Reinventing Radio: an Afternoon with Ira Glass Takes a Look Into This American Life May 4 at Tacoma's Pantages Theater

Total Page：16

File Type：pdf, Size：1020Kb

Reinventing Radio: an Afternoon with Ira Glass Takes a Look Into This American Life May 4 at Tacoma's Pantages Theater

FOR IMMEDIATE RELEASE: March 25, 2014 MEDIA CONTACT: Mariesa Bus, Marketing Coordinator Phone: 253.573.2507 | Email: [email protected] | Web: BroadwayCenter.org Reinventing Radio: An Afternoon with Ira Glass Takes a Look into This American Life May 4 at Tacoma’s Pantages Theater Media Sponsors: Anagram Press, KPLU, KUOW Tacoma, WA – On Sunday, May 4 at 3:00 p.m., NPR host Ira Glass takes a riveting looking into This American Life, the public radio show that continues to push the boundaries of broadcast journalism. For one afternoon only, join Ira Glass – radio pioneer, host, and creator of This American Life as he recreates the sound of the show by mixing live onstage stories with pre-taped quotes and music. Glass will discuss how his popular show is created, what makes a compelling story, and where he and his staff find the amazing people behind the stories featured on the show. Tickets are on sale now. This American Life is a weekly public radio show broadcast on more than 500 stations to about 2.1 million listeners. It is produced by Chicago Public Media, distributed by Public Radio International, and has won all of the major broadcasting awards. It is also the most popular podcast in the country, with around one million people downloading each week. This American Life, with NPR News, is a co-producer of the economics podcast and blog Planet Money. And a half dozen stories from This American Life are being developed into films. Ira Glass began working in public radio in 1978, when he was 19, as an intern at NPR's headquarters in DC. Over the next 17 years, he worked on nearly every NPR news show and in nearly every production job they had: tape-cutter, desk assistant, newscast writer, editor, producer, reporter, and substitute host. He spent a year in a high school for NPR, and a year in an elementary school, filing stories for All Things Considered. He moved to Chicago in 1989 and put This American Life on the air in 1995. Tickets for Reinventing Radio: An Afternoon with Ira Glass are $29, $49, $59, and $75. Tickets may be purchased through the Broadway Center Box Office at 253.591.5894, toll-free 1.800.291.7593, in person at 901 Broadway in Tacoma’s Theater District or online at www.broadwaycenter.org. # # # The Broadway Center for the Performing Arts gratefully acknowledges the following for support of the 2013-14 Season: ArtsFund, Ben B. Cheney Foundation, The Boeing Company, City of Tacoma, M.J. Murdock Charitable Trust, The News Tribune, Paul G. Allen Family Foundation, and Pierce County Arts Commission. .

Copy Link

Recommended publications

As General Managers of Public Radio Stations That Serve Millions of Americans in Communities Large and Small, Urban and Rural And;
As General Managers of Public Radio stations that serve millions of Americans in communities large and small, urban and rural and; As Producers of local, regional and national content aired by stations throughout the nation committed to telling the evolving story of America, its proud history, and its committed citizens; We are writing to express our grave concern regarding the House legislation that would prohibit stations from using any Federal funds to pay for national programming and would eliminate CPB’s Program Fund. By prohibiting the use of Federal funds in any national programming, and in particular, by eliminating the CPB Program Fund, millions of Americans will be deprived of critical national and international news, information and cultural programming that cannot be found elsewhere. Local public radio stations will no longer reliably provide the community information and context so necessary to cities and towns challenged by change and faltering economies. Institutions and projects at risk include: - Radio Bilingüe’s national program service, public radio’s principal source of Latino programming - Koahnik Public Media’ Native Voice 1, public radio’s principal source of Native American programming - Youth Media, the California-based media network of young audio and video producers and a key source of a youth voice in the mass media - The Public Insight Network, American Public media’s expanding project to bring citizen experts into public radio journalism - Independent producers who depend upon the Program Fund for money to support production of series such as StoryCorps and This I Believe - Independent organizations dedicated to innovation, training, and excellence in journalism such as the Public Radio Exchange and the Association of Independents in Radio.
