DOCSLIB.ORG

November 2012 Issue

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
November 2012 Issue The Magazine of Clogging Since 1983 TIMES DOUBLETOEwww.doubletoe.com November 2012 Music Evolution We have come a long, long way from the collection of 45 RPM records to the most current digital music playback devices. The Double Toe Times (and some of our Facebook fans) share their favorite software programs to play music, adjust tempos and edit songs. July/AugustDOUBLETOE 2010 Clogging Group Trips In This Issue November 2012 Lee Froehle has been coordinating clogging trips and Index .........................................................................................2 tours for more than a decade and has taken her own Editorial “Changing Channels” ...........................................4 groups to Europe, Disney and around the U.S. She Calendar of Events ...................................................................In This Issue6 has also organized Clogging Expos for over 1,000 VirginiaIndex ......................................................................................... Clogger Dorothy Stephenson ........................82 people in Washington, DC, plus Hawaii. Ireland, CherryholmesEditorial “Give Interviewa Little” ...................................................... ................................................144 Scotland and more. Whether you are a small group Dancers in Action Photo Contest ..............................23 Calendar of Events ............................................................. 6 wanting a fun trip, a cruise for a few families or a Choreography “Get Back” large studio wanting a once-in-a-lifetime adventure, Clogging by Susie Poem Blankenship, “A Step inTX the ........................................... Right Direction” 24 Lee can arrange performances and tours just for you! Choreography by Ken Burdett, “Love Winnipeg Potion #Canada 9” ........................... 8 Lee Froehle 614-580-1950 Up by to Barry Speed Welch, With CATechnology......................................................26 Choreography Music Tempo “All Software Night Long” .............................................. 10 [email protected] by John Pryor, TX .........................................................28 ChoreographyMaking the Cut “High Hopes” byMusic Mary Editing Smith, Software VA ....................................................... ..............................................3014 ChoreographyIndiana Cloggers “If inHeaven the Ain’t Alot Like Dixie” byMacy’s Jean ThanksgivingMoeller, TX ..................................................... Day Parade ..........................3216 Choreography “Can’t Back Down” Cloggers by Maria in Tucker, the Spotlight UT ....................................................34 Choreography Sims Country “Little Cloggers Bit of Perform Life” at byDemocratic Maxine Wallis, National KS ...................................................Convention ...........................3618 InstructorsPhoto Quiz: Greatand Dancers Clogging Directory Teams ........................... ..........................2620 AdvertisingChoreography “Gangnam Index Style” Lee’s by Jeff Clogging Driggs Events ................................................................. ........................................................222 MidsouthChoreography Footwear “Santa ............................................................ Train” 3 America’s by Marlene Clogging Drewes Hall ..................................................... of Fame 24 CLOGGING CRUISES, Competition Calendar .......................................................4 STOMP,Instructors the andMusical Dancer .......................................................... Directory ............................ 255 FESTIVALS, TOURS, The Carolina Opry ...............................................................5 Stevens Clogging SuppliesAdvertising .............................................. Index9 PARADES & MORE! IndianaLee Froehle Fall ClassicClogging Clogging Trips .............................................. Championships .......112 Oktober(CLOG)festMidSouth Footwear .......................................................... ...........................................................133 CCAAmerica’s Vegas Clogging Invitational Hall Competition of Fame ........................15 Doubletoe Times Magazine ..........................................17 2011 Calendar Hawaii of CloggingEvents .......................................................... Expo..................................18-194 CloggingWorld of CruiseClogging to WorkshopWestern Caribbean & Championships .................. ....219 DancersHatfield &in McCoy Action ChristmasPhoto Contest Show .............................. ..........................2313 WorldComfy ofCloggers Clogging................................................................. Workshop & Competition .......2513 Smoky Mountain Encore ...............................................27 DoubletoeEurope Clogging Times ExpoMagazine ..................................................... ..........................................2917 HighStevens Hopes Clogging Outreach Supplies ..................................................... ...........................................3124 PracticeCarl’s Clogging Music Supplyfor Clogging ................................................... ........................................2532 Carl’s Clogging Supplies ................................................44 “The Double Toe Times” (ISSN 10449213) is published monthly by Jeff Box 1352, St. Albans, WV 25177-1352. Printed in the U.S. Driggs, 2314 Winfield Road, Winfield, WV 25213. Periodical postage paid at The Double Toe Times is an Independent Magazine not affiliated with any Charleston, West Virginia and additional mailing offices. All rights reserved. club or association. We reserve the right to edit or reject any copy or ads Reproduction in whole or part without written permission is prohibited. The not germane to the spirit of this Magazine. Copy for ads and news must be basic rate for a subscription to the Double Toe Times is $26.00. received by the 15th of the month preceding the next issue. Publication of Subscribers: If the Postal Service alerts us that your magazine is advertising in this paper does not constitute endorsement by the Publisher/ undeliverable, we have no further obligation unless we receive a corrected Editor. All advertisers agree to indemnify Publisher/Editor against complaints address within two years. or suits based on that individual’s advertised products or services. Address Changes: Send address changes to The Double Toe Times, P. O. Box There will be no advertising or subscription refunds on the cessation of this 1352, St. Albans, WV 25177-1352. Magazine due to sickness, death, or circumstances beyond the control of the Customer Service and Subscription: for 24/7 service, Publisher/Editor. Please visit our website at www.doubletoe.com. You can reach our The Publisher/Editor is not liable for missed issues and assumes no answering service at (304) 776-9571 or write to The Double Toe Times, P. O. responsibility for non-delivery by the Post Office. 22 www.doubletoe.com www.doubletoe.com The Doubletoe Times Magazine of The Clogging Doubletoe Times Magazine of Clogging [email protected] Doubletoe Times Magazine of Clogging www.doubletoe.com 3 The Doubletoe Times Magazine of Clogging www.doubletoe.com 3 To the Readersfootprint GiveChanging a Little Channels Christmas It’s a guy is thing. right around I can’t theleave corner. a television For many remote it is thealone. most Every wonderful time atime commercial of the year, comes filled on Iwith friends and family and free days to play with your new toys forfeverishly all ages. grab For the others remote it canand bescan a hectic,the band emotional as if I orwere even alergic lonely to time.any type of commerce. When my eye catches Being somemindful new of programthe true meaningI get so distracted of Christmas that I can help you make this season more personal and President , President Secretary ALL AMERICAN forget what I was watching in the first place until the LIB MILLS Ex-Officio Members Lou Maiuri Dianne Loftin 112 Clydesdale Court, Liberty, SC 29657 Earl TEAMPowell COMMITTEE(Chairman) special. 4944 Armstrong Road 105 Parkgate Ct. next commercial break in the new show when I surf (864) 843-3825 (828) 891-3435 [email protected] 9901 Boylston Hwy Summersville, WV 26651 Simpsonville, SC 29680 DIANE LOFTIN, Chair It’s all about giving. Of course, the reason for Horse Shoe, NC 28742 304-872-5803LOU MAIURI, Vice President [email protected] 828-891-3435(864) 962-9835 back to the first one and get mad at myself for missing 304-619-5803Box 4944 Armstrong cell Rd. Summersville, WV 26651 Christmas is to honor the birth of Jesus and his gift to [email protected] Treasurer VICKI BARNES (304) 872-5803 [email protected] Lib Mills (co Chairman) thewhat world. I am sure was the best part. Carol Wiggins 112 Clydesdale(843) Court761-5290 ViceDIANNE President LOFTIN, Secretary 595 Seaward Drive Liberty, SC 29657 AndOur demonstrationI admit it. I pause of Christmas when I get is toin thereality gifts we Jimmy418 Woodford Loveless Way, Simpsonville, Charleston, SC 29680 SC 29412 SONJA [email protected] Box(864) 37034 962-9835 West Spicer [email protected] Drive 843-795-1940 SHEPERD-WISEMAN givetelevision to each and other. I don’t know why. My eyes well up Mechanicsville,JIMMY LOVELESS MD 20659 , Treasurer 843-696-2974 cell (423) 581-4074 So take this season to focus on giving. 301-884-5830 [email protected]
