Ramakatha Rasavahini II Chapter 5
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Cow Care in Hindu Animal Ethics Kenneth R
THE PALGRAVE MACMILLAN ANIMAL ETHICS SERIES Cow Care in Hindu Animal Ethics Kenneth R. Valpey The Palgrave Macmillan Animal Ethics Series Series Editors Andrew Linzey Oxford Centre for Animal Ethics Oxford, UK Priscilla N. Cohn Pennsylvania State University Villanova, PA, USA Associate Editor Clair Linzey Oxford Centre for Animal Ethics Oxford, UK In recent years, there has been a growing interest in the ethics of our treatment of animals. Philosophers have led the way, and now a range of other scholars have followed from historians to social scientists. From being a marginal issue, animals have become an emerging issue in ethics and in multidisciplinary inquiry. Tis series will explore the challenges that Animal Ethics poses, both conceptually and practically, to traditional understandings of human-animal relations. Specifcally, the Series will: • provide a range of key introductory and advanced texts that map out ethical positions on animals • publish pioneering work written by new, as well as accomplished, scholars; • produce texts from a variety of disciplines that are multidisciplinary in character or have multidisciplinary relevance. More information about this series at http://www.palgrave.com/gp/series/14421 Kenneth R. Valpey Cow Care in Hindu Animal Ethics Kenneth R. Valpey Oxford Centre for Hindu Studies Oxford, UK Te Palgrave Macmillan Animal Ethics Series ISBN 978-3-030-28407-7 ISBN 978-3-030-28408-4 (eBook) https://doi.org/10.1007/978-3-030-28408-4 © Te Editor(s) (if applicable) and Te Author(s) 2020. Tis book is an open access publication. Open Access Tis book is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made. -
Voyage Into Chitra Banerjee Divakaruni's the Forest Of
International Journal of Advanced Science and Technology Vol. 29, No. 9s, (2020), pp. 7031-7035 Voyage into Chitra Banerjee Divakaruni’s The Forest of Enchantments 1Krishna Chatur Sow Mondal, 2Dr. S. Lavanya 1Ph.D. Research Scholar, Department of English, K L (Deemed to be University), Andhra Pradesh, India. 2Associate Professor & Head, Department of English, K L (Deemed to be University), Andhra Pradesh, India. [email protected], [email protected] Abstract The Forest of Enchantments by Chitra Banerjee Divakaruni is based on India’s most cherished lovelorn epic Ramayana. This novel depicts Ram’s banishment of fourteen years and Sita’s life thereafter from her perspective. It also presents Sita’s deep-seated desires--her love for Nature. She was indeed the daughter of Nature who could feel their anguish as well as amusement. The forced banishment indeed had its ups and downs which even Ram and Sita could not escape. This paper deals with Sita’s life, forest life. It also engages with the other characters in the periphery. But the chief interest lies in the fact that how Sita, staying within the society, highlights the loopholes of our society- how women, through the course of their life, are subjected to racial discrimination in their own house, their society, and, most importantly, how men try to control their lives. Sita’s voice further speaks about the art of balancing the public and the private life which is very essential for the entire human race to follow. How Sita understands and analyses the different facets of love also provide a lesson for life to the entire human race is analyzed in this paper. -
Multidimensional Role of Women in Shaping the Great Epic Ramayana
