Ithaca College Jazz Ensemble Mike Titlebaum
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The Digital Deli Online - List of Known Available Shows As of 01-01-2003
The Digital Deli Online - List of Known Available Shows as of 01-01-2003 $64,000 Question, The 10-2-4 Ranch 10-2-4 Time 1340 Club 150th Anniversary Of The Inauguration Of George Washington, The 176 Keys, 20 Fingers 1812 Overture, The 1929 Wishing You A Merry Christmas 1933 Musical Revue 1936 In Review 1937 In Review 1937 Shakespeare Festival 1939 In Review 1940 In Review 1941 In Review 1942 In Revue 1943 In Review 1944 In Review 1944 March Of Dimes Campaign, The 1945 Christmas Seal Campaign 1945 In Review 1946 In Review 1946 March Of Dimes, The 1947 March Of Dimes Campaign 1947 March Of Dimes, The 1948 Christmas Seal Party 1948 March Of Dimes Show, The 1948 March Of Dimes, The 1949 March Of Dimes, The 1949 Savings Bond Show 1950 March Of Dimes 1950 March Of Dimes, The 1951 March Of Dimes 1951 March Of Dimes Is On The Air, The 1951 March Of Dimes On The Air, The 1951 Packard Radio Spots 1952 Heart Fund, The 1953 Heart Fund, The 1953 March Of Dimes On The Air 1954 Heart Fund, The 1954 March Of Dimes 1954 March Of Dimes Is On The Air With The Fabulous Dorseys, The 1954 March Of Dimes Is On The Air, The 1954 March Of Dimes On The Air 1955 March Of Dimes 1955 March Of Dimes Is On The Air, The 1955 March Of Dimes, The 1955 Pennsylvania Cancer Crusade, The 1956 Easter Seal Parade Of Stars 1956 March Of Dimes Is On The Air, The 1957 Heart Fund, The 1957 March Of Dimes Galaxy Of Stars, The 1957 March Of Dimes Is On The Air, The 1957 March Of Dimes Presents The One and Only Judy, The 1958 March Of Dimes Carousel, The 1958 March Of Dimes Star Carousel, The 1959 Cancer Crusade Musical Interludes 1960 Cancer Crusade 1960: Jiminy Cricket! 1962 Cancer Crusade 1962: A TV Album 1963: A TV Album 1968: Up Against The Establishment 1969 Ford...It's The Going Thing 1969...A Record Of The Year 1973: A Television Album 1974: A Television Album 1975: The World Turned Upside Down 1976-1977. -
Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BILL HOLMAN NEA Jazz Master (2010) Interviewee: Bill Holman (May 21, 1927 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: February 18-19, 2010 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 84 pp. Brown: Today is Thursday, February 18th, 2010, and this is the Smithsonian Institution National Endowment for the Arts Jazz Masters Oral History Program interview with Bill Holman in his house in Los Angeles, California. Good afternoon, Bill, accompanied by his wife, Nancy. This interview is conducted by Anthony Brown with Ken Kimery. Bill, if we could start with you stating your full name, your birth date, and where you were born. Holman: My full name is Willis Leonard Holman. I was born in Olive, California, May 21st, 1927. Brown: Where exactly is Olive, California? Holman: Strange you should ask [laughs]. Now it‟s a part of Orange, California. You may not know where Orange is either. Orange is near Santa Ana, which is the county seat of Orange County, California. I don‟t know if Olive was a part of Orange at the time, or whether Orange has just grown up around it, or what. But it‟s located in the city of Orange, although I think it‟s a separate municipality. Anyway, it was a really small town. I always say there was a couple of orange-packing houses and a railroad spur. Probably more than that, but not a whole lot. -
June 2020 Volume 87 / Number 6
JUNE 2020 VOLUME 87 / NUMBER 6 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow. -
Ithaca College Alumni Big Band
