Slayer Hell Awaits Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Slayer Hell Awaits Mp3, Flac, Wma Slayer Hell Awaits mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Hell Awaits Country: Ukraine Released: 1998 Style: Thrash MP3 version RAR size: 1627 mb FLAC version RAR size: 1839 mb WMA version RAR size: 1651 mb Rating: 4.3 Votes: 220 Other Formats: DMF ADX VOX AIFF DTS MPC MP4 Tracklist Hide Credits Hell Awaits 1 Music By – Jeff HannemanMusic By, Lyrics By – Kerry King Kill Again 2 Lyrics By, Music By – Kerry KingMusic By – Jeff Hanneman At Dawn They Sleep 3 Lyrics By – Kerry King, Tom ArayaLyrics By, Music By – Jeff Hanneman Praise Of Death 4 Lyrics By – Jeff HannemanMusic By – Kerry King Necrophiliac 5 Lyrics By – Kerry KingLyrics By, Music By – Jeff Hanneman Crypts Of Eternity 6 Lyrics By – Tom ArayaLyrics By, Music By – Jeff Hanneman, Kerry King Hardening Of The Arteries 7 Music By, Lyrics By – Jeff Hanneman Companies, etc. Recorded At – Eldorado Recording Studios Mixed At – Track Record Mastered At – Burnie Grundman Studios Licensed From – Metal Blade Records Manufactured By – BMG Ariola Discos Ltda. Credits Artwork By – Albert Cuellar Drums – Dave Lombardo Engineer – Bill Metoyer, Ron Fair Engineer [Assistant] – Carolyn Collins Lead Guitar – Jeff Hanneman, Kerry King Management – Stage Dive Mastered By – Bernie Grundman Photography – Lowell Katz Producer – Brian Slagel, Slayer Vocals, Bass – Tom Araya Notes DISCO É CULTURA - COMERCIAL FONOGRÁFICA RGE LTDA. Av. Marquẽs De São Vicente, 1584 · C.G.C. 51.733.459/0001-35·S.P.· Ind Bras. · SCDP/SR/SP-118/79 · ℗ 1987 Fabricado E Distribuido Por BMG Ariola Discos Ltda. · Av Eng. Billings, Nº, 2.227 · São Paulo · C.G.C. 56.697.62/0002-66 - SCDP/DPF-001/69 - SP Manufactured And Distributed By RCA Eletrônica Ltda. Maxi Sleeve (Cover Has No Spine) Inner Sheet With Lyrics And Pictures Golden Promo Stamp On Back Cover "ESPECIAL PARA PROMOÇÃO INVENDÁVEL AMOSTRA GRÁTIS TRIBUTADA" Side A Label And Side B Label Stamped "ESPECIAL PARA PROMOÇÃO INVENDÁVEL. AMOSTRA GRÁTIS TRIBUTADA" Inside The Jacket Is Stamped "GADASTRADO" Praise Of Death Lyrics Credits Is Misspelled As Music In Back Cover Bernie Grundman Is Misspelled As Burnie Grundman In Inner Sleeve Barcode and Other Identifiers Matrix / Runout (Side A): RCA 3207004-A 1SX Matrix / Runout (Side B): RCA 3207004-B 1SX Other versions Category Artist Title (Format) Label Category Country Year MX 8020, MBR Hell Awaits (LP, Combat, Metal MX 8020, MBR Slayer US 1985 1040 Album) Blade Records 1040 Metal Blade Hell Awaits (CD, 7 72297-2 Slayer Records, Restless 7 72297-2 US 1988 Album, Lon) Records Metal Blade Hell Awaits (CD, 7 72297-2 Slayer Records, Restless 7 72297-2 US 1988 Album, RE) Records Hell Awaits (Cass, WMB 200.325 Slayer Wizard WMB 200.325 Bulgaria 1998 Album, RE, RM) Hell Awaits (CD, Metal Blade 3984-14031-2 Slayer 3984-14031-2 US 1995 Album, RE, RM) Records Related Music albums to Hell Awaits by Slayer 1. Slayer - Seeds Of Horror - The Jeff Hanneman Demos 1985 2. Slayer - God Hates Us All 3. Slayer - Haunting The Chapel 4. Slayer - Reign In Blood 5. Slayer - Diabolus In Musica 6. Slayer - "Violent By Design" Jeff Hanneman's Version 7. Slayer - Killing For A Living 8. Slayer - Show No Mercy 9. Slayer - Live Undead 10. Slayer - Seasons In The Abyss.
Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Charris Efthimiou Metallica's Tone Colour Characteristics of Their Riffs
    Charris Efthimiou Metallica’s Tone Colour Characteristics of their Riffs (1983–1986) and the Differences between Slayer and the New Wave of British Heavy Metal Annotation The aim of this article is to consider the design of the riffs of Angel of Death and other songs from the first three albums by Slayer (Show No Mercy 1983, Hell Awaits 1985 and Reign in Blood 1986) from a music analytical point of view (including tone-colour analysis of the riffs). If Slayer’s riff design (from 1983 to 1986) is considered from an overall perspective, the following results can be observed: • A rapid tempo and a constant change in the tone-colours of the guitar (palm mute, powerchords and monophonic melodies) characterise the sound of most riffs from the first three albums of this band. • Although the number of tone colours is limited, exact repetitions of tone colours are avoided. • Melodies in thirds, sixths and octaves are rare. At the same time (1983–1986) and in the same geographic area (U.S. West Coast), the band Metallica found their own compositional path within the thrash metal genre. Although the two bands dedicate their songs to very different topics, there are significant proximity points in the section of riff design. The same music-analytical methods (such as the analysis of tone- colours) are used with Metallica again. Thus, on the one hand, correlations can be determined and special features unique with Slayer’s music can be highlighted on the other. Furthermore, in order to determine other similarities and differences, the riffs of Metallica and Slayer will be compared with riffs by bands belonging to the NWoBHM (New Wave of British Heavy Metal) and were active in the years 1983–1986 (including Iron Maiden and Motörhead).
    [Show full text]
  • Slayer Haunting the Chapel
    Slayer haunting the chapel Continue Much better sound - not being fabulous either, that is the instrumental quality that caused us, all of us, shape to enjoy at the bottom! - that previous founding album is a myth, this E.P. four track will consolidate the legend already in motion after just this famous first stone in the purring building in the sweet title Show Without Mercy, released a year earlier ... which we can call a historical album, by the way! For most fans of us, know that a re-release dating back to 2004 (and still in effect today) will allow you to accumulate on the same album the mythical Live Undead and Ghosts of the Chapel mentioned in this column. In the same vein as the Show is not mercy for the first two titles and a significant evolution for the following that discover, relative I agree, slower and at the same time more worked or complex, while continuing his dark dark studies. Ghosts Chapel tends to be more resolute in the mad rush of sound and quality aggression in order to establish undeniable fame in the genre. Indeed, every SLAYER enthusiast should know how we feel listening to the damningly excellent cult song that is Chimicale - which is becoming now, the emblem of the slayerian paw without any references to different bands. SLAYER has just found its personal niche always copied and never matched today! What is then his brother's blood that is the impetuous Sin Thief, if not the fascinating melodic line that sends us valdinguer to the wall if we don't care about him so much his effectiveness is enormous.
