UNLV Magazine UNLV Publications

Total Page:16

File Type:pdf, Size:1020Kb

UNLV Magazine UNLV Publications UNLV Magazine UNLV Publications Spring 2003 UNLV Magazine Syl Cheney-Coker University of Nevada, Las Vegas Barbara Cloud University of Nevada, Las Vegas Jennifer Vaughan University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/unlv_magazine Part of the Architecture Commons, Arts and Humanities Commons, Curriculum and Instruction Commons, Curriculum and Social Inquiry Commons, and the Other Education Commons Repository Citation Cheney-Coker, S., Cloud, B., Vaughan, J. (2003). UNLV Magazine. In C. Weeks (Ed.), UNLV Magazine, 11(1), 1-21. Available at: https://digitalscholarship.unlv.edu/unlv_magazine/21 This Magazine is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Magazine in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Magazine has been accepted for inclusion in UNLV Magazine by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. YoU I No. I I Spring 2003 On the cover: Wole Soyinka, Elias Ghanem Chair of Creative Writing and director of literary arts for the FEATURES International Institute of Modern Letters. Editor: Cate Weeks SPECIAL FOCUS Associate Editor: Diane Russell Assistant Editor: Gian Galassi The International Institute Art Director: John Hobbes of Modern Letters Photographer: Geri Kodey Contributing Writers: Syl Chency-Coker, Barbara Cloud, 1 0 Literary Ambitions Jen nifer Vaughan The International Institute ofModern Letters has set Mailing List Coordinator: its goal to become the world's top literary activism Odalys Carmona, Lynn McGue organization. Why? It's all in the name of progress. Cate Weeks Vice President for University and By Community Relations: Fred Albrecht Director, UNLV News and Public 12 The Founder Information: Tom Flagg Asst. Director, UNLV News and Public Casino executive Glenn Schaeffer, founder of the institute, Information: Suza n DiBella explains why corporations should be concerned about Director, University Publications and Reprographics: Les Raschko protecting literary works. Publications Manager: Donna McAleer 14 The Critic UNLV Alumni Association Art criticism professor Dave Hickey is known for his ability to turn a phrase. He shares his Officers President: Kevi n Page brand of genius with UNLV Magazine. lsi Vice Pres.: Jim Kirkwood By Diane Russell 2nd Vice Pres.: Tina Kunzer-Murphy Treasurer: Kirk Hartle Secretary: Rich Isreal 16 The Dramatist Member-at-Large: Dianne Weeks Nobel/aureate Wale Soyinka weaves teaching and directing into his global travels. Past President: Jim Ratigan By Cate Weeks UNLV Alumni Association Board Members Nancy Flagg 18 The Exiled Sharlene Flush man Bruce Ford In an essay, Las Vegas' first writer-in-asylum, Syl Cheney-Coker, reflects on his Karen Hare two-year stay in this "atmospheric strange land." Kirk Hendrick Cristina Hinds Rich Israel Chip Johnson Jeff Knight Sam Lieberman Donya Monroe DEPARTMENTS Christine Parris-Washington !larry Shinehouse '}. Message from the President 24 Calendar of Events UNLV Mngnzine is published in 3 Campus News 26 Class Notes March and September by the University of Nevada, Las Vegas 9 University People 26 Alumni Profiles 4505 Maryland Pkwy, Box 45101 2 Las Vegas, NV 89154- 10 12. 20 Books 32 Timeline http://www.unlv.edu/ UNLV is an AAIEEO institutio n. SPRING 2003 I 1 A MESSAGE FROM PRESIDENT CAROL C. HARTER CAMPUS NEWS Fall Enrollment Jumps to Nearly Expansive Thinking and High Ideals 25,000 Students UNLV's enrollment figures everal years ago when Las have thought of the seeming incongruity of serious intellectual­ increased dramatical ly last f all, Vegas was named Ameri­ ism residing in a city so widely known for - and so decidedly jumping 5.7 percent in t he t otal ca's first City of Asylum, I dedicated to -providing many forms of and opportunities for S number of students and increasing was delighted by the develop- leisure. I have been told that at one time UNLV suffered from a an unprecedented 9.5 percent over ment but not surprised by the bit of an inferiority complex about its scholarly reputation, which the previous year in the important rest of the world's apparent skepticism about locating the refuge some attributed to the dissonance felt about creating a respected full-time equivalent (FTE) f igure. for dissident writers here in Las Vegas. As president of a dynamic academic institution in, of all places, Las Vegas. university that seeks a world-class reputation for its teaching, We have come so far since those days. We have grown dramat­ FTE, a f igure that uses a f ormula to research, scholarship, and creative activity, I am keenly aware of the ically in size and in sophistication in recent years, as has our city. calculat e t he equivalent number of world's perception of Las Vegas; it seems many people refuse to We are a nationally recognized doctoral-degree granting institu­ full-time students based on t he abandon the stereotypical image of our city, despite knowing that tion now, acknowledged as such by objective, external standards, number of cred its t aken by all stu­ it is a thriving metropolitan area with more than a million people such as those of Carnegie Foundation for the Advancement of dents, det ermines t he amount of pursuing diverse interests, includ- Teaching and our accrediting body, per-student f unding UNLV receives Academic Enrichment Center ing many serious intellectual ones. the Northwest Association of As president of a dynamic university f rom the Nevada Legislat ure. Yes, I was quite aware of the think­ Schools and Colleges. Serious intel­ Receives $32 Million from Grants ing that produced headlines bela­ that seeks a world-class reputation for lectualism not only dwells, but In f al l 2002, FTE increased to boring the unlikely pairing of Las flourishes, on our campus. 