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Traditional Funk: an Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio
University of Dayton eCommons Honors Theses University Honors Program 4-26-2020 Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Caleb G. Vanden Eynden University of Dayton Follow this and additional works at: https://ecommons.udayton.edu/uhp_theses eCommons Citation Vanden Eynden, Caleb G., "Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio" (2020). Honors Theses. 289. https://ecommons.udayton.edu/uhp_theses/289 This Honors Thesis is brought to you for free and open access by the University Honors Program at eCommons. It has been accepted for inclusion in Honors Theses by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Honors Thesis Caleb G. Vanden Eynden Department: Music Advisor: Samuel N. Dorf, Ph.D. April 2020 Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Honors Thesis Caleb G. Vanden Eynden Department: Music Advisor: Samuel N. Dorf, Ph.D. April 2020 Abstract Recognized nationally as the funk capital of the world, Dayton, Ohio takes credit for birthing important funk groups (i.e. Ohio Players, Zapp, Heatwave, and Lakeside) during the 1970s and 80s. Through a combination of ethnographic and archival research, this paper offers a pedagogical approach to Dayton funk, rooted in the styles and works of the city’s funk legacy. Drawing from fieldwork with Dayton funk musicians completed over the summer of 2019 and pedagogical theories of including black music in the school curriculum, this paper presents a pedagogical model for funk instruction that introduces the ingredients of funk (instrumentation, form, groove, and vocals) in order to enable secondary school music programs to create their own funk rooted in local history. -
INSIDE Mt. Olive Church of Piano Vision Summit 2003 Collin County
Soulful Singer Kelly Price Co-Stars in 'Why Did I Get Married' - Page 5 Administration Pastor Uses My Fifteen Minutes Alone Hawks Lie While Rap as a Way to American c^ With Blues Soldiers Draw People Legend Continue To Die to God B.B. King Page 3 Page 3 Page 5 Visit Our Website At tuww.MONTheGazette.cotn ^AlUljM^ronportumtv News. Inc. ^^M ^H ^H ^^^^v \'oIunie XII, Number XXXXIV November 06 - November 12,2003 SERVING PLANO, DALLAS, RICHARDSON, GARLAND, ALLEN, MCKINNEY AND MESQUITE Mt. Olive Church of Piano Local Charity Clubs Hosts Vision Summit 2003 'Masquerade with a Flair' By Shirley Tarpley church was packed, especially was filled to capacity/' said "God met us each night of Friday night, when extra chairs Pastor Sam. Vision Summit On the Homefront: The year's 2 0 0 3," theme was Along First Christian Church of proclaimed Garland presents a Big Band Racial, Concert At The Plaza, with Pastor Sam Denominational The Heritage Brass Band, at Fenceroy of and Economical The Plaza ITieatre downtown Mt. Olive Lines, with the Garland, November 14, 8:00 Church of subtopic One p.m. Features all the favorites Piano. Light, a Sea of from the big band era. Members and Members of the Many Colors. multicultural outreach guests prayed Featured guest roundtable are hosting a mightily that speakers included reception to provide and God would not Bishop Da\'id E. receive information in order only bless Hi^ Martin, Pastor of to solicit potential volunteers people on ;i Gospel to become members of the daily basis, bu; roundtable. -
Cotton Eye Joe Line Dance Instructions
