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Writers and Creative Advisors Selected for Drishyam | Sundance Institute Screenwriters Lab in Udaipur, India April 48
FOR IMMEDIATE RELEASE Media contacts: March 23, 2016 Chalena Cadenas 310.360.1981 [email protected] Mauli Singh [email protected] Writers and Creative Advisors Selected for Drishyam | Sundance Institute Screenwriters Lab in Udaipur, India April 48 Lab Recognizes and Supports Six Emerging Independent Filmmakers from India Los Angeles, CA — Sundance Institute and Drishyam Films today announced the artists and creative advisors selected for the second Drishyam | Sundance Institute Screenwriters Lab in Udaipur, India April 48. The Lab supports emerging filmmakers in India, as part of the Institute’s sustained commitment to international artists, which in the last 25 years has included programs in Brazil, Mexico, Jordan, Turkey, Japan, Cuba, Israel and Central Europe. Now in its second year, the fourday Lab is a creative and strategic partnership between Drishyam Films and Sundance Institute, and gives independent screenwriters the opportunity to work intensively on their feature film scripts in an environment that encourages innovation and creative risktaking. The Lab is centered around oneonone story sessions with creative advisors. Screenwriting fellows engage in an artistically rigorous process that offers lessons in craft, a fresh perspective on their work and a platform to fully realize their material. Leading the Lab in India is Drishyam founder, Manish Mundra. He said, “A beautiful heritage city in my hometown of Rajasthan, Udaipur forms an ideal writers retreat, and is the perfect environment for a diverse group of emerging writers and renowned mentors to have a refreshing and productive exchange. Our goal is that the six selected Indian projects, after undergoing a comprehensive mentoring process, will quickly move from script to screen and make their mark globally. -
Movies Thatpack a Punch
Movies thatPack a 21 June JulyPunch - 01 2019 www.birminghamindianfilmfestival.co.uk Artist Cary Burman. Photo by Chila Rajinder Sawhney Kumari Celebrating our 5th Birthday, Birmingham Indian Film Festival which is part of the UK and Europe’s largest South Asian film festival is literally stuffed to the rafters with a rich assortment of entertaining and thought provoking independent films. This year’s highlights include Our Film, Power & Politics strand offers a red carpet opening night at a critical insight into the fast moving Cineworld Broad Street with the political changes of South Asia. The exciting premiere of cop whodunit astonishing documentary Reason by Article 15, starring Bollywood star Anand Patwardhan, Bangla suspense READYTO LAUNCH YOUR CAREER Ayushmann Khurrana and directed Saturday Afternoon and Gandhian by Anubhav Sinha. Our closing night black comedy #Gadhvi are a few films IN THE FILM INDUSTRY marks the return of Ritesh Batra, the to look out for. director of The Lunchbox with the premiere of Photograph starring the We are expecting a host of special MA Feature Film Development and legendary Nawazuddin Siddiqui and guests, including India’s most famous Sanya Malhotra. indie director Anurag Kashyap of MA Film Distribution and Marketing Sacred Games fame. Make sure you buy Our themes this year include the Young your tickets in advance for this one! Now open for applications Rebel strand which literally knocks out www.bcu.ac.uk/nti/courses all the stereotypes with a fist of movies We are delighted to welcome back our exploring younger lives. See director regular partners including Birmingham Rima Das’ award-winning teenage hit City University and welcome our new Bulbul Can Sing. -
Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. -
P2m Percept Newsletter