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 4-26-2008 Concert: Ithaca College Alumni Big Band Ithaca College Alumni Big Band Steve Brown Ray Brown Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Ithaca College Alumni Big Band; Brown, Steve; and Brown, Ray, "Concert: Ithaca College Alumni Big Band" (2008). All Concert & Recital Programs. 6670. https://digitalcommons.ithaca.edu/music_programs/6670 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. ITHACA COLLEGE ALUMNI BIG BAND Steve Brown and Ray Brown, musical directors Ford Hall Saturday, April 26, 2008 8:15 p.m. PROGRAM Straightahead City Ray Brow Bossa Barbara Steve Brown Arr. Ray Brown Sweet Angel Steve Brown Lyrics: Tish Rabe Two Birds, On~ Stone Steve Brown Embraceable You/Quasimodo Gershwin/Parker Arr. Ray Brown The Telephone Song Menescal/Boscoli/Gimbel .. Arr. Ray BrowU Bittersweet Willie Maiden Trans. Ray Brown The Best of Everything Tony Bennett Arr. Steve Brown Our Love Is Here To Stay George Gershwin Air. Ray Brown INTERMISSION Del Sasser Sam Jones Arr. Ray Brown PickYours·elf Up Fields/Kem Arr. Neal Hefti Trans. Tony DeSare Kayak Kenny Wheeler Arr. Ray Brown Barbara Horace Silver Arr. Ray Brown I Could Write A Book Rodgers/Hart Arr. Ray Brown The Thumb Wes Montgomery Arr. Ray Brown The Ballad of Thelonious Monk Jimmy Rowles Arr. -
DB Music Shop Must Arrive 2 Months Prior to DB Cover Date
05 5 $4.99 DownBeat.com 09281 01493 0 MAY 2010MAY U.K. £3.50 001_COVER.qxd 3/16/10 2:08 PM Page 1 DOWNBEAT MIGUEL ZENÓN // RAMSEY LEWIS & KIRK WHALUM // EVAN PARKER // SUMMER FESTIVAL GUIDE MAY 2010 002-025_FRONT.qxd 3/17/10 10:28 AM Page 2 002-025_FRONT.qxd 3/17/10 10:29 AM Page 3 002-025_FRONT.qxd 3/17/10 10:29 AM Page 4 May 2010 VOLUME 77 – NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Jazz at the Crossroads)
MUSIC 127A: 1959 (Jazz at the Crossroads) Professor Anthony Davis Rather than present a chronological account of the development of Jazz, this course will focus on the year 1959 in Jazz, a year of profound change in the music and in our society. In 1959, Jazz is at a crossroads with musicians searching for new directions after the innovations of the late 1940s’ Bebop. Musical figures such as Miles Davis and John Coltrane begin to forge a new direction in music building on their previous success earlier in the fifties. The recording Kind of Blue debuts in 1959 documenting the work of Miles Davis’ legendary sextet with John Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers and Jimmy Cobb and reflects a new direction in the music with the introduction of a modal approach to composition and improvisation. John Coltrane records Giant Steps the culmination of the harmonic intricacies of Bebop and at the same time the beginning of something new. Ornette Coleman arrives in New York and records The Shape of Jazz to Come, an LP that presents a radical departure from the orthodoxies of Be-Bop. Dave Brubeck records Time Out, a record featuring a new approach to rhythmic structure in the music. Charles Mingus records Mingus Ah Um, establishing Mingus as a pre-eminent composer in Jazz. Bill Evans forms his trio with Scott LaFaro and Paul Motian transforming the interaction and function of the rhythm section. The quiet revolution in music reflects a world that is profoundly changed. The movement for Civil Rights has begun. The Birmingham boycott and the Supreme Court decision Brown vs. -
Artie Shaw 1938-1939
Glenn Miller Archives ARTIE SHAW 1938-1939 Prepared by: Reinhard F. Scheer-Hennings and Dennis M. Spragg In Cooperation with the University of Arizona Updated December 11, 2020 1 Table of Contents I. 1938 ................................................................................................................... 3 June 1938 ............................................................................................................... 3 July 1938 ................................................................................................................ 4 August 1938 ......................................................................................................... 12 September 1938 ................................................................................................... 15 October 1938 ........................................................................................................ 32 November 1938 .................................................................................................... 37 December 1938 .................................................................................................... 60 II. 1939 ............................................................................................................... 101 January 1939 ...................................................................................................... 101 February 1939 .................................................................................................... 131 March 1939 ........................................................................................................ -
