{DOWNLOAD} Beyond Beatmatching : Take Your DJ Career to the Next

Total Page:16

File Type:pdf, Size:1020Kb

{DOWNLOAD} Beyond Beatmatching : Take Your DJ Career to the Next BEYOND BEATMATCHING : TAKE YOUR DJ CAREER TO THE NEXT LEVEL PDF, EPUB, EBOOK Yakov Vorobyev | 224 pages | 11 May 2012 | Mixed in Key | 9780615639864 | English | Miami Beach, Fla. Beyond Beatmatching : Take Your DJ Career to the Next Level PDF Book Refresh and try again. It allows you to infuse a playlist with your creativity! Return to Book Page. Just a moment while we sign you in to your Goodreads account. Onwards towards a future where we can all live in the countryside and make a living spinning our favorite records. DJs were stuck in vinyl, and the world was moving on. Available start dates Ever wonder how to do a proper backspin? Now what does it imply? And basically every turntable since has drawn on the original design. You'll overcome challenges quickly and pick up new concepts fast, as you receive immediate feedback, learning the tools and techniques that are relevant to your goals and interests. This includes Live. Related Searches. We have closed comments on this story for legal reasons or for abuse. More than one number from Caesar's repertoire sports an uplifting gospel-based chord progression, and Hold Me Down and We Find Love borrow with proper credits granted from the work of American urban gospel artists Kirk Franklin and Donnie McClurkin. OK first off, the software app for your phone is called Larix Broadcaster. There are tons of ways to learn DJing. Mixcloud Live is the premium option. Two-way conversion Up until now, the software allowed conversion from Virtual DJ to other platforms but now it works both ways. In intermediate lessons, your tutor might cover the following topics: Perfecting transitions Mixing techniques seamless fade, infinite loop, and tempo transition Key blending and matching Using filters and effects Adjusting high, mid, and low frequency volumes Production and sound engineering Sample Curriculum for Advanced Classes Advanced lessons are intended for students who already have quite a bit of DJ experience. Everything should always be ready to go at the flick of a switch. Hence, there are numerous books getting into PDF format. It's also a good idea to select a teacher who specializes in teaching with your preferred software. Tonearm Ever wondered why the tonearm of a deck is S-shaped? Lists with This Book. It made its debut way back in and undoubtedly led to the hip-hop revolution which came as a precursor to DJing. The year was The American diet is typically high in sugar consumption and extremely acidic. Beyond Beatmatching : Take Your DJ Career to the Next Level Writer The ones willing to part with a few bucks. Reputation is everything in this game. The functionality of vinyl had arrived in the world of CD DJing. The design still serves as a source of inspiration for many gear designs today. The software is currently priced at Module 1 - DJ Course 3 months We have seen the need for an expanded and revised DJ Course with a focus on genre specific mixing techniques as well as more focus on the advanced DJ techniques such as EQ control, scratching, effects and sampling. You should be recording as many of your practice session and live set as you can. If you want to find tracks that are key matched or are in complimenting keys check out our review of a free online resource on how to get key of songs. Robert got me to that level. If you're just getting starting or no previous experience, then beginner lessons are right for you. You can learn the basics of keymixing by studying a bit about the Camelot wheel. So feel free to experiment and see how far you can push the envelope. You can find them on YouTube, or I have a step-by-step guide and video to show you exactly how to master basic mixing techniques. Learn to be confident with the skills you have. Do you have any tips for those that are already using MixMeister that they may not be aware of? Robert developed the teaching framework he'll use to teach you, which focuses first on mastering critical fundamentals in an intuitive, step-by-step process. How long is the intro of the new one? Pink's biggest hit is 17 years old; audiences get their parties started with different grooves now. Use acapellas for DJ mix transitions and to show them you know your stuff. These are two separate rights. Beginner DJs frequently overlook phrasing. But be sure that you practice and master a technique before you add a new one. Advanced lessons are intended for students who already have quite a bit of DJ experience. Onwards towards a future where we can all live in