The Art Market 2020
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Hans Rottenhammer's Use of Networks in the Copper
arts Article Intermediaries and the Market: Hans Rottenhammer’s Use of Networks in the Copper Painting Market Sophia Quach McCabe Department of History of Art and Architecture, University of California, Santa Barbara, Santa Barbara, CA 93106, USA; [email protected] Received: 1 February 2019; Accepted: 16 June 2019; Published: 24 June 2019 Abstract: In Willem van Haecht’s Gallery of Cornelis van der Geest, The Last Judgment by the German artist Hans Rottenhammer stands prominently in the foreground. Signed and dated 1598, it is one of many copper panel paintings Rottenhammer produced and sent north of the Alps during his decade-long sojourn in Venice. That the work was valued alongside those of Renaissance masters raises questions about Rottenhammer’s artistic status and how the painting reached Antwerp. This essay examines Rottenhammer’s international market as a function of his relationships with artist-friends and agents, especially those in Venice’s German merchant community. By employing digital visualization tools alongside the study of archival documents, the essay attends to the intermediary connections within a social network, and their effects on the art market. It argues for Rottenhammer’s use of—and negotiation with—intermediaries to establish an international career. Through digital platforms, such as ArcGIS and Palladio, the artist’s patronage group is shown to have shifted geographically, from multiple countries around 1600 to Germany and Antwerp after 1606, when he relocated to Augsburg. Yet, the same trusted friends and associates he had established in Italy continued to participate in Rottenhammer’s business of art. Keywords: Hans Rottenhammer; social network; intermediaries; mediation; digital humanities; digital art history; merchants; art market; copper painting; Jan Brueghel the Elder 1. -
2020 Digital Catalog
CAP’S MISSION We support and empower all people living with or affected by HIV, reduce stigma, and provide compassionate healthcare to the LGBTQ+ REFLECTIONS ON 35 ON 35 REFLECTIONS YEARS OF SERVICE community & beyond. PRESENTING SPONSOR: WELLS FARGO AN EVENING BENEFITING GOLD SPONSORS: NIKE + ONPOINT COMMUNITY CREDIT UNION CAREOREGON + ONESOURCE STRATEGY CASCADE AIDS PROJECT HONORARY CHAIRS: DEB KEMP + MOLLY KING CAPARTAUCTION.ORG At a time when it can be difficult to feel celebratory amidst so much pain, turmoil and unrest, art gives us hope. When organizations like Cascade AIDS Project continue to respond in the moment with such compassion and collective action - they give us hope. We are so honored to be the chairs of this year’s CAP Art Auction and are proud to stand united for this cause, and together in community. We first learned of Cascade AIDS Project through our work with QDoc Film Fest, an annual LGBTQ+ documentary festival we now run. In addition to supporting and empowering folks living with or affected by HIV, Cascade AIDS Project has been a longtime community partner of hope you will be moved to do so as well. QDoc, helping us elevate the voices As Cascade AIDS Project continues to of marginalized groups through the support those they serve, let’s continue power of storytelling. We are grateful to support them. to reciprocate this relationship through our support of Cascade AIDS Project With love and pride, A WORD FROM A WORD FROM A OUR CO-CHAIRS OUR both personally and professionally and MOLLY KING & DEB KEMP SCHEDULE CAP SCHEDULEEVENING SCHEDULE ART AUCTION.ORG 6:30 PM Red carpet pre-show 7:00 PM Live event Poison Waters Red Carpet Host Johnna Lee Wells Auctioneer Dale Johannes Program Host ENTERTAINMENT ENTERTAINMENT We come together tonight to celebrate Cascade AIDS Project’s 35 years of service during a time when our country’s deep injustices are being again revealed. -
Russian Avant-Garde, 1904-1946 Books and Periodicals