International Journal of Academic Research and Development International Journal of Academic Research and Development ISSN: 2455-4197 Impact Factor: RJIF 5.22 www.academicsjournal.com Volume 2; Issue 6; November 2017; Page No. 1035-1036 Multidimensional role of women in shaping the great epic Ramayana Punit Sharma Assistant Professor, Institute of Management & Research IMR Campus, NH6, Jalgaon, Maharashtra, India Abstract We look for role models all around, but the truth is that some of the greatest women that we know of come from Indian mythology Ramayana. It is filled with women who had the fortitude and determination to stand up against all odds ones who set a great example for generations to come. Ramayana is full of women, who were mentally way stronger than the glorified heroes of this great Indian epic. From Jhansi Ki Rani to Irom Sharmila, From Savitribai Fule to Sonia Gandhi and From Jijabai to Seeta, Indian women have always stood up for their rights and fought their battles despite restrictions and limitations. They are the shining beacons of hope and have displayed exemplary dedication in their respective fields. I have studied few characters of Ramayana who teaches us the importance of commitment, ethical values, principles of life, dedication & devotion in relationship and most importantly making us believe in women power. Keywords: ramayana, seeta, Indian mythological epic, manthara, kaikeyi, urmila, women power, philosophical life, mandodari, rama, ravana, shabari, surpanakha Introduction Scope for Further Research The great epic written by Valmiki is one epic, which has Definitely there is a vast scope over the study for modern day mentioned those things about women that make them great. -
Harmony and Beauty in Ramayana 3
36 Summer Showers - 2002 3 Harmony and Beauty in Ramayana Daivadhinam jagat Sarvam Sathyadhinam tu Daivatam Tat Sathyam Uttamadhinam Uttamo Paradevata The entire creation is under the control of God. That God is under the control of Truth. That truth is under the control of noble ones. The noble people are greater than gods. (Sanskrit Verse) Embodiments of Love! HE society today is in utter need of Ramayana. We do not have children who re- Tspect their parents, nor do we have parents who have great affection for their children. We do not have disciples today who revere their preceptors; nor do we have preceptors who have great love for their 38 Summer Showers - 2002 Summer Showers - 2002 39 disciples. We do not have homes where parents shine as And moderately. role models for their children. We do not have homes Go to school where brothers live with mutual love and affection; nor And study diligently. do we have homes where wives and husbands shine as Earn a good name that ideals to others by virtue of their mutual love and You are an obedient student. affection. Good manners and courtesies have vanished. The Ramayana stands as an ideal for the trouble-torn Don’t move society of today in various fields of activities. When weather is damp. House is the First School And never go near ditches. Run and play The parents of today do not bother to find out the ways and means of bringing up their children and Have fun and frolic. keeping them under control. They think that their If you abide by responsibility is over after admitting them into a primary All the principles mentioned above school or a village school. -
{PDF} World Record Paintings of Lord Hanuman Ebook, Epub
WORLD RECORD PAINTINGS OF LORD HANUMAN PDF, EPUB, EBOOK Amrita Gupta | 118 pages | 01 Jan 2017 | Createspace Independent Publishing Platform | 9781542852432 | English | none World Record Paintings of Lord Hanuman PDF Book Notification Center. In our Hindu scriptures we find countless references to powerful beings in the previous ages. Sandeep palyal on August 14, at am. Chattarpur Temple Hanuman ft Hanuman Statue in Chattarpur Temple complex is located in a down town area in south of Delhi, It is the second largest temple complex in India and one of the largest in the world. Explore our online art gallery and grab your choice of painting or portraits or craft. He is generally depicted as a man with the face of a monkey and a long tail. Even the Bible gives mention to the giants who walked the earth in ancient times:. Having become a master of all that he set out to learn, it was now time for Hanuman to pay