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Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960S and Early 1970S
TV/Series 12 | 2017 Littérature et séries télévisées/Literature and TV series Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy Electronic version URL: http://journals.openedition.org/tvseries/2200 DOI: 10.4000/tvseries.2200 ISSN: 2266-0909 Publisher GRIC - Groupe de recherche Identités et Cultures Electronic reference Dennis Tredy, « Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s », TV/Series [Online], 12 | 2017, Online since 20 September 2017, connection on 01 May 2019. URL : http://journals.openedition.org/tvseries/2200 ; DOI : 10.4000/tvseries.2200 This text was automatically generated on 1 May 2019. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Light Shadows: Loose Adaptations of Gothic Literature in American TV Series o... 1 Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy 1 In the late 1960’s and early 1970’s, in a somewhat failed attempt to wrestle some high ratings away from the network leader CBS, ABC would produce a spate of supernatural sitcoms, soap operas and investigative dramas, adapting and borrowing heavily from major works of Gothic literature of the nineteenth and early twentieth century. The trend began in 1964, when ABC produced the sitcom The Addams Family (1964-66), based on works of cartoonist Charles Addams, and CBS countered with its own The Munsters (CBS, 1964-66) –both satirical inversions of the American ideal sitcom family in which various monsters and freaks from Gothic literature and classic horror films form a family of misfits that somehow thrive in middle-class, suburban America. -
ANTA Theater and the Proposed Designation of the Related Landmark Site (Item No
Landmarks Preservation Commission August 6, 1985; Designation List 182 l.P-1309 ANTA THFATER (originally Guild Theater, noN Virginia Theater), 243-259 West 52nd Street, Manhattan. Built 1924-25; architects, Crane & Franzheim. Landmark Site: Borough of Manhattan Tax Map Block 1024, Lot 7. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the ANTA Theater and the proposed designation of the related Landmark Site (Item No. 5). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-three witnesses spoke in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The ANTA Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built in the 1924-25, the ANTA was constructed for the Theater Guild as a subscription playhouse, named the Guild Theater. The fourrling Guild members, including actors, playwrights, designers, attorneys and bankers, formed the Theater Guild to present high quality plays which they believed would be artistically superior to the current offerings of the commercial Broadway houses. More than just an auditorium, however, the Guild Theater was designed to be a theater resource center, with classrooms, studios, and a library. The theater also included the rrost up-to-date staging technology. -
Lakewood Residents Discuss Their Pick for President
OctoberHome 28, Delivery 2008 Now Available! CallThe 216-228-7223 Lakewood Observer Page Free – Take One! Please Patronize Our Advertisers! Your Independent Source For Local News And Opinion – An Official Google News Source Volume 4, Issue 22, October 28, 2008 Left vs. Right: Lakewood Residents Discuss Their Pick For President by Gaby Smith “Right now everyone is so up-in-arms about issues that we’ve forgotten about 9/11.” The Memmers believe McCain’s When it comes to political phi- military experience will be influential losophies and picking a presidential in our national security and that mili- candidate, Lakewood residents Wil- tary force will likewise be effective. liam and Terese Memmer and Michael “None of this sitting down with the Pomerantz could not be more differ- enemy and trying to hash things out. ent. Registered Republicans for the past It has to be in a certain way or else we thirty years, William, an accountant, and have to show military force and believe Terese, a manufacturer’s representative, me, we’re not for war, but, on the other named their Catholic faith as a template hand, our safety is at risk.” in reaching any major voting decision. In Michael Pomerantz in front of his Obama masterpiece, which he created with a separate interview, Michael Pomerantz, continued on page 5... Crayola crayons. a Democrat, artist, and former Cleveland school teacher, described his assessment as a search for the candidate with ideas most like his, “who will be the best for Slander In The Sun-Post the most people”. by Gordon Brumm place and letting it die unattended. -