Dean Earl Papers BCA.010 Finding Aid Prepared by Anne Mansella, Simmons GSLIS Intern
Dean Earl papers BCA.010 Finding aid prepared by Anne Mansella, Simmons GSLIS intern. This finding aid was produced using the Archivists' Toolkit June 09, 2014 Describing Archives: A Content Standard Berklee College Archives 2013/11/21 1140 Boylston St Boston, MA, 02215 617-747-8001 Dean Earl papers BCA.010 Table of Contents Summary Information ................................................................................................................................. 3 Biographical Note.......................................................................................................................................... 4 Scope and Contents Note.............................................................................................................................. 4 Arrangement...................................................................................................................................................4 Administrative Information .........................................................................................................................5 Collection Inventory...................................................................................................................................... 6 - Page 2 - Dean Earl papers BCA.010 Summary Information Repository Berklee College Archives Creator - Transcriber Earl, Dean Title Dean Earl papers Date undated Extent 4.5 Cubic feet : 3 record cartons. Language English Preferred Citation [Identification of item], in the Dean Earl papers, BCA-010. College -
Jazz Trio/Quartet Song List
Jazz Trio/Quartet Song List Jazz Standards Ain’t Misbehavin’ - Thomas “Fats” Waller All Of Me - Billie Holiday Almost Like Being In Love - Lerner & Lowe / Natalie Cole As Time Goes By (Theme from “Casablanca”) - Herman Hupfeld Autumn Leaves - Johnny Mercer Beyond The Sea - Bobby Darrin Bluesette - Toots Thielemans Blue Skies - Irving Berlin Body And Soul - Johnny Green / Coleman Hawkins Broadway - DeSylva, Brown & Henderson Charade - Henry Mancini Cherokee - Ray Noble / Clifford Brown A Child Is Born - Thad Jones The Days Of Wine And Roses - Henry Mancini Don’t Get Around Much Anymore - Duke Ellington Exactly Like You - McHugh & Fields Fly Me To The Moon - Bart Howard / Frank Sinatra Georgia On My Mind - Hoagy Carmichael / Ray Charles Green Dolphin Street - Kaper & Washington / Miles Davis God Bless The Child - Arthur Herzog & Billie Holiday Have You Met Miss Jones - Rodgers & Hart I Could Write A Book - Rodgers & Hart In A Sentimental Mood - Duke Ellington In The Mood - Glenn Miller It Could Happen To You - Burke & Van Heusen / Frank Sinatra I Thought About You - Jimmy Van Heusen / Frank Sinatra It Might As Well Be Spring - Astrid Gilberto & Stan Getz It’s Only A Paper Moon - Harold Arlen I’ve Never Been In Love Before - Frank Loesser Jordu - Clifford Brown Joy Spring - Clifford Brown Killer Joe - Benny Golson Let’s Fall In Love - Harold Arlen / Diana Krall Like Someone In Love - Frank Sinatra Lover Man - Billie Holiday Lullaby At Birdland - George Shearing Misty - Errol Garner Moanin’ - Bobby Timmons / Cannonball Adderley Mona Lisa - Nat “King” Cole Moonriver - Henry Mancini My Funny Valentine - Rodgers & Hart My Romance - Rodgers & Hart My One And Only Love - Wood & Mellin Namely You - Mercer & DePaul / P.J. -
The Legacy of S Ta N K E N to N
