Photography Brochure

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SEE IT. LIGHT IT. for more information visit www.schoolcraft.edu/cepdphotography phone | 734-462-4448 FOCUS. email | [email protected] free information sessions | check the semester schedule for dates | www.schoolcraft.edu/cepd COMPOSE. Welcome to college. schoolcraft.edu 18600 Haggerty Road, Livonia, MI 48152 Board of Trustees PHOTO CREDITS: Brian D. Broderick ..............Chair Above (top to bottom): John Campbell Photography, Carol M. Strom............. Vice Chair vonHaupt Photography, John Campbell Photography, Joan A. Gebhardt........... Secretary Front Cover: John Campbell Photography Terry Gilligan ...............Treasurer Interior Spread (left to right): John Campbell Photography, Gretchen Alaniz .............. Trustee Monte Nagler Fine Art, vonHaupt Photography Dillon E. Breen............... Trustee CERTIFICATE PROGRAM Back Cover: vonHaupt Photography William P. Erwin, Jr. ........... Trustee Conway A. Jeffress, Ph.D., President CLASS INFORMATION WHY SCHOOLCRAFT? Classes are offered throughout the Winter, Fall THE CERTIFICATE: and Spring/Summer semesters. The certificate can be completed in one year. However, students • Improves proficiency in the craft of may take up to three years to complete the photography through study with master certificate. professionals REQUIRED CORE CLASSES INCLUDE: • Provides a professional credential to use when applying for positions or looking for • DSLR Photography Techniques 1 clients ABOUT THE PROGRAM • DSLR Photography Techniques 2 Enhance your current skills and gain new ones • Fundamentals of Portrait Lighting • Offers information needed to launch a with The Schoolcraft Center of Photography’s • Adobe Photoshop for DSLR Photographers 1 business: certificate program. Whether you’re a budding Business realities photographer or currently working in the industry, • Photo Composition - Learning to See the Certificate of Photography provides a Creatively Your subject matter, style, & clientele comprehensive learning experience. • Develop Your Photography Business Intellectual property, pricing & insurance Preparing a professional quality portfolio The Schoolcraft Center of Photography was SAMPLE ELECTIVES INCLUDE: developed with input from professionals working • Adobe Lightroom • Provides insight into different careers in many facets of the photography industry. • Black & White Photography and skills needed within the photography To earn the certificate students will complete six • Fine Art Photography with a Master industry core classes and four electives, capped with a • Glamour Photography free one-on-one portfolio analysis with a notable • Includes a free, individualized portfolio • Macro Photography: photographer-instructor. analysis to help you achieve your goals Photograph the Small World • Photo Composition 2: Visual Design & Perception • Photography of Metro Detroit.

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Definition of GPU Title and Distinction Image Categories. Definition Creative Photography
GPU Title’s Application Image Categories, Rules, Conditions , definition and Criteria What do the judges look for? Sometime judging of photography is subjective (personal opinion), this can be so true, but is not in the guide case, For GPU judging process minimize the potential of subjective by judging through a panel process utilizing experienced judges from varied judging backgrounds. GPU have set criteria to consider. The criteria being based around the facts that photography is a combination of art and science. These are 10 consideration points as judge’s guideline: 1. Impact (this is the sense one gets upon viewing a photo, for first time. Compelling image evoke, sadness, anger, pride, laugher, emotion, wonder). 2. Presentation, (does the work support sequence or single individual work, technique such as, lighting, posing, capture, presentation media and more are part of technique applied to an image) 3. Technical Excellence (should consider the quality of the image and as presented for viewing) 4. Lighting (effective control and use of applied to the image, whether natural or artificial light, by looking at the effective use of it, in order to enhance the image light quality) 5. Creativity (looking for original, fresh and external expression of the imagination of the photographer to convey an idea, message or purpose) 6. Sorry Telling (refer to the image’s ability to communicate to the viewer and evoke imagination) 7. Subject (this should always be appropriate to the story being told in an image) 8. Colour balance (the effective use of colours and tones in an image. An image in which the tones work together, effectively supporting the image, can enhance harmony.
