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Download Katalog Als 3 KölnBusiness Wirtschaftsförderungs-GmbH Liebe Gäste und Inhalt Freund*innen 4 Programm 6 Ehrenpreis Schnitt Heidi Handorf #readyforneustart Es hat sich einiges verändert bei Filmplus in 13 Die Schnitt Preise den letzten Jahren – das Leitungsteam zum Bei- spiel und die Programmneuerungen Interna- FILMSTIFTUNG NRW SCHNITT PREIS SPIELFILM tional Film Editors Forum (IFEF) und Filmplus 15 Jury Spielfilm Akademie. In diesem Jahr freuen wir uns da- 16 André Bendocchi-Alves und Hansjörg Weißbrich rüber, diese überraschend erfolgreichen Neue- für Glück ist was für Weicheier rungen des letzten Jahres verstetigen und vor- 17 Denys Darahan für Oray sichtig ausbauen zu können – vor allem aber 18 Halina Daugird und Thomas Krause für auf ein abwechslungsreiches Programm rund LOMO – The Language of Many Others um die Wettbewerbsscreenings und Editor*in- 19 Jörg Hauschild für Gundermann nengespräche für die drei Schnitt Preis-Sektio- 20 Oliver Neumann für Joy nen, auf unsere wunderbare Ehrenpreisträgerin Heidi Handorf, die neuerliche Zusammenarbeit BILD-KUNST SCHNITT PREIS DOKUMENTARFILM Editorial mit der bvft beim Tonpanel und auf unseren Speeddating-Klassiker „Match Cut – Meet the 23 Jury Dokumentarfilm Editor“. Besondere Akzente setzen 2019 aber vor 24 Anne Fabini für Of Fathers and Sons Gesa Jäger und Louly Seif für Dreamaway 25 allem Gastlandabend und Themenschwerpunkt: / Unterstützt von ACE und MPEG ist es uns ge- 26 Niki Mossböck für Erde Inhalt lungen, verschiedene Gäste aus den USA nach 27 Anna Pesavento für Der Stein zum Leben Köln zu holen, allen voran Gastlandeditor Tim 28 Gabriele Voss für Nachlass Squyres, der aus dem reichen Fundus seiner Zusammenarbeit mit Ang Lee den Klassiker Der TENTACLE SYNC FÖRDERPREIS SCHNITT Eissturm bei Filmplus präsentieren und diskutie- 31 Jonas Eisenschmidt und Constanze Wolpers ren wird. Mit dem Themenschwerpunkt „Grenz- für Die Experten schnitte“ verlässt Filmplus das Kino und betont 32 Marie Fontanel für My Own Kind in Kooperation mit lokalen Kulturpartnern den 33 Kerstin Honeit für Panda Moonwalk or interdisziplinären Aspekt der Montage in Thea- Why Meng Meng Walks Backwards ter, Videokunst und Videoessay. Und eine klei- 34 Jessica Rudolph für Peng! ne Neuerung gibt es doch in diesem Jahr – ihr 35 Paul Scholten für Biotop haltet sie gerade in Händen: Wir haben uns an die Entwicklung einer neuen CI gewagt und ge- 36 International Day / Internationales Panel hen mit dem grafischen Relaunch den ersten 40 Gastland USA: Tim Squyres Schritt. Vor allem aber holen wir tief Luft für das 42 Themenschwerpunkt: Grenzschnitte ganz große „Bäm!“ im nächsten Jahr, unserem 46 Filmplus Akademie zwanzigsten Jubiläum. Aber dazu später mehr... 49 bvft Werkstattgespräch: Chris the Swiss Zunächst einmal: 50 Match Cut – Meet the Editor! Viele besondere Momente, anregende Schüler auf Montage Gespräche, großartig montierte Filme und inspi- 54 Dank & Impressum rierende Ein- und Ausblicke bei Filmplus 2019! www.koeln.business 4 Seelbach © Christoph Foto: 5 #readyforneustart_ohne Störer_205x205_09-2019.indd 1 25.09.19 09:40 12:00 INTERNATIONAL SO 27.10. 