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Planning Curriculum in Art and Design
Planning Curriculum in Art and Design Wisconsin Department of Public Instruction Planning Curriculum in Art and Design Melvin F. Pontious (retired) Fine Arts Consultant Wisconsin Department of Public Instruction Tony Evers, PhD, State Superintendent Madison, Wisconsin This publication is available from: Content and Learning Team Wisconsin Department of Public Instruction 125 South Webster Street Madison, WI 53703 608/261-7494 cal.dpi.wi.gov/files/cal/pdf/art.design.guide.pdf © December 2013 Wisconsin Department of Public Instruction The Wisconsin Department of Public Instruction does not discriminate on the basis of sex, race, color, religion, creed, age, national origin, ancestry, pregnancy, marital status or parental status, sexual orientation, or disability. Foreword Art and design education are part of a comprehensive Pre-K-12 education for all students. The Wisconsin Department of Public Instruction continues its efforts to support the skill and knowledge development for our students across the state in all content areas. This guide is meant to support this work as well as foster additional reflection on the instructional framework that will most effectively support students’ learning in art and design through creative practices. This document represents a new direction for art education, identifying a more in-depth review of art and design education. The most substantial change involves the definition of art and design education as the study of visual thinking – including design, visual communications, visual culture, and fine/studio art. The guide provides local, statewide, and national examples in each of these areas to the reader. The overall framework offered suggests practice beyond traditional modes and instead promotes a more constructivist approach to learning. -
John Logan Koepke and David G. Robinson* in the Last Five Years
DANGER AHEAD: RISK ASSESSMENT AND THE FUTURE OF BAIL REFORM John Logan Koepke and David G. Robinson* In the last five years, legislators in all fifty states and many localities have made changes to their pretrial justice systems. Reform efforts aim to shrink jails by incarcerating fewer poor, low-risk defendants, and particularly, fewer racial minorities. Many jurisdictions are embracing pretrial risk assessment instruments — statistical tools that use historical data to forecast which defendants can safely be released — as a centerpiece of these changes. Scholars, system practitioners, advocates, and journalists are increasingly questioning the extent to which pretrial risk assessment instruments actually serve these goals. Existing scholarship and debate centers on how the instruments may reinforce racial disparities, and on how their opaque algorithms may frustrate due process interests. In this article, we highlight three underlying challenges that have yet to receive the attention they require. First, today’s risk assessment tools make what we term “zombie predictions.” That is, the predictive models are trained on data from older bail regimes, and are blind to the risk-reducing benefits of recent bail reforms. This will lead to predictions that systematically overestimate risk. Second, the “decision- making frameworks” that mediate the court system’s use of risk estimates embody crucial moral judgments, yet currently escape public scrutiny. Third, in the longer term, these new tools risk giving an imprimatur of scientific objectivity to ill-defined concepts of “dangerousness”; pave the way for a possible increase in preventive detention; and may entrench the Supreme Court’s historically recent blessing of preventive detention for dangerousness. -
V'j/SO14 RCA's Broadcast Antenna Center