the countryside and make a living spinning our favorite records. Half the job is always figuring out the tech! The stems thing is fun, but DJing is actually in the data. Its why you still see vinyl turntables in most clubs. This helps you prepare your cues for class more quickly based on their clear visibility. That said, you should absolutely know how to beatmatch manually. Then swap: kill the bass on song 1 and turn it up on song 2 when the time is right. In this section, you can see the musical events of songs chorus, verse, or where something is happening in the music. Now, by owning my mistakes, I finally feel free to make bold moves with my mixing. You might get away with it, but the update reinforces a precedent that is tending towards blanket restriction on using copyrighted songs. Your personal taste matters, though. And basically every turntable since has drawn on the original design. E-mail Instagram Website. The legit solution for this is unfortunately to ditch Facebook and begin building the audience elsewhere. The year's most ubiquitous singles were the softly swaying Despacito and the unhurriedly percolating Shape of You from Ed Sheeran, who sings about his admiration for a woman and suggests that laid-back tunes Van Morrison be put on the jukebox. Your Message. Skrillex basically drew inspiration from reggae! Direct drive motors prevented wear and tear on the standard belt-driven turntables that came before. Wanna DJ vinyl? Please note that this course is available in Johannesburg only and we are only accepting a limited amount of students. Before choosing the teacher who's right for you, take a look at several profiles and read through reviews left by other students. Some clubs are actually banning laptops , forcing their DJs to return to the original DJing methods. You can also time it just right so that one ends as the next begins. Beyond Beatmatching : Take Your DJ Career to the Next Level Reviews Identifying appropriate samples is fundamental to scratching techniques see Hansen, so it is not surprising that they focused intently on this. Be the first to write a review. But this will give you another method of getting more sound out of an EQ when you need it. I learned how to set up a set list and mix one song into the other. When asked whether shape was something he usually thought about, or whether it was a strange thing to be asked, he responded: "I do think about it, because when you asked me to perform for the first time with the tracks I hadn't heard, and then asked me to consider shape, that kind of threw me off, because even though I didn't know them, I could at least see the graphical representation of them, I was already looking at the tracks and thinking, ok, what might be a good place to drop this in to make the mix take a good form" Note again the use of the visual representation of tracks to facilitate his performance. Keen to level up? It was hoped that a more in-depth study might allow insight into DJs' practices and a comparison with the findings concerning classical musicians outlined above. Learn to scratch mix. The interview comprised a mixture of musical demonstrations and discussion, focused around unfamiliar records provided by the researcher as well as pieces from the DJs' own collections. Mixing has been my passion for over 5 years and I regularly DJ for underground parties and live streams hosted by promoters and friends. Also, never, ever react to your mistakes. I've seen so many talented DJs who can't pursue their passions simply because they don't have the business skills they need to make real money as a DJ. Many more participants played music from both broad genres. Once you understand the basic concepts, we will then use them to build throbbing bass lines, banging beats and flowing chord progressions. For example, DJ classes for children differ greatly in terms of teaching methods and course content from DJ lessons for adults. I was just whipping the jogwheel back and slamming over the crossfader. In an era of stem separation, remix decks and mashups, re-edits are becoming more common than the originals. A classical performer traditionally begins the performance preparation process by studying a score, though findings by Ginsborg and Prior suggest that many younger musicians use recordings as a starting point for learning a new piece. The official statement is below. Some of the classical musicians discussed imagining visual ideas of the music they were playing. The ones willing to part with a few bucks. Learn the basics, from unboxing equipment and beat matching, to more advanced topics like curating a great set and marketing yourself as a performing DJ.