19:00 Themenschwerpunkt Grenzschnitte FILM EDITORS FORUM (IFEF) FF NRW SCHNITTE INS NETZ – Das Programm Moderation: Christine von Fragstein Montagevariationen 10:00 Filmstiftung NRW Nur mit Anmeldung in Videoessays OFF Schnitt Preis Spielfilm Gast: Daniel Bickermann VERANSTALTUNGSORTE GLÜCK IST WAS Filmstiftung NRW Filmforum NRW Theater im 12:30 FÜR WEICHEIER Ehrenpreis Schnitt im Museum Ludwig Bauturm OFF Schnitt Preis Spielfilm 20:15 Bischofsgartenstraße 1 Aachener Str. 24-26 Montage: André Bendocchi-Alves FF NRW MEET HEIDI HANDORF 50667 Köln 50674 Köln GUNDERMANN und Hansjörg Weißbrich (FF NRW) (TiB) Montage: Jörg Hauschild 21:00 Tentacle Sync Förderpreis Schnitt Bild-Kunst Schnitt Preis OFF Broadway Chargesheimer FF NRW FÜNF NOMINIERTE KURZFILME Dokumentarfilm Zülpicher Straße 24 Chargesheimerplatz 1 Bild-Kunst Schnitt Preis BIOTOP, S: Paul Scholten / PANDA MOONWALK 50674 Köln 50667 Köln Dokumentarfilm OF FATHERS AND SONS – OR WHY MENG MENG WALKS BACKWARDS, (OFF) (CHA) Montage: Kerstin Honeit / MY OWN KIND, Montage: DER STEIN ZUM LEBEN DIE KINDER DES KALIFATS Marie Fontanel / DIE EXPERTEN, Montage: Jonas Montage: Anne Fabini Eisenschmidt und Constanze Wolpers / PENG!, Montage: Anna Pesavento Montage: Jessica Rudolph FR 25.10. Filmstiftung NRW Themenschwerpunkt Grenzschnitte 12:15 15:30 OFF Schnitt Preis Spielfilm TiB MO 28.10. 10:00 FILMPLUS AKADEMIE SCHNITTE IM RAUM – ORAY Nur mit Anmeldung Live-Montage und Programm Montage: Denys Darahan Ehrenpreis Schnitt Videoprojektion im Theater 10:00 OFF HEIMAT: FERNWEH 20:00 Eröffnung Gäste: Clemens Walter mit zwei Bild-Kunst Schnitt Preis BRD 1984, Regie: Edgar Reitz Einlass: Ehrenpreis Schnitt Schauspiel-Studierenden des Dokumentarfilm in Anwesenheit von Heidi Handorf und Mozarteums Salzburg 19:30 Uhr STAMMHEIM ERDE Hauptdarstellerin Marita Breuer FF NRW BRD 1986, Montage: Heidi Handorf Montage: Niki Mossböck Internationales Panel Schüler auf Montage in Anwesenheit der Ehrenpreisträgerin 18:30 11:00 Heidi Handorf FF NRW REACHING OUT TO THE 15:30 Bild-Kunst Schnitt Preis FF NRW Screening: OF FATHERS AND SONS WORLD – „ Tempo“ and the OFF Dokumentarfilm – DIE KINDER DES KALIFATS global connection of film Montage: Anne Fabini DREAMAWAY editor communities SA 26.10. Montage: Gesa Jäger und Louly Seif Gäste: Tatiana S. Riegel, Job ter Burg, 13:30 bvft-Werkstattgespräch Mercedes Oliveira, Alexander Berner OFF Screening: CHRIS THE SWISS 10:00 Filmstiftung NRW Filmstiftung NRW Die Paneldiskussion findet in englischer D 2018, R: Anja Kofmel OFF Schnitt Preis Spielfilm Schnitt Preis Spielfilm LOMO: THE LANGUAGE Sprache statt. JOY 15:30 Panel zum Sounddesign OF MANY OTHERS Montage: Oliver Neumann OFF Gast: Markus Krohn Montage: Halina Daugird und 20:30 Gastland USA Thomas Krause THE ICE STORM 17:30 Themenschwerpunkt Grenzschnitte 16:00 MATCH CUT! – USA 1997, R: Ang Lee, OmU MUSEUM SCHNITTE IM SCHEIN – CHA MEET THE EDITOR Montage: Tim Squyres LUDWIG Bild-Kunst Schnitt Preis Immersive Video- Nur nach vorheriger Anmeldung Dokumentarfilm Anschließend Filmgespräch mit Tim Squyres Nur mit installationen von Anmel- NACHLASS Grußwort: Dody Dorn Sondra Perry 20:00 Preisverleihung & Der Abend findet in englischer Sprache statt. dung Montage: Gabriele Voss Gäste: Leonie Radine und Andrew Bird Einlass: Aftershow-Party 