters with ORE ET UE S TION S additional context and risk management for their actions, and can C S Q give heroes an idea of how to approach the situation while provid- ing a visual and tactile element to their decision making. The party sheets help provide additional flavour for the party, and act as a Q: IS WARHAMMER FANTA S Y handy tool for party cohesion and a centre of focus. ROLEPLAY REALLY A ROLEPLAYING GAME , OR I S IT A BOARDGAME ? Q: WHAT C OME S IN THE C ORE S ET ? The new edition is very much a roleplaying game. The Game The large boxed core set includes the following: Master (or “GM”) and the players representing the adventurers work together to develop the stories that their player characters (or 4 Rulebooks, 36 custom dice, 152 action cards (which include “PCs”) will be moving through. The classic elements that make up spells and blessings, as well as special combat and social actions), a traditional roleplaying experience are still present, though they 70 wound cards, 45 talent cards, 30 condition cards, 30 insanity may now have an exciting new twist. cards, 30 career ability cards, 19 miscast cards, 12 location cards, 1 item card, 30 career sheets, 5 party sheets, 1 pad of character Q: SO HO W DO THE S E C OMPONENT S & sheets, 3 character keeper boxes, 48 tracking tokens, 6 stance rings, 6 activation tokens, 2 large standups, 47 medium standups, 12 C ARD S F IT INTO A ROLEPLAYING GAME ? plastic bases, 39 fatigue & stress tokens, 40 puzzle-fit stance pieces, These components were designed to help players immerse them- and 5 puzzle-fit centre pieces selves in their adventures, to allow them to focus on the story and their characters, and to add an exciting new dimension to the Q: HO W MU C H I S THE C ORE S ET ? roleplaying experience. -
Atomic Mass Games Takes Its First Steps Into the Star Wars™ Miniatures Games Galaxy
November 16, 2020 FOR IMMEDIATE RELEASE Atomic Mass Games Takes Its First Steps Into The Star Wars™ Miniatures Games Galaxy Development of Star Wars X-Wing, Star Wars Armada, and Star Wars Legion Moving from Fantasy Flight Games to Asmodee’s Miniatures Games-Focused Studio SEATTLE, WA, November 16, 2020 – In a strategic reorganization of its Star Wars miniatures titles, Asmodee is announcing today that oversight of its three Star Wars miniatures titles will be moving to their dedicated miniatures games studio, Atomic Mass Games. Development of all future miniatures games will be handled by Atomic Mass as well. The move to a specialty studio positions Asmodee’s miniatures titles for even greater success in the future. “Atomic Mass is committed to bringing people together through fun games, and Star Wars has been bringing people together through the power of myth and story for over 40 years,” Steve Horvath, Head of US Publishing, said. “Combing their talent with the strength of our current Star Wars miniatures games and the limitless possibilities of a galaxy far, far away is going to lead to incredible new experiences for tabletop gamers and Star Wars fans to enjoy.” Simone Elliott, who has shepherded Fantasy Flight’s relationship with Lucasfilm Licensing since 2015, will lead Atomic Mass Games during this time of expansion as Head of Studio. Will Shick assumes primary creative oversight as Head of Product Development. Joining them will be key members of the teams involved in the creation and evolution of Fantasy Flight’s current Star Wars miniatures games, Star Wars X-Wing, Star Wars Legion, and Star Wars Armada. -
Improving the Social Believability of Non-Player Characters in Role-Playing Games
Agents that Relate: Improving the Social Believability of Non-Player Characters in Role-Playing Games Nuno Afonso and Rui Prada IST-Technical University of Lisbon, INESC-ID Avenida Prof. Cavaco Silva – TagusPark 2744-016 Porto Salvo, Portugal {nafonso, rui.prada}@gaips.inesc-id.pt Abstract. As the video games industry grows and video games become more part of our lives, we are eager for better gaming experiences. One field in which games still have much to gain is in Non-Player Character behavior in socially demanding games, like Role-Playing Games. In Role-Playing Games players have to interact constantly with very simple Non-Player Characters, with no social behavior in most of the cases, which contrasts with the rich social experience that was provided in its traditional pen-and-paper format. What we propose in this paper is that if we create a richer social behavior in Non-Player Characters the player’s gaming experience can be improved. In order to attain this we propose a model that has at its core social relationships with/between Non-Player Characters. By doing an evaluation with players, we identified that 80% of them preferred such system, affirming that it created a better gaming experience. Keywords: role-playing games, non-player characters, artificial intelligence, social, behavior, relationship, personality, theory of mind. 1 Introduction As computers became more present in our lives, they transformed from simple work machines into a means of entertainment. This created a massive industry of video games, an industry that beats sales records every year, and has a yearly growth rate higher than any other entertainment industry [2]. -
