Tuesday, October 9, 2007 Volume 134, Issue 7 2 October 9, 2007
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2016 FCS Digital.Pdf
1 2 WELCOME TABLE OF CONTENTS Passion. Precision. Velocity. A few months ago, STATS tweaked its logo Page and added a tagline. It consisted of just three words, meant to simply Welcoming Letters 4-5 reflect our love of sport, the detail we embed into our products and FCS Awards Finalists 7 the momentum of our creative process. Such a motto could easily be Jeremiah Briscoe – Walter Payton Award Finalist 8 transferred to the FCS. The ingredients for team success are rooted in Gage Gubrud – Walter Payton Award Finalist 10 a passion for the game; precision shows itself in every play as 11 work Cooper Kupp – Walter Payton Award Finalist 12 as one; and velocity can be found as easily in a quarterback’s strike as a linebacker’s hit. In the summer of 2015, STATS took on a significant Dylan Cole – Buck Buchanan Award Finalist 14 initiative to shine a light on the subdivision’s best and brightest, and, P.J. Hall – Buck Buchanan Award Finalist 16 with over 2.5 million page views over the past year on www.fcs.football, Karter Schult – Buck Buchanan Award Finalist 18 it’s safe to say we’ve found an audience. Of course, tonight also marks A.J. Hines – Jerry Rice Award Recipient 20 a noteworthy milestone in FCS history. Thirty seasons ago, Colgate’s Tyler Swafford – Doris Robinson Award Recipient 22 Kenny Gamble walked away with the first Walter Payton Award, given to K.C. Keeler – Eddie Robinson Award Recipient 24 the FCS’ top player, and Holy Cross’ Mark Duffner took home the initial Eddie Robinson Award, handed out to its top coach. -
2020 Preseason Release.Indd
UCLA FOOTBALL UCLA Athletic Communications / J.D. Morgan Center / 325 Westwood Plaza / Los Angeles, CA 90095 Football Contacts: Steve Rourke / [email protected] / o: (310) 206-8187; Andrew Sinatra / [email protected] COMING UP Sat. Nov. 7 - at Colorado (ESPN2) - 4 p.m., PT/ 5 p.m., MT GAME ONE Fri. Nov. 13 - Utah (FS1) - 7:30 p.m. GAME ONE: UCLA at Colorado Venue: Folsom Field - Boulder, Colo. AT A GLANCE vs. Kickoff Time: 4 p.m., PT/ 5 p.m., MT • UCLA owns a 65-31-5 all-time record in season-opening games ... The Nov. 7 starting date is the latest start to a UCLA football season (previous latest start Television: ESPN2 (Beth Mowins, Kirk Morrison, John Schriffen) to a season was 10/13 in 1923) ... The last time a Bruin football team played Radio (UCLA Sports Network from IMG College): AM 570 2019: 5-7, 2019: 4-8, 3-6 Pac-12, less than seven games in a season was in 1922 ... The Dec. 18/19 fi nal game Josh Lewin (play-by-play),Matt Stevens (analyst), Wayne Cook (reporter) 4-5 Pac-12, 5th in Pac-12 South T3rd in Pac-12 South would be the latest end to a Bruin season since 1938 when it played on Dec. XM Ch. 385 / Internet 975 26 and Jan. 2 in Hawaii) BRUINS TO OPEN 2020 SEASON AT COLORADO — UCLA (0-0) will open the 2020 season by traveling to play at Colorado (0-0) in a • The Bruins have split the last four season-opening games played on the road Pac-12 Conference matchup on Saturday, November 7 at Folsom Field. -
Stories from Greece
EUROPEAN MOBILITY FOLKTALES A COLLECTION OF EUROPEAN TRADITIONAL STORIES WITH TRAVELLING CHARACTERS This project has been funded with support from the Europpean Commission and the Lifelong Learning Programme. This publication reflects the views only of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein. 1 European Mobility FolkTales Editors: Panayiotis Aggelides & Petros Panaou Illustrator: Frixos Michaelides Printed: Nicosia 2012 © EUMOF ISBN 978-9963-7459-0-6 Lead Partner Contact Person: Panayiotis Angelides Tel: +357-22461566 ext.230 E-mail: [email protected] Partners LESEZENTRUM STEIERMARK UNIVERSITY OF THESSALY PUBLIC LIBRARY IN URSUS PLATON SCHOOLS INSTITUTO POLITÉCNICO DE CASTELO BRANCO T CYPRUS BOARD ON BOOKS FOR YOUNG PEOPLE (CYBBY) EU – LE –NET (EUROPAISCHES – LESE- NETZWERK, EUROPEAN READING NETWORK) 2 EUROPEAN MOBILITY FOLKTALES 3 TRANSLATION AND EDITING OF THE STORIES Gabi Berger-Thompson Lilia Ratcheva Marta Raszkowska Malgorzata Kołodziejczyk Paul Melia Margarida Morgado Patera Anastasia Vangelis Kapetis Sabine Moser-Steyer Wolfgang Moser Petros Panaou Christina Botsari Kostas Katsonis Evanthia Christophorou ACKNOWLEDGEMENTS The publication of this volume would not have been possible without the wisdom and hard work of the following individuals: Margarida Morgado Vangelis Kapetis Lilia Ratcheva Wolfgang Moser Kostas Katsonis Tasoula Tsilimeni Kostas Magos Malgorzata Kołodziejczyk 4 CONTENTS INTRODUCTION ……………………………………..