for his education guru-dakshina. However, it turned out to be an empty promise and was never materialized. Very well composed. Total redeemable TimesPoints 0. Something went wrong. It was decreed that Hanuman would remain blissfully unaware of his own prowess, unless, during the course of a meritorious deed, his memory would remind him of his superhuman ability. Gladiator Drawing. Mickey Mouse Head Drawing. Hanuman's quest is suggestive of a much deeper symbolism than a mere search for the 'physical' Sita At last the monkeys confronted Mandodari, the chief wife of Ravana. Predictably there was panic in the cosmos. -
Shrî Râma Chandra
f Californi. Regional Facility T-t; .^ THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES ^^-^-<~-cJu^ J^^^-^^^-o^--^ — rntLA^dl^ i c -^ I Qo i2_^ bif soi.K i,i-:ssi-:i-:s Qi i:i:x's iiAi.i., .Mi;sNi«s. ciiAi'i'i-;!.!. & <ri. i.AN<;iiA.M I'l. v< i;. i.o.Mio.N. ^v . i. H'XDAv i:vi:Nix(is vi 7 June 13, 20, 27, July 4. Dr. Annie Besant "THE COMINcG OF THE WORLD TEACHERS' as §eee Ib^y Aeciieet aed Mo-dlea'e Centrat. Hindu College LECTunKS. TI . SHRl RAMA CHANDRA THE IDE^L KING. SOME LESSONS FROM THE RAmIYANA FOR THE USE OF HINDU STUDENTS IN THE SCHOOLS OF INDIA • BY ANNIE BESANT, F. T. S. From Notes of Lectures Originally Delivered AT THE Central Hindu College, Benares. Benares and London. Theosophical Publishing Society. I80i. Printed by Freeman & Co., Lti>., AT THE Taea Printing Works, Belnares. 3653 CONTENTS. Chapter I. Introduction. Chapter II. Youth and Marriage, Chapter III. Forest for Throne. Chapter IV. Brotherly Love. Chapter V. The Carrying off of SItA. Chapter VI. SIta's Faith. Chapter VII. Struggle. Chapter VIII. Triumph. 829275 SHRt RAMA CHANDRA, The Ideal King. CHAPTER I. Introduction. " Two years ago we were studying together one of the greatest books in the world," the Mahd' bhdrata. Now we are going to study the second great epic poem of India, the Rdmdyana. These two books stand out from the rest of Indian literature in a very marked way. The Vedas, the Institutes of Manu, are the great authorities for the learned, and only through the learned for the mass of the people. -
Hymns to the Mystic Fire
16 Hymns to the Mystic Fire VOLUME 16 THE COMPLETE WORKS OF SRI AUROBINDO © Sri Aurobindo Ashram Trust 2013 Published by Sri Aurobindo Ashram Publication Department Printed at Sri Aurobindo Ashram Press, Pondicherry PRINTED IN INDIA Hymns To The Mystic Fire Publisher’s Note The present volume comprises Sri Aurobindo’s translations of and commentaries on hymns to Agni in the Rig Veda. It is divided into three parts: Hymns to the Mystic Fire: The entire contents of a book of this name that was published by Sri Aurobindo in 1946, consisting of selected hymns to Agni with a Fore- word and extracts from the essay “The Doctrine of the Mystics”. Other Hymns to Agni: Translations of hymns to Agni that Sri Aurobindo did not include in the edition of Hymns to the Mystic Fire published during his lifetime. An appendix to this part contains his complete transla- tions of the first hymn of the Rig Veda, showing how his approach to translating the Veda changed over the years. Commentaries and Annotated Translations: Pieces from Sri Aurobindo’s manuscripts in which he commented on hymns to Agni or provided annotated translations of them. Some translations of hymns addressed to Agni are included in The Secret of the Veda, volume 15 of THE COMPLETE WORKS OF SRI AUROBINDO. That volume consists of all Sri Aurobindo’s essays on and translations of Vedic hymns that appeared first in the monthly review Arya between 1914 and 1920. His writings on the Veda that do not deal primarily with Agni and that were not published in the Arya are collected in Vedic and Philological Studies, volume 14 of THE COMPLETE WORKS. -
Sarama I Sarama I. Sarama Ii. Sarama Iii. Sarameya I