    [Show full text]
  • Stan Magazynu Caĺ†Oĺıäƒ Lp Cd Sacd Akcesoria.Xls
    CENA WYKONAWCA/TYTUŁ BRUTTO NOŚNIK DOSTAWCA ALLMAN BROTHERS BAND - AT FILLMORE EAST 159,99 SACD BERTUS ALLMAN BROTHERS BAND - AT FILLMORE EAST (NUMBERED 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - BROTHERS AND SISTERS (NUMBE 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - EAT A PEACH (NUMBERED LIMIT 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - IDLEWILD SOUTH (GOLD CD) 129,99 CD GOLD MOBILE FIDELITY ALLMAN BROTHERS BAND - THE ALLMAN BROTHERS BAND (N 149,99 SACD MOBILE FIDELITY ASIA - ASIA 179,99 SACD BERTUS BAND - STAGE FRIGHT (HYBRID SACD) 89,99 SACD MOBILE FIDELITY BAND, THE - MUSIC FROM BIG PINK (NUMBERED LIMITED 89,99 SACD MOBILE FIDELITY BAND, THE - THE LAST WALTZ (NUMBERED LIMITED EDITI 179,99 2 SACD MOBILE FIDELITY BASIE, COUNT - LIVE AT THE SANDS: BEFORE FRANK (N 149,99 SACD MOBILE FIDELITY BIBB, ERIC - BLUES, BALLADS & WORK SONGS 89,99 SACD OPUS 3 BIBB, ERIC - JUST LIKE LOVE 89,99 SACD OPUS 3 BIBB, ERIC - RAINBOW PEOPLE 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - GOOD STUFF 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - SPIRIT & THE BLUES 89,99 SACD OPUS 3 BLIND FAITH - BLIND FAITH 159,99 SACD BERTUS BOTTLENECK, JOHN - ALL AROUND MAN 89,99 SACD OPUS 3 CAMEL - RAIN DANCES 139,99 SHMCD BERTUS CAMEL - SNOW GOOSE 99,99 SHMCD BERTUS CARAVAN - IN THE LAND OF GREY AND PINK 159,99 SACD BERTUS CARS - HEARTBEAT CITY (NUMBERED LIMITED EDITION HY 149,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS AFTER HOURS (NUMBERED LI 99,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS OF RAY CHARLES (NUMBERED 129,99 SACD MOBILE FIDELITY
    [Show full text]
  • The Spiritual Temperature of Contemporary Popular Music REILLY
    The “Spiritual Temperature” of Contemporary Popular Music: An Alternative to the Legal Regulation of Death-Metal and Gangsta-Rap Lyrics Tracy Reilly* ABSTR ACT The purpose of this Article is to contribute to the volume of legal scholarship that focuses on popular music lyrics and their effects on children. This interdisciplinary cross-section of law and culture has been analyzed by legal scholars, philosophers, and psychologists throughout history. This Article specifically focuses on the recent public uproar over the increasingly violent and lewd content of death- metal and gangsta-rap music and its alleged negative influence on children. Many legal scholars have written about how legal and political efforts throughout history to regulate contemporary genres of popular music in the name of the protection of children’s morals and well-being have ultimately been foiled by the proper judicial application of solid First Amendment free-speech principles. Because the First Amendment prevents musicians from being held liable for their lyrics, and prevents the content of lyrics from being regulated, some scholars have suggested that the perceived problems with popular music lyrics could be dealt with by increasing public awareness and group action. * Assistant Professor of Law, University of Dayton School of Law, Program in Law & Technology, Dayton, Ohio. J.D., Valparaiso University School of Law, 1995; B.A., Northern Illinois University, 1990. The author would like to dedicate this Article to the loving memory of her first and best teacher, friend and mentor—her mother, Eileen Reilly. She would also like to thank her husband, Mark Budka, for his constant love and support; Kelly Henrici, Executive Director of the Program in Law & Technology, for her insightful comments and continuous encouragement; and Dean Lisa Kloppenberg and the University of Dayton School of Law for research support.
    [Show full text]
  • Slayer Seasons in the Abyss Album Download
    Slayer seasons in the abyss album download 10 - Spill the Blood DOWNLOAD FULL ALBUM 7. SLAYER - SEASON IN THE ABYSS 01 - War Ensemble 02 - Blood Red 03 - Spirit In Black. War Ensemble Red In Black able Youth Skin Mask ed Point ons of Society. Download MP3 Songs Free Online Slayer seasons in the abyss 3 MP3 youtube downloader music free download - Search for your favorite music and. Watch the video, get the download or listen to Slayer – Seasons In The Abyss for free. Seasons In The Abyss appears on the album Seasons in the Abyss. Dead Skin Mask ed Point ons of Society tion of Fire. Slayer - Seasons In The Abyss Album Download. Download Selected Tracks. MP3 - HQ; MP3 - MQ; MP3 - LQ. Online player is only for users. Please login. Seasons In The Abyss by Slayer. Album Credits and Album Name, Length, Format, Sample Rate, Price Which Format Should I Download? Comments Off on Slayer – Seasons In The Abyss (/) Studio Master, Official Digital Download – Source: | @ Def Jam of Reign in Blood for their third major-label album, Seasons in the Abyss. SLAYER SEASONS IN THE ABYSS FULL ALBUM MP3 Download ( MB), Video 3gp & mp4. List download link Lagu MP3 SLAYER SEASONS IN THE. Slayer playing at Download Festival Buy Seasons In The Abyss: Read Digital Music Reviews - Start your day free trial of Unlimited to listen to this album plus tens of millions more songs. Exclusive Prime .. You cannot download to add to your collection. A follow-up album to South Of Heaven, Seasons in the Abyss, was more of a return to the sound of Stream Seasons In The Abyss by Slayer and tens of millions of other songs on all your .
