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C:\Dokumente Und Einstellungen\Besitzer\Eigene Allerliebst Lieber Klaus Schulze! Schreiben wollte ich Ihnen schon lange...jetzt bin ich seit drei Monaten wieder online TTHEHE KSKS CCIRCLEIRCLE und...hier ist meine kleine Story: Im Jahre 1980, Sie hatten dieses Auftragswerk in Linz, hatte ich einen Job als Sicherheitsorgan im Linzer Brucknerhaus. Auf Grund der mir selber auferlegten 16th Year April! April! 2011 Issue no. 170 lockeren Arbeitsdisziplin genehmigte ich mir einen nervenschonenden Schlaf so zwischen ein und vier Uhr nachts, ausgeführt auf den hierfür wunderbar geeigneten weichen Bänken des Foyers. In der nämlichen Nacht wurde ich in einer nie vergessenen Weise geweckt: von den mystisch-sphärischen Synth-Klängen von Ihnen Bom dia! Bonjour. ¡Buenos días! Ciao! Dag! Dzie ½ Dobry. Hei. Hello. Ola. Privet! im großen Saal des Brucknerhauses! Diese Stimmung... das abgedunkelte ΓΣΙά σας . Servus & Guten Tag. Brucknerhaus... verschlafen-übernächtig... Ihre Musik... dies alles hat sich unauslöschlich eingebrannt! Zudem war ich ja schon jahrelang Fan der elektronischen Musik und selbst auch Freizeitmusiker in div. Bands. Also, das ging N ATIONALITY ? echt tief und ich erinnere mich nach nunmehr über dreißig Jahren noch gerne daran, Hi Klaus, vor allem, wenn ich Ihre Musik mir zu Gemüte führe, die ich bis heute auch aktuell verfolge (Großartig das Konzert in der Loreley und Big in Japan). Thank you for your time in reading this e-mail question. Sehr geehrter Herr Klaus Schulze, abschließend ein spätes Dankeschön für I've been a long time fan of Klaus Schulze and German electronica since the mid 70s. dieses geschilderte inspirierende nächtliche Erlebnis und ich verbleibe in der and would like to ask your opinion as to why electronic music found such fertile Hoffnung, daß Ihre Gesundheit noch so manchen kreativen Output zuläßt... ground in your country. The breadth and quality of work over the last 40 or so years Herzliche Grüße, Peter (Österreich) is, as far as I'm concerned, not really matched by any other nation. My question is do you think that there is something in the German psyche, character or culture that – makes you and your fellow countrymen more intuitively open to the scope and the possibilities of electronic music in a way that others countries do not? KS hat in der Nacht vor dem Konzertabend am 8. September 1980 tatsächlich in der With best wishes, Bosko Halle heftig geprobt und gespielt, schließlich war sein Eröffnungs-Konzert für die Festspiele am nächsten Abend recht aufwendig geplant: mit Filmeinspielungen, Live- – Schaltungen, ein Perkussionist auf der der Bühne gegenüberliegenden Seite, Puppen (Repliken der beteiligten Stahlarbeiter) im Publikum, Fernsehkameras, Radioleute... Nonsense :-) KS bekam natürlich diesen Brief von mir und er war - nun ja, "ergriffen" This is not a "nationalistic" thing, but a MUSICAL thing. Klaus Schulze started his wäre zu hoch gegriffen - er war erfreut. Und er erinnerte sich gerne daran: Er hat music not because he is a "German". There are other musicians, who play other, or damals natürlich nicht mitbekommen, dass da ein Nachtwächter "heimlich" ein better, or worse, or similar music, ...in many many many countries. minimales Publikum abgab. And now for something completely different: i You should look for another mail server. Normally all mails coming from "@hotmail" go automatically into the mail filter of my server and will be deleted after Nette Webdesigner versuchen es immer wieder und ich muss ihnen jedes Mal - mal one day, without opening or reading or even reaching me; because there is too much schroff, mal nett - absagen: SPAM coming via HOTMAIL. Your mail above was an exception: I found it by accident when I had a curious look into my server's "spam mail" department. Normally Hallo I do NOT look there, it was the first and last time. So, if you intend to write again, and you write via @hotmail, don't wonder Schönen Dank für Dein Interesse. Du bist allerdings nicht der erste und wirst sicher if you get NO answer. That's modern times. auch nicht der letzte sein, der uns anmahnt, doch bitte schicker, moderner, cooler in der Webseiten-Präsentation der KS-Website zu sein. Best regards, Klaus Manch' Reklame-Fuzzis können sich offenbar nicht vorstellen, dass wir sowas GAR i NICHT wollen, sondern dass wir Information einer vordergründigen Optik vorziehen. - 1 - - 2 - Mein Webmaster bezeichnet solch Angebote von Webdesignern immer (und I found a sentence in an old newspaper clipping meist zurecht) als unerwünschten SPAM. Nun, ich bin nicht ganz so streng, vor allem wenn das Angebot - wie hier & jetzt - sehr nett und freundlich gemeint ist :-) A 15 years old book review starts with "Sooner or later, every young man decides