Word 2007 Unit C 06-6-2012
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Supreme Court of the State of New York Appellate Division: Second Judicial Department
Supreme Court of the State of New York Appellate Division: Second Judicial Department A GLOSSARY OF TERMS FOR FORMATTING COMPUTER-GENERATED BRIEFS, WITH EXAMPLES The rules concerning the formatting of briefs are contained in CPLR 5529 and in § 1250.8 of the Practice Rules of the Appellate Division. Those rules cover technical matters and therefore use certain technical terms which may be unfamiliar to attorneys and litigants. The following glossary is offered as an aid to the understanding of the rules. Typeface: A typeface is a complete set of characters of a particular and consistent design for the composition of text, and is also called a font. Typefaces often come in sets which usually include a bold and an italic version in addition to the basic design. Proportionally Spaced Typeface: Proportionally spaced type is designed so that the amount of horizontal space each letter occupies on a line of text is proportional to the design of each letter, the letter i, for example, being narrower than the letter w. More text of the same type size fits on a horizontal line of proportionally spaced type than a horizontal line of the same length of monospaced type. This sentence is set in Times New Roman, which is a proportionally spaced typeface. Monospaced Typeface: In a monospaced typeface, each letter occupies the same amount of space on a horizontal line of text. This sentence is set in Courier, which is a monospaced typeface. Point Size: A point is a unit of measurement used by printers equal to approximately 1/72 of an inch. -
Cloud Fonts in Microsoft Office
APRIL 2019 Guide to Cloud Fonts in Microsoft® Office 365® Cloud fonts are available to Office 365 subscribers on all platforms and devices. Documents that use cloud fonts will render correctly in Office 2019. Embed cloud fonts for use with older versions of Office. Reference article from Microsoft: Cloud fonts in Office DESIGN TO PRESENT Terberg Design, LLC Index MICROSOFT OFFICE CLOUD FONTS A B C D E Legend: Good choice for theme body fonts F G H I J Okay choice for theme body fonts Includes serif typefaces, K L M N O non-lining figures, and those missing italic and/or bold styles P R S T U Present with most older versions of Office, embedding not required V W Symbol fonts Language-specific fonts MICROSOFT OFFICE CLOUD FONTS Abadi NEW ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Abadi Extra Light ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Note: No italic or bold styles provided. Agency FB MICROSOFT OFFICE CLOUD FONTS ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Agency FB Bold ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Note: No italic style provided Algerian MICROSOFT OFFICE CLOUD FONTS ABCDEFGHIJKLMNOPQRSTUVWXYZ 01234567890 Note: Uppercase only. No other styles provided. Arial MICROSOFT OFFICE CLOUD FONTS ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Arial Italic ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Arial Bold ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Arial Bold Italic ABCDEFGHIJKLMNOPQRSTUVWXYZ -
15 the Effect of Font Type on Screen Readability by People with Dyslexia
The Effect of Font Type on Screen Readability by People with Dyslexia LUZ RELLO and RICARDO BAEZA-YATES, Web Research Group, DTIC, Universitat Pompeu Fabra, Barcelona, Spain Around 10% of the people have dyslexia, a neurological disability that impairs a person’s ability to read and write. There is evidence that the presentation of the text has a significant effect on a text’s accessibility for people with dyslexia. However, to the best of our knowledge, there are no experiments that objectively 15 measure the impact of the typeface (font) on screen reading performance. In this article, we present the first experiment that uses eye-tracking to measure the effect of typeface on reading speed. Using a mixed between-within subject design, 97 subjects (48 with dyslexia) read 12 texts with 12 different fonts. Font types have an impact on readability for people with and without dyslexia. For the tested fonts, sans serif , monospaced, and roman font styles significantly improved the reading performance over serif , proportional, and italic fonts. On the basis of our results, we recommend a set of more accessible fonts for people with and without dyslexia. Categories and Subject Descriptors: H.5.2 [Information Interfaces and Presentation]: User Interfaces— Screen design, style guides; K.4.2 [Computers and Society]: Social Issues—Assistive technologies for per- sons with disabilities General Terms: Design, Experimentation, Human Factors Additional Key Words and Phrases: Dyslexia, learning disability, best practices, web accessibility, typeface, font, readability, legibility, eye-tracking ACM Reference Format: Luz Rello and Ricardo Baeza-Yates. 2016. The effect of font type on screen readability by people with Dyslexia. -
I Hate Comic Sans!
