Javier Perianes Plays Beethoven

Total Page:16

File Type:pdf, Size:1020Kb

Javier Perianes Plays Beethoven Javier Perianes Plays Beethoven MASTERS SERIES Friday 2 & Saturday 3 August 2019, 7.30pm Perth Concert Hall WASO Masters05 2019.indd 1 29/07/2019 8:30 pm Proud sponsor of west australian symphony orchestra WASO Masters05 2019.indd 2 29/07/2019 8:30 pm SAL0834_A5_WASO_Prog.indd 1 10/11/2016 3:39 pm The West Australian Symphony Orchestra respectfully acknowledges the Traditional Owners, Custodians and Elders of the Indigenous Nations across Western Australia and on whose Lands we work. MASTERS SERIES Javier Perianes Plays Beethoven BEETHOVEN Piano Concerto No.4 (34 mins) Allegro moderato Andante con moto – Proud sponsor of Rondo: Vivace west australian Interval (25 mins) symphony BRUCKNER Symphony No.6 (59 mins) orchestra Maestoso Adagio: Sehr feierlich (with much solemnity) Scherzo: Nicht schnell (Not fast) – Trio: Langsam (Slowly) Finale: Bewegt, doch nicht zu schnell (Agitated, but not too fast) Simone Young conductor Javier Perianes piano World Artist Javier Perianes appears courtesy of Singapore Airlines Wesfarmers Arts Pre-concert Talk Find out more about the music in the concert with this week’s speaker, Cecilia Sun (see page 14 for her biography). The Pre-concert Talk will take place at 6.45pm in the Terrace Level Foyer. Listen to WASO This performance is recorded for broadcast on ABC Classic on Thursday, 8 August 2019 at 1pm AWST (or 11am online). For further details visit abc.net.au/classic 3 WASO Masters05 2019.indd 3 29/07/2019 8:30 pm SAL0834_A5_WASO_Prog.indd 1 10/11/2016 3:39 pm 2019 Upcoming Concerts SPECIAL EVENT An Evening with Gun-Brit Barkmin Fri 23 Aug 7.30pm & Sun 25 Aug 5pm Perth Concert Hall Experience our 2019 Gala concert with an evening of exceptional operatic and vocal masterworks to shine a spotlight on the phenomenal talent of acclaimed German soprano Gun-Brit Barkmin. BEETHOVEN Fidelio: Abscheulicher! wo eilst du hin? STRAUSS, R. Four Last Songs WAGNER Tannhäuser: Dich, teure Halle …and more! TICKETS Gun-Brit Barkmin soprano (pictured) FROM $49* Asher Fisch conductor MASTERS SERIES Schumann & Strauss Fri 30 & Sat 31 Aug 7.30pm Perth Concert Hall Maestro and soloist trade places. One of the world’s finest violinists, Nikolaj Szeps-Znaider, is also a much sought-after conductor, while our very own Maestro, Asher Fisch, is renowned as a sensitive and stylish pianist. MENDELSSOHN Ruy Blas: Overture SCHUMANN Piano Concerto TICKETS Photo: Chris Gonz Chris Photo: STRAUSS, R. Don Juan FROM $33* STRAUSS, R. Death and Transfiguration Nikolaj Szeps-Znaider conductor (2019 WASO Featured Artist) Asher Fisch piano (pictured) SPECIAL EVENT Star Wars: The Empire Strikes Back - In Concert Fri 6 Sept 7.30pm & Sat 7 Sept 1.30pm & 7.30pm Riverside Theatre, Perth Convention and Exhibition Centre Experience the complete Star Wars film on the giant screen with John Williams’ epic score played live by WASO. Han Solo (Harrison Ford) and Princess Leia (Carrie Fisher) are captured by Darth Vader, and Luke Skywalker (Mark Hamill) journeys to the mysterious, marshy planet of Dagobah. A stunning revelation – and a seeming life-or-death duel with Darth Vader – await. Benjamin Northey conductor This performance includes subtitles on the screen. Rating: PG contains some violent scenes. TICKETS Presentation licensed by Disney Concerts in association with FROM $51* 20th