/Issue 2/2006 e-newsletter of Table of Contents In the News 2 Awards & Accolades 3 Events & Happening 4 Up Close 5-6 1 IN THE NEWS Upen Patel in Percept Mr. Shailendra Singh awarded ''24 FPS Picture's action trilogy 2006 Power Personality of the Year” Percept Picture Company (PPC) is taking talent management to Recognising the best animation new arenas. Upen Patel will star in a Rs 25 crore yet-untitled talent in India, Maya Academy of project produced by Percept Picture Company. He will be doing Advanced Cinematics organised 3 action films for PPC. its 24 FPS Animation Awards at the Said Mr Shailendra Singh, "We have identified Upen as the future Ballroom in JW Marriott on Apr 21, action hero. He comes in with lots of style, panache and 2006. The show felicitated fresh attitude.” talent as well as professionals in the field of animation. Mr Shailendra Singh, Jt Managing Ramu’s English patience Director, Percept Holdings, and Experimental filmmaker, Ram Gopal Varma is making his first- the mastermind behind India's ever English film for Percept. blockbuster animation, 'Hanuman', was awarded '24 FPS A three-film deal has already been struck with Ram Gopal 2006 Power Personality of the Year'. Varma who was in Manhattan with Mr Shailendra Singh recently. The 24 FPS awards saw in attendance some of the best in the “We have fantastic scripts," said Mr Singh, "and our idea is to industry assembled at the Ballroom of JW Marriott. Some of take our Indian entertainment industry to the international the attendees included the likes of Ashish Kulkarni, Jai level." This would entail Indian directors using Indian ideas and Natrajan, Jesh Krishnamurthy, Joan Vogelesang, Kirneet international actors to create cinema for a global market. -
Annual Report 2013 – 2014
v NEXT CHANGE 601, Durga Chambers, Linking Road, Khar (West), Mumbai - 400 052 CIN L92120MH1996PLC099359 Email - [email protected] Website - www.tips.in TIPS INDUSTRIES LIMITED | Annual Report 2013-14 1 Key Drivers of Change in the Industry The TV industry is expected to grow at CAGR of 16 per cent 1164 multiplex screens in India from 2013-18 and become a Rs. 885 billion opportunity in Google Play Movies launched – movies can be rented 2018 for Rs. 50 Contents Number of TV households is expected to reach 191 million Airtel launched Video on Demand for Rs. 1/- by 2018 of which 181 million are expected to be Cable and Satellite subscribers representing 95% 214 million – number of internet users in India 01 NEXT CHANGE 07 Team Tips 28 Management Discussion & Analysis 938 million – number of TV viewers by 2018 130 million – number of users accessing internet on mobile devices Broadcasters continue to invest higher in movie acquisition 02 FILMS 08 Key Financial Indicators 34 Corporate Governance Report with an upper range of Rs. 500 million per movie 350 million – number of mobile internet users in 2018 Satellite rights for new movies on the rise as time interval Music Corporate Information Auditors’ Report 463 million – number of internet users by 2018 03 12 46 between theatrical release and TV premier keeps declining 86 per cent – grwoth Hindi movies channels continue to remain the 2nd largest 04 Chairman’s Message 13 Notice 52 Balance Sheet 2014 – India is expected to the USA in terms of total genre of TV viewership after General Entertainment number of internet users 06 Board of Directors 23 Directors’ Report Channels 10 - Number of years taken to grow internet user base from The Indian Film industry is expected to grow to Rs. -
Pickle● Jan 20-26, 2007 ● New Delhi ● India