……..… 6 STORIES FROM AUSTRIA …………………….……..…..… 9 (In English, German, Greek, Polish, Portuguese) STORIES FROM CYPRUS .................................................. 79 (In English, German, Greek-Cypriot Dialect and/or Greek, Polish, Portuguese) STORIES FROM GREECE .............................................. 165 (In English, German, Greek, Polish, Portuguese) STORIES FROM POLAND .............................................. 263 (In English, German, Greek, Polish, Portuguese) STORIES FROM PORTUGAL ........................................ -
2014 CAA Football 20 National Semifinalists 24 National Award Winners
5 National Champions 2014 CAA Football 20 National Semifinalists 24 National Award Winners Week 12 Notes | CAAFootball.com | caafootball.wordpress.com | @CAAFootball | #CAAFB | YouTube.com/caafootball Eric Wieberg | CAA Football Director of Communications & Operations 804.545.7225 (o) | 816.304.9162 (c) | [email protected] | @ewieberg --------CONFERENCE-------- ----------OVERALL---------- TEAMS W-L Pct. PF PA W-L Pct. PF PA Home Away Neutral Streak New Hampshire 6-0 1.000 227 101 8-1 .889 344 201 5-0 3-1 0-0 W8 Villanova 5-1 .833 220 127 8-2 .800 385 195 5-0 3-2 0-0 W1 James Madison 4-2 .667 205 162 7-3 .700 329 304 3-1 4-2 0-0 W5 Richmond 4-2 .667 164 109 7-3 .700 320 220 4-1 3-2 0-0 L1 Delaware 4-2 .667 157 143 6-4 .600 219 249 4-2 2-2 0-0 W2 William & Mary 3-3 .500 133 143 6-4 .600 246 224 4-1 2-3 0-0 W1 Maine 3-3 .500 114 138 4-5 .444 144 197 2-2 2-3 0-0 W2 Stony Brook 3-3 .500 118 95 4-6 .400 164 143 2-3 2-3 0-0 L2 UAlbany 2-4 .333 165 179 6-4 .400 264 216 3-3 3-1 0-0 L2 Towson 2-4 .333 93 181 4-6 .400 172 293 2-3 2-3 0-0 L1 Elon 0-6 .000 77 170 1-9 .100 125 283 1-4 0-5 0-0 L7 Rhode Island 0-6 .000 82 207 0-10 .000 123 367 0-4 0-6 0-0 L10 WEEK 12 SCHEDULE WEEK 11 CAA FOOTBALL AWARDS Rankings: TSN/FCS Coaches Saturday, Nov. -
Campus Currents the Ebb and Flow of the UNH Community Sco Ya Tt Es ’07 T Es
Campus Currents The ebb and flow of the UNH community sco tt ya T es ’07 sTaGe DIRECTION: Wildacts performers, front left to right, are emily briand, eric barron, ananda deMaio, Kristianna smith and lisa McGurn. in back, from left, are Katharine Mooney, Michele Act Like Me Whalen, chris Hoerner and robin Fowler. a social change troupe shows how choices matter n a clear night at the end of August, the UNH campus Most important to the troupe, says Holt-Shannon, “is con- is calm and serene. A few early-bird students are veying the importance of things like taking care of each other, Ohauling beds into off-campus apartments. But near claiming their education, making the most of their time at UNH, the Paul Creative Arts Center, a loud bang suddenly pierces being a part of the learning community, and that the choices the silence. they make matter.” “Come on, baby, loosen up!” hollers Robin Fowler ’09, as Senior Mallory Triest saw the show as a freshman and later he lifts and slams down a stool in center stage. A dozen students joined the troupe. “We’re using theater as a means of education,” circle around him. “She invited me into her room,” yells Bartley Triest says, “which I think is one of its most powerful aspects Mullin ’09. “She made a point to ask her roommate to leave. as an art form.” Come on, this is college!” Mullin stares angrily at Emily Briand —Priti Prabhakar ’04 ’09, sitting a safe distance away. Katharine Mooney ’09 deliv- ers the punchline: “You think your dorm is a safe place, but something like 60 percent of all sexual assaults happen where oNliNe daTabases For alUMNi the victim lives.” Briand and Mullin play the victim and perpetrator, respec- it’s not just recent graduates of UNH who suffer the pangs tively, in this sketch about sexual assault performed by WildActs, of withdrawal from online databases when they leave UNH’s social change theater troupe. -