Load more

Recommended publications
  • Christopher Soghoian Student Fellow Berkman Center for Internet & Society Harvard University 23 Everett Street, Second Floor Cambridge MA 02138
    Comment of: Christopher Soghoian Student Fellow Berkman Center for Internet & Society Harvard University 23 Everett Street, Second Floor Cambridge MA 02138 Represented by: Phil Malone Director, Cyberlaw Clinic Arjun Mehra Clinical Student, Cyberlaw Clinic Harvard Law School Berkman Center for Internet & Society 23 Everett Street, Second Floor Cambridge MA 02138 Office of the General Counsel U.S. Copyright Office James Madison Memorial Building, Room LM-401 101 Independence Avenue, SE. Washington, DC 20559-6000 December 2, 2008 Re: RM 2008-8 -- Exemptions to Prohibition on Circumvention of Copyright Protection Systems for Defunct DRM and Copy Protection-Based Stores I. PROPOSED CLASS OF WORKS We respectfully request an exemption to DMCA §1201(a)(1)(A) for lawfully purchased sound recordings, audiovisual works, and software programs distributed commercially in digital format by online music and media stores and protected by technological measures that depend on the continued availability of authenticating servers, when such authenticating servers cease functioning because the store fails or for other reasons. We also request a separate exemption for the same class of works even prior to the failure of the servers for technologists and researchers studying and documenting how the authenticating servers that effectuate the technological measures function. The technological measures at issue include digital rights management (DRM) technologies and copy protection mechanisms encoded into purchased music, videos, and software, which are sold with a set of permissions and require authentication with remote servers in order to allow users to fully exercise those purchased rights, including the ability to access the works on other devices, or in some cases, to allow continued access to the works on the same device.
    [Show full text]
  • Participatory Freedom
    Participatory Freedom How the Free versus Proprietary Software conflict frames our culture and ultimately government. By Bryan Quigley Introduction Very few people think about the impact of software on the choices they make. Most are just happy when software doesn't get in their way and lets them achieve what the person wanted. When something doesn't work they usually assume it is a bug. Who would ever guess that it was intentional? Software dictates what formats digital artists write to and even how votes are counted in presidential elections. For the power software holds over society, it really isn't understood very well by decision makers. This paper looks at two ideological camps in software and how they frame the culture we make and the decisions governments make. To do this I first take a look at the two camps in software, look at the similar camps in culture, and finally how they relate to self governance. Beginnings The concept of free software is an old one. When computers first reached universities, they were research tools. Software source code was freely passed around, and programmers were paid for the act of programming, not for the programs themselves. -United Nations Educational, Scientific and Cultural Organization, 2001 Software started out free. It was passed around similar to scientific knowledge as most of those who had it were scientists. They shared it just like they would share scientific discoveries. Commercialization of software started with restrictions of access to the source code and the sharing started to go away. Proprietary Software Bill Gates "fired the shot heard around the world" for proprietary software and clearly has accomplished his goal of making lots of money off of his control of the source code.