Recommended publications
  • Turntablism and Audio Art Study 2009
    TURNTABLISM AND AUDIO ART STUDY 2009 May 2009 Radio Policy Broadcasting Directorate CRTC Catalogue No. BC92-71/2009E-PDF ISBN # 978-1-100-13186-3 Contents SUMMARY 1 HISTORY 1.1-Defintion: Turntablism 1.2-A Brief History of DJ Mixing 1.3-Evolution to Turntablism 1.4-Definition: Audio Art 1.5-Continuum: Overlapping definitions for DJs, Turntablists, and Audio Artists 1.6-Popularity of Turntablism and Audio Art 2 BACKGROUND: Campus Radio Policy Reviews, 1999-2000 3 SURVEY 2008 3.1-Method 3.2-Results: Patterns/Trends 3.3-Examples: Pre-recorded music 3.4-Examples: Live performance 4 SCOPE OF THE PROBLEM 4.1-Difficulty with using MAPL System to determine Canadian status 4.2- Canadian Content Regulations and turntablism/audio art CONCLUSION SUMMARY Turntablism and audio art are becoming more common forms of expression on community and campus stations. Turntablism refers to the use of turntables as musical instruments, essentially to alter and manipulate the sound of recorded music. Audio art refers to the arrangement of excerpts of musical selections, fragments of recorded speech, and ‘found sounds’ in unusual and original ways. The following paper outlines past and current difficulties in regulating these newer genres of music. It reports on an examination of programs from 22 community and campus stations across Canada. Given the abstract, experimental, and diverse nature of these programs, it may be difficult to incorporate them into the CRTC’s current music categories and the current MAPL system for Canadian Content. Nonetheless, turntablism and audio art reflect the diversity of Canada’s artistic community.
    [Show full text]
  • Scratching Resources
    AAFP CLAW FRIENDLY EDUCATIONAL TOOLKIT SCRATCHING RESOURCES The best method to advance feline welfare is through education. Many cat caregivers are unaware that scratching is a natu- ral behavior for cats. The AAFP has created the educational resources below to assist your team in educating cat caregivers about why cats need to scratch, ideal scratching surfaces, troubleshooting inappropriate scratching, training cats to scratch appropriately in the home, and alternatives to declawing. Veterinary Professionals Claw Counseling: Helping Clients Live Alongside Cats with Claws (In-depth Article) This comprehensive article provides more detailed information to help you counsel clients on why and how to live with a clawed cat. It provides information about why clients declaw, short and long-term complications, what causes cats to scratch excessively and on unfavorable locations, and how to work through inappropriate scratching situations. See next 7 pages for full size print version. American Association of Feline Practitioners Claw Friendly Educational Toolkit CLAW COUNSELING: Helping clients live alongside cats with claws Submitted by Kelly A. St. Denis, MSc, DVM, DABVP (feline practice) Onychectomy has always been a controversial topic, but over offers onychectomy, open dialogue about this is strongly the last decade, a large push to end this practice has been encouraged. Team members should be mindful that these brought forward by many groups, including major veterinary discussions should be approached with care and respect, for organizations, such as the American Association of Feline themselves and their employer. It is also extremely important Practitioners. As veterinary professionals, we may be asked to include front offce staff in these discussions, as they may about declawing, nail care, and normal scratching behavior in receive direct questions by phone.
    [Show full text]
  • Exploring Structural Sections in EDM DJ-Created Radio Mixes with the Help of Automatic Music Descriptors
    Exploring structural sections in EDM DJ-created radio mixes with the help of automatic music descriptors Vincent Zurita Turk Supervised by Perfecto Herrera and Giuseppe Bandiera Sound & Music Computing Music Technology Group - Universitat Pompeu Fabra Abstract Disc Jockeys are the most likely the ultimate experts at mixing music to “move the crowd”. In this work, structural sections based on “levels of emotional experience” in electronic dance music (EDM) are investigated by analyzing DJ-created radio mixes using automatic music descriptors in order to get audio content information. Mixes are first manually annotated to categorise structural sections and then, their characteristics and patterns between them are investigated. Finally, various evaluations are performed to explore the accuracy with which a system could automatically detect, with the given information, the different sections within randomly chosen independent ten seconds excerpts. Results prove the reliability of the chosen descriptors to achieve a successful classification with moderate number of errors. Moreover, a solution for improving the prediction’s accuracy by taking in account patterns between structural sections is proposed. Table of contents 1. INTRODUCTION ......................................................................................................................................... 1 BACKGROUND ................................................................................................................................................. 1 1.1 Basic
    [Show full text]
  • Cats: Destructive Scratching
    CATS: DESTRUCTIVE SCRATCHING Why Do Cats Scratch? It’s normal for cats to scratch objects in their environment for many reasons: To remove the dead outer layers of their claws. To mark their territory by leaving both a visual mark and a scent - they have scent glands on their paws. To stretch their bodies and flex their feet and claws. To work off energy. Because scratching is a normal behavior, the goal in resolving scratching problems is to direct the scratching onto acceptable objects and provide appropriate outlets. Training Your Cat to Scratch Acceptable Objects 1. You must provide objects for scratching that are appealing, attractive, and convenient from your cat’s point of view. Start by observing the physical features of the objects your cat is scratching. The answers to the following questions will help you understand your cat’s scratching preferences: o Where are the objects located? Prominent objects, objects close to sleeping areas, and areas near the entrance to a room are often chosen. o What texture do they have – are they soft or coarse? Carpeted? o What shape do they have – are they horizontal or vertical? o How tall are they? At what height does your cat scratch? 2. Now, considering your cat’s demonstrated preferences, substitute similar objects for her to scratch (rope – wrapped posts, corrugated cardboard, or even a log). Place the acceptable object(s) near the inappropriate object(s) that she’s already using. Make sure the objects are stable and won’t fall over or move around when she uses them. 3.