From theindianentertainment.com ● Volume No: I-16 pickle● Jan 20-26, 2007 ● New Delhi ● India The animation film is directed by Singeetam Srinivasa Rao GHATOTHKACH The production work of the Rs 15-crore Gattu was done in Phillipines, UK, Singapore and India t is a special summer for Indian cinema this year. In 1957, we saw the creation of classic Telugu film Maya Bazar. Fifty years later, as part of the Golden Jubilee celebration of Maya Bazar, the magic is Ibeing recreated with animation film Ghatothkach, the latest from the Singeetam Srinivasa Rao stable (Mayuri, Aditya 369, Bhairava Dweepam, Pushpak, Son Of Alladin) and produced by Hyderabad-based Sun Animatics (Rao is the Chairman). With a mix of classic & CGI animation, the 100- minute Ghatothkach is being done in Hindi & English with voice track in five Indian lan- guages -– Telugu, Tamil, Kannada, Malayalam and Bengali. The Rs 15-crore film, cur- rently under post production (at Digiquest and other studios), is slated for release in April-May 2007. The production work of the film was done at Philippines, Singapore and United Kingdom. Owell Mina is the animation director (The Legend of the Dragon, Little Amadeus) and the story board director is Danny Mila Miles (The Legend of Zorro). “The animated film portrays the operations in Philippines and the USA. The story childhood of Ghatothkach begins when baby Ghatothkach starts showing his in modern format (You magical powers from the crib. Son of Bhim the Pandav can find Gattu in malls and Hidimbi the demon princess, magic is an inheri- The Master of and escalators). -
PHARMACIST 18 K 2018.Pdf
PUNJAB PUBLIC SERVICE COMMISSION, LAHORE WRITTEN TEST FOR THE POSTS OF PHARMACIST (BS-17) IN THE PRIMARY & SECONDARY HEALTHCARE DEPARTMENT, 2018 NOTICE The Punjab Public Service Commission announces that the following 475 candidates for recruitment to 586 POSTS (INCLUDING 18 POSTS RESERVED FOR SPECIAL PERSONS QUOTA, 29 POSTS RESERVED FOR MINORITY QUOTA, 88 POSTS RESERVED FOR WOMAN QUOTA AND 117 POSTS RESERVED FOR SPECIAL ZONE QUOTA) OF PHARMACIST (BS-17) ON REGULAR BASIS IN THE PRIMARY & SECONDARY HEALTHCARE DEPARTMENT, have been provisionally cleared for interview as a result of written test held on 09-12-2018. 2. Call up letters for Interview will be uploaded on the website of the PPSC very soon. Candidates will also be informed through SMS and Email. 3. The candidates will be interviewed, if they are found eligible at the time of Interview as per duly notified conditions of Advertisement & Service Rules. It will be obligatory for the candidates to bring original academic certificates and related documents at the time of Interview as being intimated to them through PPSC Website, SMS and Email shortly. OPEN MERIT SR. ROLL DIARY NAME OF THE CANDIDATE FATHER'S NAME NO. NO. NO. 1 10022 25700135 ZAHEER AHMED KHAN*SPECIAL MUHAMMAD KHAN PERSON* 2 10028 25701621 AARTI DAVI*NON-MUSLIM* QEEMTI LAL 3 10030 25701708 AASMA HANIF MUHAMMAD HANIF BHATTI 4 10046 25704770 AFFAF SALMAN RIFFAT SALMAN 5 10085 25704643 ALIA RAMZAN MUHAMMAD RAMZAN 6 10090 25701936 ALINA ZEESHAN RAO RAO ZEESHAN AHMAD 7 10094 25702236 ALMAS FATIMA CHAUDRY HIDAYAT ALI 8 10106 -
Women Journalists in Hindi Films: Stereotyping the Stereotypes | Saswat.Com | All That's
Women Journalists in Hindi Films: Stereotyping the stereotypes | Saswat.com | All That's ... Page 1 of 5 Saswat.com All That's Left Blog :: Saswat Pattanayak Home Articles Links Poetry FAQ About Index Women Journalists in Hindi Films: Stereotyping the stereotypes Subscribe to Saswat Blog By Saswat Pattanayak Literature Review: Not just the films themselves, the writings on the portrayal of women in popular Hindi films have too, long been dictated by assigning extremes—the woman’s prerogatives to belong to a side, of the evil or the virtuous, the vamp or the Madonna. Most authorship have evolved with historical representation of women in Bollywood to lead a discourse on the idealized women figures. Virdi (2003) justifies most studies as the “necessary first step” for providing a rich and abundant characterization of the idealized women figures: passive, victimized, sacrificial, submissive, glorified, static, one-dimensional, and resilient. And then, in her own work, she goes no further than the “first step”, by limiting to content-analysis of three films to study the women representation. Hindi cinema has been a major point of reference for Indian culture in this century. It