A Level Drama and Theatre Studies
A LEVEL DRAMA AND THEATRE STUDIES A LEVEL DRAMA AND THEATRE STUDIES SUMMARY OF ASSESSMENT Component 1: Theatre Workshop Non-exam assessment: Internally assessed, externally moderated - 20% of qualification Learners will be assessed on either acting or design. Learners participate in the creation, development and performance of a piece of theatre based on a reinterpretation of an extract from a text chosen from a list supplied by WJEC. The piece must be developed using the techniques and working methods of either an influential theatre practitioner or a recognised theatre company. Learners must produce: • a realisation of the performance or design • a creative log Component 2: Text in Action Non-exam assessment: externally assessed by a visiting examiner - 40% of qualification Learners will be assessed on either acting or design. Learners participate in the creation, development and performance of two pieces of theatre based on a stimulus supplied by WJEC: 1. a devised piece using the techniques and working methods of either an influential theatre practitioner or a recognised theatre company (a different practitioner or company to that chosen for Component 1) 2. an extract from a text in a different style chosen by the learner. Learners must realise their performance live for the visiting examiner. Learners choosing design must also give a 5-10 minute presentation of their design to the examiner. Learners produce a process and evaluation report within one week of completion of the practical work. Component 3: Text in Performance Written examination: 2 hours 30 minutes 40% of qualification Sections A and B Open book: Clean copies (no annotation) of the two complete texts chosen must be taken into the examination. -
Musicale 17-10-29 V2.Indd
About Gilbert & Sullivan The Gilbert & Sullivan comic operas were composed between 1871 and 1896 in Victorian London. Their sparkling musical Gilbert & Sullivan Austin scores by Sir Arthur Sullivan and their dazzling lyrics by Sir William S. Gilbert have kept them popular throughout the English-speaking world ever since. They’ve been called the presents “Saturday Night Live” of their day for their satiric appeal, but they have proven universal and timeless in their comic and ironic treatment of human foibles through their “airy persifl age” and “innocent merriment.” And the popular appeal of the music has endeared them to millions who cherish “laughing song and merry dance.” They are arguably the most popular “musical comedies” ever written for the stage. Our Mission Entertaining and educating Texas audiences since 1976, Gilbert and Sullivan Austin is dedicated to spreading the topsy-turvy humor and joyful music of W. S. Gilbert and Arthur Sullivan. Annual Grand Productions • Musicales • Newsletters Educational/Community Outreach • Musical Scholarships Visit our website and sign up for free email newsletters, see former productions in our photo archive, watch videos, volunteer, and much more! www.gilbertsullivan.org [email protected] PO Box 684542 / Austin, Texas / 78768-4542 / 512.472.4772 Please detach and mail this form with your check to: Gilbert & Sullivan Austin P. O. Box 684542 October 29, 2017 Austin, TX 78768-4542 Bachus Conservatory Performing Arts Center Membership Form Name _______________________________________________ Choose your membership level: Address ______________________________________________ Austin, Texas Member $30-$49 Patron $50-$99 City ____________________ State ______ Zip _____________ Grand Duke or Duchess $100-$249 Email ________________________________________________ Major General $250-$499 Pooh-Bah $500-$999 I am interested in volunteering Pirate King $1000-$2499 I am interested in being a business partner Savoyard $2500 & up Contributions to Gilbert & Sullivan Austin are tax deductible. -