A Typology of Next Generation Employment Preferences in Family
A typology of next generation employment preferences in family businesses TELLING, Richard Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/23299/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version TELLING, Richard (2017). A typology of next generation employment preferences in family businesses. Doctoral, Sheffield Hallam University. Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk A typology of next generation employment preferences in family businesses RICHARD TELLING A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy August 2017 i Abstract Within the family business literature, research unequivocally focuses on the impact of the family entity on the business entity (e.g. Bennedsen, 2015). This thesis is aligned with several earlier studies (e.g. Ram, 2001) which place the family unit at the heart of the analysis. Such approaches have been successful in demonstrating that family relationships can have an impact on work relations (e.g. Fletcher, 1997), though the influence of family relationships in the context of next generation employment preferences has yet to be explored. Whilst the succession literature accounts for offspring who assume a role within the family business, those who seek opportunities beyond its remit have been ignored. Where the next generation have been the subject of empirical work in related fields of study (e.g. ethnic entrepreneurship, see Kourtit and Nijkamp, 2012), it is frequently assumed that their motivations are rational economic ones i.e. -
Psychotherapy in Pop Song Lyrics
Psychotherapy in pop song lyrics Running head: Psychotherapy in pop song lyrics ‘That boy needs therapy’: Constructions of psychotherapy in popular song lyrics Miltiades Hadjiosif1 and Adrian Coyle2 1Department of Health & Social Sciences, University of the West of England, Bristol, UK, and Scholar of the Alexander S. Onassis Public Benefit Foundation 2Department of Psychology, Kingston University London, UK Corresponding author: Dr Miltiades Hadjiosif, Department of Health & Social Sciences, University of the West of England, Frenchay Campus, Bristol BS16 1QY, UK. Email: [email protected] Miltiades Hadjiosif is a Chartered Counselling Psychologist and a Scholar of the Alexander S Onassis Public Benefit Foundation. He is Senior Lecturer in Counselling Psychology at the University of the West of England and sits on the Committee of the British Psychological Society's Community Psychology Section. His research focuses on discursive dimensions of psychotherapeutic constructs. Adrian Coyle is Professor of Social Psychology at Kingston University London. His areas of research expertise concern identity, psychology and religion, loss and bereavement, and qualitative research methods. With Evanthia Lyons, he was co-editor of Analysing Qualitative Data in Psychology (SAGE, 2016). Acknowledgements We would like to thank three anonymous reviewers for their helpful comments on an earlier version of this paper. Our heartfelt appreciation goes to our key informants for their time and enduring interest in our work. Special thanks to Giannis Papazachos for sound mixing an audio clip to play at conferences where we have presented a version of this paper. Word count: 6729 (excluding references and Appendix) 1 Psychotherapy in pop song lyrics ‘That boy needs therapy’: Constructions of psychotherapy in popular song lyrics Abstract Despite a plethora of academic and clinical descriptions of psychotherapy, less research attention has been focused on the ways in which psychotherapy is talked about and represented in popular culture. -