Century Fox, Lucasfilm, and Warner/Chappell Music. © 2019 & TM LUCASFILM LTD. ALL RIGHTS RESERVED. B O O K N OW – 9326 0000 – waso.com.au Asher Fisch appears courtesy of Wesfarmers Arts. *A one-off handling fee of $6.60 per transaction applies to all purchases on our website. A fee of $6.60 applies to phone and mail bookings. An additional fee of $4.40 per transaction applies for delivery via Registered Post. 4 WASO Masters05 2019.indd 4 29/07/2019 8:30 pm West Australian Symphony Orchestra From the centre of Perth to the furthest WASO Chorus, to create exceptional corners of our State, every year since 1928, performances for hundreds of thousands we set hearts racing with extraordinary of people each year. music and exhilarating performances for all West Australians to share. Our Orchestra is led by Principal Conductor and Artistic Adviser West Australian Symphony Orchestra Asher Fisch. Israeli-born, Fisch is an (WASO) is a for-purpose not-for-profit internationally renowned conductor company that thrives on the enthusiasm, in both the operatic and symphonic passion and support of our entire repertoire, and is a frequent guest at the community. We harness this energy world’s great opera houses including La to create events and programs across Scala, the Bayerische Staatsoper and the the State to stimulate learning and Metropolitan Opera in New York. participation in a vibrant cultural life. We are proud to call Perth Concert Hall We are both fierce advocates for our home. great classical musical heritage and passionate leaders in the commissioning and performance of new music by leading Australian and international Connect With WASO composers. Every year we mobilise and waso.com.au nurture a new generation of young and emerging artists to help secure a bright facebook.com/ future for music in Australia. WASymphonyOrchestra We create the spark that sets off a lifelong twitter.com/WASymphony love of music because we believe it has the power to touch the soul and enrich lives. instagram.com/ Our resident company of full-time wasymphonyorchestra professional musicians are the beating youtube.com/ heart of our organisation. The Orchestra WestAustSymOrchestra plays a central role in the vibrancy of our creative state, and they are also Stay up to date and sign-up to our supported by hundreds of visiting SymphonE-news at waso.com.au artists, alongside the volunteers of the 5 WASO Masters05 2019.indd 5 29/07/2019 8:30 pm WASO On Stage VIOLIN VIOLA FLUTE TRUMPET Laurence Jackson Daniel Schmitt Andrew Nicholson Brent Grapes Concertmaster Alex Brogan • Anonymous Fletcher Cox° Riley Skevington^ Kierstan Arkleysmith Mary-Anne Blades Christopher Grace^ Guest Assoc Concertmaster Nik Babic OBOE TROMBONE Semra Lee-Smith Benjamin Caddy A/Assoc Concertmaster Annabelle Farid° Joshua Davis Graeme Norris Alison Hall • Dr Ken Evans and A/Assistant Concertmaster Rachael Kirk COR ANGLAIS Dr Glenda Campbell-Evans Kathryn McKay^ Leanne Glover Liam O’Malley Rebecca Glorie • Sam & Leanne Walsh A/Principal 1st Violin Allan McLean BASS TROMBONE Zak Rowntree* Elliot O’Brien CLARINET Philip Holdsworth Principal 2nd Violin Helen Tuckey Allan Meyer Kylie Liang TUBA • Penrhos College CELLO BASS CLARINET Assoc Principal 2nd Violin Cameron Brook Rod McGrath Alexander Millier • Peter & Jean Stokes Hannah Brockway^ • Tokyo Gas Stephanie Dean Melinda Forsythe° BASSOON TIMPANI • Marc & Nadia Geary Shigeru Komatsu