SARAMA I 694 SARASVATA II is thus annihilated, one attains the supreme state. sthira, Sarana also accompanied him. (M.B. ASva- ! son ! Therefore, Oh you reject all external perceptions, medha Parva, Chapter 66, Verse 4) . control the mind by itself and completely annihilate all (v) Sarana was the foremost of those who disguised internal and external conceptions. Whether you live in Samba the son ofJambavati as a woman, and abused on earth or in do intense for the hermits. heaven, patala and tapas (M.B. Mausala Parva, Chapter 1, Verse 15) . thousands of years, unless conception is eliminated you SARAMA II. A minister of Ravana. (For details see the will not attain salvation. word Sukasiiranas) . After the the 1 hearing above explanation about illusions SARA^YA. A wife of Surya. (Rgveda, 10, 7, 2) . in life, from his hiding place Vasisjha _went away. SARARI. A monkey, who accompanied Hanuman to (Jnanavasistha, Canto 1 7) . the southern regions in search of Slta. (Valmiki I. SARAMA Ramayana, Kiskindha Kanda, Canto 44) . 1 General. Bitch of the Devas. I. ) Syama and Sabala, SARASA AchildofGaruda. (M.B. Udyoga Parva, sons of Sarama, were two prominent messengers of Chapter 101, Verse M). Yama and they possessed four eyes each. The off- SARASA II. A son of Yadu. He founded the city springs of these dogs are called Sarameyas. The Rgveda Krauncapura on the banks of the river Vena in South India. and Mahabharata contain a story about Sarama cursing (Harivarii^a, 2, 38, 27) . Janamejaya. (For details see under Srutasravas III) . SARASANA. See under Citrasarasana. -
Hermeneutics and Narrative Architecture in the Mahābhārata
HERMENEUTICS AND NARRATIVE ARCHITECTURE IN THE MAHĀBHĀRATA Vishwa Adluri I. Introduction Appearing in the Pauṣyaparvan, the first narrative book of the Mahābhārata (Mbh), the story of Uttaṅka is baroque even by the Mbh’s standards. In this paper, I demonstrate that Uttaṅka is not just a character within the text, but operates at three distinct levels in the text: as a character in it, as its interpreter, and as someone who transcends the text altogether.1 Uttaṅka reappears toward the epic’s end in the Āśvamedhikaparvan as a character within the narrative, but what are we to make of his strange story in the Pauṣyaparvan? Appearing in this no-man’s land2 between the frame-narrative and the core epic, between 1 Uttaṅka is referred to in the Mbh in the following passages: 1. The Pauṣyaparvan describes the greatness of Uttaṅka (māhātmyam uttaṅkasyopavarṇitam; Mbh 1.2.72). 2. Veda has three students: the two kṣatriyas Janamejaya and Pauṣya, and Uttaṅka (Mbh 1.3.85-86). 3. The story of Uttaṅka appears in the Pauṣyaparvan from Mbh 1.3.86-1.3.195. 4. A reference to Takṣaka’s insult of Uttaṅka (uttaṅkasya vidhatsva; 1.46.25), although the story of Uttaṅka is not told here. 5. Janamejaya says to please Uttaṅka (uttaṅkasya priyaṁ; Mbh 1.46.41), he will avenge his father. 6. Story of Uttaṅka from Mbh 3.192.8-193.27. Story of Dhundhumāra, where Uttaṅka plays a decisive role (Mbh 3.194.1-195.39). 7. Second Uttaṅka narrative (Mbh 14.52.1-14.57.56). 2 Vyāsa, the epic’s composer, is also known as Kṛṣṇa Dvaipāyana, Kṛṣṇa of the island, as he was born on an island in the middle of a river. -
My HANUMAN CHALISA My HANUMAN CHALISA
my HANUMAN CHALISA my HANUMAN CHALISA DEVDUTT PATTANAIK Illustrations by the author Published by Rupa Publications India Pvt. Ltd 2017 7/16, Ansari Road, Daryaganj New Delhi 110002 Copyright © Devdutt Pattanaik 2017 Illustrations Copyright © Devdutt Pattanaik 2017 Cover illustration: Hanuman carrying the mountain bearing the Sanjivani herb while crushing the demon Kalanemi underfoot. The views and opinions expressed in this book are the author’s own and the facts are as reported by him which have been verified to the extent possible, and the publishers are not in any way liable for the same. All rights reserved. No part of this publication may be reproduced, transmitted, or stored in a retrieval system, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. ISBN: 978-81-291-3770-8 