$573 $419 $468 $629 $895 $398 $839
PAGE 8B Yankton Daily Press & Dakotan ■ Friday, July 23, 2010 www.yankton.net Mrs. Eynsford-Hill — Bev Musical director/conductor Properties assistant — Hansing has traveled to dozens of Larson — Sister Patricia Ann Toscano Maddie Henrickson memorabilia shows across the LADY Lord Boxington — Nick Scenic and lighting design- Backstage crew — EJ Staples ACTRESS country, posed for pictures, and Weydert er/Technical director — Stephen Spotlight operator — signed hundreds of autographs. From Page 1B Bartender — Leah Smith English Christine Lambertz From Page 4B A quick search of the auction Jamie — Dave Baumeister Stage manager — Aaron site eBAY reveals almost 2,000 auc- Harry — Gene Johnson Steward tions for Munsters memorabilia. plays Eliza Doolittle, is “delight- ORCHESTRA wait all day long for your scene. Items include DVDs, glossy pic- Chorus — Cheyenne Costumes — Roni Staples, It’s not glamorous at all.” ful” onstage. He saw her perform Schroeder, Adalya Schroeder, Einstein’s Costumes Keyboard — Jaclyn Mathison tures and even a glow-in-the-dark in musicals and plays through Keyboard/strings — Jane In spite of the long days, she wall clock. Hebda, Megan Kniefl, Jo Bryan, Choreographer — Kathryn looks back on her role as Marilyn One auction features a 12-inch high school, most recently as Weydert, Isaac Beeck, Matt Reimler Bobzin Adelaide in the YHS spring pro- Flute — Stephanie Schultz Munster as one of her favorites. Marilyn Munster doll. The doll, the Trenhaile, Mary Pistulka, Rehearsal accompanist — “We became a family, personally as 40th anniversary edition, is duction of “Guys and Dolls.” Johnson, Baumeister, Larson, Jaclyn Mathison Clarinet — Bill Magera, Liz “You can’t do this show with- well as professionally,” said dressed in a white top and blue Audry Bryan, Laura Baumeister, Dialect coach — Carol Lynn Fiedler Hansing, who worked with actors out a fair lady,” Henrickson said. -
News from the Selectboard
Volume 2 Published monthly since May 1999 February 2018 News from the Selectboard Submitted by Tom Shevenell, Chairperson ([email protected]) We had quite the range of weather in January, welcome to New Hampshire in the winter. The DPW has been busy plowing and sanding, usually at night or on the weekend; fixing a water line break; and dealing with flooding of several town roads, including Longview Road which took a bath when Moose Brook rose to ten inches above the surface of the road leading to the bridge. Speaking of the Longview Bridge, the Selectboard and the DPW Director are working with Holden Engineering on replacement/rehabilitation options for this bridge rebuilt after the floods of 1936. Our recom- mendations will be brought to Town Meeting as a warrant article. Following up on last month’s news, the Selectboard received town counsel blessings on the Meetinghouse Articles of Agreement which we then jointly signed with church representatives on January 8th, updating and replacing the original agreement signed December 17th, 1851. A copy of the agreement can be found on the town’s website. Lesson 11: The Selectboard and Town Land Use Related Boards. Town land-use boards operate under many different RSA’s; the role and responsibility of the Selectboard in interacting with these Boards varies. Hancock has three land-use boards (planning board, zoning board of adjustment and historic district commission); and one board concerned with land-use and environmental protection (conservation commission). RSA 673 and RSA 36-A give limited options to the local legislative body (i.e., you at town meeting) to establish these boards. -
Mockingbird Lane Pilot