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INTRODUCTION I Have Early Letters Between W
INTRODUCTION I have early letters between W. C. Darrah and Ray Bohman discussing the collecting of stereo views and their value in the early ‘70s. Personal correspondence between collectors at that time was the only way of sharing information prior to the establishment of NSA. On December 5, 1973, Richard Russack sent a questionnaire to approximately 250 stereo collectors to see if there was an interest in forming a “stereo collector’s organization.” Rick stated, “I believe that such a group could be helpful in at least two major areas. Firstly, the newsletter of the group could serve as a clearing house for information on particular views, subjects or photographers...Secondly, the group’s newsletter could also aid collectors in disposing unwanted items and also aid in adding items...Why not a “For Trade”...and certainly a “For Sale and Wanted” section...By this time you know what I have in mind.” Richard Russack.” On January 28, 1974, an invitation was issued to about 500 names of collectors interested in stereo by Richard Russack and John Waldsmith. It also defined the contents of a proposed newsletter to be called Stereo World. During the 1980’s there was a big influx of members who were taking 3-D photographs and the magazine became more balanced between the collectors and the shooters. Tex Treadwell edited the previous index (Volumes 1 through 23) and defined his guidelines for inclusion of entries. These guidelines were a basis for my work, but I decided to start over from Vol 1, Number 1, in order to give continuity to the complete work.
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Show Guide 2012 Show Floorplan Preston Bradley Hall Restroom
CHICAGO IMAGE EXPO 2012 show guide show Floorplan PRESTON BRADLEY HALL Restroom A10 A11 A12 B6 B5 B4 Food & Beverages A9 Seating Area A8 Meeting C7 C8 C9 D9 D8 Area D1 A7 C6 C4 C3 C2 C1 D2 D3 A6 Registration A5 A4 A3 A2 A1 B1 B2 B3 Entrance Prizes C6 C1 A 1–A4 ASPP FOTOLIA NATIONAL GEOGRAPHIC STOCK 1 YEAR MEMBERSHIP 3 MONTH SUBSCRIPTION FRAMED PRINT AND PHOTO BOOKS Full, accredited one-year membership (or extension) Endless creativity at your finger tips: download up to Choice of framed print from PrintsNGS.com and 3 for anyone meeting the criteria for membership. If 25 high resolution images per day. Valued at $624. National Geographic photography books. the winner is unable to use the membership, they may gift it to someone who is eligible. A6 JOHNÉR IMAGES B3 PANORAMIC IMAGES BRUNO EHRS PHOTO BOOK AND STRETCHED CANVAS PRINT B6 Beautiful 16”H x 48”W museum wrapped, stretched DANITA DELIMONT STOCK BO NILSSON LITHOGRAPH panoramic canvas print of your selected panoramic PHOTOGRAPHY Renowned Swedish artist Bruno Ehrs latest photo from our collection. Ready to hang. $300 AMAZON GIFT CARD book, Memories of, a private meditation on forgotten memories of childhood and summer holidays; plus an B1 B2 abstract lithograph by the highly distinctive Swedish THE CONDÉ NAST COLLECTION D2 DEPOSITPHOTOS artist Bo Nilsson. FRAMED ART PRINT 3 MONTH SUBSCRIPTION Choose your favorite image from the Condé Nast B5 Collection, including New Yorker covers and cartoons, Download 30 high quality images per day from over MOTHER IMAGE 7,000,000 premium royalty-free stock photos and APPLE IPOD TOUCH vintage Vogue, Vanity Fair, Glamour photography, and more.