has shaped and expressed the changing scenarios of modern India to an extent that no preceding art form could ever achieve. And yet, the diversity in roles that women play is not aptly brought to examination either by the post colonial discoursers or the film studies intelligentsia. Gopalan (2000) leads discussion on the avenging women in Indian cinema. She argues that discussions of violence have to consider how films replete with avenging women, gangsters, brutal police force and vigilante closures stage some of the most volatile struggles over representations that shape the public and private fantasies of national, communal, regional and sexual identities. -
World Cinema Amsterd Am 2
WORLD CINEMA AMSTERDAM 2011 3 FOREWORD RAYMOND WALRAVENS 6 WORLD CINEMA AMSTERDAM JURY AWARD 7 OPENING AND CLOSING CEREMONY / AWARDS 8 WORLD CINEMA AMSTERDAM COMPETITION 18 INDIAN CINEMA: COOLLY TAKING ON HOLLYWOOD 20 THE INDIA STORY: WHY WE ARE POISED FOR TAKE-OFF 24 SOUL OF INDIA FEATURES 36 SOUL OF INDIA SHORTS 40 SPECIAL SCREENINGS (OUT OF COMPETITION) 47 WORLD CINEMA AMSTERDAM OPEN AIR 54 PREVIEW, FILM ROUTES AND HET PAROOL FILM DAY 55 PARTIES AND DJS 56 WORLD CINEMA AMSTERDAM ON TOUR 58 THANK YOU 62 INDEX FILMMAKERS A – Z 63 INDEX FILMS A – Z 64 SPONSORS AND PARTNERS WELCOME World Cinema Amsterdam 2011, which takes place WORLD CINEMA AMSTERDAM COMPETITION from 10 to 21 August, will present the best world The 2011 World Cinema Amsterdam competition cinema currently has to offer, with independently program features nine truly exceptional films, taking produced films from Latin America, Asia and Africa. us on a grandiose journey around the world with stops World Cinema Amsterdam is an initiative of in Iran, Kyrgyzstan, India, Congo, Columbia, Argentina independent art cinema Rialto, which has been (twice), Brazil and Turkey and presenting work by promoting the presentation of films and filmmakers established filmmakers as well as directorial debuts by from Africa, Asia and Latin America for many years. new, young talents. In 2006, Rialto started working towards the realization Award winners from renowned international festivals of a long-cherished dream: a self-organized festival such as Cannes and Berlin, but also other films that featuring the many pearls of world cinema. Argentine have captured our attention, will have their Dutch or cinema took center stage at the successful Nuevo Cine European premieres during the festival. -
Press Release Tips Industries Limited
Press Release Tips Industries Limited March 26, 2021 Rating Amount Facilities Rating1 Rating Action (Rs. crore) CARE BBB+; Stable Revised from CARE BBB; 21.43 Long Term Bank Facilities (Triple B Plus; Stable (Triple B; Outlook: (Reduced from 28.57) Outlook: Stable) Stable) 21.43 Total Facilities (Rs. Twenty-One Crore and Forty-Three Lakhs Only) Detailed Rationale & Key Rating Drivers The revision in rating assigned to the bank facilities of Tips Industries Limited (TIL) factors in improvement in capital structure and debt coverage indicators. The rating also factors in the stable & consistent revenue growth from music business, strong profitability and strong liquidity position of the company. The rating continues to derive strength from the vast experience of the promoters in the music industry The ratings are however tempered by moderate scale of operation and presence in single value chain, intense competition from other players, high obsolescence risk associated with the distribution formats, risk of acquisition of right content and threat from piracy; albeit; reduced . Rating Sensitivities Positive Factors Increase in scale of operation above Rs.150crore from music rights business ROCE of above 35% on sustained basis. Negative Factors Increase in Gross gearing to 1.50x on sustained basis ROCE below 15% Detailed description of the key rating drivers Key Rating Strengths Experienced promoters and established track record TIL has been founded by the Taurani brothers - Mr. Ramesh Taurani and Mr. Kumar Taurani, both of whom have more than 35 years of experience in the media & entertainment industry. Promoters have also been instrumental in TIL having created an established market presence and enjoying good relationships with film producers, distributors, satellite channel companies etc. -