Making Quests Playable with Computer–Assisted
UC Irvine Cognition and Creativity Title QuestBrowser: Making Quests Playable with Computer- Assisted Design Permalink https://escholarship.org/uc/item/2tk0h882 Authors Sullivan, Anne Mateas, Michael Wardrip–Fruin, Noah Publication Date 2009-12-12 Peer reviewed eScholarship.org Powered by the California Digital Library University of California QuestBrowser: Making Quests Playable with Computer- Assisted Design Anne Sullivan Michael Mateas Noah Wardrip-Fruin Expressive Intelligence Studio Expressive Intelligence Studio Expressive Intelligence Studio University of California, Santa Cruz University of California, Santa Cruz University of California, Santa Cruz [email protected] [email protected] [email protected] ABSTRACT narrative; within which the player moves through the experience, Good gameplay has been characterized as a series of interesting fulfilling check points to advance the story. These story choices. Therefore, to have gameplay of any sort requires the checkpoints are delivered to the player in the form of quests, and player to be presented with decisions. Given this definition, many these quests lack interesting or meaningful choices, but are instead quests within computer role-playing games are not playable as delivered as required actions for the player to complete. they currently exist. Instead, quests are given to the player as a Because of this lack of choice, we argue that quests are not series of tasks to perform in a specific way in order to advance the currently playable in many CRPGs. When we look at table-top story within the game. We look at making quests playable – role-playing games, the precursor to CRPGs, we find quests that adding choices for the player – and what a system that could exist in their playable form and are used with regularity. -
Warhammer: Diskwars Rules
INTRODUCTION WHAT IS DISKWARS? Welcome to the Old World. It is a place riven by war and the lure Warhammer: Diskwars is an exciting, fast-paced battle game which is of power. The forces of Destruction seek to overthrow all civilised easy to learn but difficult to master. Players command armies of heroes nations in fire and blood. At their forefront are the insidious servants and units from the Warhammer world that are represented by disks. of Chaos, howling out of the far North, and the brutish Orc hordes During the game, players activate disks to move and attack, wreaking that lurk in the fringes of every kingdom, pillaging at their whim. The destruction across the battlefield. forces of Order make a tenuous common cause to defend the works of In Warhammer: Diskwars, players do not use a ruler to measure unit civilisation. They are championed by the extensive armies and powerful and hero movement. Instead, players move disks by flipping them end artillery of the Empire, and the fading realms of the High Elves, who over end. If a disk flips in such a way that it covers up another disk, the wield ancient magics. In every corner of the Old World armies march disk on top pins the disk below it. Pinning is a key part of the game: relentlessly toward battle, led by powerful heroes who fight for the disks that overlap each other fight at the end of each round. A player preservation of their homelands, for the glory of dark gods, or simply achieves victory by destroying all opposing armies or by fulfilling his for the sake of spreading strife. -
Asmodee USA Best Sellers Catalog Questions? Contact Your ANA Sales Rep/Authorized ANA Distributor Or Visit for More Information on Your Account