Adam Mikulicz Alex Timcke Amy Furfaro^ Oliver McAslan CONTRABASSOON Beth Hebert Nicholas Metcalfe Chloe Turner Alexandra Isted Anna Sarcich^ Jane Johnston° Eve Silver* HORN Sunmi Jung Tim South • Section partnered by Margaret & Rod Marston Christina Katsimbardis Xiao Le Wu Sera Lee^ David Evans Andrea Mendham° DOUBLE BASS Robert Gladstones Akiko Miyazawa John Keene Principal 3rd Horn Lucas O’Brien Louise Elaerts Julia Brooke Melanie Pearn Christine Reitzenstein Julian Leslie^ Ken Peeler Andrew Tait Francesco Lo Surdo Louise Sandercock Mark Tooby Jane Serrangeli Giovanni Vinci^ Kathryn Shinnick Phillip Waldron^ Bao Di Tang Cerys Tooby Teresa Vinci^ •Chair partnered by Susannah Williams^ *Instruments used by these musicians are on loan from Janet Holmes à Court AC. Principal Associate Principal Assistant Principal Contract Player˚ Guest Musician^ 6 WASO Masters05 2019.indd 6 29/07/2019 8:30 pm About The Artists Photo: Philipp Rathmer Philipp Photo: Bruno Daniel Garcia Photo: Simone Young AM Javier Perianes Conductor Piano Simone Young AM, has been General Javier Perianes has appeared in some Manager and Music Director of the of the world’s most prestigious concert Hamburg State Opera, Music Director halls, collaborating with conductors of the Philharmonic State Orchestra such as Barenboim, Dutoit, Maazel, Hamburg, Music Director of Opera Mehta, and Dudamel. He has appeared Australia, Chief Conductor of the Bergen with orchestras such as the Vienna Philharmonic Orchestra, and Principal Philharmonic, Royal Concertgebouw Guest Conductor of the Gulbenkian Orchestra, Chicago and Boston Orchestra, Lisbon. She is currently Symphony Orchestras, and London, and Principal Guest Conductor of the New York Philharmonic, and appeared at Lausanne Chamber Orchestra. festivals such as the BBC Proms, La Roque d’Anthéron and Ravinia. This season she returns to Zurich Opera and the Bavarian, Berlin and Javier Perianes’ recent schedule has Vienna State Opera companies. She included a European recital tour which will also conduct the Los Angeles, New concluded at London’s Queen Elizabeth York, BBC, Stockholm and New Japan Hall, performances of Falla’s Nights Philharmonic Orchestras; San Francisco, in the Gardens of Spain with the BBC Detroit, Chicago, Queensland, and Scottish Symphony Orchestra and Sydney Symphony Orchestras; the NDR Thomas Dausgaard, and Ravel’s G major Symphony and Deutsches Symphonie- concerto with François-Xavier Roth and Orchester, Berlin. the Cleveland Orchestra. Among his numerous CDs, Debussy: The Late Works Her accolades include Chevalier de in which he appears with Jean-Guihen l’Ordre des Arts et des Lettres, Goethe Queyras playing the 1915 cello sonata, has Institute Medal, Sir Bernard Heinze recently won the BBC Music Magazine and Helpmann Awards. Simone Young Chamber Award for 2019. holds honorary doctorates from Griffith University, Monash University and the javierperianes.com University of New South Wales. World Artist Javier Perianes appears courtesy of Singapore Airlines. 7 WASO Masters05 2019.indd 7 29/07/2019 8:30 pm About The Music Ludwig van Beethoven (1770 – 1827) Piano Concerto No.4 in G, Op.58 Allegro moderato Andante con moto – Rondo: Vivace Of Beethoven’s five piano concertos, the Concerto No.4, which was completed in 1806, is the most experimental. It is as though Beethoven had decided to take the concerto apart and put it back together a different way.