Russian Avant-garde, 1904-1946 Books and Periodicals Most comprehensive collection of Russian Literary Avant-garde All groups and schools of the Russian Literary Avant-garde Fascinating books written by famous Russian authors Illustrations by famous Russian artists (Malevich, Goncharova, Lisitskii) Extremely rare, handwritten (rukopisnye) books Low print runs, published in the Russian provinces and abroad Title list available at: www.idc.nl/avantgarde National Library of Russia, St. Petersburg Editor: A. Krusanov Russian Avant-garde, 1904-1946 This collection represents works of all Russian literary avant-garde schools. It comprises almost 800 books, periodicals and almanacs most of them published between 1910-1940, and thus offers an exceptionally varied and well-balanced overview of one of the most versatile movements in Russian literature. The books in this collection can be regarded as objects of art, illustrated by famous artists such as Malevich, Goncharova and Lisitskii. This collection will appeal to literary historians and Slavists, as well as to book and art historians. Gold mine Khlebnikov, Igor Severianin, Sergei Esenin, Anatolii Mariengof, Ilia Current market value of Russian The Russian literary avant-garde was Avant-garde books both a cradle for many new literary styles Selvinskii, Vladimir Shershenevich, David and Nikolai Burliuk, Alexei Most books in this collection cost and the birthplace of a new physical thousands Dollars per book at the appearance for printed materials. The Kruchenykh, and Vasilii Kamenskii. However, -
Art Auction Sources Ingalls Library
Art Auction Sources Ingalls Library Going Once... Going Twice... Sold! 1 This bibliography was compiled by the Books about Auction Houses and Cleveland Museum of Art’s Ingalls the Auction Market Library reference staff to accompany a Faith, Nicholas. Sold: The Revolution in the series of three workshops on the auc- Art Market. London: Hamish Hamilton, tion market (fine arts, decorative arts, and 1985. prints and photographs) presented at the HF5477 .G74 S67 1985 Library. Given the scope and depth of A profile of Sotheby’s under the dynamic the Library’s collection, only the most leadership of Peter C. Wilson, the famous important titles, databases, and websites auctioneer, that provides an interesting are included. We hope this bibliography glimpse into the world of selling and col- will help you map a methodology for lecting works of art. researching objects. Lacey, Robert. Sotheby’s: Bidding for Class. For a history of the auction market, con- Boston: Little, Brown, 1998. sult the sources listed below as well as HF5477 .G74 G675 1998 the Grove Dictionary of Art entry under A gossipy history of the famous auction “Auction.” The Ingalls Library subscribes house. to many bibliographic databases which provide access to journal articles about McNulty, Tom. Art Market Research: A auctions, auction houses, etc. Guide to Methods and Sources. Jefferson, NC: McFarland, 2006. The bibliography is divided into eight N5200 .M39 2006 sections: “From the gallery to the auction house, • Books about Auction Houses and the this book explores the major venues of art Auction Market acquisition. It introduces basic terminology • Art Sales Sources for the Fine Arts for the art collector and covers the basics • Decorative and Applied Arts of artwork analysis and documentation, • Prints including a concise overview of database • Photographs researching methods and online resources.” • Auction House Publications and Websites Marquis, Alice Goldfarb. -
Modeling On-Line Art Auction Dynamics Using Functional Data
Statistical Science 2006, Vol. 21, No. 2, 179–193 DOI: 10.1214/088342306000000196 c Institute of Mathematical Statistics, 2006 Modeling On-Line Art Auction Dynamics Using Functional Data Analysis Srinivas K. Reddy and Mayukh Dass Abstract. In this paper, we examine the price dynamics of on-line art auc- tions of modern Indian art using functional data analysis. The purpose here is not just to understand what determines the final prices of art objects, but also the price movement during the entire auction. We identify several factors, such as artist characteristics (established or emerging artist; prior sales history), art characteristics (size; painting medium—canvas or paper), competition characteristics (current number of bidders; current number of bids) and auction design characteristics (opening bid; position of the lot in the