Written by Bryan Fuller Based on THE MUNSTERS (1964-1966) Created by Allan Burns & Chris Hayward Developed by Norm Liebmann & Ed Haas Directed by Bryan Singer June 3, 2012 Final Shooting Script MOCKINGBIRD LANE "The Munsters" TEASER 1 EXT. SPOOKY FOREST - NIGHT 1 CAMERA DRIFTS OVER THE MOONLIT TREE TOPS to find the warm glow of a CAMP FIRE where A WILDLIFE EXPLORERS PACK LEADER addresses a DOZEN EXPLORERS (10-15) on a serious problem, as evidenced by crumpled food boxes and wrappers on display. WILDLIFE PACK LEADER Would anybody like to say anything before we discuss community, responsibility and Wildlife honor? CAMERA MOVES ALONG the Wildlife Explorers' faces (including a BOY ZIPPED UP IN A SLEEPING BAG, only his face is visible) until FINDING a thin, fastidious Scout named HUEY (11). HUEY We all know who it was. Wallace's had a serious eating disorder since 1st Grade and you all ignored it. WILDLIFE PACK LEADER No one is ignoring anything, Huey. HUEY Well, someone gave him an honor patch in personal fitness. There's an EH-HEM clearing of throat just outside the circle of Scouts from someone sitting on a log in the dark. HUEY (CONT'D) Oh. I didn't see you there. A heftier child named WALLACE (11) steps up, PUNCHES HUEY IN THE SHOULDER then returns to the dark log he was sitting on. HUEY (CONT'D) Ow. WILDLIFE PACK LEADER Wallace. (CONTINUED) MOCKINGBIRD LANE 06/03/12 FINAL SHOOTING SCRIPT 2. 1 CONTINUED: 1 HUEY (undeterred) I could hear whatever snack wrappers you have in your pockets crinkling when you hit me. -
Audie and the Munsters by MD Marks
Audie Murphy Research Foundation 1 MD Marks November 1, 2020 AMRF Correspondent Audie and the Munsters By MD Marks Comments? Comments are welcome. Just use the link below to our message board. https://www.audiemurphy.com/msgb/viewtopic.php?f=1&t=4734 t is unusual to read anything about Audie Murphy without something I in the text referring to his sense of humor. He was noted for his wit and sarcasm at even the most difficult times of his life. To this part of his persona, we offer a little humor – and to have some fun this day of Halloween in 2020. So, here is the story of how Audie Murphy met “The Munsters”. During the month of September 1962, Audie filmed one of his last black and white films – “Showdown”. Appearing in the film were two child actors - Kevin Showdown for a Munster. Butch Patrick, right, and Kevin Brodie, left, stand with Audie Murphy in a movie still photograph from the 1962 film “Showdown”. Photo source: the Lillian Bailey Collection Brodie, and Butch Patrick. The two boys were only a year apart in age, but Lobby Card. A lobby card from Audie Murphy’s 1962 movie “Showdown.” Photo source: the Eva Dano collection For more information visit the Audie L. Murphy Memorial Website at www.audiemurphy.com Audie Murphy Research Foundation 2 MD Marks November 1, 2020 AMRF Correspondent Brodie's larger size made him look like a much older brother. In just two years, Butch Patrick would become the better-known star. Not long afterwards, in the fall of 1963, Audie made one of his better received films - the western “Bullet for a Bad Man” with Darren McGavin. -
George Barris King of the Kustomizers Text and Images by Don Weberg
personality profile George Barris King of the Kustomizers TEXT AND IMAGES BY DON WEBERG King of the Kustomizers George Barris enjoys sitting in the central office, surrounded by his models. In his hands is a chrome Batmobile. arely has a more spirited personality been found than that students in school and excelled in art and drama. The family Rof George Barris. And why not? He’s been responsible gave them a 1925 Buick which would become the first true for some of the hippest Hollywood cars: the Batmobile, KITT, Barris Kustom. Painted orange with blue stripes, George Monkeemobile, Drag-U-La, Munster Koach, General Lee, the straightened out a lot of the body, and added various custom A-Team Van and Vette – he crafted these and more. Now, who components to create a unique ride. It was sold quickly, and the wouldn’t want that job? boys bought a Model A Ford, and later, a 1936 Ford cabriolet “It started a long time ago,” said George. “My brother, which led to his first commercial