REFERENCES Bharucha Nilufer E. ,2014. 'Global and Diaspora
REFERENCES Bharucha Nilufer E. ,2014. ‘Global and Diaspora Consciousness in Indian Cinema: Imaging and Re-Imaging India’. In Nilufer E. Bharucha, Indian Diasporic Literature and Cinema, Centre for Advanced Studies in India, Bhuj, pp. 43-55. Chakravarty Sumita S. 1998. National Identity in Indian Popular Cinema: 1947-1987. Texas University Press, Austin. Dwyer Rachel. 2002. Yash Chopra. British Film Institute, London. ___________. 2005. 100 Bollywood Films. British Film Institute, London. Ghelawat Ajay, 2010. Reframing Bollywood, Theories of Popular Hindi Cinema. Sage Publications, Delhi. Kabir Nasreen Munni. 1996. Guru Dutt, a Life in Cinema. Oxford University Press, Delhi. _________________. 1999/2005. Talking Films/Talking Songs with Javed Akhtar, Oxford University Press, Delhi. Kaur Raminder and Ajay J. Sinha (Eds.), 2009. Bollywood: Popular Indian Cinema through a Transnational Lens, Sage Publications, New Delhi. Miles Alice, 2009. ‘Shocked by Slumdog’s Poverty Porn’. The Times, London 14 January 2009 Mishra Vijay, 2002. Bollywood Cinema, Temples of Desire. Psychology Press, Rajyadhaksha Ashish and Willeman Paul (Eds.), 1999 (Revised 2003). The Encyclopedia of Indian Cinema. Routledge, U.K. Schaefer David J. and Kavita Karan (Eds.), 2013. The Global Power of Popular Hindi Cinema. Routledge, U.K. Sinha Nihaarika, 2014. ‘Yeh Jo Des Hain Tera, Swadesh Hain Tera: The Pull of the Homeland in the Music of Bollywood Films on the Indian Diaspora’. In Sridhar Rajeswaran and Klaus Stierstorfer (Eds.), Constructions of Home in Philosophy, Theory, Literature and Cinema, Centre for Advanced Studies in India, Bhuj, pp. 265- 272. Virdi Jyotika, 2004. The Cinematic ImagiNation: Indian Popular Films as Social History. Rutgers University Press, New Jersey. -
Girl Rising India
GIRL RISING INDIA Building a Movement for Girls Through Powerful Storytelling Girl Rising uses the power of storytelling to inspire, shift attitudes and change behavior. In India, Girl Rising’s powerful media tools have made meaningful strides towards increasing the agency of girls and women, and inspiring community members to support the movement for gender equality. Girl Rising Film Comes To India After a close consultation with Prime Minister Narendra Modi and a partnership with the Ministry of Women and Child Development, the Girl Rising film was launched in India in August 2015 as Woh Padhegi, Woh Udegi (She Learns, She Rises) on Star television, which has a network of 450 million viewers across the country and a reach of 100+ countries. The film harnessed the talents of India’s biggest Bollywood stars including Priyanka Chopra, Freida Pinto, Parineeti Chopra, Kareena Kapoor Khan, Madhuri Dixit, Sushmita Sen, Amitabh Bachchan, Nandita Das, Farhan Akhtar, and Alia Bhatt, all of whom lent their voices to the film. Celebrities promoted the launch through their social media networks, and #IAMGirlRising trended No. 1 on Twitter India. Film Screenings To stir important conversations about girls’ education among corporations, communities, universities and neighborhoods, a screenings program was launched soon after the television broadcast of the film. Under this program, Woh Padhegi, Woh Udegi was re-purposed for NGO and corporate audiences. Each version consisted of 3 stories from Woh Padhegi, Woh Udegi and was complemented by a screenings toolkit that contained resources including discussion guides, Director’s Q&A, and promotional materials to help steer conversations around barriers to education.