    [Show full text]
  • Portable Audio & Video Players
    PORTABLE AUDIO & VIDEO PLAYERS 44 ARCHOS GMINI XS 100 Mini Music Player The smallest and the lightest of the Archos range, the Gmini XS100 is an affordable hard-drive based music player with great storage capacity. Available in 4 trendy colors (volcanic black, techno blue, funky pink and ice grey), it features14-hour battery life (rechargeable internal lithi- um-ion battery via USB port or optional AC adapter/charger) and 3 GB hard-drive allowing you to load up to1,500 songs, including PlaysForSure compatible files. It has a 1.7” gray-scale LCD screen, measures 1.7 x 3.6 x 0.5” (WxHxD) and weighs only 2.8 ounces. It includes stereo earbud headphones and USB 2.0 cable. Gmini XS 100 (ARGMXS1003B): Volcanic Black color ................................149.95 Gmini XS 100 (ARGMXS1003BL): Techno Blue color ..................................149.95 Gmini XS 100 (ARGMXS1003P): Funky Pink color.......................................149.95 Gmini XS 100 (ARGMXS1003S): Ice Grey color.............................................149.95 Gmini XS 100 & Gmini XS 202 Both Feature Synchronize with a PC Browse and Organize Files Autosync with Windows Media Player 9 or 10 to easily transfer songs ◆ For convenience, the players are bundled with an easy-to-use music and playlists from your PC. Download and play all your music files file management system to organize your files. Using the ARCHOS (including protected WMA PlaysforSure downloaded files) to the Gmini Double Browser, you can quickly create playlists on the go, no XS 100 using the USB 2.0 high-speed interface (USB 1.1 compatible). computer needed. Delete, rename, copy, move files and even create Play Music Files folders directly on the Gmini XS 100.
    [Show full text]
  • Digital Right Management Anagement
    DRM Digital Right Management Bronzetti Stefano mat: 264848 A. A. 2007/2008 1 DRM(Gestione dei diritti digitali) definizione: tutti quei sistemi tecnologici di controllo usati per limitare l’accesso e l’utili zzo a dati o hard ware. Chi detiene i diritti d’autore, può far valere i propri diritti in ambiente digitale grazie alla possibilità di rendere protetti, identificabili e tracc ia bili tu tti gli usi in rete di mater ia li adegua tamen te marchia ti. esempio: evitare duplicati senza autorizzazione (copy protection) spinti da: Chi detiene i diritti d’autore: case discografiche/cinematografiche aziende software/videogiochi/ebook osteggiati da: Gli utenti: Limitazione dei diritti degli utenti (chi compra regolarmente il materiale non può farne l’uso che vuole) DRM = DIGITAL RESTRICTION MANAGEMENT 2 FUNZIONAMENTO DEI SISTEMI DRM idea semplice: i file audio/video vengono codificati e criptati in modo da garantire la protezione contro la copia e l’inoltro verso terzi non autorizzati, consentendo così un uso limitato(ad esempio nel tempo) e predefinito nella licenza d’accesso fornita agli utenti finali. informazioni aggiuntive: la codifica permette di includere informazioni aggiuntive: copyright, licenza, biografia autore ecc.. accesso ai dati: procedure di autenticazione che permettono di distribuire i file richiesti nelle modalità previste dalla licenza sottoscritta dall’utente. EFFETTI: Utenti infastiditi e limitati anche se in buonafede. Non riescono realmente ad arginare le copie illegali, in quanto sono sempre sttitati scava lca tiiti in qua lhlche mo do. 3 PERCHE’ I DRM? nuove tecnologie: banda larga, p2p, lettori mp3/mp4, telefonini di ultima generazione, lettori divx, negozi di contenuti multimediali online.