[Show full text]
TAL Distribution Press Release
This American Life Moves to Self-Distribute Program Partners with PRX to Deliver Episodes to Public Radio Stations May 28, 2014 – Chicago. Starting July 1, 2014, Chicago Public Media and Ira Glass will start independently distributing the public radio show This American Life to over 500 public radio stations. Episodes will be delivered to radio stations by PRX, The Public Radio Exchange. Since 1997, the show has been distributed by Public Radio International. “We’re excited and proud to be partners now with PRX,” said Glass. “They’ve been a huge innovative force in public radio, inventing technologies and projects to get people on the air who’d have a much harder time without them. They’re mission- driven, they’re super-capable and apparently they’re pretty good with computers.” “We are huge fans of This American Life and are thrilled to support their move to self-distribution on our platform,” said Jake Shapiro, CEO of PRX. “We’ve had the privilege of working closely with Ira and team to develop This American Life’s successful mobile apps, and are honored to expand our partnership to the flagship broadcast.” This American Life will take over other operations that were previously handled by PRI, including selling underwriting and marketing the show to stations. The marketing and station relations work will return to Marge Ostroushko, who did the job back before This American Life began distribution with PRI. This American Life, produced by Chicago Public Media and hosted by Ira Glass, is heard weekly by 2.2 million people over the radio.
[Show full text]
2019 Eeo Public File Report
2019 EEO PUBLIC FILE REPORT This report covers Chicago Public Media, Inc Station Employment units (SEU), which consists of the following full-service FM Radio Broadcast stations: Call Sign Type of Station Location WBEZ Non-Commercial Chicago, IL WBEQ Non-Commercial Morris, IL WBEW Non-Commercial Chesterton, IN WBEK Non-Commercial Kankakee, IL WRTE Non-Commercial Chicago, IL Reporting Period: August 1, 2018 through July 31, 2019 Number of Full-time Employees: More than 5 Small Market Exception: No During the Reporting Period, a total of 23 full time positions were filled. The information required by FCC Rule 73.208(c)(6) is provided in the charts to follow. INITIATIVES The employment unit engaged in the following broad outreach initiatives in accordance with various elements of FCC Rule 73.208(c)(6) First Initiative: In this second year of a two year outreach period, Chicago Public Media attended two job fairs: During the reporting period, Chicago Public Media in partnership with NPR, Oregon Public Broadcasting, WNYC, and WBUR attended the following minority journalism confrences to promote job openings in public broadcasting. o National Association of Black Journalists (NABJ) August 2-5, 2018 o Asian Amercian Journalism Association (AAJA) August 8-11, 2018 Second Initiative: Establishment of an intern program designed to assist members of the community to acquire skills needed for broadcast employment. Radio Production and Journalism Internships For students and recent graduates from participating colleges or universities interested in careers in broadcasting and journalism. Internships are available two times a year. July through December – applications are due by late April.
[Show full text]
Overview Not Confine the Discussion in This Report to Those Specific Issues Within the Commission’S Regulatory Jurisdiction
television, cable and satellite media outlets operate. Accordingly, we do Overview not confine the discussion in this report to those specific issues within the Commission’s regulatory jurisdiction. Instead, we describe below 1 MG Siegler, Eric Schmidt: Every 2 Days We Create As Much Information a set of inter-related changes in the media landscape that provide the As We Did Up to 2003, TECH CRUNCH, Aug 4, 2010, http://techcrunch. background for future FCC decision-making, as well as assessments by com/2010/08/04/schmidt-data/. other policymakers beyond the FCC. 2 Company History, THomsoN REUTERS (Company History), http://thom- 10 Founders’ Constitution, James Madison, Report on the Virginia Resolu- sonreuters.com/about/company_history/#1890_1790 (last visited Feb. tions, http://press-pubs.uchicago.edu/founders/documents/amendI_ 8, 2011). speechs24.html (last visited Feb. 7, 2011). 3 Company History. Reuter also used carrier pigeons to bridge the gap in 11 Advertising Expenditures, NEwspapER AssoC. OF AM. (last updated Mar. the telegraph line then existing between Aachen and Brussels. Reuters 2010), http://www.naa.org/TrendsandNumbers/Advertising-Expendi- Group PLC, http://www.fundinguniverse.com/company-histories/ tures.aspx. Reuters-Group-PLC-Company-History.html (last visited Feb. 8, 2011). 12 “Newspapers: News Investment” in PEW RESEARCH CTR.’S PRoj. foR 4 Reuters Group PLC (Reuters Group), http://www.fundinguniverse.com/ EXCELLENCE IN JOURNALISM, THE StatE OF THE NEws MEDIA 2010 (PEW, company-histories/Reuters-Group-PLC-Company-History.html (last StatE OF NEws MEDIA 2010), http://stateofthemedia.org/2010/newspa- visited Feb. 8, 2011). pers-summary-essay/news-investment/.
