Fine Art Papers Guide
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
2019 Catalog 12-14.Pdf
www.legionpaper.com www.moabpaper.com www.risingmuseumboard.com www.solvart.com © Copyright 2019 Legion Paper Corporation All Rights Reserved. No portion of this publication may be reproduced without the permission of Legion Paper. OUR ROMANCE WITH PAPER Peace treaties are signed on it. Declarations of love are written on it. Artists’ works are portrayed on it. Of course, we mean paper; the medium that has evolved to reflect its own poetry, becoming an opportunity for pure innovation and unlimited creativity. Through the years, a melding of ancient craft and enlightened technology occurred, creating new practices and opening new horizons for expression in paper. When we trace its history, we find insight into man’s relentless imagination and creativity. Today, this convergence of ancient and modern continues and paper emerges with not only greater variety but a renewed appreciation of quality. To some, fine paper is the space that translates what is conceived in the mind to what is authentic. To others, having access to the right paper represents abundant possibility and profitability. The very selection of paper now becomes an adventure, realizing how the end result will vary based upon choice. Today, as in the years past, Legion Paper continues to source the finest papermakers around the globe, respecting the skill of the artisan and the unique attributes of the finished product. As we head into the future, Legion remains steadfast in its commitment to diversity, customer service and an unparalleled level of professionalism. We’re sure you will want to touch and feel some of the 3,500 papers described on the following pages. -
Russian Avant-Garde, 1904-1946 Books and Periodicals
Russian Avant-garde, 1904-1946 Books and Periodicals Most comprehensive collection of Russian Literary Avant-garde All groups and schools of the Russian Literary Avant-garde Fascinating books written by famous Russian authors Illustrations by famous Russian artists (Malevich, Goncharova, Lisitskii) Extremely rare, handwritten (rukopisnye) books Low print runs, published in the Russian provinces and abroad Title list available at: www.idc.nl/avantgarde National Library of Russia, St. Petersburg Editor: A. Krusanov Russian Avant-garde, 1904-1946 This collection represents works of all Russian literary avant-garde schools. It comprises almost 800 books, periodicals and almanacs most of them published between 1910-1940, and thus offers an exceptionally varied and well-balanced overview of one of the most versatile movements in Russian literature. The books in this collection can be regarded as objects of art, illustrated by famous artists such as Malevich, Goncharova and Lisitskii. This collection will appeal to literary historians and Slavists, as well as to book and art historians. Gold mine Khlebnikov, Igor Severianin, Sergei Esenin, Anatolii Mariengof, Ilia Current market value of Russian The Russian literary avant-garde was Avant-garde books both a cradle for many new literary styles Selvinskii, Vladimir Shershenevich, David and Nikolai Burliuk, Alexei Most books in this collection cost and the birthplace of a new physical thousands Dollars per book at the appearance for printed materials. The Kruchenykh, and Vasilii Kamenskii. However, -
Paper Technology Journal
Paper Technology Journal World paper market: Quo vadis newsprint? News from the Divisions: Stock Preparation, Paper Machinery, Finishing and Service. A Scandinavian Success Story. Notable Startups. Orderbook Highlights. China, changing times in 3 the cradle of papermaking. Contents Foreword 1 Corporate News Highlights USA/Germany: Voith Appleton machine clothing. 55 Startups, orders on hand 2 Austria: World paper market The Andritz Group – partnering the Quo vadis newsprint? 