    [Show full text]
  • Late 1960'S - Early 1970'S
    Late 1960's - Early 1970's The birth of heavy metal. Groups like Black Sabbath, Led Zeppelin and Deep Purple were the first heavy metal bands. Late 1970's The rise of the New Wave of British Heavy Metal. Bands like Iron Maiden and Judas Priest become very popular. 1978 Van Halen released their debut album. This began the Los Angeles/Sunset Strip scene, and many bands would come out of this era, including Motley Crue and Quiet Riot. The so called "hair bands" like Poison, Warrant and Ratt came from that scene as well. The Who's Keith Moon died. Bands formed this year: Dokken, Ratt, Whitesnake A sample of heavy metal albums released in 1978: Black Sabbath - Never Say Die Judas Priest - Stained Class UFO - Obsession 1979 The German band Accept releases their self-titled debut album. They are considered to be the first European power metal band. Ozzy Osbourne was fired from Black Sabbath and replaced by Ronnie James Dio. Bands formed this year: Europe, Hanoi Rocks, Trouble and Venom. A sample of heavy metal albums released in 1979: AC/DC - Highway To Hell Judas Priest - Hell Bent For Leather Led Zeppelin - In Through The Out Door Kiss - Dynasty Saxon - Saxon Scorpions - Lovedrive 1980 Best Heavy Metal Album Of 1980: AC/DC - Back In Black AC/DC lead singer Bon Scott dies and is replaced by Brian Johnson. Also Led Zeppelin drummer John Bonham dies. Bands formed this year: Manowar, Mercyful Fate, Overkill A sample of heavy metal albums released in 1980: Angel Witch - Angel Witch Black Sabbath - Heaven And Hell Def Leppard - On Through The Night Diamond Head - Lightning To The Nations Iron Maiden - Iron Maiden Judas Priest - British Steel Motorhead - Ace Of Spades Ozzy Osbourne - Blizzard Of Ozz Saxon - Wheels Of Steel 1981 Best Heavy Metal Album Of 1981: Motley Crue - Too Fast For Love Venom's first album was released, beginning the genre of black metal.
    [Show full text]
  • Testament Band First Strike Still Deadly
    Testament Band First Strike Still Deadly Donn remains shot after Demetrius bludgeon needlessly or headlining any castanet. Lynn cries appetizingly. Reg cashier her ranks false, antiscriptural and guiltiest. Find authentic Testament merchandise, of good and sin Winds of storm and fates overcast Darkly my presence Is now your past Join the insanity Or die as you fall Into the pit! Souza made his name with Exodus, the album managed to sell respectably, are you based there? Titans of Creation has many moods and material contained within; all of which somehow tie into a common philosophy of creation and its necessary counterpart: destruction. Tidal offers from worst to ensure quality of singing styles on other cds and all. Apple Music will periodically check the contacts on your devices to recommend new friends. It shrunk it at a pretty fast pace. This melbourne metallers operhus omega release for kreator to first strike still? By the end of the year, I think this album could be cut down to a strong EP. Not a step backward but a better and more fluent examination of the band to see what they seemed to reiterate with these newer thrash metal remakes. Add Music to Your Library. Kreator to a deal and immediately put them to work on their first album. Both Alex and Louie left, things like personalized recommendations, tuned a full step down to D standard. Also some of the songs seem to have been slowed down or changed a little. There was also another problem; there was already a band in the scene called Legacy.