V'J/SO14 Broadcast and Teleproduction Happenings PTL-'The Inspirational Network" Expands WDZL -TV, New 24 -Hour UHF RCA's Broadcast Antenna Center Quality Video's Mobile Unit www.americanradiohistory.com On the move. for you! 4,-. ..._V,. at" \ ,,\ 1 bt, . V I . O.. I . ` . .,S{+?f " \ Y '1 y^$(.. 4 , ,. P .. 1N " 1 , ; rÿ: I:IYf . ;-- ' !Í "' II-, i..R . a. : RCA Y{RWJä1sCAb7 6Y&Taa -1 f, ...,p,a- -.Ni l¡ JI ^ Idi.1 0 1 f' .i.w , +u. --^jyL ' r +,., p _ f ÿ'S 1, y, wpkM3.xyn. ,, nasr : . l . r -.-- / ( ,r w. }'Y, ) `r---._ .:. , a./ _ .*.Yd.g j 'i2N'-rE .., 3 s!Y ` 5 -,:. .` 'ß` ,...7.!: r.i/ .. 1 c.i` 1,'fy.VrY, *--rit, j+i .. ;j -'' - , }. - r* 1,:& r.1. `da .a ..\.". 47-77::` N1u " ` yy',, C ` .a..s"ç. _- 1, - l'3aa-y..í.-,.+D:.. `... View from United Slates Avenue There is a new RCA Broadcast Systems Di- We're moving toward a full integrated vision, operating from a new headquar- operation -consolidating administration, ters location in Gibbsboro, New Jersey. engineering and manufacturing in one Administrative operations- marketing, area for added efficiency and customer - product management, Tech Alert, cus- responsive service. tomer service and finance -are already in RCA Broadcast Systems move to Gibbs - place on site, and a new building is under boro reaffirms our commitment to remain construction. When completed later this the industry's leading supplier of quality year, TV transmitter engineering and pro- products, with unequalled support duction will move from Meadow Lands, services. -
42" 1080P LCD Flat Panel HDTV
L42FHD37 42" 1080p LCD Flat Panel HDTV Features and Benefits For the ultimate in High Definition viewing, RCA introduces the new Full 1080p L42FHD37. It featuresFull 1080p HDTV technology performance for crisp, lifelike details, SRS® WOW Audio Enhancement, fast panel response times, and 5 HD inputs: 3 HDMI (v1.3) and 2 HD Component. This television is also HDMI-CEC compliant making it easier to control your components connected via HDMI with the TV’s remote control. The RCA L42FHD37 is an incredible value that is designed to be a breeze to operate with stunning picture performance and sensible innovations. RCA HDTV. Color Beyond Reality. This TV is ENERGY STAR® qualified and features RCA’sIntuilight™ light sensor which detects ambient room light to automatically adjust contrast on the screen. The result is more energy-efficiency that is perfectly balanced for your room’s environment—night or day. PRODUCT SIZE (W X H X D) WITH stand: 40 X 28.4 X 10.2 INCHES || W/O stand: 40 X 26 X 4.4 INCHES * Cable TV subscription required. Check with your cable company for availability in your area. L42FHD37 Specifications JACK paNELS Side Panel Back Panel TECHNOLOGY REAR CONNECTIONS — OUTPUTS Tuner NTSC/ATSC/QAM Digital Audio Output (SPDIF) 1 - Optical Analog Video Formats (NTSC/480i) Composite, S-Vid, Component SIDE PANEL — INPUTS Video Formats (480p, 720p, 1080i, Component, RGB, HDMI Composite Video Input 1 1080p) S-Video Input 1 R L HDTV Capability Yes Audio Input for Composite 1 R L Category LCD HDMI Inputs ** 1 DVI AUDIO INPUT USB Input 1 - SW -
HOLLYWOOD – the Big Five Production Distribution Exhibition
HOLLYWOOD – The Big Five Production Distribution Exhibition Paramount MGM 20th Century – Fox Warner Bros RKO Hollywood Oligopoly • Big 5 control first run theaters • Theater chains regional • Theaters required 100+ films/year • Big 5 share films to fill screens • Little 3 supply “B” films Hollywood Major • Producer Distributor Exhibitor • Distribution & Exhibition New York based • New York HQ determines budget, type & quantity of films Hollywood Studio • Hollywood production lots, backlots & ranches • Studio Boss • Head of Production • Story Dept Hollywood Star • Star System • Long Term Option Contract • Publicity Dept Paramount • Adolph Zukor • 1912- Famous Players • 1914- Hodkinson & Paramount • 1916– FP & Paramount merge • Producer Jesse Lasky • Director Cecil B. DeMille • Pickford, Fairbanks, Valentino • 1933- Receivership • 1936-1964 Pres.Barney Balaban • Studio Boss Y. Frank Freeman • 1966- Gulf & Western Paramount Theaters • Chicago, mid West • South • New England • Canada • Paramount Studios: Hollywood Paramount Directors Ernst Lubitsch 1892-1947 • 1926 So This Is Paris (WB) • 1929 The Love Parade • 1932 One Hour With You • 1932 Trouble in Paradise • 1933 Design for Living • 1939 Ninotchka (MGM) • 1940 The Shop Around the Corner (MGM Cecil B. DeMille 1881-1959 • 1914 THE SQUAW MAN • 1915 THE CHEAT • 1920 WHY CHANGE YOUR WIFE • 1923 THE 10 COMMANDMENTS • 1927 KING OF KINGS • 1934 CLEOPATRA • 1949 SAMSON & DELILAH • 1952 THE GREATEST SHOW ON EARTH • 1955 THE 10 COMMANDMENTS Paramount Directors Josef von Sternberg 1894-1969 • 1927 -
The Telegraph Sir James Dyson: 'So If We Leave the EU No One Will Trade with Us? Cobblers...'