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Rolando Gomez. Garage Glamour
GLAMOURGLAMOURTM GarageGarage Digital Nude and Beauty Photography Made Simple ROLANDOROLANDO GOMEZ GOMEZ Amherst Media® PUBLISHER OF PHOTOGRAPHY BOOKS on the cover Playboy Playmate Holley D. was illuminated with just one light: a Hensel Integra Pro monolight with a Larson 4x6-foot soft box. When using a soft box this large, placing it close to the model produces the sweetest, softest light you can imagine. (CAMERA: Olympus E-1, Zuiko 1 50mm lens [eff. 100mm]; EXPOSURE: /160 second, f/5.6, ISO 100; WHITE BALANCE: 6,000K) Copyright © 2006 by Rolando Gomez. All rights reserved. All photographs by the author unless otherwise noted. Published by: Amherst Media, Inc. P.O. Box 586 Buffalo, N.Y. 14226 Fax: 716-874-4508 www.AmherstMedia.com Publisher: Craig Alesse Senior Editor/Production Manager: Michelle Perkins Assistant Editor: Barbara A. Lynch-Johnt ISBN: 1-58428-183-9 Library of Congress Card Catalog Number: 2005937364 Printed in Korea. 10 9 8 7 6 5 4 3 2 1 No part of this publication may be reproduced, stored, or transmitted in any form or by any means, electronic, mechan- ical, photocopied, recorded or otherwise, without prior written consent from the publisher. Notice of Disclaimer: The information contained in this book is based on the author’s experience and opinions. The author and publisher will not be held liable for the use or misuse of the information in this book. TABLE OF CONTENTS . .6 Props . .25 Preface Chairs . .25 . .7 Instruments . .26 Introduction Increasing Popularity . .7 Ladders . .26 Digital Imaging . .7 Cars . .26 Who Does Glamour Photography? . .7 Animals .
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Nude & Glamour
PROFESSIONAL DIGITAL TECHNIQUES FOR NUDE & GLAMOUR PHOTOGRAPHY BILL LEMON Amherst Media® PUBLISHEROFPHOTOGRAPHYBOOKS ACKNOWLEDGMENTS There are a number of people I’d like to thank for their encouragement to produce my third book. To name just a few: • my daughter Cindy; my daughter Leslie and her husband Tim; and my four grandchildren, Logan, Sean, Andersen, and Kayla • the models who appear in this book (Liz, Natalie, Betcee May, Sarah, Dale, and Missy, to name a few) • Brian Ratty at Media-West • photographers Art Ketchum, Ken Marcus, Ray Sopczuk, and my friend and assistant, Spencer Calquhoun, for all of their help over the years • Erik Scheller, Dutch Myers, Lynn Clary, Ann Harris, and others assisting locally • Barbara, Michelle, Johanne, and Craig at Amherst Media for their help in putting words to these images Copyright © 2006 by Bill Lemon All photographs by the author unless otherwise noted. All rights reserved. Published by: Amherst Media, Inc. P.O. Box 586 Buffalo, N.Y. 14226 Fax: 716-874-4508 www.AmherstMedia.com Publisher: Craig Alesse Senior Editor/Production Manager: Michelle Perkins Assistant Editor: Barbara A. Lynch-Johnt ISBN: 1-58428-178-2 Library of Congress Card Catalog Number: 2005926594 Printed in Korea. 10 9 8 7 6 5 4 3 2 1 No part of this publication may be reproduced, stored, or transmitted in any form or by any means, electronic, mechan- ical, photocopied, recorded or otherwise, without prior written consent from the publisher. Notice of Disclaimer: The information contained in this book is based on the author’s experience and opinions. The author and publisher will not be held liable for the use or misuse of the information in this book.