    [Show full text]
  • The Freesound Loop Dataset and Annotation Tool
    THE FREESOUND LOOP DATASET AND ANNOTATION TOOL António Ramires1 Frederic Font1 Dmitry Bogdanov1 Jordan B. L. Smith2 Yi-Hsuan Yang3 Joann Ching3 Bo-Yu Chen3 Yueh-Kao Wu3 Hsu Wei-Han3 Xavier Serra1 1 Music Technology Group, Universitat Pompeu Fabra, Barcelona, Spain 2 TikTok, Lodon, United Kingdom 3 Research Center for IT Innovation, Academia Sinica, Taipei, Taiwan [email protected] ABSTRACT tronic music. Currently, large-scale databases of audio of- fer huge collections of audio material for users to work Music loops are essential ingredients in electronic mu- with. Some databases, like Freesound 1 and Looperman 2 , sic production, and there is a high demand for pre-recorded are community-oriented: people upload their sounds so loops in a variety of styles. Several commercial and com- that other users can employ them in their works. More munity databases have been created to meet this demand, commonly, these collections are commercially oriented: but most are not suitable for research due to their strict li- loops are available to paying costumers, either through a censing. We present the Freesound Loop Dataset (FSLD), subscription service (e.g. Sounds.com, 3 Splice 4 ) or by a new large-scale dataset of music loops annotated by ex- allowing customers to buy packs of loops (e.g. Loopmas- perts. The loops originate from Freesound, a community ters, 5 and Prime Loops 6 ). database of audio recordings released under Creative Com- Despite the number of loops available on these mons licenses, so the audio in our dataset may be redis- databases, the technologies used to analyse and navigate tributed.
    [Show full text]
  • Acid Pro a Guide for the Beginner, by Alex C for Boot Camp Clique
    Acid Pro A Guide for the beginner, by Alex C for Boot Camp Clique 1 Where can I get Acid or Acid Pro? That’s an excellent question, and if you’ve not got Acid yet – one you should most definitely be asking! A quick Google search for “acid pro” will give you a few sites, and most importantly www.sonicfoundry.com which is the company who used to make Acid. Since they were taken over by Sony however, you’re not going to get far with that link. Where you should really go is to http://www.sonymediasoftware.com where you can click on ‘software’ and then ‘ACID’ - taking you to precisely the right place. Sony are now the company which manufacture and develop Acid, and at the time of writing this article they are on version 6. Acid Pro 6. Now, Sony will let you download a free trial, to get your fix, but you should really take the plunge and purchase this masterpiece. If you’re serious about music production – and in particular bootlegs and mash-ups, then it’s worth forking out the $374.96 that they’re charging on the site. Following that, you can relax in the knowledge that you own a monster package for making your tunes. 2 OK, it’s installed. What now? After all the downloading, purchasing and installing gubbins – which you should be able to work out yourself (after all this isn’t a lesson on downloading software or installing such stuff) we can move on to the intro. Acid is primarily a piece of ‘sequencing’ software.