THE UNITED STATES ARMY FIELD BAND JAZZ AMBASSADORS The Legacy of S TA N K ENTON Washington, D.C. “The Musical Ambassadors of the Army” he Jazz Ambassadors is the Concerts, school assemblies, clinics, T United States Army’s premier music festivals, and radio and televi- touring jazz orchestra. As a component sion appearances are all part of the Jazz of The United States Army Field Band Ambassadors’ yearly schedule. of Washington, D.C., this internation- Many of the members are also com- ally acclaimed organization travels thou- posers and arrangers whose writing helps sands of miles each year to present jazz, create the band’s unique sound. Concert America’s national treasure, to enthusi- repertoire includes big band swing, be- astic audiences throughout the world. bop, contemporary jazz, popular tunes, The band has performed in all fifty and dixieland. states, Canada, Mexico, Europe, Ja- Whether performing in the United pan, and India. Notable performances States or representing our country over- include appearances at the Montreux, seas, the band entertains audiences of all Brussels, North Sea, Toronto, and New- ages and backgrounds by presenting the port jazz festivals. American art form, jazz. The Legacy of Stan Kenton About this recording The Jazz Ambassadors of The United States Army Field Band presents the first in a series of recordings honoring the lives and music of individuals who have made significant contri- butions to big band jazz. Designed primarily as educational resources, these record- ings are a means for young musicians to know and appreciate the best of the music and musicians of previous generations, and to understand the stylistic developments leading to today’s litera- ture in ensemble music. -
Ella Fitzgerald Collection of Sheet Music, 1897-1991
http://oac.cdlib.org/findaid/ark:/13030/tf2p300477 No online items Ella Fitzgerald collection of sheet music, 1897-1991 Finding aid prepared by Rebecca Bucher, Melissa Haley, Doug Johnson, 2015; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2002 The Regents of the University of California. All rights reserved. Ella Fitzgerald collection of sheet PASC-M 135 1 music, 1897-1991 Title: Ella Fitzgerald collection of sheet music Collection number: PASC-M 135 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 13.0 linear ft.(32 flat boxes and 1 1/2 document boxes) Date (inclusive): 1897-1991 Abstract: This collection consists of primarily of published sheet music collected by singer Ella Fitzgerald. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. creator: Fitzgerald, Ella Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. -
Angel City Jazz Festival
angelcityjazz.com Angel City Jazz Festival When Rocco Somazzi started the Angel City Jazz Festival at Barnsdall Art On September 28 at Barnsdall Park, free outdoor performances by local Park in September 2008, his vision was informed by youthful experiences legends Azar Lawrence, Michael White and Brad Dutz with up-and- attending outdoor music festivals in his native Switzerland. In 2008, coming artists Daniel Rosenboom and Gavin Templeton, pave the way Barnsdall Park was a forgotten and somewhat neglected landmark, and for ticketed programming at the indoor Gallery Theater by Josh Nelson’s since the first festival was produced entirely on Rocco’s credit cards, Discoveries, Aruán Ortiz Trio, Craig Taborn and Taylor Ho Bynum’s West there were only two benefactors -- Visa and MasterCard. However, Coast Ensemble. Rocco’s vision had resonance, and his idea to feature local musicians in To close this all-day event, the festival honors its original headliner, a festival atmosphere struck a chord with both audiences and the music Arthur Blythe, whose health issues no longer allow him to perform, but community. One of the highlights of that two-day event was a set by whose spirit continues to inspire those around him. An all-star cast of L.A. virtuoso saxophonist Arthur Blythe, who had been living in near obscurity artists has been gathered to honor this influential musician, and health in the desert outside of L.A.. Bassist Nick Rosen and drummer Gust Tsillis permitting, he will be in the audience to receive these accolades. discovered Blythe, who had been battling health issues, and persuaded him to come out of semiretirement to perform at the first festival.