[Show full text]
"Game Changer" July 8, 2011
This American Life Episode 440 "Game Changer" July 8, 2011 This transcript contains material from the podcast/online version of the story which was not part of the broadcast version due to time constraints. Back in December of 2007, Terry Engelder, a geologist at Penn State University, put a piece of scrap paper from the recycling bin under his desk, and made a calculation. Terry: What you see here are numbers for thickness and then aerial extent, and porocity is part of this calculation. Ah, porocity. Engelder was trying to figure out the answer to a very, very basic question – something someone had asked him just in passing. Terry: He said “Oh, by the way, how much gas is in the Marcellus?” And I hadn’t actually thought of that. Exactly how much natural gas was trapped in the Marcellus, which is a giant rock formation - a kind of rock called shale - that runs underneath Pennsylvania, where Engelder was actually sitting, and New York, and into Ohio, New Jersey, West Virginia and Maryland. And which we now know, thanks to Engelder, is the second largest natural gas field in the world, the largest outside the Mideast. Terry: And it just so happened that no one, at least in the public domain, up to that particular point in time had actually sat down and done the calculation. And so I found out and was astounded by the numbers. His result? Fifty trillion cubic feet of natural gas. It sounded impossible. Engelder went online to see what the U.S. Geological Survey was estimating for the Marcellus.
[Show full text]
How Podcasting Is Changing the Audio Storytelling Genre Siobhan Mchugh University of Wollongong, [email protected]
University of Wollongong Research Online Faculty of Law, Humanities and the Arts - Papers Faculty of Law, Humanities and the Arts 2016 How podcasting is changing the audio storytelling genre Siobhan McHugh University of Wollongong, [email protected] Publication Details McHugh, S., How podcasting is changing the audio storytelling genre. The Radio Journal: International Studies in Broadcast and Audio Media, 14(1), 2016, 65-82. Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] How podcasting is changing the audio storytelling genre Abstract This article explores the impact of the post-2014 podcast resurgence on nonfictional audio storytelling formats. The mpe irical study comprises themed commentary by five significant US, European and Australian editors who commission and produce audio documentaries and features for broadcast and/or podcast. The article provides insights into the changing role played by public broadcasters, the growth of independent podcast networks and the perceived differences between radio and podcasting as a mode of delivering and receiving audio content. Of particular significance is the belief of senior commissioning editors that podcasting is fomenting a new, more informal, genre of audio narrative feature centred on a strong relationship between host and listener, with content that is 'talkier' and less crafted. The SU audio storytelling podcast sector is growing fast, and much of it has links to a public media ethos, but how to resource it without compromising its editorial independence remains unresolved. Disciplines Arts and Humanities | Law Publication Details McHugh, S., How podcasting is changing the audio storytelling genre.
[Show full text]
JOEL MEYER 135 M Street, Salt Lake City UT 84103 [email protected] 917-656-9147 (Cell)
JOEL MEYER 135 M Street, Salt Lake City UT 84103 [email protected] 917-656-9147 (cell) EXPERIENCE KUER | NPR Utah (Salt Lake City) Director of Programming and Promotion, August 2018 – present Oversee audience development, content strategy and programming for NPR member station based in Salt Lake City and serving 140,000 weekly listeners across Utah. Direct digital and podcast initiatives, including new partnership with PRX and Corporation for Public Broadcasting. Manage production, operations and on-air staff. Collaborate with news director on editorial and breaking news. Work with other senior team members on fundraising, development, membership and station management. WNYC Studios | WNYC (New York) Executive Producer, “American Fiasco,” October 2017 – August 2018 Oversaw editorial, production and budget for 12-part podcast documentary about a dysfunctional soccer team’s disastrous journey to the 1998 World Cup. Hosted by Roger Bennett of Men in Blazers. Reached No. 1 on iTunes podcast chart. Named to Vulture’s "Best Podcasts of 2018 (So Far)” list. Called “the best serialized podcast since S-Town” by NPR’s Guy Raz. Executive Producer, “Soundcheck,” March 2007 – October 2014 Show-runner for Soundcheck, an eclectic daily radio program about music and culture. Oversaw editorial, booking and team of five. Directed live broadcast. Led relaunch of show in 2012. Produced events at The Greene Space, New York Public Library and BAM. Fill-in host and pledge-drive partner. Produced pilots for Freakonomics spin-off Tell Me Something I Don’t Know and Kings County With Kurt Andersen. WBEZ | Chicago Public Media (Chicago) Executive Producer, Talk Programming, September 2015 – October 2017 Managed two daily talk shows, six podcasts and pilot production for major-market NPR member station.