Recommended publications
  • ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS from the LEADERSHIP
    ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS FROM THE LEADERSHIP The New York Philharmonic’s 2019–20 season certainly saw it all. We recall the remarkable performances ranging from Berlioz to Beethoven, with special pride in the launch of Project 19 — the single largest commissioning program ever created for women composers — honoring the ratification of the 19th Amendment. Together with Lincoln Center we unveiled specific plans for the renovation and re-opening of David Geffen Hall, which will have both great acoustics and also public spaces that can welcome the community. In March came the shock of a worldwide pandemic hurtling down the tracks at us, and on the 10th we played what was to be our final concert of the season. Like all New Yorkers, we tried to come to grips with the life-changing ramifications The Philharmonic responded quickly and in one week created NY Phil Plays On, a portal to hundreds of hours of past performances, to offer joy, pleasure, solace, and comfort in the only way we could. In August we launched NY Phil Bandwagon, bringing live music back to New York. Bandwagon presented 81 concerts from Chris Lee midtown to the far reaches of every one of the five boroughs. In the wake of the Erin Baiano horrific deaths of Black men and women, and the realization that we must all participate to change society, we began the hard work of self-evaluation to create a Philharmonic that is truly equitable, diverse, and inclusive. The severe financial challenge caused by cancelling fully a third of our 2019–20 concerts resulting in the loss of $10 million is obvious.
    [Show full text]
  • My Fifty Years with Wagner
    MY FIFTY YEARS WITH RICHARD WAGNER I don't for a moment profess to be an expert on the subject of the German composer Wilhelm Richard Wagner and have not made detailed comments on performances, leaving opinions to those far more enlightened than I. However having listened to Wagnerian works on radio and record from the late 1960s, and after a chance experience in 1973, I have been fascinated by the world and works of Wagner ever since. I have been fortunate to enjoy three separate cycles of Der Ring des Nibelungen, in Bayreuth 2008, San Francisco in 2011 and Melbourne in 2013 and will see a fourth, being the world's first fully digitally staged Ring cycle in Brisbane in 2020 under the auspices of Opera Australia. I also completed three years of the degree course in Architecture at the University of Quensland from 1962 and have always been interested in the monumental buildings of Europe, old and new, including the opera houses I have visited for performance of Wagner's works. It all started in earnest on September 29, 1973 when I was 28 yrs old, when, with friend and music mentor Harold King of ABC radio fame, together we attended the inaugural orchestral concert given at the Sydney Opera House, in which the legendary Swedish soprano Birgit Nilsson opened the world renowned building singing an all Wagner programme including the Immolation scene from Götterdämmerung, accompanied by the Sydney Symphony Orchestra conducted by a young Charles Mackerras. This event fully opened my eyes to the Ring Cycle - and I have managed to keep the historic souvenir programme.
    [Show full text]
  • Impact Report 2019 Impact Report
    2019 Impact Report 2019 Impact Report 1 Sydney Symphony Orchestra 2019 Impact Report “ Simone Young and the Sydney Symphony Orchestra’s outstanding interpretation captured its distinctive structure and imaginative folkloric atmosphere. The sumptuous string sonorities, evocative woodwind calls and polished brass chords highlighted the young Mahler’s distinctive orchestral sound-world.” The Australian, December 2019 Mahler’s Das klagende Lied with (L–R) Brett Weymark, Simone Young, Andrew Collis, Steve Davislim, Eleanor Lyons and Michaela Schuster. (Sydney Opera House, December 2019) Photo: Jay Patel Sydney Symphony Orchestra 2019 Impact Report Table of Contents 2019 at a Glance 06 Critical Acclaim 08 Chair’s Report 10 CEO’s Report 12 2019 Artistic Highlights 14 The Orchestra 18 Farewelling David Robertson 20 Welcome, Simone Young 22 