    [Show full text]
  • Ÿþu N T I T L E
    MAKE IT • STREAM IT SPECIAL WEAR IT • SING IT ISSUE RIP IT • PLAY IT ULTIMATE GET MORE FROM TECHNOLOGY DIGITAL 48 COOL PRODUCTS MUSIC COMPARED MP3 PLAYERS GUIDE HEADPHONES SERVICES SIRIUS VS. XM DJ GEAR HOME STUDIO HOW TO USB GUITAR SIMPLE STREAMING TIPS KARAOKE EASY WAYS ...AND MORE! TO TAKE IT ANYWHERE ROCK STAR SECRETS FROM FLAMING LIPS, DEVO, AND MORE! Master Your Music Play it. Share it. Rip It. Stream it. Sing it. Scratch it. Take it with you. Our 15-page guide shows you every way to enjoy digital music. BY MIKE KOBRIN WHAT’S INSIDE PERHAPS YOU SUFFER FROM THE SAME 64 MP3 players serious addiction that has gripped me for much of my 66 Subscription Services life: I have to have music with me at just about every 66 Devo’s Mark step of my day. I wake up with John Coltrane on my Mothersbaugh JBL On Time clock radio, sip my morning coffee while 67 Brian “BT” Transeau listening to NPR streaming from a Sonos ZonePlayer 68 Wireless Streaming Devices 80, and catch a morning train with my iPod nano and 70 Front Row versus Ultimate Ears super.fi 5 Pro earphones. Media Center At work, I dock my iPod and switch to the Sennheiser 70 Convert Your CDs PX100 headphones. Lucky for me, my job involves testing 71 The Flaming Lips 74 Music Clothes and audio gear, so I get to use a variety of software (iTunes, Headphones WMP, Musicmatch) and services (Rhapsody, Napster, 74 Satellite Radio Audible, Vongo) nearly every day while I’m at my desk.
    [Show full text]
  • Roku Soundbridge Gets Free Software Update; Now Plays Digital
    Roku SoundBridge Gets Free Software Holland Ann Contact Update; Now Plays Digital Music from RealNetworks’ Rhapsody Service Becomes First Network Music Player to Seamlessly Work with All WMA- based Music Services Including Napster, MSN Music, Wal-Mart, More SoundBridge Even Streams Internet Radio without PC Connection PALO ALTO, Calif. December 13, 2004, Roku today released a new version of 650.321.1394 ext. 19 Phone free software for all Roku SoundBridge network music players. Roku continues to add features unmatched by the competition, giving consumers the most compatible and easiest-to-use network music player in the industry. The new Roku SoundBridge 2.1 software adds support for RealNetworks®’ award-winning Rhapsody® digital music service. Now, Roku customers with a Rhapsody subscription can effortlessly browse their personal Rhapsody library by artist, album, and song title, or quickly review the custom radio stations and playlists they have created using Rhapsody, and enjoy this music on their home stereos. With Rhapsody compatibility, Roku SoundBridge is the only network music player [email protected] Email to seamlessly work with all Windows Media Audio (WMA) based services. Just last month Roku added support for Windows Media Connect, Windows Media Digital Rights Management 10 and Windows Media Player 10. Roku SoundBridge can play any song in Windows Media Audio (WMA) format, including protected WMA content from music services like Napster, MSN Music and Wal-Mart. Roku SoundBridge is also part of the Microsoft PlaysForSure logo program, which gives consumers an easy way to identify devices and services verified to work together. Other Roku SoundBridge features now include more support for Windows Media Connect and “Favorite Internet Radio.” With the new 2.1 software, Roku SoundBridge can play any of a list of 10 ‘favorite’ Internet radio stations even when there are no music servers running on the network - their PC can be turned off.
    [Show full text]
  • Switching to a Mac Guide You All the Way! Open the Book and Find
    spine=.816” Personal Computers/Macintosh ™ 2nd Edition Switching is almost as easy Making Everything Easier! as using a Mac, and we’ll 2nd Edition Switching to a Mac to Switching guide you all the way! Open the book and find: So you’ve decided to join the more intuitive, less virus- • How a Mac can simplify your life ® prone world of the Mac? Congratulations! This book tells • Special advice for seniors and you what to expect, how to choose a Mac (if you haven’t parents of young kids already), and how to make the switch a breeze. Discover all the cool preloaded software, how to make your Mac talk to • Tips on keeping your Mac updated and secure Switching to a Mac your iPhone™ and iPod®, and how to work the Mac way. • Ways to unleash your creativity • Meet the family — compare MacBooks and the Mac mini, iMac®, with photos, audio, and video and Mac Pro • How to configure your new Mac • I’m a Mac, and you’re leaving a PC — see what’s alike and what’s different, and learn to use Apple menus and the Finder • Help with switching specialized software to your Mac • Can I keep it? — find out what peripherals will still work with your Mac • Mac networking instructions • Moving day — transfer your files, address book, and content • How to get both WiFi and backup stored on other media capability by using Time Capsule® • Get connected — set up your Internet service and e-mail application, and connect to your printer and other peripherals ® • iLove all these apps — play, buy, and organize music with iTunes®; edit, sort, and share photos with iPhoto®;
    [Show full text]
  • Can Apple Take Microsoft in the Battle for the Desktop?