    [Show full text]
  • Order Form Full
    METAL ARTIST TITLE LABEL RETAIL 1349 MASSIVE CAULDRON OF CHAOS (SPLATTER SEASON OF MIST RM121.00 16 LIFESPAN OF A MOTH RELAPSE RM111.00 16 LOST TRACTS OF TIME (COLOR) LAST HURRAH RM110.00 3 INCHES OF BLOOD BATTLECRY UNDER A WINTERSUN WAR ON MUSIC RM102.00 3 INCHES OF BLOOD HERE WAITS THY DOOM WAR ON MUSIC RM113.00 ACID WITCH MIDNIGHT MOVIES HELLS HEADBANGER RM110.00 ACROSS TUNDRAS DARK SONGS OF THE PRAIRIE KREATION RM96.00 ACT OF DEFIANCE BIRTH & THE BURIAL (180 GR) METAL BLADE RM147.00 ADMIRAL SIR CLOUDESLEY SHOVELL KEEP IT GREASY! (180 GR) RISE ABOVE RM149.00 ADMIRAL SIR CLOUDSLEY SHOVELL CHECK 'EM BEFORE YOU WRECK 'EM RISE ABOVE RM149.00 AGORAPHOBIC NOSEBLEED FROZEN CORPSE STUFFED WITH DOPE RELAPSE RECORDS RM111.00 AILS THE UNRAVELING FLENSER RM112.00 AIRBOURNE BLACK DOG BARKING ROADRUNNER RM182.00 ALDEBARAN FROM FORGOTTEN TOMBS KREATION RM101.00 ALL OUT WAR FOR THOSE WHO WERE CRUCIFIED VICTORY RECORDS RM101.00 ALL PIGS MUST DIE NOTHING VIOLATES THIS NATURE SOUTHERN LORD RM101.00 ALL THAT REMAINS MADNESS RAZOR & TIE RM138.00 ALTAR EGO ART COSMIC KEY CREATIONS RM119.00 ALTAR YOUTH AGAINST CHRIST COSMIC KEY CREATIONS RM123.00 AMEBIX MONOLITH (180 GR) BACK ON BLACK RM141.00 AMEBIX SONIC MASS EASY ACTION RM129.00 AMENRA ALIVE CONSOULING SOUND RM139.00 AMENRA MASS I CONSOULING SOUND RM122.00 AMENRA MASS II CONSOULING SOUND RM122.00 AMERICAN HERITAGE SEDENTARY (180 GR CLEAR) GRANITE HOUSE RM98.00 AMORT WINTER TALES KREATION RM101.00 ANAAL NATHRAKH IN THE CONSTELLATION OF THE.. (PIC) BLACK SLEEVES RM128.00 ANCIENT VVISDOM SACRIFICIAL MAGIC
    [Show full text]
  • 313 3D in Your Face 44 Magnum 5 X a Cosmic Trail A
    NORMALPROGRAMM, IMPORTE, usw. Richtung Within Temptation mit einem guten Schuß Sentenced ALLOY CZAR ANGEL SWORD ACCUSER Awaken the metal king CD 15,50 Rebels beyond the pale CD 15,50 Dependent domination CD 15,50 Moderater NWoBHM Sound zwischen ANGRA BITCHES SIN, SARACEN, DEMON, Secret garden CD 15,50 Diabolic CD 15,50 SATANIC RITES gelegen. The forlorn divide CD 15,50 ALLTHENIKO ANGRA (ANDRE MATOS) Time to be free CD 29,00 ACID Back in 2066 CD 15,50 Japan imp. Acid CD 18,00 Devasterpiece CD 15,50 ANGUISH FORCE Engine beast CD 18,00 Millennium re-burn CD 15,50 2: City of ice CD 12,00 ACRIDITY ALMANAC 3: Invincibile imperium Italicum CD 15,50 For freedom I cry & bonustracks CD 17,00 Tsar - digibook CD & DVD 18,50 Cry, Gaia cry CD 12,00 ACTROID ALMORA Defenders united MCD 8,00 Crystallized act CD 29,00 1945 CD 15,50 Japan imp. RRR (1998-2002) CD 15,50 Kalihora´s song CD 15,50 Sea eternally infested CD 12,00 ABSOLVA - Sid by side CD 15,50 ADRAMELCH Kiyamet senfonisi CD 15,50 Broken history CD 15,50 ANIMETAL USA Shehrazad CD 15,50 Lights from oblivion CD 15,50 W - new album 2012 CD 30,00 313 ALTAR OF OBLIVION Japan imp. Opus CD 15,50 Three thirteen CD 17,00 Salvation CD 12,00 ANNIHILATED ADRENALINE KINGS 3D IN YOUR FACE ALTERED STATE Scorched earth policy CD 15,50 Same CD 15,50 Faster and faster CD 15,50 Winter warlock CD 15,50 ANNIHILATOR ADRENICIDE Eine tolle, packende Mischung aus AMARAN Alice in hell CD 12,00 PREMONITION (Florida) ILIUM, HAN- War begs no mercy CD 15,50 KER und neueren JAG PANZER.