50 Fanfares 24 Sydney Symphony Orchestra Fellowship 28 Building Audiences for Orchestral Music 30 Serving Our State 34 Acknowledging Your Support 38 Business Performance 40 2019 Annual Fund Donors 42 Sponsor Salute 46 Sydney Symphony Under the Stars. (Parramatta Park, January 2019) Photo: Victor Frankowski 4 5 Sydney Symphony Orchestra 2019 Impact Report 2019 at a Glance 146 Schools participated in Sydney Symphony Orchestra education programs 33,000 Students and Teachers 19,700 engaged in Sydney Symphony Students 234 Orchestra education programs attended Sydney Symphony $19.5 performances Orchestra concerts 64% in Australia of revenue Million self-generated in box office revenue 3,100 Hours of livestream concerts
    [Show full text]
  • 2018–19 Chronological Listing
    UPDATED June 7, 2019 CHRONOLOGICAL LISTING 2018–19 SEASON THE ART OF THE SCORE Alec Baldwin, Artistic Advisor THERE WILL BE BLOOD David Geffen Hall at Lincoln Center Wednesday, September 12, 2018, 7:30 p.m. Thursday, September 13, 2018, 7:30 p.m. Hugh Brunt*, conductor Michelle Kim, violin Jonny GREENWOOD There Will Be Blood (score performed live to complete film) THE ART OF THE SCORE Alec Baldwin, Artistic Advisor 2001: A SPACE ODYSSEY David Geffen Hall at Lincoln Center Friday, September 14, 2018, 8:00 p.m. Saturday, September 15, 2018, 8:00 p.m. André de Ridder, conductor Musica Sacra, chorus Kent Tritle, director VARIOUS 2001: A Space Odyssey (score performed live to complete film) (includes selections from works by Ligeti, R. Strauss, J. Strauss II, and Khachaturian) * New York Philharmonic debut JAAP VAN ZWEDEN CONDUCTS: OPENING GALA CONCERT NEW YORK, MEET JAAP David Geffen Hall at Lincoln Center Thursday, September 20, 2018, 7:00 p.m. Jaap van Zweden, conductor Daniil Trifonov, piano Rebekah Heller*, bassoon Nate Wooley*, trumpet Brandon Lopez*, bass Constellation Chor*, moving voices Marisa Michelson, director César Alvarez*, Lilleth Glimcher*, staging and dramaturgy Brandon Clifford*, Wes McGee*, Johanna Lobdell*, matter design Marika Kent*, lighting design Tolulope Aremu*, costume design Ashley FURE Filament (World Premiere–New York Philharmonic Commission) RAVEL Piano Concerto in G major STRAVINSKY The Rite of Spring * New York Philharmonic debut JAAP VAN ZWEDEN CONDUCTS: NEW WORK BY ASHLEY FURE, DANIIL TRIFONOV IN BEETHOVEN, AND STRAVINSKY’S THE RITE OF SPRING David Geffen Hall at Lincoln Center Friday, September 21, 2018, 8:00 p.m.
    [Show full text]
  • Annual Report Sydney Opera House Financial Year 2019-20
    Annual Report Sydney Opera House Financial Year 2019-20 2019-20 03 The Sydney Opera House stands on Tubowgule, Gadigal country. We acknowledge the Gadigal, the traditional custodians of this place, also known as Bennelong Point. First Nations readers are advised that this document may contain the names and images of Aboriginal and Torres Strait Islander people who are now deceased. Sydney Opera House. Photo by Hamilton Lund. Front Cover: A single ghost light in the Joan Sutherland Theatre during closure (see page 52). Photo by Daniel Boud. Contents 05 About Us Financials & Reporting Who We Are 08 Our History 12 Financial Overview 100 Vision, Mission and Values 14 Financial Statements 104 Year at a Glance 16 Appendix 160 Message from the Chairman 18 Message from the CEO 20 2019-2020: Context 22 Awards 27 Acknowledgements & Contacts The Year’s Our Partners 190 Activity Our Donors 191 Contact Information 204 Trade Marks 206 Experiences 30 Index 208 Performing Arts 33 Precinct Experiences 55 The Building 60 Renewal 61 Operations & Maintenance 63 Security 64 Heritage 65 People 66 Team and Capability 67 Supporters 73 Inspiring Positive Change 76 Reconciliation Action Plan 78 Sustainability 80 Access 81 Business Excellence 82 Organisation Chart 86 Executive Team 87 Corporate Governance 90 Joan Sutherland Theatre foyers during closure. Photo by Daniel Boud. About Us 07 Sydney Opera House. Photo by by Daria Shevtsova. by by Photo Opera House. Sydney About Us 09 Who We Are The Sydney Opera House occupies The coronavirus pandemic has highlighted the value of the Opera House’s online presence and programming a unique place in the cultural to our artists and communities, and increased the “It stands by landscape.