for Also: Vielen Dank für das Angebot, aber: Nein. himself to concentrate on the most important for his life." I found this clipping in a much older book (about operas), when I was PS: looking for something completely different in this book. But when I looked at this old Ich war gerade auf Deiner Website. Hm. Genau sowas wollen wir eben nicht: Da newspaper and read these first lines, I recollected immediately: yes indeed! When I kommt nach dem Aufruf ein schön gestaltetes abstraktes Bild in der Mitte ...und weiter was a young man I also had decided about my own purposes and intentions in future nix. Keinerlei Info. Also klickt man irgendwo hin, in der Hoffnung, nun kommt life. How did the journalist know that? He doesn't know me at all. endlich die Information. Es kommt tatsächlich was Neues, aber auch das ist nicht sehr But he was right. At least in my case. And one other person comes to my informativ. Klick ich erneut "irgendwo hin" - ich muss es ein paar Mal versuchen, weil mind, a friend I know well and for a long time. He also had decided once, to set ein hilfreicher Fingerzeig immer noch fehlt - dann kommt tatsächlich was: allerdings himself a target, ...and - yes - he has reached it. Not exactly as planned, for his 30th will man nur, dass ich mir irgendein Programm runter lade... Also: Tschüss. birthday, but two years after when he was 32. Which is now well over 30 years ago. Siehst Du, genau solch überflüssige Umwege wollen wir nicht, ...und sowas will kein His starting position was of course different from mine, and his desires - he was normaler Nutzer, der schlicht nach z.B. einer Adresse sucht oder nach sonstigen speaking freely and witty about them - were also different from mine. A little bit I Information oder Neuigkeiten (über KS zum Beispiel). could be of help to reach what he required. He helped me too, not exactly with & for my wishes, because they were beyong his realm of facility. But else. Nix für ungut. Schoene Gruesse Klaus D. Mueller I should not forget to ask my son Max, if he also had already decided for one i or another "goal" in his life. i » Musiker sind oft sehr lustig. Weiß auch nicht warum. Da wird Gott wieder seine Hände im Spiel gehabt haben. Musik ist ja irgendwie abstrakt und wunderbar A question - or better: a remark - about ARE YOU SEQUENCED? reached me from sinnbefreit - erreicht aber jeden. Vielleicht ist das die Verbindung zur Komik. « an Englishman who just had bought and listened to it for the very first time: (Schauspieler Matthias Matschke; Partner von Pastewka, Engelke ) I was a little afraid of Are You Sequenced? After all, Klaus doing Techno? i Hello Of course this long track is not "Techno"! It's not "boom-boom-booom-zschick! A fan from the Ukraine put my attention on an existing " prolonged version " of the boom-boom-boom-zschick!", instead we hear a wonderful "tricky" and catchy album TIMEWIND , including not only the two classic tracks BAYREUTH RETURN rhythmic beginning and this fine rhythm stays for a long time. and WAHNFRIED 1883, but also the bonus tracks ECHOES OF TIME and SOLAR I don't remember if I have mentioned it in the booklet: this long track is more WIND (but not "Windy Times") from the re-release in November 2006: or less the same music which Klaus played at his concert in Derby, in April 1996. It Bayreuth Return ... 60:38 ... (original: 30:32) was the first time that Klaus played just ONE LONG track in a concert. Before, and Wahnfried 1883 ... 57:06 ... (original: 28:38) after, he plays in his concerts always two pieces of 30 to 40 minutes, with a pause Echoes Of Time ... 67:08 ... (original: 38:42) between (...and at the end: short encores). Solar Wind ... 20:05 ... (original: 12:35) Also, the publicity material for the release, as shown in the booklet, shows a posing Someone edited the tracks by using a computer programme and first I thought that he Klaus looking all modded up. I bet he enjoyed that! simply doubled the duration, without changing the pitch (Yes, this is possible. But the sound of the rhythm is awful then). I would not bet on it. At least I hate such kind of photos. Because it's not the real KS. To check it, I downloaded the long (mp3) tracks and it's indeed the original It's made-up, forced, and it shows the artiness. The "producers" were two nice men music from the TIMEWIND album, at the same pitch and speed, but just twice as long. working successfully in the "Techno" music business. And the record label did - in It seems and it sounds as if part(s) of the the original track were copied and added into 1996 - a lot of promotion hullaballoo. We never got so much press coverage before, this (same) track, until the piece was nearly twice as long as in original. If this makes for a new album.
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