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New Releases HILLSONG UNITED: LIVE IN MIAMI Table of Contents Giving voice to a generation pas- Accompaniment Tracks . .14, 15 sionate about God, the modern Bargains . .20, 21, 38 rock praise & worship band shares 22 tracks recorded live on their Collections . .2–4, 18, 19, 22–27, sold-out Aftermath Tour. Includes 31–33, 35, 36, 38, 39 the radio single “Search My Heart,” “Break Free,” “Mighty to Save,” Contemporary & Pop . .6–9, back cover “Rhythms of Grace,” “From the Folios & Songbooks . .16, 17 Inside Out,” “Your Name High,” “Take It All,” “With Everything,” and the Gifts . .back cover tour theme song. Two CDs. Hymns . .26, 27 $ 99 KTCD23395 Retail $14.99 . .CBD Price12 Inspirational . .22, 23 Also available: Instrumental . .24, 25 KTCD28897 Deluxe CD . 19.99 15.99 KT623598 DVD . 14.99 12.99 Kids’ Music . .18, 19 Movie DVDs . .A1–A36 he spring and summer months are often New Releases . .2–5 Tpacked with holidays, graduations, celebra- Praise & Worship . .32–37 tions—you name it! So we had you and all your upcoming gift-giving needs in mind when we Rock & Alternative . .10–13 picked the products to feature on these pages. Southern Gospel, Country & Bluegrass . .28–31 You’ll find $5 bargains on many of our best-sell- WOW . .39 ing albums (pages 20 & 21) and 2-CD sets (page Search our entire music and film inventory 38). Give the special grad in yourConGRADulations! life something unique and enjoyable with the by artist, title, or topic at Christianbook.com! Class of 2012 gift set on the back cover. -
Download Clara Helms' Singer CV
ClaraHelms The Voice of an Angel Artist Biography Internationally acclaimed singer/songwriter, Clara Helms, gives a spellbinding performance with her pure soprano voice & stunning stage presence. She first rose to fame as a finalist on Channel 7’s ‘Australia’s Got Talent’. Clara more recently returned from a phenomenal 5 week trip to L.A, recording Single “All By Myself” with David Foster’s prestigious recording team. “It’s absolutely gorgeous. Your voice is incredible…pure and angelic. Thank you for your beautiful new version of my song, Clara” ~ Eric Carmen – Originally wrote the song “All By Myself” This powerful performer is regularly chosen as a headline Entertainer. She has sung for three Prime Ministers, Governors and numerous Australian National Anthem performances including the Ethnic Business Awards, International Rugby Championships (AU Rugby Wallabies & South African Springboks), plus the English National Anthem at the Rugby World Cup 2017. Clara was also the main entertainment at Marina Bay Sands Christmas Event in Singapore, hosted by David Beckham, and she opened in Perth for internationally acclaimed Classical Crossover group, Il Divo. “I fail to see how the whole world wouldn’t fall instantly in love with you” Dick Meredith, Ill Divo UK Touring Manager. Clara has performed her Solo Headline Show, “The Voice of an Angel” on tour in over 24 countries singing the ‘Queen of the Night’ aria to resounding standing ovations. “Remarkable power, range and charismatic stage presence. I love her voice.” Graham Russell, ARIA Hall of Fame Duo, Air Supply One of the most divine voices Australia has ever produced, this beautiful soprano is also a highly accredited, accomplished dancer and actor. -
Behind the Masks. Behind the Helmets. Big People. Small Roles
June 2016 New Releases BEHIND THE MASKS. BEHIND THE HELMETS. BIG PEOPLE. SMALL ROLES. what’s featured exclusives PAGE inside Music 3 RUSH Releases Available Immediately! 64 DVD & Blu-ray Music Video DVD & Blu-ray 3 FEATURED RELEASES Non-Music Video DVD & Blu-ray 11 Vinyl JEFF HEALEY - ELSTREE 1976 RETURN OF THE Audio 23 HEALEY’S HIDEAWAY PAGE 13 KILLER TOMATOES CD PAGE 7 PAGE 20 Audio 27 MVD Distribution Independent Releases 47 Order Form 52 Deletions and Price Changes 50 BLUE MOUNTAIN - DOG THE WONDER STUFF - ELECTRONIC SAVIORS: 800.888.0486 DAYS 30 GOES AROUND THE... INDUSTRIALMUSIC TO PAGE 22 PAGE 39 CURE CANCER VOL. 4... 