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Zoonar Published on Microstockinsider (
Zoonar Published on MicrostockInsider (https://www.microstockinsider.com) Zoonar Zoonar [1] Tweet [2] Review By Steve Gibson Written 30 June 2010 Updated 09 June 2020 zoonar_logo.gif [3] Visit Zoonar [4] 16 Our Review: Zoonar have grabbed my attention not because they are (yet another) new start-up microstock [5] site but because of the services they offer the photographer. Along with building their own image collection of both micro and macrostock [6] priced images they also allow photographers to distribute content to several partner agencies. The content distribution service is different from that offered by the (now closed) image and video syndication [7] service isyndica [8] in that images are distributed for sale with partner sites without the need for contributors to be a member of those sites, payment is made directly into your zoonar account. At the moment zoonar have partnered around a dozen photo agencies including fotofinder and alamy, the current choice of distribution partners favors images priced at a macrostock price level, although zoonar offer images over three price ranges "microstock" "standard" and "premium" to buyers on their site. Photographers can sell images at either rights managed [9] (not for microstock) or royalty free [10]. The site works reasonably well, There are a few rough edges especially around internationalization with the occasional German tool-tips and navigation appearing when viewing the site in English. Although zoonar have been in business since 2006, it's only in 2010 that they completely reworked their website to attract microstock contributors. Comparison price represents 1 image download at 3 euros.
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Classic Nude Photography: Techniques and Images, 2000, 124 Pages, Peter Gowland, Alice Gowland, 1584280409, 9781584280408, Amherst Media, Incorporated, 2000
Classic Nude Photography: Techniques and Images, 2000, 124 pages, Peter Gowland, Alice Gowland, 1584280409, 9781584280408, Amherst Media, Incorporated, 2000 DOWNLOAD http://bit.ly/1drwyXl http://goo.gl/R8wpr http://www.abebooks.com/servlet/SearchResults?sts=t&tn=Classic+Nude+Photography%3A+Techniques+and+Images&x=51&y=16 Covering classic portraits from the Hollywood heyday of the 1940s and 1950s through glamorous Playboy images of the 1960s and 1970s, this book pairs each photograph with a technical analysis to reveal how these timeless images were created. Included are techniques for using window light, sunlight, water, and props for various effects; as well as information on the use of studio portraiture, action photos, and dramatic imagery in nude photography. DOWNLOAD http://fb.me/2sqt5z2IH http://www.2shared.com/document/la6r5LXb/Classic-Nude-Photography-Techniques-and-Images.html http://bit.ly/1o5nJZg Creative Camera, Issues 1-12 , , 1987, Photography, Artistic, . Legal Handbook for Photographers The Rights and Liabilities of Making Images, Bert P. Krages, II, Jul 1, 2012, Law, 160 pages. Beginning with the basic laws that govern photography, this legal manual helps photographers understand the basic matters of access and privacy, covering issues such as. Gowland's Guide to Glamour Photography , Peter Gowland, Jun 1, 1984, Glamour photography., 160 pages. Offers guidelines for capturing every nuance of the female body on film. Editing and Producing the Small Publication , Edith Hay Wyckoff, 1956, Journalism, 289 pages. Success in Portrait Photography , Jeff Smith, Dec 1, 2002, Photography, 123 pages. It takes more than just camera skills alone to ensure success in studio portrait photography.
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Book XI Image Processing
V VV VV Image Processing VVVVon.com VVVV Basic Photography in 180 Days Book XI - Image Processing Editor: Ramon F. aeroramon.com Contents 1 Day 1 1 1.1 Digital image processing ........................................ 1 1.1.1 History ............................................ 1 1.1.2 Tasks ............................................. 1 1.1.3 Applications .......................................... 2 1.1.4 See also ............................................ 2 1.1.5 References .......................................... 3 1.1.6 Further reading ........................................ 3 1.1.7 External links ......................................... 3 1.2 Image editing ............................................. 3 1.2.1 Basics of image editing .................................... 4 1.2.2 Automatic image enhancement ................................ 7 1.2.3 Digital data compression ................................... 7 1.2.4 Image editor features ..................................... 7 1.2.5 See also ............................................ 13 1.2.6 References .......................................... 13 1.3 Image processing ........................................... 20 1.3.1 See also ............................................ 20 1.3.2 References .......................................... 20 1.3.3 Further reading ........................................ 20 1.3.4 External links ......................................... 21 1.4 Image analysis ............................................. 21 1.4.1 Computer Image Analysis ..................................