I HATE COMIC SANS! It’s Overused It’s Badly used It’s not serious typography Used Incorrectly by Hospitals, Businesses, and Banks, etc. ? “A Computer on Every Desk, In every Home, Running Microsoft Software” the Microsoft Mission statement c. 1980 Computers were expensive Marketed mostly to businesses Expensive Dial up internet Off peak use only on AOL (after 6pm-6am) Screen savers were products Microsoft Scenes After Dark (flying toasters) CD-ROM ‘multimedia’ software MS Beethoven, Schubert, Stravinsky, Strauss MS Ultimate Frank Lloyd Wright MS Wine Guide, MS Dogs, MS Complete Gardening Microsoft Home (1993 Consumer Division) •Goal: To create software for Mums, Dads, and kids Product titles: •Microsoft Flight Simulator* •Microsoft Encarta* •Microsoft Scenes* •Microsoft Creative Writer Wall Street Journal: Aug 24, 1995 • Home computers in US home electronic stores for about $1000 •First affordable computers available • with Windows 95 installed • MSN Online network released to compete with America Online (AOL), Compuserve, Genie etc. • First Generation Internet Explorer released in the Plus Pack for Windows 95 ‘Utopia’ Project Lead: Melinda French (future Mrs. BillG) UI used a simple method of Launching Applications Similar to Hypercard stacks of the late 1980s For children and novice users Release: to coincide with Win95 and 1995 Christmas Season Rover talks in Times New Roman 1994 Microsoft Bob DC Comics: DC Comics The Dark Knight Returns Watchmen DC COMICS: WATCHMEN 1986-87 ILLUSTRATOR/LETTERER : DAVE GIBBONS • -
Choosing Fonts – Quick Tips
Choosing Fonts – Quick Tips 1. Choose complementary fonts – choose a font that matches the mood of your design. For business cards, it is probably best to choose a classic font. *Note: These fonts are not available in Canva, but are in the Microsoft Office Suite. For some good Canva options, go to this link – https://www.canva.com/learn/canva-for-work-brand-fonts/ Examples: Serif Fonts: Sans Serif Fonts: Times New Roman Helvetica Cambria Arial Georgia Verdana Courier New Calibri Century Schoolbook 2. Establish a visual hierarchy – Use fonts to separate different types of information and guide the reader - Use different fonts, sizes, weights (boldness), and even color - Example: Heading (Helvetica, SZ 22, Bold) Sub-heading (Helvetica, SZ 16, Italics) Body Text (Garamond, SZ 12, Regular) Captions (Garamond, SZ 10, Regular 3. Mix Serifs and Sans Serifs – This is one of the best ways to add visual interest to type. See in the above example how I combined Helvetica, a sans serif font, with Garamond, a serif font. 4. Create Contrast, Not Conflict: Fonts that are too dissimilar may not pair well together. Contrast is good, but fonts need a connecting element. Conflict Contrast 5. Use Fonts from the Same Family: These fonts were created to work together. For example, the fonts in the Arial or Courier families. 6. Limit Your Number of Fonts: No more than 2 or 3 is a good rule – for business cards, choose 2. 7. Trust Your Eye: These are not concrete rules – you will know if a design element works or not! . -
Free Download Arial Unicode Ms.Ttf
Free download arial unicode ms.ttf click here to download www.doorway.ru Arial Unicode MS font preview. www.doorway.ru Arial Unicode MS font preview. Download font - MB. At www.doorway.ru, find an amazing collection of thousands of FREE fonts for Windows and Mac. Arial Unicode MS ( downloads) Free For Personal Use. Download arial unicode ms font free at www.doorway.ru, database with web fonts, truetype and opentype fonts for Windows, Linux and. Typographic info for the Arial Unicode MS font family. Purchase & Download Microsoft fonts for personal, professional or business use on. Download the Arial Unicode MS free font. Mac, Linux; ✓ for programs: Microsoft Word, Photoshop, etc; ✓ free download. Arial Unicode www.doorway.ru, MB. Download Unavailable. Arial Create a Logo Using Arial Unicode MS You may need to extract www.doorway.ru files from www.doorway.ru archive file before installing the font. Description: Where can you get the Arial Unicode MS font? Resolution: www.doorway.ru file (the Arial Unicode MS font) needs to be in the PC's. Download Arial Unicode MS Regular For Free, View Sample Text, Rating And More On www.doorway.ru View and Download Arial Unicode MS Version CartoCSS port of Toner. Contribute to stamen/toner-carto development by creating an account on GitHub. toner-carto/fonts/www.doorway.ru Fetching contributors Cannot retrieve contributors at this time. Download History. executable file MB. View Raw. Arial Unicode MS Regular truetype font page. Coolest truetype fonts. Best free fonts download. View font details, character map, custom preview, downloads, file contents Arial Unicode by Agfa Monotype Corporation TTF, 22 MB, Font File, download . -
The Comicsans Pacakge