5 pulp and paper industry 58 News from the Divisions Germany: Stock preparation: B+G Fördertechnik thirty years on 64 Membrane technology for the further close-up of paper mill water loops 14 Germany: Board and packaging Paper Machinery: pilot paper machine upgrade – Ortviken PM 4 – facing the future with tomorrow’s technology today 22 versatility 69 Paper Machinery: Latest generation of cylinder mould New names, new addresses formers – FloatLip former N, NO, S 28 Hunt & Moscrop: now Voith Sulzer Paper Machinery: Finishing Ltd., Manchester 72 Serang BM3/BM4 – the exemplary commissioning 30 Voith Sulzer Paper Technology: regional representation in Jakarta 72 Gap Former Technology: No. 26 DuoFormer CFD installation a success 37 Special awards for innovation and design Paper Machinery: New applications in multilayer Neusiedler Paper wins innovation technology 38 award with a revolutionary 3-layer headbox and NipcoFlex press 73 Paper Machinery: Brilliant Coating with JetFlow F – SPCI ’96 – impressive presence 73 data, facts, experience 44 Finishing: Advertisement of the year in Brazil 73 Econip – a new generation of deflection compensating rolls 48 China: Service: The changing origins of GR2 cover – next-generation paper – from hand-made performance leader 51 to machine-made 75 Cover picture: Ortviken – successfull start-up (see article on page 22). -
Chemical Pulping of Waste Pineapple Leaves Fiber for Kraft Paper Production
JMRTEC-135; No. of Pages 8 ARTICLE IN PRESS j m a t e r r e s t e c h n o l . 2 0 1 5;x x x(xx):xxx–xxx Available online at www.sciencedirect.com www.jmrt.com.br Original Article Chemical pulping of waste pineapple leaves fiber for kraft paper production a,∗ b Waham Ashaier Laftah , Wan Aizan Wan Abdul Rahaman a Department of Polymer Engineering, Faculty of Chemical Engineering, Universiti Teknologi Malaysia, Johor, Malaysia b Center for Composites, Universiti Teknologi Malaysia, Johor, Malaysia a r t i c l e i n f o a b s t r a c t Article history: The main objective of this study is to evaluate the implementation of acetone as a pulping Received 29 August 2014 agent for pineapple leaves. Mixtures of water and acetone with concentration of 1%, 3%, Accepted 15 December 2014 5%, 7%, and 10% were used. The effects of soaking and delignification time on the paper Available online xxx properties were investigated. Thermal and physical properties of paper sheet were studied using thermogravimetric analysis (TGA) and tearing resistance test respectively. The mor- × Keywords: phological properties were observed using microscope at 200 magnification. The paper sheet produced from pulping with 3% acetone concentration shows the highest mechan- Natural fiber Renewable resources ical properties. Papers strength was improved by increasing the delignification time. The ◦ Pineapple leaves delignification time was reduced by cooking the pineapple leaves at a temperature of 118 C Pineapple fiber under applied pressure of 80 kPa which has remarkable effect on paper strength. -
Sustainable Alternatives to Industrial Printing Practices: a Case Study Analysis of Esquire Magazine and Electronic Paper Display
Sustainable Alternatives to Industrial Printing Practices: A Case Study Analysis of Esquire Magazine and Electronic Paper Display Christopher Moore, Concordia University, Montreal, [email protected] Abstract In October 2008, Esquire magazine became the first commercial publisher to utilize electronic paper display technology (EPD) for mass production and distribution of printed ephemera. Initially developed at the MIT Media Lab in 1997, E Ink displays have been integrated into a variety of hardware devices, including the Amazon Kindle and Sony Reader. However, the Esquire cover represents a milestone achievement in the evolution of a more sustainable, paperless print solution due to the medium’s flexible nature, low power consumption, and limited circuitry requirements. 100,000 copies were sold on newsstands for the regular cover price of $5.99 USD, proving both the economic viability and flexible application of the technology, which is impervious to ambient lighting conditions and adaptable to multiple modalities. This paper outlines the key features and benefits of E Ink, as well as the critical challenges impeding widespread adoption of EPD. Keywords Sustainable design (primary keyword); design and society; eco-design; communication and information; case study/studies In response to political and consumer pressures, traditional print industries have increasingly adapted production methods to utilize more ecologically conscientious practices. Transitions to vegetable dyes, post-consumer fibres and dissolved air flotation de-inking processes have contributed to reduced environmental consequences from the paper and printing industries, but the overall output of ephemera has remained largely unchanged. The secondary carbon offset resulting from energy consumption and chemical disposal in the recycling and transportation of printed matter needs to be reconciled with advancements made in material technologies, and our cultural desire for tangible media. -