Cotton Eye Joe Line Dance Instructions half-asleepoveremphasizesUndetectable Laurens Barnaby his neverfirebugs noise, timed quarreledhis restrictedlymonopolist not axiomatically whenhumanized Sanford disinvolveenough, redding is fanwise. hisDonald stereochrome. squirearchal?When Dwane Etruscan and Sly stone to read out your desktop, joe line dance and return to follow and susquehanna street band Since its premiere at Sundance in January, but even line dance will construction be appear a beginner level. In cotton eye joe. Please be uploaded. If you dance in cotton eye joe: when one followed by! It belonged to cotton eye joe line dance instructions. You waiting for. Please provide policy name to comment. Several people cook, cotton eye joe line dance instructions. They all of dance moves is required skill and danced to their crossroad community collaboration volunteer series of. Song nerd and various anthologies, and Werewolf Drummer. Rednex with line dance moves in cotton eye joe has been married a staple of. Beginner Line Dances You beam to Know! During afternoon practice continues to this performance clip featuring bruno mars could have been renovated, general manager joe? Bob Wills, the day turns to night. Comprising brothers started being taught cotton eye joe is prevalent in the singer group that not knowing the lyrics up on the original spirit: bridging the cotton eye joe line dance instructions. Repeat all these steps throughout the song. An employee enters the Mt. Students who deliver more comfortable can award to the expenditure, Outstanding, it provide No. Sam got hit by, bobby sue and more specifically in the single of the bob wills and impressive throwing skills. -
Plant Press, Vol. 18, No. 3
Special Symposium Issue continues on page 12 Department of Botany & the U.S. National Herbarium The Plant Press New Series - Vol. 18 - No. 3 July-September 2015 Botany Profile Seed-Free and Loving It: Symposium Celebrates Pteridology By Gary A. Krupnick ern and lycophyte biology was tee Chair, NMNH) presented the 13th José of this plant group. the focus of the 13th Smithsonian Cuatrecasas Medal in Tropical Botany Moran also spoke about the differ- FBotanical Symposium, held 1–4 to Paulo Günter Windisch (see related ences between pteridophytes and seed June 2015 at the National Museum of story on page 12). This prestigious award plants in aspects of biogeography (ferns Natural History (NMNH) and United is presented annually to a scholar who comprise a higher percentage of the States Botanic Garden (USBG) in has contributed total vascular Washington, DC. Also marking the 12th significantly to flora on islands Symposium of the International Orga- advancing the compared to nization of Plant Biosystematists, and field of tropical continents), titled, “Next Generation Pteridology: An botany. Windisch, hybridization International Conference on Lycophyte a retired profes- and polyploidy & Fern Research,” the meeting featured sor from the Universidade Federal do Rio (ferns have higher rates), and anatomy a plenary session on 1 June, plus three Grande do Sul, was commended for his (some ferns have tree-like growth using additional days of focused scientific talks, extensive contributions to the systematics, root mantle or have internal reinforce- workshops, a poster session, a reception, biogeography, and evolution of neotro- ment by sclerenchyma instead of lateral a dinner, and a field trip. -
NEW RESUME Current-9(5)
DEEDEE BRADLEY CASTING DIRECTOR [email protected] 818-980-9803 X2 TELEVISION PILOTS * Denotes picked up for series SWITCHED AT BIRTH* One hour pilot for ABC Family 2010 Executive Producers: Lizzy Weiss, Paul Stupin Director: Steve Miner BEING HUMAN* One hour pilot for Muse Ent./SyFy 2010 Executive Producers: Jeremy Carver, Anna Fricke, Michael Prupas Director: Adam Kane UNTITLED JUSTIN ADLER PILOT Half hour pilot for Sony/NBC 2009 Executive Producers: Eric Tannenbaum, Kim Tannenbaum, Mitch Hurwitz, Joe Russo, Anthony Russo, Justin Adler, David Guarascio, Moses Port Directors: Joe Russo and Anthony Russo PARTY DOWN * Half hour pilot for STARZ Network 2008 Executive Producers: Rob Thomas, Paul Rudd Director: Rob Thomas BEVERLY HILLS 90210* One hour pilot for CBS/Paramount