    [Show full text]
  • Conductor's Orders [Conductor Simone Young]
    This may be the author’s version of a work that was submitted/accepted for publication in the following source: Gislason, Kari (2019) Conductor’s orders. [Composition] This file was downloaded from: https://eprints.qut.edu.au/132121/ c The Saturday Paper This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. https:// www.thesaturdaypaper.com.au/ culture/ music/ 2019/ 08/ 03/ conductor-simone-young/ 15647544008549 Conductor's Orders [Conductor Simone Young] by Kári Gíslason “Do you mind if I finish this row?” Simone Young has her feet up on her dressing room couch, knitting laid across her lap. “It’s for my mother,” she says of the work in progress – a jumper with a lovely, slightly old‐fashioned cable pattern on the front.
    [Show full text]
  • Shostakovich & Tchaikovsky
    Tchaikovsky Symphony No.5 MORNING SYMPHONY SERIES Thu 4 July 2019, 11am Perth Concert Hall Shostakovich & Tchaikovsky MASTERS SERIES Fri 5 & Sat 6 July 2019, 7.30pm Perth Concert Hall West Australian Symphony Orchestra and Wesfarmers Arts, creating the spark that sets off a lifelong love of music. Shigeru Komatsu – WASO Cello The West Australian Symphony Orchestra respectfully acknowledges the Traditional Owners, Custodians and Elders of the Indigenous Nations across Western Australia and on whose Lands we work. MORNING SYMPHONY SERIES Tchaikovsky Symphony No.5 ESA-PEKKA SALONEN Nyx (19 mins) TCHAIKOVSKY Symphony No.5 (47 mins) Andante – Allegro con anima Andante cantabile, con alcuna licenza Valse (Allegro moderato) Finale (Andante maestoso – Allegro vivace) Hendrik Vestmann conductor Wesfarmers Arts Pre-concert Talk Find out more about the music in the concert with this week’s speaker, Alan Lourens, Head of the Conservatorium of Music at The University of Western Australia (see page 15 for his biography). The Pre-concert Talk will take place at 9.40am in the Auditorium. Listen to WASO This performance is recorded for broadcast on ABC Classic on Friday, 12 July at 1pm AWST (or 11am online). For further details visit abc.net.au/classic 3 MASTERS SERIES Shostakovich & Tchaikovsky ESA-PEKKA SALONEN Nyx (19 mins) SHOSTAKOVICH Cello Concerto No.1 (31 mins) Allegretto Moderato – Cadenza – Allegro con moto Interval (25 mins) TCHAIKOVSKY Symphony No.5 (47 mins) Andante – Allegro con anima Andante cantabile, con alcuna licenza Valse (Allegro moderato) Finale (Andante maestoso – Allegro vivace) Hendrik Vestmann conductor Narek Hakhnazaryan cello Wesfarmers Arts Pre-concert Talk Find out more about the music in the concert with this week’s speaker, Alan Lourens, Head of the Conservatorium of Music at The University of Western Australia (see page 15 for his biography).
    [Show full text]
  • GATEWAY GENEROUS DONORS RECOGNISED Letter to the Editor ‘Your Article on Food at Trinity Reminded Me of How Syd Wynne’S Kitchen Prepared Me for Life in India
    No 85 November 2016 The Magazine of Trinity College, The University of Melbourne GATEWAY GENEROUS DONORS RECOGNISED Letter to the Editor ‘Your article on food at Trinity reminded me of how Syd Wynne’s kitchen prepared me for life in India. In 1964 I was the most junior tutor, the one whose duty it was to grind the SCR coffee beans. One night I had occasion to visit the kitchen, so I opened the door, turned on the light and watched as the place became alive with little black oblong shapes scuttling for the nearest shade. The following year I became a lecturer at Madras Christian College, with a flat to live in complete with a small kitchen and my very own cook/bearer. This kitchen, too, was alive with cockroaches, but thanks to Trinity caused me no discomfort, as I was already familiar with harmless kitchen wildlife.’ Ian Manning (TC 1963) We would love to hear what you think. Email the Editor at [email protected] Don Grilli, Chef Extraordinaire, 1962 JOIN YOUR NETWORK Trinity has over 23,000 alumni in more than 50 countries. This global network puts you in touch with lawyers, doctors, consultants, engineers, musicians, theologians, architects and many more. You Founded in 1872 as the first college of the University of can organise work experience for students, internships or act as a Melbourne, Trinity College is a unique tertiary institution mentor for students or young alumni. Expand your business contacts that provides a diverse range of rigorous academic programs via our LinkedIn group.