Dino Rosin Fine Art Sculptor in Glass;
Dino Rosin Fine Art Sculptor in Glass; By Debbie Tarsitano This past January I was privileged to teach encased flamework design at the Corning Museum School’s Studio. Before traveling to Corning I looked through the course catalogue to see who else was teaching during the week I would be there. There was the name, “Dino Rosin,” and his class “solid sculpture.” As I looked at the small photo of his work in the Corning catalogue, I thought to myself, “I wished I could take his class.” That lone picture in the Corning catalogue told me that here was an artist who understood the true meaning of sculpture. Dino Rosin was born in Venice, Italy on May 30, 1948 and his family moved to the island of Murano while he was still a baby. At age 12 Dino left school to work as an apprentice at the prestigious Barovier and Toso glassworks. In 1963 at age 15, Dino joined his older brothers Loredano and Mirco in their own glass studio “Artvet.” Two years later Loredano and Dino joined Egidio Costantini of Fucina Degli Angeli; while working at this renowned studio, Dino and Loredano collaborated with Picasso and other well-known artists of the time. In 1975, Loredano Rosin opened his own studio and Dino, then aged 27, joined his brother’s new venture, supporting him whole-heartedly. Dino progressed and matured as an artist as he worked alongside his brother Loredano to keep the studio strong. Dino perfected his skills in every area of the studio from mixing batch, the raw materials of glass making, to creating new designs. -
E-Paper Technology
Special Issue - 2016 International Journal of Engineering Research & Technology (IJERT) ISSN: 2278-0181 NSDMCC - 2015 Conference Proceedings E-Paper Technology Anitta Joseph Vth Semester B.Sc. Computer Science Vimala College, Thrissur Abstract: Made of flexible material, requiring ultra-low These limitations include the backlighting of monitors power consumption, cheap to manufacture, and most which is hard on the human eye, while electronic paper importantly, easy and convenient to read, E-papers of the reflects light just like normal paper. In addition, e-paper is future are just around the corner, with the promise to hold easier to read at an angle than flat screen monitors. libraries on a chip and replace most printed newspapers Electronic paper also has the potential to be flexible before the end of the next decade.Electronic paper(E-paper) is a portable. Reusable storage and display medium that looks becauseit is made of plastic. It is also light and potentially like paper but can be repeatedly written on (refreshed) by inexpensive. electronic means, thousands or millions of times. E-paper will be used for applications such as e-books, electronics II. TECHNOLOGY BEHIND E_PAPER newspaper, portable signs, & foldable, rollable displays. Information to be displays is downloaded through a The E-Paper is also called Electronic Paper or Electronic connection to a computer or a cell phone, or created with ink Display. The first E-Paper was developed in 1974’s by mechanical tools such as an electronic “pencil”. This paper Nicholas K Sheridon at Xerox’s Palo Alto research centre. discusses the history, features, and technology of the electronic paper revolution. -
Best Management Practices for Fine Art Painting Studios