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Unit Six – Glamour and Boudoir Photography
The Complete Course in Professional Photography Unit Six New York Institute of Photography GlamourEducating Photographers and Since 1910 Boudoir Photography Acknowledgements: NYIP Course materials are written by NYIP staff and faculty. The current version of the Complete Course in Profes- sional Photography was written by NYIP Instructor Elinor Stecker-Orel, Chuck DeLaney, and Jennifer Baker; and written and edited by NYIP Director of Education Jay Johnson and Curriculum Developer Steven Evans. The Lessons were designed and illustrated by Megan Condon, and Curriculum Designer Keith Gallagher. New York Institute of Photography is a registered trademark of Distance Education Co. LLC in the United States and/or other countries. © 2015 Distance Education Co. LLC. All Rights Reserved. Visit Us Online at www.NYIP.edu NYI6GNTEXT_R3.indd Unit Six Glamour and Boudoir Photography The answer is that all the preceding images can be correctly described as Is it the raw sexuality of the female form types of glamour photography. posed in lingerie? What is a Glamour Photograph? Each specialty field in photography Is it the “partial” nudity of a model is concerned with a particular subject draped in a gown in a boudoir setting? matter. Architectural photography depicts buildings. Theatrical photog- Is it the classic nude figure-study raphy features performers. Fashion modeled after the great sculptors and photography highlights the clothes that painters of the ages? models wear. The subject of glamour photography is the human body, the Is it the sleek sensual figure of a fully-clad beauty, shape, and contours of the model in or ? human figure, whether presented in a stark nude figure study or in an elabo- Is it sensuous images of both women and rate boudoir setting.
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Laporan Individu Praktik Pengalaman Lapangan (Ppl) Smk Negeri 7 Yogyakarta Jl
LAPORAN INDIVIDU PRAKTIK PENGALAMAN LAPANGAN (PPL) SMK NEGERI 7 YOGYAKARTA JL. GOWONGAN KIDUL JT. III/416 YOGYAKARTA Disusun Oleh : Ratnawati 11520241029 PENDIDIKAN TEKNIK INFORMATIKA FAKULTAS TEKNIK UNIVERSITAS NEGERI YOGYAKARTA 2014 i ii KATA PENGANTAR Puji syukur kehadirat Allah SWT yang telah melimpahkan rahmat dan hidayahNya sehingga penyusun dapat menyelesaikan kegiatan Praktik Pengalaman Lapangan (PPL) ini dengan lancar. Shalawat serta salam tidak lupa penyusun haturkan kepada junjungan kita Nabi Muhammad SAW, semoga di yaumil akhir nanti kita semua diberikan syafa’atnya. Laporan ini merupakan bentuk pertanggungjawaban tertulis atas pelaksanaan Praktik Pengalaman Lapangan (PPL) di SMK N 7 Yogyakarta serta sebagai bukti bahwa penulis telah menempuh PPL pada tanggal 15 Juli sampaidengan 17 September 2014. Dalam laporan ini dimuat gambaran umum mengenai kegiatan PPL individu. Selama pelaksanaa PPL dan penyusunan laporannya, penulis tidak terlepas dari bimbingan, arahan, bantuan serta doa dari berbagai pihak. Untuk itu, dalam kesempatan ini penyusun menyampaikan ucapan terimakasih kepada: 1. Allah SWT, yang senantiasa memberikan petunjuk, rahmat, hidayah, dan inayahnya sehingga penulis mampu melaksanakan PPL dengan lancar. 2. Prof. Dr. Rochmat Wahab, M.Pd., M.A. selaku Rektor Universitas Negeri Yogyakarta. 3. Tim LPPMP PPL yang telah memberikan ijin dan bekal untuk dapat melaksanakan PPL. 4. Drs. Abdul Halim Sunawi, selaku Dosen Pembimbing Lapangan PPL. 5. Dra. Titik Komah Nurastuti, selaku Kepala SMK Negeri 7 Yogyakarta yang telah memberikan izin untuk melaksanakan KKN-PPL. 6. Dra. Lydia Indrayati selaku koordinator KKN-PPL SMK Negeri 7 Yogyakarta. 7. Wuryadi Basuki, S.Pd, selaku Guru Pembimbing PPL di sekolah. 8. Orang tua yang senantiasa mendoakan dan memberi dukungan baik materiil maupun spiritual.