    [Show full text]
  • Final Copy 2019 01 31 Charl
    This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Charles, Christopher Title: Psyculture in Bristol Careers, Projects and Strategies in Digital Music-Making General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. Psyculture in Bristol: Careers, Projects, and Strategies in Digital Music-Making Christopher Charles A dissertation submitted to the University of Bristol in accordance with the requirements for award of the degree of Ph. D.
    [Show full text]
  • Performance in EDM - a Study and Analysis of Djing and Live Performance Artists
    California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses Capstone Projects and Master's Theses 12-2018 Performance in EDM - A Study and Analysis of DJing and Live Performance Artists Jose Alejandro Magana California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes_all Part of the Music Performance Commons Recommended Citation Magana, Jose Alejandro, "Performance in EDM - A Study and Analysis of DJing and Live Performance Artists" (2018). Capstone Projects and Master's Theses. 364. https://digitalcommons.csumb.edu/caps_thes_all/364 This Capstone Project (Open Access) is brought to you for free and open access by the Capstone Projects and Master's Theses at Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. For more information, please contact [email protected]. Magaña 1 Jose Alejandro Magaña Senior Capstone Professor Sammons Performance in EDM - A Study and Analysis of DJing and Live Performance Artists 1. Introduction Electronic Dance Music (EDM) culture today is often times associated with top mainstream DJs and producers such as Deadmau5, Daft Punk, Calvin Harris, and David Guetta. These are artists who have established their career around DJing and/or producing electronic music albums or remixes and have gone on to headline world-renowned music festivals such as Ultra Music Festival, Electric Daisy Carnival, and Coachella. The problem is that the term “DJ” can be mistakenly used interchangeably between someone who mixes between pre-recorded pieces of music at a venue with a set of turntables and a mixer and an artist who manipulates or creates music or audio live using a combination of computers, hardware, and/or controllers.
    [Show full text]
  • Djing for Dummies‰
    TEAM LinG 01_032758 ffirs.qxp 11/9/06 1:51 PM Page i DJing FOR DUMmIES‰ TEAM LinG 01_032758 ffirs.qxp 11/9/06 1:51 PM Page ii TEAM LinG 01_032758 ffirs.qxp 11/9/06 1:51 PM Page iii DJing FOR DUMmIES‰ by John Steventon TEAM LinG 01_032758 ffirs.qxp 11/9/06 1:51 PM Page iv DJing For Dummies® Published by John Wiley & Sons, Ltd The Atrium Southern Gate Chichester West Sussex PO19 8SQ England E-mail (for orders and customer service enquires): [email protected] Visit our Home Page on www.wileyeurope.com Copyright © 2006 by John Wiley & Sons, Ltd, Chichester, West Sussex, England. Published by John Wiley & Sons, Ltd, Chichester, West Sussex. All Rights Reserved. No part of this publication may be reproduced, stored in a retrieval system or trans- mitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or other- wise, except under the terms of the Copyright, Designs and Patents Act 1988 or under the terms of a licence issued by the Copyright Licensing Agency Ltd, 90 Tottenham Court Road, London, W1T 4LP, UK, without the permission in writing of the Publisher. Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, England, or emailed to [email protected], or faxed to (44) 1243 770620. Trademarks: Wiley, the Wiley Publishing logo, For Dummies, the Dummies Man logo, A Reference for the Rest of Us!, The Dummies Way, Dummies Daily, The Fun and Easy Way, Dummies.com and related trade dress are trademarks or registered trademarks of John Wiley & Sons, Inc and/or its affiliates, in the United States and other countries, and may not be used without written permission.
    [Show full text]
  • Beat Detection and Correction for Djing Applications
    Budapest University of Technology and Economics Faculty of Electrical Engineering and Informatics Department of Measurement and Information Systems János Balázs BEAT DETECTION AND CORRECTION FOR DJING APPLICATIONS M.S C. THESIS SUPERVISOR Dr. Balázs Bank BUDAPEST, 2013 Table of Contents Összefoglaló ..................................................................................................................... 5 Abstract............................................................................................................................ 6 1 Introduction.................................................................................................................. 7 2 Tempo detection......................................................................................................... 10 2.1 The Beat This algorithm ....................................................................................... 10 2.2 Tempo detection module of my project................................................................ 13 2.3 Performance of the tempo detection module ........................................................ 19 2.3.1 Comparing with Beat This............................................................................. 19 2.3.2 Quantitative verification of the tempo detection module .............................. 20 3 Beat detection ............................................................................................................. 22 3.1 Beat detection of Beat This..................................................................................