The Telegraph Sir James Dyson: 'So if we leave the EU no one will trade with us? Cobblers...' Sir James Dyson: 'We’re not allowed to employ immigrants unless they’re from the EU' CREDIT: CHRISTOPHER PLEDGER FOR THE TELEGRAPH By Allison Pearson 10 JUNE 2016 • 7:28PM In a top-secret, padded room at the Dyson research and development facility in Wiltshire, there are several microphone stands at different heights. They could be waiting for the Jackson Five to show up and sing Rockin’ Robin. But, no: this is a semi-anechoic chamber where new products are tested. It was here that engineers refined the tiny motor that lives inside the handle of Dyson’s new Supersonic hair dryer, launched in Selfridges this week. The motor impeller was making what its inventor calls “a dreadful racket” until they figured out that if you put 13 blades on it instead of the usual 11, one tone in the motor would be pushed above the audible range for humans. Basically, what I hold in my hand is the first blow-drying tool that doesn’t make your arm ache until it’s about to drop off and can only be heard by Labradors. It took 103 engineers, four years and £71 million to produce and I want one right this minute, even though it retails at a hair-raising £299. Unfortunately, letting one drop accidentally into my bag is not an option as we’re in a high-security zone. I am asked to initial a statement that I will not disclose anything I have seen. -
Our Guide to Britain's EU Referendum
JUNE 2016 The Brexit briefs Our guide to Britain’s EU referendum THE BREXIT BRIEFS ON JUNE 23rd Britain will hold a referendum on whether to remain in or leave the European Union. This will be the country’s most important vote in at least half a century. Alas, the debate has often been neither informative nor enlightening. The Economist is not neutral: we are convinced that a decision to leave (a so-called Brexit) would be bad for Britain, Europe and the world. But we also believe in the importance of objective analysis and reasoned argument. Over the past few months we have published a series of factual briefs that examine the main issues around Brexit. To help interested readers, we have now assembled all our Brexit briefs together. Zanny Minton Beddoes, Editor-in-chief CONTENTS 1. March 5th 2016 7. April 16th 2016 13. May 28th 2016 TRUTH AND LIES BUSINESS BUREAUCRACY Voters want clear facts about the Most businesses want to stay in the EU Brexiteers say they will scrap much EU European Union. They are given myths but some are cautious of saying so regulation, but they may not end up instead doing so 8. April 23rd 2016 2. March 12th 2016 THE TERMS OF THE DEAL 14. June 4th 2016 EUROSCEPTICISM Being out of the euro and Schengen HOW TO LEAVE Hostility to the EU in Britain is different gives Britain the best of both worlds Britain’s withdrawal process from the EU from anything found on the continent could be long and painful 9. -
Exposing Eddie Cantor, Trouble -Maker Why Frank Munn Sings to a Lost Love
THE LARGEST CIRCULATION OF ANY RADIO MAGAZINE FRED ALLEN AND PORTLAND HOFFA EXPOSING EDDIE CANTOR, TROUBLE -MAKER WHY FRANK MUNN SINGS TO A LOST LOVE . www.americanradiohistory.com New Kind of Dry Rouge aCt y Ataiz.0 on ag cz'ary. ALL NIGMT f , ,d,u.,.,g,r.,,,, ,1,1 de, ,,,h, , . ra :°;'.r,;, NAIL 1,1_ How often you have noticed that most dry rouge seems to lose the i uiry of its color within an hour or so of its application. That is beeatse the sr.droucc particles are so coarse ve n texture, , that they simply, fall areuy from your skin. SAVAGE Rouge, as Your ,nse of touch will instantly tell you, is a great ,lead finer in restore and :miter thin ordinary rouge. Its particles being so infinitely line. adhere much more closely to the skin than rouge