client. Sam, and I moved from Chicago to Roseville, California after “You know, back then, they didn’t have the catalogue, bolt- my parents died to live with my aunt and uncle. That was the on accessories they do today,” he said. “Back then you had to late ’20s.” actually make the piece you wanted from scratch, or remake a The boys worked at the family restaurant, were good part from another car.” 60 Garage Style Magazine Fall 2010 Even today, George likes getting a hold of catalogue The list of clients George has crafted cars for reads like custom parts and redesigning them to make them uniquely his, a who’s who of fame – Zsa Zsa Gabor, Farrah Fawcett, Redd he said. -
Wcsfazine the Fannish E-Zine of the West Coast Science Fiction Association Dedicated to Promoting VCON, Canada’S Oldest Continuing SF Convention
WCSFAzine The Fannish E-zine of the West Coast Science Fiction Association Dedicated to Promoting VCON, Canada’s Oldest Continuing SF Convention. #21 Jan 2011 You can’t go to sleep! This room party is just getting started! CONTENTS: 02………. Credits & Editorial. VCON 36 NEWS: 03………. Latest VCON 36 Announcements: Venue, Theme, Artist GoH, & Media GoH. CONVENTION HISTORY ARTICLES: 04………. VCON 34, Part Two – The Monster Craze of the Early 1960s: Lecture from VCON 34. 15………. RE VCON 35: The Steampunkery of H.G. Wells? A brief explanatory essay. SUPER SCIENCE STUFF: 19………. Ask Mr. Science! The truth about the sky of Mars & spontaneous Human combustion. 20………. Ask Mr. Guess-It-All! The truth about bird evolution and Hominoid tourism. FANDOM NEWS & NOTES: 21………. 2011 Aurora Awards: All about & how to nominate. 22………. 2011 Canadian Unity Fan Fund: All about & how to nominate. 22………. 2011 Fan Activity Achievement Awards: How to vote. 23………. 2011 Trans-Atlantic Fan Fund Awards: All about & how to nominate. IMPORTANT STUFF: 24………. Letters of Comment: Dave Haren, Lloyd Penney, & Dianne Lacey. 26………. Colophon: Who and what the West Coast Science Fiction Association is. VCON 36 COMPLETE INFORMATION: 27………. VCON 36 Details: Dates, Convention Rates & how to pay, Hotel info & Rates, Previously Announced Info, Writers Workshop Info, etc. ART CREDITS: Clip Art: Cover, 6, 15, 16, 17, 18, 19, 20. Jean-Pierre Normand: 3, 4. EDITORIAL Well, this was supposed to be published last year prior to VCON 35. And considering I won the 2010 Fan Achievement (Fanzine) Prix Aurora Award for the previous 20 issues of WCSFAzine (Hurrah!), it certainly would have made sense for me to put out another issue as soon as possible. -
January 2018 Newsletter
GILBERT & SULLIVAN AUSTIN DECEMBER 2017 - JANUARY 2018 NEWSLETTER PRESIDENT’S MESSAGE by Libby Weed On a short road trip during the anksgiving holidays, my husband and I listened to a D’Oyly Carte “Best of G&S” CD as we traveled down the highway. We heard (and I’m afraid I often sang along with) highlights from seven of the collaborations of Gilbert and Sullivan. As I listened, vivid pictures formed in my imagination of many scenes on various Austin stages throughout the past Sunday, January 7, 3 pm decades. I could see Frank Delvy and Janette Jones as the Genesis Presbyterian Church Fellowship Hall Duke and Duchess of Plaza Toro in e Gondoliers, Rose Taylor as Katisha in e Mikado, Arthur DiBianca and 1507 Wilshire Blvd. (see map, page 6) Michelle Haché as Jack Point and Elsie in e Yeomen of On the rst Sunday in January, our fervent crowd of supporters the Guard, Lisa Alexander as the Fairy Queen in Iolanthe, will gather again for the year’s rst musicale. We will begin with Russell Gregory as Sir Joseph Porter in H.M.S. Pinafore, Dan the election of the Board of Directors for 2018 (see article on Girardot as Frederic in e Pirates of Penzance—and these page 3). en we will enjoy a variety of singers performing their were just a few of the rich memories that ooded my mind. favorite Gilbert & Sullivan songs. As Nanki-Poo might say, the “catalog is long” of outstanding In addition to our G&S “karaoke,” we couldn’t pass up the acting and singing performances that this society has brought opportunity for a sing-along.