NARRAGANSETT BAY COMMISSION Environmental, Health & Safety MANAGEMENT BEST PRACTICES for FINE ART PAINTING STUDIOS The purpose of this brochure is to guide you in protecting your health and preserving the environment as you work with various supplies and materials in your studio. It is also intended to help you save money and to comply with existing environmental regulations. Following these guidelines will keep you and your environment safe. Sources of health & safety information on the Internet for artists Disposal of household hazardous waste in RI: www.rirrc.org/site/ecodepot/eco_depot_broc.pdf A searchable health & safety database by medium: www.ci.tuc- son.az.us/arthazards/home.html List of references and more: www.library.unisa.edu.au/internet/pathfind/arthazards.htm Comprehensive list of articles covering many mediums: www.croetweb.com/outreach/croetweb/ links.cfm?topicID=2 List of books, periodicals and organizations: http://wally.rit.edu/pubs/guides/healthhaz.html Comprehensive list of articles: www.library.wwu.edu/ref/subjguides/art/arthazards.html Article entitled Art Painting and Drawing www.uic.edu/sph/glakes/harts/HARTS_library/paintdrw.txt Very comprehensive list of resources for many media: www.trueart.info/hazards.htm Safety Primer with references: www.ianr.unl.edu/pubs/consumered/nf126.htm Safety Primers: www.artspaceseattle.org/solutions/safety.html www.uwlax.edu/ehs/arthaz.html www.gamblincolors.com/safety.html Paint MSDSs available under Health & Safety section: www.winsornewton.com/index2.php Studio Ventilation: -
Printmaking Through the Ages Utah Museum of Fine Arts • Lesson Plans for Educators • March 7, 2012
Printmaking through the Ages Utah Museum of Fine Arts • www.umfa.utah.edu Lesson Plans for Educators • March 7, 2012 Table of Contents Page Contents 2 Image List 3 Printmaking as Art 6 Glossary of Printing Terms 7 A Brief History of Printmaking Written by Jennifer Jensen 10 Self Portrait in a Velvet Cap , Rembrandt Written by Hailey Leek 11 Lesson Plan for Self Portrait in a Velvet Cap Written by Virginia Catherall 14 Kintai Bridge, Province of Suwo, Hokusai Written by Jennifer Jensen 16 Lesson Plan for Kintai Bridge, Province of Suwo Written by Jennifer Jensen 20 Lambing , Leighton Written by Kathryn Dennett 21 Lesson Plan for Lambing Written by Kathryn Dennett 32 Madame Louison, Rouault Written by Tiya Karaus 35 Lesson Plan for Madame Louison Written by Tiya Karaus 41 Prodigal Son , Benton Written by Joanna Walden 42 Lesson Plan for Prodigal Son Written by Joanna Walden 47 Flotsam, Gottlieb Written by Joanna Walden 48 Lesson Plan for Flotsam Written by Joanna Walden 55 Fourth of July Still Life, Flack Written by Susan Price 57 Lesson Plan for Fourth of July Still Life Written by Susan Price 59 Reverberations, Katz Written by Jennie LaFortune 60 Lesson Plan for Reverberations Written by Jennie LaFortune Evening for Educators is funded in part by the StateWide Art Partnership and the Professional Outreach Programs in the Schools (POPS) through the Utah State Office of Education 1 Printmaking through the Ages Utah Museum of Fine Arts • www.umfa.utah.edu Lesson Plans for Educators • March 7, 2012 Image List 1. Rembrandt Harmensz van Rijn (1606-1669), Dutch Self Portrait in a Velvet Cap with Plume , 1638 Etching Gift of Merrilee and Howard Douglas Clark 1996.47.1 2. -
Title Historical Value of Parabaik and Pei All Authors Moe Moe Oo Publication Type Local Publication Publisher (Journal Name, Is
Title Historical Value of Parabaik and Pei All Authors Moe Moe Oo Publication Type Local Publication Publisher (Journal name, Meiktila University, Research Journal, Vol.IV, No.1, 2013 issue no., page no etc.) Parabaiks and Palm Leaf Manuscripts are important in the rich and old tradition and cultural history of Southeast Asia. Many documents reflected the socio- economic situation and Buddhist text of ancient Myanmar. These sources are Abstract like a treasure-trove for historians. We hope that this Parabaik and Palm leaf will advance the study of the early modern history of Myanmar, as well as that of the whole Southeast Asian region, and will also contribute to the preservation of a valuable cultural heritage in Myanmar. cultural heritage, preservation Keywords Citation Issue Date 2013 61 Meiktila University, Research Journal, Vol.IV, No.1, 2013 Historical Value of Parabaik and Pei Moe Moe Oo1 Abstract Parabaiks and Palm Leaf Manuscripts are important in the rich and old tradition and cultural history of Southeast Asia. Many documents reflected the socio-economic situation and Buddhist text of ancient Myanmar. These sources are like a treasure-trove for historians. We hope that this Parabaik and Palm leaf will advance the study of the early modern history of Myanmar, as well as that of the whole Southeast Asian region, and will also contribute to the preservation of a valuable cultural heritage in Myanmar. Key Words: cultural heritage, preservation Introduction Myanmar Manuscripts are an attempt to deal with the socio- economic life of the people during the Kon-baung period. There are many books both published and unpublished in the forms of research journal and thesis. -