has ever clung before. In leer, SAVAGE Rouge, for this reason, clings so insistently, it seems to bee a part of the skin itself ... refusing to y eld, even to the savage caresses its tempting smoorhirers and poise- quickening color might easily invite. The price its ?Cc and the shades, to keep sour lips and cheeks in thrilling harmony, match perfects' drove of SAVAGE LIPSTICK . known as the o transparent-colored indelible lipstick that aer1.1,11y keeps lips seductively soft instead Of drain.e them as indelible lipstick usually does. Apply it rub it in, and delight i ,hiding your lips lusciously, lastingly tinted, yet utterly grease- less. Only :Cc .rid each or the tout hues is as vibrantly alluring, as completely intoxicating as a ¡oriole niche Everyone has found them so. -
Addressing the Skills Shortage: a New Approach to Engineering Education in Schools
ADDRESSING THE SKILLS SHORTAGE: A NEW APPROACH TO ENGINEERING EDUCATION IN SCHOOLS The James Dyson Foundation is a charity supported by Dyson Ltd. Engineering in the UK 04 Design and Technology can open The James Dyson Foundation schools project: a new approach to Design and Technology 14 doors for young people. It offers Summary 52 the creativity of an arts subject Appendix 54 References 58 and the analytical rigour of the sciences. The subject offers students the chance to shape tomorrow’s world by developing new ideas and technologies. Sir James Dyson Inventor 01 Design and Technology (D&T) is in decline, with less students choosing to study the subject at GCSE and A Level. However, it is the subject that most directly equips students with the skills they need to become engineers – a profession with an ongoing shortfall. To address the decline of D&T, the James Dyson Foundation worked with five schools in Bath from 2012 to 2018. The aim was to transform the way the subject is taught, and develop a curriculum based on iterative design and problem-led learning. 02 03 Engineers have the skills and knowledge to solve problems and invent 1 solutions. However, the ENGINEERING UK has a crippling annual IN THE UK shortage of 59,000 engineering graduates and technicians. The UK faces a crippling annual Engineering UK has found that while shortage of engineering graduates the engineering sector is growing and and technicians, which reached 59,000 diversifying, this growth isn’t reflected in 2018.6 At the same time, the UK is in the education system – 40% of employers facing a greater breadth of challenges still report a shortage of science, year on year, such as the need to develop technology, engineering and mathematics clean transport solutions, manage the (STEM) graduates.6 Investment needs risk of cyber-attacks, and meet the needs to be directed more substantially into the of an ageing population. -
Old Greshamian Magazine 2019
Old Greshamian Magazine 2019 Old Greshamian Old Greshamian Magazine November 2019 • Number 158 Old Greshamian Magazine November 2019 Number 158 Cover Photo: Olivia Colman with her Academy Award at the 2019 Oscars ceremony © PA Printed by The Lavenham Press 2 Contents Contact Details and OG Club Committee ........................................................................................ 4 GUY ALLEN Messages from the Chairman and the Headmaster ........................................................................ 5 Headmaster’s Speech Day Speech 2019 ....................................................................................... 8 The London Children’s Camp ........................................................................................................ 14 RECENT WORKS Reunions and Events in the Past Year .......................................................................................... 