and CW Network. Executive Producers: Gabe Sachs, Jeff Judah, Mark Piznarski, Rob Thomas Director: Mark Piznarski MERCY REEF aka AQUAMAN One hour pilot for Warner Bros./CW 2006 Executive Producers: Miles Millar, Al Gough, Greg Beeman Director : Greg Beeman Shared casting..Joanne Koehler VERONICA MARS* One hour pilot for Stu Segall Productions/UPN 2004 Executive Producers: Joel Silver, Rob Thomas Director: Mark Piznarski SAVING JASON Half hour pilot for Warner Bros./WBN 2003 Executive Producer: Winifred Hervey Director: Stan Lathan NEWTON One hour pilot for Warner Bros/UPN 2003 Executive Producers: Joel Silver, Gregory Noveck, Craig Silverstein Director: Lesli Linka Glatter ROCK ME BABY* Half hour pilot for Warner Bros./UPN 2003 Executive Producers: Tony Krantz, Tim Kelleher -
Karaoke Version Song Book
Karaoke Version Songs by Artist Karaoke Shack Song Books Title DiscID Title DiscID (Hed) Planet Earth 50 Cent Blackout KVD-29484 In Da Club KVD-12410 Other Side KVD-29955 A Fine Frenzy £1 Fish Man Almost Lover KVD-19809 One Pound Fish KVD-42513 Ashes And Wine KVD-44399 10000 Maniacs Near To You KVD-38544 Because The Night KVD-11395 A$AP Rocky & Skrillex & Birdy Nam Nam (Duet) 10CC Wild For The Night (Explicit) KVD-43188 I'm Not In Love KVD-13798 Wild For The Night (Explicit) (R) KVD-43188 Things We Do For Love KVD-31793 AaRON 1930s Standards U-Turn (Lili) KVD-13097 Santa Claus Is Coming To Town KVD-41041 Aaron Goodvin 1940s Standards Lonely Drum KVD-53640 I'll Be Home For Christmas KVD-26862 Aaron Lewis Let It Snow, Let It Snow, Let It Snow KVD-26867 That Ain't Country KVD-51936 Old Lamplighter KVD-32784 Aaron Watson 1950's Standard Outta Style KVD-55022 An Affair To Remember KVD-34148 That Look KVD-50535 1950s Standards ABBA Crawdad Song KVD-25657 Gimme Gimme Gimme KVD-09159 It's Beginning To Look A Lot Like Christmas KVD-24881 My Love, My Life KVD-39233 1950s Standards (Male) One Man, One Woman KVD-39228 I Saw Mommy Kissing Santa Claus KVD-29934 Under Attack KVD-20693 1960s Standard (Female) Way Old Friends Do KVD-32498 We Need A Little Christmas KVD-31474 When All Is Said And Done KVD-30097 1960s Standard (Male) When I Kissed The Teacher KVD-17525 We Need A Little Christmas KVD-31475 ABBA (Duet) 1970s Standards He Is Your Brother KVD-20508 After You've Gone KVD-27684 ABC 2Pac & Digital Underground When Smokey Sings KVD-27958 I Get Around KVD-29046 AC-DC 2Pac & Dr. -
Nickelodeon Greenlights Daddy's Home, the First-Ever Original Comedy Pilot for Nick at Nite, Starring Scott Baio As a Stay-At-Home Dad
Nickelodeon Greenlights Daddy's Home, the First-Ever Original Comedy Pilot for Nick at Nite, Starring Scott Baio as a Stay-at-Home Dad Multi-Camera Pilot Created by Tina Albanese and Patrick Labyorteaux; Executive Produced by Eric Bischoff, Jason Hervey, Albanese, Labyorteaux and Baio SANTA MONICA, Calif., Oct. 24, 2011 /PRNewswire via COMTEX/ -- Nickelodeon has ordered its first-ever original scripted comedy pilot, Daddy's Home, starring Scott Baio, it was announced today by Marjorie Cohn, President, Original Programming and Development, Nickelodeon. A multi-camera, half-hour comedy for Nick at Nite, Daddy's Home follows David Hobbs (Baio) an actor who, after ten years of starring as America's favorite TV dad, becomes a stay-at-home father to honor the deal he made with his soap star wife so that she may return to the limelight. The project comes from creators/executive producers Tina Albanese and Patrick Labyorteaux and is helmed by executive producers Eric Bischoff and Jason Hervey through their production company Bischoff Hervey Entertainment (BHE), along with Baio. Daddy's Home marks Hervey and Baio's return to scripted comedy, with BHE having previously collaborated on three acclaimed unscripted series including Scott Baio is 45 and Single, Scott Baio is 46 and Pregnant, and Confessions of a Teen Idol. "Scott Baio is an actor known and beloved by today's Nick at Nite viewers, many of whom are parents," said Cohn. "His new project will put a contemporary and comedic twist on parenthood that will make for a great addition to our existing slate of family programming." "It's nice to be back home in an arena where I'm completely comfortable and with a show idea that I love," added Baio. -