    [Show full text]
  • 2019 Side by Side with ANAM
    WASO AND THE AUSTRALIAN NATIONAL ACADEMY OF MUSIC PRESENT Side by Side Friday 26 July 2019, 7.30pm Perth Concert Hall The West Australian Symphony Orchestra respectfully acknowledges the Traditional Owners, Custodians and Elders of the Indigenous Nations across Western Australia and on whose Lands we work. SPECIAL EVENT West Australian Symphony Orchestra and the Australian National Academy of Music present Side by Side PROKOFIEV Selections from Romeo and Juliet (31 mins) Introduction to Act 1 (Act 1, No.1) Dance of the Knights (Act 1, No.13) Introduction to Act 3 (Act 3, No.37) Dance of the Five Couples (Act 2, No.24) The Festival Continues (Act 2, No.30) Mercutio (Act 1, No.15) Romeo Avenges Mercutio’s Death (Act 2, No.35) The Fight (Act 1, No.6) Finale to Act 2 (Act 2, No.36) Juliet’s Funeral (Act 3, No.51) Death of Juliet (Act 3, No.52) Interval (20 mins) SHOSTAKOVICH Symphony No.7 Leningrad (80 mins) Allegretto Moderato (poco allegretto) Adagio – Moderato risoluto – Adagio – Allegro non troppo – Moderato Simone Young conductor ANAM and Simone Young are supported by the Minderoo Foundation. Wesfarmers Arts Pre-concert Talk Find out more about the music in the concert with this week’s speaker. The Pre-concert Talk will take place at 6.45pm in the Terrace Level Foyer. Listen to WASO This performance is recorded for broadcast on ABC Classic on Sunday, 4 August 2019 at 12pm AWST (or 10am online). For further details visit abc.net.au/classic 2 About The Artists Photo: Philipp Rathmer Philipp Photo: Photo: Cameron Jamieson Cameron Photo: Simone Young AM Australian National Conductor Academy of Music (ANAM) Simone Young AM, has been General The Australian National Academy of Manager and Music Director of the Music (ANAM) is dedicated to training Hamburg State Opera, Music Director the most exceptional young musicians of the Philharmonic State Orchestra from Australia and New Zealand.
    [Show full text]
  • Sydney Symphony Fellowship
    2020 IMPACT REPORT “ The concert marked the SSO’s return to its former home... the Sydney Town Hall is an attractive venue: easy to get to, grandly ornate, and nostalgic for those who remember the SSO’s concerts there in earlier years. The Victorian-era interior was spectacular... and it had a pleasing “big hall” acoustic that will lend grandeur and spaciousness to the SSO’s concerts of orchestral masterworks.” The Australian, 2020 2 Ben Folds, The Symphonic Tour, in Sydney Town Hall (March 2020). Photo: Christie Brewster 3 2020: A TRUE ENSEMBLE PERFORMANCE On 13 March 2020, the Sydney Symphony Orchestra was silenced for the first time in its 89-year history by the global COVID-19 pandemic. Andrew Haveron performing Tim Stevenson’s 4 Elegies as part of the Sydney Symphony at Home series. Filmed by Jay Patel The year had started boldly, with the Orchestra With a forward path identified, the Orchestra In August, Chief Conductor Designate Simone opening its 2020 Season in Sydney Town Hall quickly pivoted to digital concert production Young braved international travel restrictions as its temporary home for two years while the and expanded its website into an online concert and a two-week hotel quarantine to travel to Sydney Opera House Concert Hall was renovated. gallery. Starting in April, the Orchestra delivered Sydney and lead the musicians in their first Thirty-four season performances had already 29 Sydney Symphony at Home performances, full-group musical activities since lockdown. taken place by the time COVID-19 emerged. four Cuatro performances with the Sydney Dance There were tears of joy and relief as instruments However, that morning’s sold-out performance of Company, 18 Chamber Sounds performances were raised under her baton for rehearsals Rimsky-Korsakov’s Scheherazade would turn out recorded live at City Recital Hall with a focus and recordings at City Recital Hall and in to be the Orchestra’s final performance for 2020.