    [Show full text]
  • Communication Design Quarterly
    Online First 2018 Communication Design Quarterly Published by the Association for ComputingVolume Machinery 1 Issue 1 Special Interest Group for Design of CommunicationJanuary 2012 ISSN: 2166-1642 DJs, Playlists, and Community: Imagining Communication Design through Hip Hop Victor Del Hierro University of Texas at El Paso [email protected] Published Online October 17, 2018 CDQ 10.1145/3274995.3274997 This article will be compiled into the quarterly publication and archived in the ACM Digital Library. Communication Design Quarterly, Online First https://sigdoc.acm.org/publication/ DJs, Playlists, and Community: Imagining Communication Design through Hip Hop Victor Del Hierro University of Texas at El Paso [email protected] ABSTRACT INTRODUCTION This article argues for the inclusion of Hip Hop communities in Recent work in Technical/Professional Communication has made technical communication research. Through Hip Hop, technical calls for expanding the field by turning to social justice through communicators can address the recent call for TPC work to expand culturally sensitive and diverse studies that honor communities the field through culturally sensitive and diverse studies that honor and their practices (Agboka, 2013; Haas, 2012; Maylath et communities and their practices. Using a Hip Hop community al., 2013). While this work pushes our field toward important in Houston as a case study, this article discusses the way DJs ethical responsibilities, it also helps build rigorous research operate as technical communicators within their communities. and methods that help meet the needs of already globalized and Furthermore, Hip Hop DJs build complex relationships with complex communication praxis (Walton, Zraly, & Mugengana, communities to create localized and accessible content.
    [Show full text]
  • "Navigate Your Set" : Zur Virtuosität Von
    »NAVIGATE YOUR SET«. ZUR VIRTUOSITÄT VON DJS Lorenz Gilli »We all hit play« — mit diesen Worten beginnt Joel T. Zimmerman einen Blog- Eintrag im Jahr 2012. Zimmerman, besser bekannt als Deadmau5 (sprich: deadmaus), tritt mit diesem eine Diskussion um Live-Praktiken in der Elec- tronic Dance Music (EDM)1 und die Relevanz des Beatmatching2 als tech- nische Fertigkeit von DJs3 los (Deadmau5 2012, vgl. Attias 2013). Für den hier vorliegenden Beitrag habe ich dieses Statement als Startpunkt meiner Überlegungen genommen: Wenn DJs wirklich nur den Start-Knopf drücken, was sind dann die Fertigkeiten, die ein DJ haben muss und die dann so kunstfertig wie möglich — oder eben: virtuos — auszuführen sind? Damit meine ich nicht Fähigkeiten, die feiernden Massen verbal oder gestikulie- rend zu animieren, oder die Geschicklichkeit beim Selbstmanagement und bei der Selbstvermarktung oder die Kunstfertigkeiten als Studio-Produzent von EDM. Ich beziehe mich nur auf jene Aspekte, welche die musikalisch- klangliche Darbietung des DJing betreffen. Unter DJing verstehe ich das Ab- 1 »Electronic Dance Music« (EDM) verwende ich, wie in der wissenschaftlichen Li- teratur üblich, als Überbegriff für eine Vielzahl von Genres wie House, Techno, Trance, Drum'n'Bass, Dubstep u.v.m. Im medialen Diskurs damit — oftmals ab- wertend — ein kommerziell ausgerichtetes Sub-Genre gemeint ist (vgl. Rietveld 2013a: 2), das ich (mit Holt 2017) als »EDM Pop« bezeichne. 2 Zum Begriff »Beatmatching« siehe Abschnitt 2. Fachbegriffe aus der Praxis und Kultur DJs (wie Beatmatching, Routine, Turntablism, Mixing, Programming etc.) verwende ich in der englischen Form, des Schriftbildes wegen aber werden sie bei Verwendung als Subjektiv groß geschrieben.
    [Show full text]