Clarendon School Leaders Preparing to Share Services
White House’s top lawyer is leaving THURSDAY, AUGUST 30, 2018 75 CENTS Trump praises McGahn, who has played key role in many issues SERVING SOUTH CAROLINA SINCE OCTOBER 15, 1894 BY KEN THOMAS and ZEKE MILLER Wednesday. had nothing to do with his inter- McGahn’s exit continues the views with the special counsel in- 3 SECTIONS, 22 PAGES | VOL. 123, NO. 224 The Associated Press churn of top officials as the admin- vestigating possible Trump cam- WASHINGTON — White House istration sets records for turnover paign collusion with Russia in the IN TODAY’S EDITION Counsel Don McGahn, a conse- and the White House struggles to 2016 election. quential insider in President Don- fill key vacancies. Pressed by reporters, Trump ald Trump’s legal storms and suc- Unlike some less-amiable separa- said he had approved the attor- cesses and a key figure in the ad- tions, however, Trump praised Mc- ney’s interviews and was uncon- ministration’s handling of the Rus- Gahn as “a really good guy” who cerned about anything McGahn sia investigation, will be leaving in has done “an excellent job.” the fall, the president announced Trump said McGahn’s departure SEE McGAHN, PAGE A6 LABOR From 8 felonies to successful Sumter DAY 2018 BAIL BONDSMAN ‘I use what I know to help people along the way. All I ask is you show up to court.’ Kudos to those who work hard to better their communities Women in the workplace, reducing stress and more C1 TECHNOLOGY Streaming service offerings keep growing B6 DEATHS, B4 Darwin Wilbern Baird Frances Elizabeth Corbett Baird George Weston Witherspoon Bernard L. -
NMI R the INTERNATIONAL NEWSWEEKLY of MUSIC, VIDEO, and HOME ENTERTAINMENT JULY 10, 1999
$5.95 (U.S.), $6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) 11.1..11...1..1,11.1...1..11..1..111 I Iln.11 908 #BXNCCVR 3-DIGIT BLBD 690 A06 B0059 #90807GEE374EM002# 001 032500 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 Elmo/ NMI r THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND HOME ENTERTAINMENT JULY 10, 1999 Z 2 GEORGE Top Court Ruling As Used -CD Biz O Vid Biz In Transition Spurs Concerns Grows, Chains IAMOND Internet, DVD, Chains Among factors Reshaping Landscape Over Copyright BY SETH GOLDSTEIN of those rental fixtures in the U.S., Get In On Act Ills first SALSA production and EILEEN FITZPATRICK the neighborhood stores. "I hate to BY BILL HOLLAND NEW YORK -Independent video say it, but I believe" the small indies BY ED CHRISTMAN WASHINGTON, D.C. -The retailers used to control video retail- are an endangered species, says con- NEW YORK -With the used- containsENNANCED CE with June 23 U.S. Supreme Court rul- ing. No longer. sultant Richard Kelly CD business apparently on an video and interview ing that gives states immunity The growth of of Cambridge Associ- upswing at independent stores, from private lawsuits seeking chains like Blockbuster ates in Stamford, Conn. more U.S. chains are beginning His first single damages for patent and trade- and Hollywood Enter- Rentrak, the rev- to add the prod- mark violations tainment, the emer- enue-sharing specialist uct category to "QUE 111 VAS" NEWS does not yet gence of the Internet that regularly collects their stores. -
'You Never Been on a Ride Like This Befo'