19:30 Uhr Einlass auf Einladung sowie für Akkreditierte Hommage / Ehrenpreis Schnitt Die in München lebende Filmeditorin begann in den frühen 1970ern als Schnittassistentin und arbeitete mit einigen der renommiertesten Filmeditor*innen der Zeit zusammen: Darunter Peter Przygodda, Inez Regnier, Be- ate Mainka-Jellinghaus und Jane Seitz, mit der sie 1974 an Die Verrohung des Franz Blum arbeitete. Es war die erste Zusammenarbeit mit Regisseur Reinhard Hauff, mit dem sie eine besonders nachhaltige, kreative Zu- STAMMHEIM HEIMAT: FERNWEH HEIDI sammenarbeit verbindet. Nach zwei Filmen für Herbert Achternbusch begann Handorf Anfang der 1980er Jah- BRD 1986. R: Reinhard Hauff. Montage: Heidi Heimat – Eine Chronik in elf Teilen. Folge 1: Fern- re mit dem Hunsrück-Projekt von Edgar Reitz, aus dem Handorf. B: Stefan Aust. K: Frank Brühne. T: Jan weh. BRD 1984. R, B: Edgar Reitz. Montage: Heidi ein Dokumentarfilm und die Serie Heimat entstand. van der Eerden, Richard Borowski. M: Marcel Handorf. B: Peter Steinbach. K: Gernot Roll. T: Gerhard Hommage / Ehrenpreis Schnitt Dem Fernsehen blieb Heidi Handorf auch danach ne- Wengler. P: Bioskop Film, Thalia Theater. D: Ulrich Birkholz, Willi Schwadorf. M: Nikos Mamangakis. P: Edgar ben ihrer Kinoarbeit treu und montierte zahlreiche Pleitgen, Ulrich Tukur, Therese Affolter, Sabine Reitz Film, WDR, SFB. D: Marita Breuer, Kurt Wagner, Fernsehfilme, insbesondere für Matti Geschonneck Wegner, Hans Kremer, Dominique Horwitz u.a. Rüdiger Wigang, Eva Maria Schneider, Karin Rasenack, HANDORF und Oliver Storz. Für ihre Arbeit wurde sie dreimal für 107 Minuten. Futura Film. 30. Januar 1986 Johannes Lobewein, Gertrud Bredel u.a. 119 Minuten. 16. September 1984 den Deutschen Kamerapreis nominiert (Kategorie: Bes- Das Gefängnis Stammheim in Stuttgart, West- ter Schnitt). Heidi Handorf ist Ehrenmitglied des Bun- deutschland. Andreas Baader, Ulrike Meinhof, 9. Mai 1919: Ein junger Mann im Feldmantel kommt desverband Filmschnitt Editor e.V. (BFS). Gudrun Ensslin, Jan-Carl Raspe und Holger morgens über die Wiesen ins Hunsrückdorf Schab- Meins, die einstige Führungsriege der Roten bach gelaufen. Es ist Paul Simon, der Sohn des Armee Fraktion, werden des mehrfachen Mor- Schmieds, der zu Fuß aus der Gefangenschaft in des, Sprengstoffanschlägen und der Bildung Frankreich zurückgekommen ist. Wortlos nimmt er MEET HEIDI HANDORF einer terroristischen Vereinigung beschuldigt. wieder seinen Platz am Tisch in der Küche der Familie Die Angeklagten lehnen das Gerichtsverfahren ein, wo sich Nachbarn und Familie um den Heim- In diesem unterhaltsamen Werkstattgespräch brin- ab und machen es zu ihrem Kriegsschauplatz kehrer scharen. Doch wirklich zu Hause ankommen gen wir das Publikum und unsere Ehrenpreisträgerin im Kampf gegen den verhassten Staat Bundes- wird Paul nie. Seine Begeisterung für Funk und Radio in Dialog. Heidi Handorf öffnet ihr privates Foto- und republik Deutschland, der ihnen in Form des lassen ihn von anderen Ländern träumen und auch Videoarchiv und zusammen mit einigen Ausschnitten leitenden Richters Prinzing gegenüber sitzt. Die die junge Apollonia, in die sich Paul verliebt, obwohl aus ihren Filmen werden sie
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