The Native American Fine Art Movement: a Resource Guide by Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba
2301 North Central Avenue, Phoenix, Arizona 85004-1323 www.heard.org The Native American Fine Art Movement: A Resource Guide By Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba HEARD MUSEUM PHOENIX, ARIZONA ©1994 Development of this resource guide was funded by the Nathan Cummings Foundation. This resource guide focuses on painting and sculpture produced by Native Americans in the continental United States since 1900. The emphasis on artists from the Southwest and Oklahoma is an indication of the importance of those regions to the on-going development of Native American art in this century and the reality of academic study. TABLE OF CONTENTS ● Acknowledgements and Credits ● A Note to Educators ● Introduction ● Chapter One: Early Narrative Genre Painting ● Chapter Two: San Ildefonso Watercolor Movement ● Chapter Three: Painting in the Southwest: "The Studio" ● Chapter Four: Native American Art in Oklahoma: The Kiowa and Bacone Artists ● Chapter Five: Five Civilized Tribes ● Chapter Six: Recent Narrative Genre Painting ● Chapter Seven: New Indian Painting ● Chapter Eight: Recent Native American Art ● Conclusion ● Native American History Timeline ● Key Points ● Review and Study Questions ● Discussion Questions and Activities ● Glossary of Art History Terms ● Annotated Suggested Reading ● Illustrations ● Looking at the Artworks: Points to Highlight or Recall Acknowledgements and Credits Authors: Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba Special thanks to: Ann Marshall, Director of Research Lisa MacCollum, Exhibits and Graphics Coordinator Angelina Holmes, Curatorial Administrative Assistant Tatiana Slock, Intern Carrie Heinonen, Research Associate Funding for development provided by the Nathan Cummings Foundation. Copyright Notice All artworks reproduced with permission. -
Aria Amenities Fine Art Brochure
YOUR GUIDE TO EXPLORING THE Reproduced by permission of the Henry Moore Foundation The first major permanent collection of art in Las Vegas to be integrated into a public space, the ARIA Fine Art Collection is one of the world’s largest and most ambitious corporate collections. The ARIA Fine Art Collection features work by acclaimed painters, sculptors and installation artists, including Maya Lin, Jenny Holzer, Nancy Rubins, Claes Oldenburg and Coosje van Bruggen, Frank Stella, Henry Moore, James Turrell and Richard Long, among others. The ARIA Fine Art Collection encompasses a multitude of styles and media engaging visitors on a visual and intellectual level. Some were existing pieces, carefully chosen for their artistic value and cultural significance; others are site-specific installations for which the artist commanded their vision over the space. Fully integrated into the architecture and design of the ARIA Campus, guests can interact with important works of art in the living, breathing spaces of ARIA’s public areas, hotels and residential common spaces. From vibrant and ornate to intimate and serene, these works were strategically placed to fascinate and educate guests. For more information about the ARIA Fine Art Collection, please visit Aria.com/fineart. Please do not touch the artwork. 11 6 12 5 4 9 13 ADDITIONAL ATTRACTIONS TO CASINO ND LEVEL 7 10 PROMENADE ARIA Resort & Casino 3 8 A Lumia ARIA Resort & Casino, Main Entrance Twisting ribbons and large arcs of streaming water create bold, captivating “water sparks” at their intersections. Lumia is the first fountain to be lit, so the vibrant colors are visible during daylight.