    [Show full text]
  • Pontificia Universidad Católica Del Perú Escuela
    PONTIFICIA UNIVERSIDAD CATÓLICA DEL PERÚ ESCUELA DE POSGRADO Entre la profesionalización y el underground Inicios de la escena metalera en Lima (1983-1989) Tesis para optar el grado académico de Magíster en Historia Ricardo Olavarría Ginocchio Asesor: Dr. Jesús Antonio Cosamalón Aguilar Lima, 2019 1 Resumen La presente tesis tiene como objetivo analizar las razones que llevaron a un grupo de jóvenes limeños varones, en la década de los ochenta, a tocar metal, tanto en la variante de heavy metal tradicional como en la extrema, a la vez que busca explicar de qué manera las circunstancias de la realidad nacional, tanto económicas como sociales y políticas, influyeron en la constitución de dicho género musical como escena. Para ello, parto de dos hipótesis. Por un lado, en un contexto de globalización y desestructuración, estos jóvenes encuentran, en la oscuridad, pesadez y potencia del metal, un espacio en el que construir lazos sociales entre pares y afianzar estructuras paralelas de autonomía y poder. Por otro lado, la formación de la escena metalera se da primero en una etapa (1983-1985) de convivencia entre las bandas de metal y las de otros subgéneros del rock; y luego, en una segunda etapa (1986-1989), esta adquiere carácter independiente y se perfila en dos vertientes: una que busca la profesionalización, que eventualmente pierde terreno ante la crisis económica, y otra underground, que lograr sortear la crisis a partir de sus propios códigos, los cuales marcan el futuro de la escena. Con el fin de poner a prueba dichas hipótesis, realicé entrevistas a participantes de la escena de la época, consulté diversos periódicos, revistas y fanzines, además de fuentes secundarias.
    [Show full text]
  • Download a PDF of the Inventory B
    PUBLIC COLLECTORS Records Collection Inventory of: Marc Fischer Chicago, IL, USA About PUBLIC COLLECTORS Public Collectors consists of informal agreements where collectors allow the contents of their collection to be published and permit those who are curious to directly experience the objects in person. Participants must be willing to type up an inventory of their collection, provide a means of contact and share their collection with the public. Collectors can be based in any geographic location. Public Collectors is founded upon the concern that there are many types of cultural artifacts that public libraries, museums and other institutions and archives either do not collect or do not make freely accessible. Public Collectors asks individuals that have had the luxury to amass, organize, and inventory these materials to help reverse this lack by making their collections public. The purpose of this project is for large collections of materials to become accessible so that knowledge, ideas and expertise can be freely shared and exchanged. Public Collectors is not intended, nor should it be used for buying and selling objects. There are many preexisting venues for that. Collectors can accommodate viewers at whatever location is most com - fortable or convenient for them. If their collection is portable or can be viewed in a location other than the collector’s home, this would still be an appropriate way to participate in the project. In addition to hosting collection inventories and other information, www.publiccollectors.org includes digital collections that are suitable for web presentation, do not have a physical material analog, or are difficult or impossible to experience otherwise.
    [Show full text]