203 Windsor Rd., Pottstown, PA 19464 www.MVDb2b.com PAGE 55 LOUDER THAN LOVE: ADELE - BRUNO MARS - THE GRANDE BALLROOM STORY VOICE OF AN ANGEL FUNK ENGINEERING Kick out the jams! A Grande month for new releases! “Big” is always the word to describe MVD new releases, but this month they’re downright Grande! Witness the story of the iconic Detroit music venue the Grande Ballroom in the new doc LOUDER THAN LOVE. The Motor City landmark hosted everyone from Led Zeppelin to Janis Joplin and (then) local acts like the Stooges and the MC5, who recorded their benchmark albums METALLIC KO and KICK OUT THE JAMS there. Hammering music for hammered patrons at the Grande set the template that begat Detroit Rock City! Big people, small roles is the theme of ELSTREE 1976. London’s Elstree Studios is another venue etched into history, as “unknown actors gathered there to play minor roles in an obscure science fiction film that would conquer the universe.” That film was STAR WARS. -
Growing Semi-Living Art
Growing Semi-Living Art Ionat Zurr Bachelor of Arts (Hi Honours) This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Architecture, Landscape and Visual Arts 2008 1 Table of Contents Acknowledgments 4 Abstract 5-6 Introduction 7-30 Chapter 1 31-49 The Extended Body Chapter 2 50-93 The Ecology of Parts: The History of Partial Life Chapter 3 94-129 The Ethics of the Semi-Livings* Chapter 4 130-154 The Ethics and Politics of Experiential Engagement with the Manipulation of Life* Chapter 5 155-176 Big Pigs, Small Wings: on Genohype and Artistic Autonomy* Chapter 6 177-224 Tissue Art – A Taxonomical Crisis: A survey of artists working with tissue Chapter 7 225-239 Towards a New Class of Being – The Extended Body* Conclusion 240-262 The Ecology of Parts 2 Appendix 1 A partial list of articles written and/or citing about the Tissue Culture & Art Project 263 - 267 Appendix 2 A chronological listing and a short description of the TC&A Projects 268-282 Appendix 3 List of TC&A Project Installations and Exhibitions 283-286 List of Figures 287-289 Bibliography 290-299 Endnotes & Refrences 300-333 * An earlier version of chapter three has been published as Ionat Zurr and Oron Catts, The Ethical Claims of Bioart: Killing the Other or Self Cannibalism, AAANZ Journal of Art: Art and Ethics, 4:2 (2003) and 5:1 (2004) 167–188. It won the 2003 Power Institute/AAANZ Prize for Best Journal Article. * An earlier version of chapter four is due to be published as Oron Catts and Ionat Zurr The Ethics and Politics of Experiential Engagement with the Manipulation of Life, in Tactical Biopolitics: Art, Activism, and Technoscience, edited by Beatriz da Costa and Kavita Philip (MIT Press, forthcoming June 2008). -
Richard Wagner on the Practice and Teaching of Singing
Richard Wagner on the Practice and Teaching of Singing By Peter Bassett [A paper presented to the 8th International Congress of Voice Teachers on 13 July 2013.] Weber and Beethoven were still alive when Wagner was a teenager, and their long shadows, together with those of Mozart and Marschner fell on all his early projects. His first completed opera Die Feen, composed in 1833 when he was just twenty years old, was never performed in his lifetime but, even if it had been, it wouldn’t have sounded as good as it does in the best recorded versions we know today. The type of singing familiar to Wagner was far from ideal, and many German singers of his era were poorly trained and had unsophisticated techniques. His sternest critic, Eduard Hanslick had something to say on the difference between German and Italian singers at that time: ‘With the Italians’ he said, ‘great certainty and evenness throughout the role; with the Germans an unequal alternation of brilliant and mediocre moments, which seems partly accidental.’ Wagner had to entrust his major roles to inadequately trained singers in many cases, which must have been challenging to say the least. He worked hard to improve matters, pouring much time and energy into the preparation of performances. ‘I do not care in the slightest’ he once said, ‘whether my works are performed. What I do care about is that they are performed as I intended them to be. Anyone who cannot, or will not, do so, had better leave them alone.’ David Breckbill has written that ‘The differences between the singing which Wagner knew and that which we hear today are considerable.