The comicsans package∗ Scott Pakin [email protected] December 19, 2013 1 Introduction The comicsans package makes Microsoft's Comic Sans font available to LATEX 2". comicsans supports all of the following: • Roman text, boldface text, SMALL-CAPS TEXT, and—with a little extra effort—italic text • Кирилица (римский шрифт, жирный шрифт, каллиграфический шрифт) • Mathematics using Comic Sans wherever possible: ′ log 2" 1 k y (x) 3 10 3 + k=x pk1 Comic Sans is a TrueType (TTF) font. As such, it works particularly well with pdfLATEX, which natively supports TrueType fonts. Some TEX distribu- tions also support dynamic conversion of TTF to PK (a bitmapped font format long used by TEX) so TEX backends other than pdfTEX can (indirectly) utilize TrueType fonts, as well. 2 Installation The following is a brief summary of the comicsans installation procedure: 1. Acquire and install the Comic Sans TrueType (.ttf) files. 2. [Optional] Generate the italic and/or Cyrillic variants of Comic Sans 3. Install the comicsans font files and refresh the TEX filename database. ∗This document corresponds to comicsans v1.0g, dated 2013/12/19. 1 4. Point the TEX backends to the comicsans files. Details are presented in Sections 2.1–2.4. 2.1 Acquire and install the TrueType files comicsans requires the Comic Sans and Comic Sans Bold TrueType files (comic.ttf and comicbd.ttf). You may already have these installed. (On Windows, look in C:\WINDOWS\Fonts for Comic Sans MS (True- Type) and Comic Sans MS Bold (TrueType).) If not, see if a package called msttcorefonts is available for your operating system or operating-system distribution. -
Typography Height
THIS MONTH POInts OF VIEW a Serif Sans serif b Ascender Serif Typography Height Typography is the art and technique of arranging type. Like a Serif Descender person’s speaking style and skill, the quality of our treatment of Figure 1 | Typefaces. (a) The anatomy of letterform for serif (Garamond) letters on a page can influence how people respond to our mes- and sans serif (Univers) type both set at 58 point. (b) Four of the most sage. It is an essential act of encoding and interpretation, linking readily available fonts. what we say to what people see. Typography has been known to affect perception of credibility. line and paragraph settings (Fig. 2b). The relative scale of white In one study, identical job resumes printed using different type- space in Figure 2b makes the hierarchy of the content apparent. faces were sent out for review. Resumes with typefaces deemed Differentially aligning the paragraph text and bulleted list, when appropriate for a given industry resulted in applicants being con- allowed, differentiates the content. sidered more knowledgeable, mature, experienced, professional, To achieve meaningfully spaced text, use the ‘space before’ and believable and trustworthy than when less appropriate typefaces ‘space after’ settings instead of extra carriage returns. Find the were used1. In this case, picking the right typeface can help some- settings under Font menu > Paragraphs (PowerPoint) or Format one’s chances of landing a job. menu > Paragraphs (Word). The paragraph text in Figure 2b is set The term typeface is frequently conflated with font; Arial is a with 5 point space after it; the bulleted list has 3 point space after ‘typeface’ that may include roman, bold and italic ‘fonts’. -
CSS [10] Desenvolvimento E Design De Websites
CSS [10] Desenvolvimento e Design de Websites Prof.: Ari Oliveira CSS [10] │ Folhas de Estilo em Cascata – CSS │ Localização dos estilos │ Seletores 2 CSS [10] │ Faça uma página de “trabalhe conosco”. │ Esta página deverá conter um formulário para que o candidato se cadastre │ Use todos os tipos de campos de formulário 3 CSS [10] │ CSS significa Cascading Style Sheets (Folha de Estilo em Cascata) │ Criado e mantido por World Wide Web Consortium (W3C) - ou seja, é um padrão │ Atualmente na versão 3 │ Definem como mostrar os elementos HTML │ Economizam muito nosso trabalho! 4 CSS [10] │ Todos os navegadores suportam CSS │ Toda a formatação pode ser removida do documento HTML e armazenado em um arquivo separado (arquivo .css) │ Folhas de Estilo permitem que se mude a aparência de todas as páginas Web editando apenas um único arquivo │ Torna o documento HTML mais limpo, enxuto e de fácil manutenção │ É recomendado usar doctype para especificar que se está trabalhando com html5 e css3 5 CSS [10] │ Folha de Estilo externa (.css) ‖ Ideal quando utilizado em vários documentos HTML ‖ Basta criar um novo arquivo .css, e liga-lo na página, desta forma: <head> <link rel="stylesheet" href="meuestilo.css"> </head> Faça! 6 CSS [10] │ É possível inserir um CSS diretamente dentro do HTML. Esta forma não é recomendada, pois cada página terá que ter seu estilo. <head> <style> coloque aqui seu CSS </style> </head> 7 CSS [10] │ É possível também inserir um CSS diretamente dentro de um só elemento. Esta forma só é usada para pequenos reparos, pois a manutenção será mais difícil. -
Title Must Be in 14 Pt. Helvetica Or Arial Bold: Required by Palisades Convention Management