    [Show full text]
  • Prokofiev CHANDOS
    CHAN 10347(2) Wide cover 10/21/05 2:05 PM Page 1 Prokofiev CHANDOS CHAN 10347(2) CHAN 10347 BOOK.qxd 15/9/06 1:11 pm Page 2 Sergey Sergeyevich Prokofiev (1891–1953) Peter Joslin Collection Peter premiere recording in English The Love for Three Oranges An opera in four acts and a prologue. Libretto by the composer, for Vsevolod Meyerhold’s adaptation of L’amore delle tre melarance by Carlo Gozzi English version by Tom Stoppard A production by Opera Australia recorded live at the Sydney Opera House in February 2005 Opera Australia Chorus Michael Black chorus master Francis Greep assistant chorus master Australian Opera and Ballet Orchestra Stephen Mould assistant conductor Aubrey Murphy concert master Richard Hickox Sergey Sergeyevich Prokofiev 3 CHAN 10347 BOOK.qxd 15/9/06 1:11 pm Page 4 The King of Clubs....................................................................................................................Bruce Martin bass The Prince, his son..........................................................................................................John Mac Master tenor Clarissa, niece of the King......................................................................................Deborah Humble contralto Branco Gaica Leandro, the Prime Minister...............................................................................Teddy Tahu Rhodes baritone Truffaldino, who makes people laugh........................................................................William Ferguson tenor Pantaloon, the King’s confidant.....................................................................................Warwick
    [Show full text]
  • Symphony Summer2020 Women Conductors
    SUMMER 2020 n $6.95 symphonyTHE MAGAZINE OF THE LEAGUE OF AMERICAN ORCHESTRAS Where We Are Now Orchestras are seeking new ways forward amid the global pandemic and concerns about racial injustice Orchestras and Pandemics: Women Conductors Anti-Black Discrimination 1918 and 2020 On the Rise at U.S. Orchestras It’s About Time Gemma New, the Dallas Symphony Orchestra’s principal guest conductor, leads the DSO at Meyerson Symphony Center. Sylvia Elzafon The good news: more women are getting high-profile jobs conducting orchestras. The bad news: it’s not yet time to retire the phrase “glass ceiling” for once and for all. Will we get there, and if so, when? by Jennifer Melick n 2016, a ten-year-old violinist named St. Louis Symphony’s blog, “She has so Madeline de Geest went to a St. Louis much energy and potential. She reminded ISymphony Youth Orchestra concert me of myself when I was that age.” Since led by Gemma New, who had just been then, De Geest joined the SLSYO as one appointed the St. Louis Symphony’s resi- of its youngest musicians, and New’s pro- dent conductor. De Geest, enthralled, file has continued to rise. In addition to came backstage after the performance to her St. Louis position, which concluded in ask for an autograph, and New gave the May, New is now principal guest conduc- young musician her conducting baton. In tor at the Dallas Symphony Orchestra, the 2017, New invited De Geest to a St. Louis first woman to hold that title there; serves Symphony Youth Orchestra rehearsal, and as music director of Canada’s Hamilton De Geest brought her violin and music Philharmonic Orchestra; and has a full folder.
    [Show full text]