[Show full text]
Smiley West Media Advisory 10.15.12 Final Advisory
FOR IMMEDIATE RELEASE Contact: JZ, phone: (773)299-8843 Email: [email protected] MEDIA ADVISORY TAVIS SMILEY RESPONDS TO CANCELLATION OF “SMILEY & WEST” IN OPEN LETTER TO CHICAGO PUBLIC RADIO, WBEZ CHICAGO, IL (October 15, 2012) - Tavis Smiley, public radio and television broadcaster, emailed the followinG letter Monday to Torey Malatia, President and CEO of ChicaGo Public Media, reGardinG the recent cancellation of Smiley & West from Public Radio International (PRI) by WBEZ. In the letter Smiley rejects the claim that his public radio work has become “far less inclusive,” as Malatia has suGGested. “I am as ‘inclusive’ as I have ever been because I am as curious as I have ever been. I reject and resent the very suGGestion by you in letters to listeners that I do not demonstrate a willinGness to ‘respect and hear opposing views,’” writes Smiley. Smiley’s entire letter is included below and can also be read at: www.smileyandwest.com. Dear Mr. Malatia, In my 20 years of beinG a broadcaster, this letter represents the very first time I have felt compelled to write a personal note to the head of a local station. I was content to simply move on beyond a cancellation decision I vehemently disaGreed with, because I respect the public media model that stations know best. That is until I was made privy to the content of your written response to listeners who have been expressing disappointment about the cancellation of Smiley & West on ChicaGo’s WBEZ 91.5 FM. I must say that the spin found in your letter is beneath you, the station you work for, and moreover the people you serve.
[Show full text]
Chicago Public Media, Inc
Chicago Public Media, Inc. FY2018 Chicago Public Media, Inc. CONSOLIDATED FINANCIAL REPORT FOR THE YEARS ENDED JUNE 30, 2018 AND 2017 Chicago Public Media, Inc. Table of Contents Independent Auditor’s Report 1 Consolidated Financial Statements Consolidated statements of financial position 2 Consolidated statements of activities 3 Consolidated statements of cash flows 4 Notes to consolidated financial statements 5 Independent Auditor's Report To the Board of Directors Chicago Public Media, Inc. We have audited the accompanying consolidated financial statements of Chicago Public Media, Inc. (the "Organization"), which comprise the consolidated statement of financial position as of June 30, 2018 and the related consolidated statements of activities and cash flows for the year then ended, and the related notes to the consolidated financial statements. Management’s Responsibility for the Consolidated Financial Statements Management is responsible for the preparation and fair presentation of these consolidated financial statements in accordance with accounting principles generally accepted in the United States of America; this includes the design, implementation, and maintenance of internal control relevant to the preparation and fair presentation of consolidated financial statements that are free from material misstatement, whether due to fraud or error. Auditor’s Responsibility Our responsibility is to express an opinion on these consolidated financial statements based on our audit. We conducted our audit in accordance with auditing standards generally accepted in the United States of America. Those standards require that we plan and perform the audit to obtain reasonable assurance about whether the consolidated financial statements are free from material misstatement. An audit involves performing procedures to obtain audit evidence about the amounts and disclosures in the consolidated financial statements.