Title Must be in 14 pt. Helvetica or Arial Bold: Required by Palisades Convention Management Full First & Last Names Required Department, Institute and/or Laboratory Main University or Corporation Name Affiliation Location, State, Country, Postal Codes Abstract: This sample file was produced for Palisades lines of body text immediately following them when they Convention Management for use by authors of appear at the bottom of a column or page. Convention, Symposium, and Conference Publications. Authors are encouraged to use this template to produce Sub-Section Heads: Sub-section heads should appear in their final submission for the electronic and print 10 pt. Times or Times New Roman Italic and as publications. Kindly follow this sample file so that the paragraph lead-ins, with 6 pts of additional space above or before. See this paragraph as an example. publication will have the same formatting throughout and provide conference attendees with a good source of Body Text: The body text of your submission should be documentation. 10 pt. Times or Times New Roman, single spaced with an additional 4 to 6 points of space after each paragraph. Do Keywords: use semi; colons; between; your choice; of not indent paragraphs, and be sure the body text is keywords. Including keywords is required to enhance the justified (except for bulleted or numbered lists, as search capability of most electronic publications. described on the next section and shown on the following page). Introduction This format is to be used for submissions that are Bulleted and Numbered Lists: All bulleted and numbered published in the conference proceedings. -
Standard Fonts List Used for Poster Creation
Standard Fonts List used for Poster Creation Please use any of the fonts listed below when designing your poster. These are the standard fonts. Failure to comply with using a standard font, will result in your poster not printing correctly. 13 Misa Arial Rounded MT Bold Bodoni MT 2 Tech Arial Unicode MS Bodoni MT Black 39 Smooth Arno Pro Bodoni MT Condensed 4 My Lover Arno Pro Caption Bodoni Poster MT Poster Compressed Abadi Condensed Light Arno Pro Display Book Antiqua ABCTech Bodoni Cactus Arno Pro Light Display Bookman Old Style ABSOLOM Arno Pro Smdb Bookshelf Symbol 7 Adobe Calson Pro Arno Pro Smdb Caption Bradley Hand ITC Adobe Calson Pro Bold Arno Pro Smdb Display Britannic Bold Adobe Fangsong Std R Arno Pro Smdb SmText Broadway Adobe Garamond Pro Arno Pro Smdb Subhead Brush Script MT Adobe Garamond Pro Bold Arno Pro SmTest Brush Script Std Adobe Heiti Std R Arno Pro Subhead Calibri Adobe Kaiti Std R Baskerville Old Face Californian FB Adobe Ming Std L Bauhous 93 Calisto MT Adobe Myungjo Std M Bell Gothic Std Black Cambria Adobe Song Std L Bell Gothic Std Light Cambria Math Agency FB Bell MT Candara Albertus Extra Bold Berlin Sans FB Castellar Albertus Medium Berlin Sans FB Demi Centaur Algerian Bernard MT Condensed Century AlphabetTrain Bickham Script Pro Regular Century Gothic Antique Olive Bickham Script Pro Semibold Century Schoolbook Arial Birch Std CG Omega Arial Black Blackadder ITC CG Times Arial Narrow Blackoak Std 1 Standard Fonts List used for Poster Creation Please use any of the fonts listed below when designing your poster. -
Execution of OCR for Comparative Determination of Text from Images for Serif and Sans Serif Typefaces
Execution of OCR for Comparative Determination of Text from Images for Serif and Sans Serif Typefaces Sukhpreet Kaur1, Gagandeep Jagdev2* 1Department of Computer Science, Guru Gobind Singh Khalsa College, Bhagta Bhai Ka, Bathinda, Punjab, India. 2*Department of Computer Science, Punjabi University Guru Kashi College, Damdama Sahib, Punjab, India. Email: [email protected], 2*[email protected] Abstract−Optical Character Recognition (OCR) pacts as the text is recognized via computers [7, 8]. OCR with the problem of identifying all types of different prevents the user from manually typing the documents if characters. OCR is capable of recognizing and converting they are required to enter these into electronic databases. both printed and handwritten characters into machine- readable digital formats. OCR is not only used to recognize Instead, OCR excerpts pertinent information and enters proper words but can also read numbers and codes. The it automatically [9, 10, 11]. Consider a code or a serial research paper focuses on performing the extraction of number comprising of alphabets and numerals that are the text from the input image. The elaborated model has supposed to be digitized. OCR can convert these codes been proposed to conduct the extraction of the text from into a digital form and provide the required output [12, images. The implementation of the proposed model has been conducted on the MATLAB simulation tool. The three 13]. But OCR does not consider the genuine nature of different cases with different font types (Times New Roman, the object which is to be scanned [14, 15]. The job of Consolas, and Arial) have been tested on the proposed model the OCR is to take a look at the characters and convert and the readings for four different performance evaluation them into digital format [16].