    Search the web Search this site Search Search Amazon: Can Apple Take Microsoft in the Battle for the Desktop? Sunday, March 4, 2007 | | Del.icio.us | Technorati | About RDM | Forum : Feed | [email protected] ¿Puede Apple ganar a Microsoft la batalla de sobremesa? (en español) Some analysts are nostalgic for the days when they could appear intelligent merely by gushing about everything from Microsoft. They felt safe in recommending everything the company released, knowing that there were no real alternatives, and that anything the company could deliver would more or less have to be purchased. All their advice and analysis helped to create the general illusion that Microsoft was divinely fated to succeed, and that no rival could ever hope to challenge the company. That illusion helped to reinforce the real power wielded by Microsoft as the dominant vendor of PC desktop operating systems. Maintaining that illusion was as important to Microsoft as a properly running propaganda machine is to a banana republic dictator. As power begins to falter, maintaining an illusion of strength becomes increasingly important. Ironically, the desperate measures that are frequently taken to sustain such an illusion often serve to distract from the real problems that need to be fixed and subsequently cause greater damage. The Ghost of Past Failures Microsoft certainly isn't the first tech company to stumble in a grand way. Apple fell from its position as a leader in the tech industry in the 80s to being "hopelessly beleaguered" within a decade. In Apple's case, the company began making serious mistakes during a decade of limited competition leading up to 1995.
    [Show full text]
  • Technology, Creative Content, and Intellectual Property Rights
    Distinguished Lecture on Innovation & Communication Policy CHALLENGES IN THE GLOBAL IT MARKET: TECHNOLOGY, CREATIVE CONTENT, AND INTELLECTUAL PROPERTY RIGHTS Kevin J. Harrang∗ I would like to begin by thanking Dean Massaro of the James E. Rogers College of Law at the University of Arizona and its faculty, especially professors Graeme Austin and Marc Miller, for the invitation and opportunity to present this lecture. Clearly, the Rogers College of Law, through its faculty and students, is setting a good example of leadership in legal education and scholarship, and it is a privilege to be a participant with all of you in this process. Today, I am going to discuss an emerging set of legal and policy issues that will have a significant impact, I would argue, on the future of how digital content such as music and video is distributed and consumed in the future. I should say at the outset, however, that my purpose is not to argue for or against any particular point of view in the growing debate but rather to explain, if you will, how we got to where we are, what the stakes are for the current market participants and consumers generally, and what the arguments are for and against the various sides: I hope to impart greater understanding and appreciation of the implications that the debate will have for business models, legal rights, and our culture generally. Also, I should say up front that part of my mission here in Tucson is to promote the study of intellectual property law, and specifically the courses taught by Professor Austin and others, because this is an area that is going to require some of our best minds in the future.
    [Show full text]
  • D-Link® DSM-320 Wireless Media Player
    D-Link® DSM-320 Wireless Media Player Manual v.1.4 Building Networks for People Patent Pending Contents Safety Information .................................................................................................................... 4 Introduction .............................................................................................................................. 6 Package Contents .................................................................................................................... 7 System Requirements .............................................................................................................7 Features & Benefits ................................................................................................................. 8 Hardware Overview.................................................................................................................. 9 Front Panel ........................................................................................................................ 9 Rear Panel ......................................................................................................................... 9 Getting Started ....................................................................................................................... 10 Using the Remote Control ..................................................................................................... 10 Installing the D-Link® Media Server Software ...................................................................