auction), that explain the dynamics of price movement in an on-line art auction. We find that the effects on price vary over the duration of the auc- tion, with some of these effects being stronger at the beginning of the auc- tion (such as the opening bid and historical prices realized). In some cases, the rate of change in prices (velocity) increases at the end of the auction (for canvas paintings and paintings by established artists). Our analysis sug- gests that the opening bid is positively related to on-line auction price levels of art at the beginning of the auction, but its effect declines toward the end of the auction. The order in which the lots appear in an art auction is nega- tively related to the current price level, with this relationship decreasing to- ward the end of the auction. -
Fine Art Papers Guide
FINE ART PAPERS GUIDE 100 Series • 200 Series • Vision • 300 Series • 400 Series • 500 Series make something real For over 125 years Strathmore® has been providing artists with the finest papers on which to create their artwork. Our papers are manufactured to exacting specifications for every level of expertise. 100 100 Series | Youth SERIES Ignite a lifelong love of art. Designed for ages 5 and up, the paper types YOUTH and features have been selected to enhance the creative process. Choice of paper is one of the most important 200 Series | Good decisions an artist makes 200SERIES Value without compromise. Good quality paper at a great price that’s economical enough for daily use. The broad range of papers is a great in determining the GOOD starting point for the beginning and developing artist. outcome of their work. Color, absorbency, texture, weight, and ® Vision | Good STRATHMORE size are some of the more important Let the world see your vision. An affordable line of pads featuring extra variables that contribute to different high sheet counts and durable construction. Tear away fly sheets reveal a artistic effects. Whether your choice of vision heavyweight, customizable, blank cover made from high quality, steel blue medium is watercolor, charcoal, pastel, GOOD mixed media paper. Charcoal Paper in our 300, 400 and 500 Series is pencil, or pen and ink, you can be confident that manufactured with a traditional laid finish making we have a paper that will enhance your artistic them the ideal foundation for this medium. The efforts. Our papers are manufactured to exacting laid texture provides a great toothy surface for specifications for every level of expertise. -
Dino Rosin Fine Art Sculptor in Glass;
Dino Rosin Fine Art Sculptor in Glass; By Debbie Tarsitano This past January I was privileged to teach encased flamework design at the Corning Museum School’s Studio. Before traveling to Corning I looked through the course catalogue to see who else was teaching during the week I would be there. There was the name, “Dino Rosin,” and his class “solid sculpture.” As I looked at the small photo of his work in the Corning catalogue, I thought to myself, “I wished I could take his class.” That lone picture in the Corning catalogue told me that here was an artist who understood the true meaning of sculpture. Dino Rosin was born in Venice, Italy on May 30, 1948 and his family moved to the island of Murano while he was still a baby. At age 12 Dino left school to work as an apprentice at the prestigious Barovier and Toso glassworks. In 1963 at age 15, Dino joined his older brothers Loredano and Mirco in their own glass studio “Artvet.” Two years later Loredano and Dino joined Egidio Costantini of Fucina Degli Angeli; while working at this renowned studio, Dino and Loredano collaborated with Picasso and other well-known artists of the time. In 1975, Loredano Rosin opened his own studio and Dino, then aged 27, joined his brother’s new venture, supporting him whole-heartedly. Dino progressed and matured as an artist as he worked alongside his brother Loredano to keep the studio strong. Dino perfected his skills in every area of the studio from mixing batch, the raw materials of glass making, to creating new designs. -
Project Report: Team 4 Predicting the Price of Art at Auction