First impression 2017 10 9 8 7 6 5 4 3 2 1 The moral right of the author has been asserted. This edition is for sale in the Indian Subcontinent only. Design and typeset in Garamond by Special Effects, Mumbai This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated, without the publisher’s prior consent, in any form of binding or cover other than that in which it is published. To the trolls, without and within Contents Why My Hanuman Chalisa? The Text The Exploration Doha 1: Establishing the Mind-Temple Doha 2: Statement of Desire Chaupai 1: Why Monkey as God Chaupai 2: Son of Wind Chaupai 3: -
Few Dramatic Suktas of Rigveda Samhita © 2017 IJSR Received: 24-05-2017 Bimalesh Bera Accepted: 25-06-2017
International Journal of Sanskrit Research 2017; 3(4): 146-148 ISSN: 2394-7519 IJSR 2017; 3(4): 146-148 Few dramatic suktas of rigveda samhita © 2017 IJSR www.anantaajournal.com Received: 24-05-2017 Bimalesh Bera Accepted: 25-06-2017 Bimalesh Bera Introduction Department of Sanskrit, The Vedas are of two types- Mantra and Brahamana.Samhita is called the sum total of Shibpur Dinobundhoo Mantras.There are four Samhits- Rik, Saman, Jajus, Atharvan.The Pandits have admitted institution (College), unanimously that Rik Smhita is the oldest among them. This Samhita is poetic and there are Howrah, West Bengal, India 1028 Suktas in it.Sukta means good quotation i.e. beautiful attractive quotations. Of course in terminological sense it is to be understood as a poem. The poems are of different tastes. Rigveda is so attractive for the varieties of its taste. We can get different historical data. Though the Suktas of Rigveda are to a get extent religious, some secular remarkable suktas are also available here. To be precise, in all those suktas god-related thoughts are not the main subjects. For example- Dialogue hymns, Danastuti etc.Yaskacharya said in ‘Nirukta’- “एवमुावैरिभायै ऋषीणां म् यो भव’I1 In other words, Mantra is always present. The Rishis are the seer of Mantras, they are not the lords. In some Mantras, there is only praise. There is no prayer or desire. For example- “इ न वीयािण वोचम्”I2 Again in some Mantras there is only prayer or desire. There is no glorification. For example-“सुचा अीां भूयासं सुवचा मुखेन सुुत् ” 3 कणाां भूयासम् I There is oath in some Mantras, curse in some Mantrs, abuse in some Mantras, praise in some Mantras. -
Hindu Literature;
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com ANDOVEK -HAKV S«J i 4/ k Bv Elizabeth A. Reed HARVARD DEPOSITORY BRITTLE BOOK itfararg of tfje ©tbtnttg Srfjool. Bought with money GIVEN BY THE SOCIETY FOB PBOMOTING THEOLOGICAL EDUCATION. Received ~J Ai^Cf . f 1893, HINDU LITERATURE; OR THE ANCIENT BOOKS OF INDIA. BY , HlA4 ELIZABETH A.JHSED, Membek op the Philosophical Society of Great Britain. "CHICAGO: 8. C. GRIGGS AND COMPANY. 1891. Copyright, 1890, By S. C. GRIGGS AND COMPANY. PRESS OF KNIGHT & LEONARD CO., CHICAGO. TABLE OF CONTENTS. HINDU LITERATUKE; OR, THE ANCIENT BOOKS OF INDIA. CHAPTER I. HINDU LITERATURE. PAGES. WHAT WHEN IS THE WRITTEN VEDA —? — THE THE RIG-VEDA,AGE OF THE VEDAS . — . 1-27 MYTHOLOGY CHAPTER OF THE II. VEDAS. RESEMBLANCE BETWEEN THE MYTHOLOGIES OF INDIA AND GREECE- — AGNI — SURYA — — VARUNA — YAMA — USHAS — MARUTS — HYMNS OF EXECRATION — INCONSISTENT THE ORIES — INDRA — SIMILARITY OF NORTHERN MYTHS, 28-49 CHAPTER III. MYTHOLOGY OP LATER HINDU WORKS. MULTIPLICATION OF DEITIES — ANALOGY BE TWEEN INDIAN AND GREEK GODS — MODERN INCARNATIONSDEITIES — BRAHMA, OF VISHNU, VISHNU —AND GARUDA SIVA — iii iv TABLE OF CONTENTS. RECOVERY OF THE LOST NECTAR OF THE 50-65 CHAPTER IV. THE VEDAS AND THE SUTTEE. LITERARY IMPORTANCE — DISCUSSIONS BETWEEN EUROPEAN AND NATIVE SCHOLARS — COLE- BROOKE'S TRANSLATION OF DISPUTED TEXT — MUTILATION OF THE TEXT — TESTIMONY OF RAJA RADHAKANT DEB — THE RITE NOT ADVOCATED IN THE RIG-VEDA — DISGRACE OF AVOIDING THE SUTTEE — INSTANCE OF ESCAPE — ENTHUSIASM OF NATIVE POETS- LORD WILLIAM BENTINCK, ...