16 Friends of Gresham’s (FOGs) ....................................................................................................... 28 The Dyson Building ....................................................................................................................... 30 Development and The Gresham’s Foundation .............................................................................. 33 Gresham’s Futures ........................................................................................................................ 36 Honours and Distinctions.............................................................................................................. -
16491 Old Gres Mag 2003
Old Greshamian Magazine Number 142 November 2003 Bakers & Larners of Holt The Last Word In Luxury Shopping Bakers & Larners of Holt Market Place Holt Norfolk NR25 6BW Telephone 01263 712244 Fax 01263 712720 Open an OPTION ACCOUNT and be part of the exceptional shopping experience! Website www.bakersofholt.co.uk Email [email protected] Old Greshamian Magazine CONTENTS Calendar of Events 3 Chairman’s Notes 4 Annual General Meeting and The O.G. Club Committee 5 – 7 Accounts 8 – 9 Obituaries 30 – 29 O.G. News 30 – 46 Marriages, Engagements and Honours 47 Centenary Dinner 48 Tallis Reunion Dinner 49 Sydney O.G. Dinner 50 The 2003 Newquay Reunion 50 – 52 The Headmaster’s Speech 53 – 57 The Chairman’s Speech 58 – 59 Sir David Rowland’s Speech 60 – 63 ‘I realised that life is fragile’ 64 – 65 A Railway in my Garden 66 – 67 First Night Nerves 68 – 69 Firman’s Point 70 Best of Times Worst of Times 71 – 72 Reel-life hero 73 – 75 Character building 76 – 77 Ali gets a real lift after his hard work 78 Notes on Gresham’s School 79 Salerno – A Living Nightmare 80 – 81 Sir John Gresham, KT. 82 – 83 Reviews 84 – 91 Old School House Letter 92 – 112 Lecture by Sir Martin Wood, O.G. 112 The Wicksteed Collection 112 O.G. Club Cruise 113 Sports News 114 – 118 Letters to the Editor 119 – 121 Miscellaneous 122 – 124 Examination Results 124 Destinations of School Leavers 125 O.G. News/Change of Address 127 2 Outline Calendar of Events 2003 –2004 CHRISTMAS MEETING 2003. -
The Pin-Up Boy of the Symphony: St. Louis and the Rise of Leonard
The Pin-Up Boy of the Symphony St. Louis and the Rise of Leonard Bernstein BY KENNETH H. WINN 34 | The Confluence | Fall/Winter 2018/2019 In May 1944 25-year-old publicized story from a New Leonard Bernstein, riding a York high school newspaper, had tidal wave of national publicity, bobbysoxers sighing over him as was invited to serve as a guest the “pin-up boy of the symphony.” conductor of the St. Louis They, however, advised him to get The Pin-Up Boy 3 Symphony Orchestra for its a crew cut. 1944–1945 season. The orchestra For some of Bernstein’s of the Symphony and Bernstein later revealed that elders, it was too much, too they had also struck a deal with fast. Many music critics were St. Louis and the RCA’s Victor Records to make his skeptical, put off by the torrent first classical record, a symphony of praise. “Glamourpuss,” they Rise of Leonard Bernstein of his own composition, entitled called him, the “Wunderkind Jeremiah. Little more than a year of the Western World.”4 They BY KENNETH H. WINN earlier, the New York Philharmonic suspected Bernstein’s performance music director Artur Rodziński Jeremiah was the first of Leonard Bernstein’s was simply a flash-in-the-pan. had hired Bernstein on his 24th symphonies recorded by the St. Louis Symphony The young conductor was riding birthday as an assistant conductor, Orchestra in the spring of 1944. (Image: Washing- a wave of luck rather than a wave a position of honor, but one known ton University Libraries, Gaylord Music Library) of talent.