Project Report: Team 4 Predicting the Price of Art at Auction Bhavya Agarwal, Farhan Ali, Prema Kolli, and Xiufeng Yang Department of Computer Science, Stony Brook University, Stony Brook, NY 11794-4400 {bhavya.agarwal,farhan.ali}@stonybrook.edu,{pkolli,xiuyang}@cs. stonybrook.edu http://www.cs.stonybrook.edu/~skiena/591/projects 1 Challenge An art auction is the sale of art works in a competition setting. Our primary goal is to predict the price of an art piece/painting in an art auction. We are focusing only on auctions, which occur in auction houses such as Sotheby's and Christie's. In this project, we try to predict the price of art to be sold at Sotheby's auction in London on 3 December 2014. We are trying to build a generic model, capable of predicting price of any piece of art to be sold based on a variety of features associated with an artist, auction house and the piece of art itself. There is a famous quote in the movie "The Monuments Men" where the actor George Clooney talks about the importance/significance of art. He says that wiping out any generation's art history is equivalent to wiping out the entire generation itself. "You can wipe out the entire generation, you can burn their homes to the ground and somehow they will still find their way back. But you can destroy their history, destroy their achievements and this is it they never existed. That is what we are exactly fighting for." Predicting the price of a painting in an art auction turns out be a challenging task as there are lot of functional dynamics involved in the whole auction process. -
Conceptual Art: a Critical Anthology
Conceptual Art: A Critical Anthology Alexander Alberro Blake Stimson, Editors The MIT Press conceptual art conceptual art: a critical anthology edited by alexander alberro and blake stimson the MIT press • cambridge, massachusetts • london, england ᭧1999 Massachusetts Institute of Technology All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval)without permission in writing from the publisher. This book was set in Adobe Garamond and Trade Gothic by Graphic Composition, Inc. and was printed and bound in the United States of America. Library of Congress Cataloging-in-Publication Data Conceptual art : a critical anthology / edited by Alexander Alberro and Blake Stimson. p. cm. Includes bibliographical references and index. ISBN 0-262-01173-5 (hc : alk. paper) 1. Conceptual art. I. Alberro, Alexander. II. Stimson, Blake. N6494.C63C597 1999 700—dc21 98-52388 CIP contents ILLUSTRATIONS xii PREFACE xiv Alexander Alberro, Reconsidering Conceptual Art, 1966–1977 xvi Blake Stimson, The Promise of Conceptual Art xxxviii I 1966–1967 Eduardo Costa, Rau´ l Escari, Roberto Jacoby, A Media Art (Manifesto) 2 Christine Kozlov, Compositions for Audio Structures 6 He´lio Oiticica, Position and Program 8 Sol LeWitt, Paragraphs on Conceptual Art 12 Sigmund Bode, Excerpt from Placement as Language (1928) 18 Mel Bochner, The Serial Attitude 22 Daniel Buren, Olivier Mosset, Michel Parmentier, Niele Toroni, Statement 28 Michel Claura, Buren, Mosset, Toroni or Anybody 30 Michael Baldwin, Remarks on Air-Conditioning: An Extravaganza of Blandness 32 Adrian Piper, A Defense of the “Conceptual” Process in Art 36 He´lio Oiticica, General Scheme of the New Objectivity 40 II 1968 Lucy R. -
Best Management Practices for Fine Art Painting Studios
NARRAGANSETT BAY COMMISSION Environmental, Health & Safety MANAGEMENT BEST PRACTICES for FINE ART PAINTING STUDIOS The purpose of this brochure is to guide you in protecting your health and preserving the environment as you work with various supplies and materials in your studio. It is also intended to help you save money and to comply with existing environmental regulations. Following these guidelines will keep you and your environment safe. Sources of health & safety information on the Internet for artists Disposal of household hazardous waste in RI: www.rirrc.org/site/ecodepot/eco_depot_broc.pdf A searchable health & safety database by medium: www.ci.tuc- son.az.us/arthazards/home.html List of references and more: www.library.unisa.edu.au/internet/pathfind/arthazards.htm Comprehensive list of articles covering many mediums: www.croetweb.com/outreach/croetweb/ links.cfm?topicID=2 List of