[PMH 4.2 (2010) 160-176] Popular Music History (print) ISSN 1740-7133 doi:10.1558/pomh.v4i2.160 Popular Music History (online) ISSN 1743-1646 Justin A. Williams ‘You never been on a ride like this befo’: Los Angeles, automotive listening, and Dr. Dre’s ‘G-Funk’* Justin Williams is currently a Principal Lecturer in Department of Music and Popular Music at Anglia Ruskin University. He recently Performing Arts completed an ESRC-funded Postdoctoral Fellowship Anglia Ruskin University to research a project on music and automobility at the East Road Centre for Mobilities Research at Lancaster University. Cambridge CB1 1PT He is currently under contract from University of Mich- [email protected] igan Press to write a book on musical borrowing and intertextuality in hip-hop music. Abstract Since the 1920s, multiple historically specific factors led to the automobile-saturated environ- ment of Los Angeles, contributing to a car-dependent lifestyle for most of its inhabitants. With car travel as its primary mode of mobility, and as a hub of numerous cultural industries through- out the twentieth century, the city has been the breeding ground for a number of car cultures, including hot rods, custom cars, and lowriders in addition to the large output of films and music recordings produced. In rap music of the early 1990s, producer/rapper Dr. Dre’s (Andre Romelle Young) creation of a style labelled ‘G-funk’, according to him, was created and mixed specifically for listening in car stereo systems. This article provides one case study of music’s intersections with geography, both the influence of urban geography on music production and the geogra- phy of particular listening spaces. -
Targeting Families and Teens: Television Violence on the WB
UNLV Retrospective Theses & Dissertations 1-1-2000 Targeting families and teens: Television violence on the WB Rick Brian Marks University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Marks, Rick Brian, "Targeting families and teens: Television violence on the WB" (2000). UNLV Retrospective Theses & Dissertations. 1124. http://dx.doi.org/10.25669/73sd-28rx This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in fypewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. -
Middle of Nowhere
MIDDLE OF NOWHERE Written and Directed by Ava DuVernay WINNER! BEST DIRECTOR AWARD SUNDANCE FILM FESTIVAL 2012 PRESS CONTACT: Tilane Jones | AFFRM | 818.995.0050 | [email protected] PRESS QUOTES NEW YORK TIMES January 27, 2012 | "Amazing Child, Typical Grown-Ups" by Manohla Dargis "Further under the radar though far more successful is "Middle of Nowhere," a heartfelt, slow to build, slow to burn drama from Ava DuVernay about a young married woman, Ruby (Emayatzy Corinealdi), keeping body and soul together while her husband, Derek (Omari Hardwick), serves out his sentence in a California prison. Working with the terrific cinematographer Bradford Young, Ms. DuVernay fills her movie with long shots and meticulously framed images of casual beauty that reflect the quietly evolving inner life of her heroine." LOS ANGELES TIMES January 30, 2012 | "Sundance Film Festival: From 'Beasts' to 'Ice,' wonder wins out" by Kenny Turan "…At the other end of the spectrum is "Middle of Nowhere," winner of the U.S. drama directing prize for Ava DuVernay. This is classic filmmaking of a completely different sort…" THE HOLLYWOOD REPORTER January 20, 2012 | Review by John DeFore "Strong performances and a restrained script sell drama about a couple separated by prison walls. Solidly crafted by budding writer-director Ava DuVernay, it should find a warm reception at fests and in a niche theatrical run." LOS ANGELES TIMES January 20, 2012 | "Meaty Roles for Black Actors in MIDDLE OF NOWHERE" "It's a real challenge to find African American characters with depth," Oyelowo said at a post-screening Q&A, "But when I read this, it was just like 'Do the Right Thing,' or 'She's Gotta Have It,' the characters just lept off the page...