Asmodee USA Best Sellers Catalog Questions? Contact your ANA sales rep/authorized ANA distributor or visit www.asmodeena.com for more information on your account. Product Code Title MSRP MAP Studio Name UPC SWZ01 Star Wars X-Wing Second Edition Core Set 39.95 31.96 Atomic Mass Games 841333105587 CN3025 Catan Junior 30 24 Catan Studio 29877030255 CN3071 Catan 55 44 Catan Studio 29877030712 CN3072 Catan Ext: 5-6 Player 30 24 Catan Studio 29877030729 CN3073 Catan Exp: Seafarers 55 44 Catan Studio 29877030736 SHF003 Sheriff of Nottingham 2nd Edition 39.99 31.99 CMON 889696010063 DO7201 Ticket to Ride 54.99 43.99 Days of Wonder 824968717912 DO7202 Ticket to Ride: Europe 54.99 43.99 Days of Wonder 824968717929 DO7226 Ticket to Ride: Rails & Sails 84.99 67.99 Days of Wonder 824968720028 DO7901 Small World 49.99 39.99 Days of Wonder 824968726914 AHB01 Arkham Horror Third Edition 69.95 55.96 Fantasy Flight Games 841333107147 AHC01 Arkham Horror: The Card Game 44.95 35.96 Fantasy Flight Games 841333101633 CE01 Cosmic Encounter 59.95 47.96 Fantasy Flight Games 9781589944961 JME01 LOTR: Journeys in Middle-Earth 99.95 79.96 Fantasy Flight Games 841333107086 MAD20 Mansions of Madness 2nd Edition 99.95 79.96 Fantasy Flight Games 841333101213 MC01en Marvel Champions: The Card Game 59.95 47.96 Fantasy Flight Games 841333109967 PH1000 Dead of Winter 59.95 47.96 Fantasy Flight Games 681706100005 SW03 Star Wars: Rebellion Board Game 99.95 79.96 Fantasy Flight Games 841333101053 DIF01 Dice Forge 39.99 31.99 Libellud 3558380045717 DIX01 Dixit 39.99 31.99 Libellud -
Development of Exergaming Simulator for Gym Training, Exercise Testing and Rehabilitation
Journal of Communication and Computer 11(2014) 403-411 D doi: 10.17265/1548-7709/2014.05 001 DAVID PUBLISHING Development of Exergaming Simulator for Gym Training, Exercise Testing and Rehabilitation Veli-Matti Nurkkala, Jonna Kalermo and Timo Jarvilehto Kajaani University of Applied Sciences, Information Systems, Kajaani 87100, Finland Abstract: “Video games that require physical activity in order to play” is a common definition of exergames. Products, such as Wii Fit and dance pads, are well-known exergame products targeted to home use. Also exergaming products for professional use are gradually becoming more common in gyms, fitness centers, rehabilitation centers, as well as in activity and amusement parks. A lot of research has been carried out on the benefits that the exergaming products can provide for people of different ages, for example. The results have been promising, and the possibilities of exergaming in the fight against obesity and inactivity have been recognized. New exergaming products are coming to markets in increasing speed. However, the field is still very young, and there is space and demand for new innovations. During the last two years, we have been developing a new exergaming simulator for gym training, exercise testing and rehabilitation. As a next generation exergaming device, the simulator combines various gym and rehabilitation equipment (treadmill, exercise bike, etc.) with virtual environments, games, sports applications, immersive gaming view, and advanced motion controllers. Key words: Exergaming, Athene exergaming, fitness games, games for health, virtual environment. 1. Introduction includes powerpad (pressure-sensors embedded between two layers of flexible plastic) with games [3]. The term exergaming (also exergaming, A year later, Exus released Foot Craz running pad portmanteau from words exercising and gaming) has which was compatible with Video Jogger and Video become widely used. -
Living Rules Reference
® Version 1.2 Credits FANTASY FLIGHT GAMES FOURTH EDITION DEVELOPMENT Dane Beltrami with Corey Konieczka ORIGINAL GAME DESIGN AND Christian T. Petersen TWILIGHT IMPERIUM SETTING AND FICTION PRODUCER Jason Walden TECHNICAL WRITING Adam Baker EDITING AND PROOFREADING Mark Pollard BOARD GAME MANAGER James Kniffen TWILIGHT IMPERIUM STORY REVIEW Matt Newman, Katrina Ostrander, and Sam Stewart GRAPHIC DESIGN Christopher Hosch with WiL Springer GRAPHIC DESIGN MANAGER Brian Schomburg COVER ART Scott Schomburg MAP TILE ART Stephen Somers INTERIOR ART Cristi Balanescu, Anders Finér, Tomasz Jedruszek, Alex Kim, and David Auden Nash ART DIRECTION Andy Christensen SCULPTING Neil Hagre, with Bexley Andrajack and Akshay Pathak SCULPTING COORDINATOR Niklas Norman MANAGING ART DIRECTOR Melissa Shetler QUALITY ASSURANCE COORDINATOR Zach Tewalthomas SENIOR PROJECT MANAGER John Franz-Wichlacz SENIOR MANAGER OF PRODUCT DEVELOPMENT Chris Gerber CREATIVE DIRECTOR Andrew Navaro ASMODEE NORTH AMERICA PRODUCTION COORDINATION Marcia Colby, Jason Glawe, Liza Lundgren, and Johanna Whiting PRODUCTION MANAGEMENT Megan Duehn and Jason Beaudoin PLAYTESTERS: Jason Aiken, Maxwell Andersen, Victor Andrade, Michael Beck, Tyler Beckett, Thomas Black, Zach Blomme, Brandon Bockhold, Michael Bomholt, JS Bragg, Ben Burch, Jonathan Bush, Stefano Carlino, Andrew Carr, Matt Carter, Federico Castelo, Kara Centell-Dunk, Roy Chartier, Daniel Lovat Clark, John Clarke, Kevin Collins, Rebecca Corner, Glenn Cullen, Hayden Cunmingham, Caterina D’Agostini, Stuart Day, Chris J Davis, Andrea