books, periodicals and organizations: http://wally.rit.edu/pubs/guides/healthhaz.html Comprehensive list of articles: www.library.wwu.edu/ref/subjguides/art/arthazards.html Article entitled Art Painting and Drawing www.uic.edu/sph/glakes/harts/HARTS_library/paintdrw.txt Very comprehensive list of resources for many media: www.trueart.info/hazards.htm Safety Primer with references: www.ianr.unl.edu/pubs/consumered/nf126.htm Safety Primers: www.artspaceseattle.org/solutions/safety.html www.uwlax.edu/ehs/arthaz.html www.gamblincolors.com/safety.html Paint MSDSs available under Health & Safety section: www.winsornewton.com/index2.php Studio Ventilation: -
Printmaking Through the Ages Utah Museum of Fine Arts • Lesson Plans for Educators • March 7, 2012
Printmaking through the Ages Utah Museum of Fine Arts • www.umfa.utah.edu Lesson Plans for Educators • March 7, 2012 Table of Contents Page Contents 2 Image List 3 Printmaking as Art 6 Glossary of Printing Terms 7 A Brief History of Printmaking Written by Jennifer Jensen 10 Self Portrait in a Velvet Cap , Rembrandt Written by Hailey Leek 11 Lesson Plan for Self Portrait in a Velvet Cap Written by Virginia Catherall 14 Kintai Bridge, Province of Suwo, Hokusai Written by Jennifer Jensen 16 Lesson Plan for Kintai Bridge, Province of Suwo Written by Jennifer Jensen 20 Lambing , Leighton Written by Kathryn Dennett 21 Lesson Plan for Lambing Written by Kathryn Dennett 32 Madame Louison, Rouault Written by Tiya Karaus 35 Lesson Plan for Madame Louison Written by Tiya Karaus 41 Prodigal Son , Benton Written by Joanna Walden 42 Lesson Plan for Prodigal Son Written by Joanna Walden 47 Flotsam, Gottlieb Written by Joanna Walden 48 Lesson Plan for Flotsam Written by Joanna Walden 55 Fourth of July Still Life, Flack Written by Susan Price 57 Lesson Plan for Fourth of July Still Life Written by Susan Price 59 Reverberations, Katz Written by Jennie LaFortune 60 Lesson Plan for Reverberations Written by Jennie LaFortune Evening for Educators is funded in part by the StateWide Art Partnership and the Professional Outreach Programs in the Schools (POPS) through the Utah State Office of Education 1 Printmaking through the Ages Utah Museum of Fine Arts • www.umfa.utah.edu Lesson Plans for Educators • March 7, 2012 Image List 1. Rembrandt Harmensz van Rijn (1606-1669), Dutch Self Portrait in a Velvet Cap with Plume , 1638 Etching Gift of Merrilee and Howard Douglas Clark 1996.47.1 2. -
ONLINE AUCTION: Thursday, Nov
ONLINE AUCTION: Thursday, Nov. 12th, 2020 from 4 - 10 p.m. INSTRUCTIONS AND BIDDING BOOK About the Lynn Institute: The Lynn Institute for Healthcare Research, a 501(c)(3) nonprofit organization, is committed to helping communities, neighborhoods, and vulnerable populations with health and lifestyle conditions that are impacting overall health. We identify at-risk populations, define unique health risks, publish findings, assemble collaboratives, create programs and develop sustainable plans with measurable goals and objectives to improve the health and hope of communities. Our Work Includes: Research Studies / Outcome-Based Initiatives Collaboratives Community Impact & Engagement - Zoo4U & Science4U Health & Lifestyle Programs: ¡ Count Me In 4 Kids ¡ HealthRide OKC / Prescription Co-Pay Assistance ¡ Foundations of Wellness / On the Road to Health Classes ¡ Planting Urban Gardens ¡ Health Screenings ¡ Food distributions of fresh produce and lean meats for nutrition and health; (Since August 2019, the Lynn Institute has distributed more than 350,000 pounds of fresh produce to impoverished neighborhoods in the OKC metro.) HOW CAN YOU HELP? It requires funding to offer the programs and provide impoverished communities access to basic life needs that most of us take for granted. ¡ Please take the opportunity this Thursday, November 12th from 4 – 10 p.m. to bid on and buy the incredible works of art that have been generously created by artists from around the state; ¡ Not bidding? You can still donate to the Lynn Institute on the auction site; and, ¡ Visit our Chairity partner, the North Gallery & Studios in the Shoppes at Northpark or the other galleries around our state where our individual artists show their work.