Susannah Heschel (Dartmouth College)

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The Religious Studies Program with the Rector’s Office cordially invite you to the first lecture of the series Comparative Approaches to Abrahamic Religions Susannah Heschel (Dartmouth College) Why This New Fascination: The Islamic Imaginary of Modern Jewish Thought Abstract: Why have so many Jewish scholars been drawn to the study of Islam? From the 1830s to the 1930s, Jewish scholars came to dominate the field of Islamic Studies in Europe, particularly Germany, Hungary, and France, concentrating primarily on the Qur’an and the life of Muhammad, but also painting a broad canvas describing the nature of Islam as a religion. They presented Islam as derived from Judaism, and under whose aegis, especially in medieval Muslim Spain, Jews enjoyed not only religious tolerance, but cultural and economic flourishing. My talk will discuss the contributions of these Jewish scholars to the nascent field of Islamic Studies; the very different kind of "Orientalism" their work promoted; and what their studies of Islam contributed to modern Jewish self-understanding. Susannah Heschel holds the Eli Black Professorship in Jewish Studies at Dartmouth College and is currently a Fellow at the Wissenschaftskolleg in Berlin. Her scholarship focuses on Jewish-Christian relations in Germany during the 19th and 20th centuries, the history of biblical scholarship, and the history of antisemitism. Her numerous publications include Abraham Geiger and the Jewish Jesus (University of Chicago Press), which won a National Jewish Book Award, and The Aryan Jesus: Christian Theologians and the Bible in Nazi Germany (Princeton University Press). She is currently writing a book on the history of European Jewish scholarship on Islam from the 1830s to the 1930s. Wednesday, May 23, 2012 5:30 PM CEU, Nádor u. 13 Room 001 Reception to follow .

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April 2015 Bulletin
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~· . f 'J'"• \ /' ,.,, ' ", /" ~ I ~, ~/ the s A B B A T H its meaning for modern man ABRAHAM JOSHUA HESCHEL WITH WOOD ENGRA)IINGS BY ILYA SCHOR FAR R AR , \)Jr J.vtfs'7 - - AND G I ROUX NEW YOR~ ______ ..,._ --..._ ____,..,--- ~ ---~ ' /""'------- i l' 1 / Famu-, Straus and Giroux ./ 19 Union Squm, West, New Yorlt 10003 Copyright C 1951 by Abraham Joshua Hesehel Copyright renewed O 1979 by Sylvia Heschel CONTENTS Introduction copyright O 2005 by Susannali Hesehel All rights l'eilerved Distributed in Canada by Douglas & Mclnryre Ltd. rnTRooucTION hy Susannah Heschel vii Printed in the United States of America Published in 1951 by FJrm, Stfl!WI and Giroux PRoLocuE Architecture of Time 2 This paperback edition, 2005 One Library of Congress Control Number. 2005926224 1. 12 ISBN-13: 97S.0.374-52975-8 A Palace in Tune ISBN-10: 0.374-52975-2 1,. Beyond Civilization 26 Designed by Marshall Lee Two III. The Splendor of Space 34 www.fsgboob.com IV, Only Heaven and Nothing Else? 44 10 9 8 7 6 5 4 3 2 l l v. "Thou Art One" 50 v,. The Presence of a Day 58 Three vu. Eternity Utters a Day 64 VIJI, Intuitions of Eternity 72 IX. Holiness in Time 78 x. Thou Shalt Covet 86 EPILOGUE To Sanctify Time 94 "'-·~,.,\ I ' .,/ Introduction 'e by Susannah Heschel When my father raised his kiddush cup on Friday evenings, closed his eyes, and chanted the prayer sanctifying the wine, I always felt a rush of emotion. As he chanted with an old, sacred family melody, he l blessed the wine and the Sabbath with his prayer, and i also felt he was blessing my life and that of everyone at the table.
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