[Show full text]
A Guide to Some of the Best Podcasts
Chapter 3 A Guide to Some of the Best Podcasts ince the number of podcasts is very large and Note to Self—WNYC growing (more than 325,000 podcasts are avail- www.wnyc.org/shows/notetoself Sable in iTunes according to 2016 statistics),1 it’s This podcast is about new technologies and their easy to feel overwhelmed. In this section, I’ll recom- implications for everyday life. It’s aimed at those who mend a selection of well-reviewed podcasts in different want to “preserve their humanity in the digital age.” 2 categories and discuss how to find podcasts by topic. It’s hosted by Manoush Zomorodi, who encourages lis- teners to question everything. Podcasts for a General Audience On the Media—WNYC www.wnyc.org/otm-podcast There are so many excellent podcasts that it’s not easy This is a weekly show that explores and analyzes to create a list of the best general ones. I won’t aim to the process of making news media. It aims to uncover do that; instead, here’s a list of a few well-known pod- the media-making process and looks at challenges casts that get good reviews and are popular. relating to freedom of information and expression in If you want to recommend a few podcasts for peo- the United States and abroad. ple who are new to podcast listening, you can use this list. The upcoming section (podcasts for teens) may RadioLab—WNYC also be of interest to adults. www.radiolab.org/series/podcasts Radiolab calls itself a show about curiosity.
[Show full text]
Chicago Public Media Purchases WKCC and Preserves Public Radio for Kankakee and Surrounding Region
FOR IMMEDIATE RELEASE December 16, 2015 Contact: Kassie Stephenson Phone: 312-948-4640 Email: [email protected] Chicago Public Media Purchases WKCC and Preserves Public Radio for Kankakee and Surrounding Region WBEZ Programming will air on WKCC 91.1FM beginning December 18 CHICAGO-Chicago Public Media and WKCC, Kankakee Community College’s public radio station, are excited to announce a sales agreement and transfer of ownership for the WKCC 91.1 FM broadcast license. The sale comes more than five months after WKCC announced that due to budget constraints it would cease operations in December. This fall, Chicago Public Media bid on, and won the license to operate WKCC. The terms of the agreement were finalized this week. “Our purchase of WKCC is a huge win for everyone who cares about preserving high quality public radio programming for the region,” said Goli Sheikholeslami, president and CEO of Chicago Public Media. “We are so excited to provide the Kankakee area with WBEZ’s rich and diverse news and information, including NPR’s acclaimed news magazines Morning Edition and All Things Considered.” “Our community greatly values public radio and this transition to WBEZ will enable them to continue to enjoy the high-quality listening experience that they desire and deserve,” said John Avendano, president of Kankakee Community College. “WKCC has proudly served our community for over seven years delivering public radio and while we’re disappointed that funding issues forced us to sell our license, we are very happy that WBEZ will step in and keep public radio alive in the region.” WBEZ’s programming will simulcast on WKCC, extending WBEZ’s reach to an additional audience of more than 200,000 potential listeners in Kankakee and Iroquois Counties.
[Show full text]
Directory of Public Relations Firms
DIRECTORY OF PUBLIC RELATIONS FIRMS 50TH ANNUAL EDITION J.R. O’DWYER CO., NEW YORK, NY • WWW.ODWYERPR.COM O’Dwyer’s Directory of Public Relations Firms 2020 Directory Editor-in-Chief: Melissa Werbell Researchers: Jane Landers Christine O’Dwyer Advertising: John O’Dwyer Design & Production: Steve Barnes Jon Gingerich © Copyright 2020 Published by the J.R. O’Dwyer Co., Inc. 271 Madison Ave., #1500, New York, NY 10016 (212) 679-2471 www.odwyerpr.com Publisher: John O’Dwyer Printed in U.S.A. Library of Congress Catalog Number 70-86913 ISBN: 978-0-9976910-4-7 ISSN: 0078-3374 STRATEGIC COMMUNICATIONS for high-stakes situations / SARDVERB.COM / CONTENTS Foreword 5 PR Firms Newly Listed in the Directory 5 PR Firm Ranking Instructions 6 Ranking of PR Firms with Major U.S. Operations 7 List of Major Holding Companies and their PR Subsidiaries 12 Leading Gainers Among the Ranking of PR Firms 14 Ranking of PR Firms by Cities and Regions 16 Ranking of PR Firms by Specialty 20 Index to Public Relations Firms with Specialized Skills 31 Geographical Index to PR Firms Based in the U.S. 71 Geographical Index to PR Firms and Branches Outside the U.S. 80 How to Hire a PR Firm: The Corporate View, by Fraser Seitel 82 Nine Top Reasons to Get a PR Agency Valuation, by Rick Gould 85 10 Myths About PR Firms Being Acquired, by Art Stevens 86 Is Your Time to Plan for Retirement Running Out, by Richard Goldstein 87 Public Relations’ Renewed Call for Diversity, by Rick Gould & Robert Udowitz 88 Listing of PR Firms (alphabetical order) 89 Cross-Index to
[Show full text]