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Rolando Gomez's Glamour Photography
Rolando Gomez’s GLAMOUR PHOTOGRAPHY Professional Techniques and Images Amherst Media® PUBLISHER OF PHOTOGRAPHY BOOKS About the Author Rolando Gomez is a former combat photojournalist who, in 1994, was Glamour.com (now www.Glamour1.com)—visited by over 500,000 peo- selected by the Department of Defense as one of the top-five military ple each month. His success in this field has made him a popular instruc- photographers in the world. During his career with the U.S. military, he tor. He has conducted over 120 glamour photography workshops and served as the personal photographer for General George A. Joulwan for seminars in the United States, Mexico, Canada, and Europe. He has also four years, working both in Europe and Latin America. Later, he became been featured as a guest speaker at the PhotoImaging & Design Expos and Chief of Multimedia for the Air Force News Agency, where he oversaw Photo Plus Expos, where he drew standing-room-only crowds. In addi- the “photo desk” and streaming media for Internet television and radio tion, he has discovered a Penthouse Pet (Jana Adams; October 1986), a programs on the multimillion-dollar-a-year website of the United States Playboy Playmate (Holley Dorrough; April, 2006), and six Playboy Special Air Force, www.af.mil. Editions models. Over the course of his career, Gomez has traveled to thirty-nine His work has appeared in Playboy Special Editions products, Studio countries to cover feature stories including the fall of the Berlin Wall, the Photography (where he is a contributing editor and writer), People, Stars & Olympics, the 1996 Presidential Inauguration, Desert Storm, the signing of Stripes, and The New York Times.
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Page 1 2004 a N N U a L R E P O R T 2004 a N N U a L R E P O R T
2004 ANNUAL REPORT 21 EXHIBITIONS 1,000 OBJECTS ACQUIRED 47 SERIES OF FILM “The George Eastman exhibit is simply breathtaking!” EXHIBITIONS 65 LOANS TO INTERNATIONAL INSTITUTIONS 10 NEW TRUSTEES 140 PUBLIC PROGRAMS 50 PHOTOGRAPHS AND PHOTOGRAPHIC BOOKS RESTORED 3300 FILMS PRESERVED “Very cool! David Byrne’s work makes me think! Thank you!” TWO NEW MASTER’S PROGRAMS LAUNCHED IMAGE MAGAZINE RE-INTRODUCED THREE SCHOOLS OF PRESERVATION AND CONSER- “What a treat and tribute to Eastman. An elegy to film.” VATION 338 FILM SCREENINGS 11 TRAVELING EXHIBITIONS TO 19 INTERNATIONAL VENUES Above: Johannes Hepp (German, b. 1969). NEW YORK CITY, September 11, 2001. Chromogenic development print. Photography collection purchase in 2004 with funds from the Photographic Acquisitions Endowment Fund. S ACQUIRED47 SERIES OF FILM INTERNATIONAL INSTITUTIONS “Walking through the galleries makes me want to shoot pictures all day long.” C PROGRAMS 50 PHOTOGRAPHS S RESTORED 3300 FILMS PRESERVED MS LAUNCHED IMAGE MAGAZINE “No matter how many times I visit, I always learn something new.” S OF PRESERVATION AND CONSER- 11 TRAVELING EXHIBITIONS TO —Comments from Eastman House visitors in 2004 The lists of exhibitions, programs, and acquisitions you'll see in these pages tell only a part of the dynamic story of George Eastman House. The Museum's character is a complex of service, administered through the disciplines of photography, motion pictures, and the legacy of George Eastman. Our collections are at the heart of this service. This report centers upon the images and legacy that give purpose to our mission. Here are several examples: Eastman House's role as leader in image conservation and preservation education was extended in 2004 in two significant ways.
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