    [Show full text]
  • Satellite Radio 2005
    Media Environment Update McMaster University February 9, 2006 CBC Strategy & Planning 2/16/06 Contents • The Macro View • Attitudes Towards Media • Broadband & Connectivity • Audio Business Models • Video Business Models CBC Strategy & Planning 1 The Macro View CBC Strategy & Planning 2 User Experience in the “Old Days” Television Radio Film Magazines Books Newspaper Out-of-Home View moving Participation via or static 2-way images Communication Read Listen to Text Audio User Experience Now Television Magazines Film DVD Talking Books HDTV Interactive TV Newspaper HD-DVD PVR Out-of- Books Console VOD SVOD Podcasting Home Games Portable CDs Internet Blogs Satellite Games Radio DAB Online eMail Games MP3 Players Text Wireless Radio iBiquity Messaging CD-ROM etc… View Utility & Participation via moving or Interactivity 2-way static Communication images Read Listen Text to Audio CBC is Committed to new platforms… Streaming Media 1995 Terrestrial Digital Radio 1999 Legal Downloads 2004 Podcasts 2005 Satellite Radio 2005 CBC Strategy & Planning 5 CBC’s Multiple Platforms Text News & Messaging 2001 Video On Demand 2003 Interactive TV 2003 HDTV 2005 Cellular TV 2005 (Newsworld & RDI) CBC Strategy & Planning 6 CBC’s Multiple Platforms Syndication – screens, screens, 2002 ! screens CBC Strategy & Planning 7 CBC’s Multiple Platforms • 2006 Winter Olympic Coverage !TV: CBC Television !Cable: Newsworld & TSN & Country Canada !Radio: CBC Radio !Internet: CBC.ca !Mobile: Streaming video on Bell !VoD: Rogers On-demand !Content production follows !platform
    [Show full text]
  • Dv-58Av X-Z9
    DV-58AVX-Z9 Network Media Stereo System The X-Z9 brings high quality stereo channel music entertainment into the digital age! With audiophile class D parallel amplification, meticulous build quality, reference level speaker performance, and advanced 21st century digital technology, the X‑Z9 combines conventional sources of music listening (CD, AM/FM, and Phono) with a wide variety of new sources of digital music; such as iPod¨ and MP3 players, XM¨ and SIRIUS¨ Satellite Radio, USB media players, and 100s of Internet Radio Stations from around the world. The X‑Z9 even accepts streamed PC Audio via an Ethernet connection from your home network! With Pioneer's proprietary Sound Retriever technology, compressed music files are ÒrebornÓ and ready for a hi‑fidelity playback experience. RECEIVER / AMPLIFIER MUSIC SOURCES FEATURES › SACD › Class D Parallel Amplifier That Provides a Low Impedance and Quick › CD-R/RW Response › iPod® or MP3 Player Connection › DLNA Certified:IP network compatibility enables a link with a › XM® Satellite Radio Ready* networked PC to share your music › SIRIUS® Satellite Radio Ready** › Microsoft PlaysForSureTM Compatible: No-hassle playback of Microsoft PlaysForSure audio content downloaded from the Web and › Internet Radio stored on personal computers, via an existing home network system › PC Audio › Sound Retriever for enhanced playback for portable audio devices › USB Input › Full Dot White OEL Display › AM/FM Radio SPEAKER FEATURES › Coaxial 3-Way EX Series Speaker Design › 13 cm Subwoofer › Coaxial Mid-Driver and Tweeter *XM Connect-and-Play antenna and subscription service (each sold separately) required to receive XM and XM-HD Surround Radio.
    [Show full text]