17,777 and the total count of stu­ With the help of $32 million in federal their parents reach their own educational Vegas with the distinction of being its teaching, research, scholarship, and Respected faculty members dis­ dents rose to 24,965. grants, UNLV's Center for Academic and career goals, which in turn puts them the nation's first City of Asylum. creative activity, I am keenly aware of seminate knowledge to their stu­ "We have been posting spectacu­ Enrichment and Outreach will serve more in a better position to support their chil­ On two levels - both as an dents in the classrooms and labo­ la r growth over t he past several than 25,000 low-income children and adults dren's education." American literature scholar and as the world's perception of Las Vegas; it ratories but also to the world yea rs, but the f all 's f igures sur­ in Clark County over the next five years. The new grants will enable the center to president ofUNLV- I was heart­ seems many people refuse to abandon through scholarly publications. passed any we have seen in recent The center received two grants through serve more than 25,000 people in low­ ened to see our town entrusted And they study not only the tradi­ years," UN LV President Ca rol C. the U.S. Department of Education's Gain­ income areas. The grants bring the total with this important role and felt the stereotypical image of our city. tional academic subjects, but Harter sa id. ing Early Awareness and Readiness for amount of the center's federal support to intuitively that it would bring a emerging ones as well - many of Undergraduate Programs (GEAR UP), more than $8 million a year. whole host of other positive con- which grow out of, ironically, the " UNLV is doing everything possible which provides services to students begin­ The center's dramatic growth- in 1997 nections to the campus and the community. I had no idea just unique culture of Las Vegas. Recent years have brought to light to accommodat e the large number ning in the sixth grade. The center also it served 965 individuals on a budget of how much good it would bring. A great deal of credit is deserved more and more examples of broad-ranging research and pro­ of new students. Despite base received two grants from the Economic $800,000 - was only possible by leveraging by those forward-looking individuals who brought us this pro­ grams that were designed to support Southern Nevada, and budget cuts and additional Opportunity Center program, which assists community resources, Cotton said. The gram and made possible the ensuing creation of the International those efforts continue to be encouraged. unfunded cost s, we have f illed the displaced or underemployed workers. center has partnered with city and county Institute of Modern Letters -not the least of which is our gener­ So how, you may ask, did a modest college, created just under classrooms and provided the serv­ Center initiatives, such as study skills government agencies, the Clark County ous benefactor and friend Glenn Schaeffer of the Mandalay Resort a half century ago in a dusty patch of desert off Maryland Park­ ices students require," Ha rter sa id. workshops, tutoring, and mentoring pro­ School District, other not-for-profit organ­ Group. Glenn, who founded the institute, and English/creative way, achieve this? I believe we can thank many individuals who " It is, of course, exciting to w itness grams, ate already having a tremendous izations, and corporate sponsors including writing professor Richard Wiley can be largely credited with hav­ have gone before us, as well as those still here continuing the the remarkable growth of our impact on student retention, said William Wells Fargo Bank, Howard Hughes Corp., ing the foresight and commitment necessary to bring these presti­ charge.
Recommended publications
  • Catalogue 2.Cdr
    ‘‘Generations’Generations’ THE FUTURE MASTERS SERIES 3 CHINEDU UZOMA OLUFEMI OYEWOLE DAMILOLA OPEDUN OLUWAFUNKE OLADIMEJI EMEKA NWAGBARA OPEYEMI OLUKOTUN EZEKIEL OSIFESO SEGUN FAGORUSI OLAJIDE SALAKO RAJI MOHAMMED ‘‘Generations’Generations’ THE FUTURE MASTERS SERIES 3 Saturday 29th June till Saturday 13th July 2019 at Mydrim Gallery 74B Norman Williams Street, S.W. Ikoyi, Lagos. 234 (0)805 183 2375 [email protected], [email protected] Concept: Abiodun Olaku Catalogue Production: Sinmidele Adesanya, David Oluwatoyin, Seun Alli, Chidinma Elugwaraonu Catalogue Design and Photography: Adewolu Abdul-Kazeem Contributions: Exhibiting artists, Sinmidele Adesanya, Seun Alli www.mydrimgallery.com © All Rights Reserved. No part of this publication may be reproduced, stored in a retrieval system, transmitted in any form or by any means electronic or mechanical, including photocopying, recording or otherwise without prior permission from the publisher. A word from Mydrim Gallery Mydrim Gallery is exhibiting the works of ten talented artists painting in oil, acrylic and pastel in its third series of GENERATIONS: THE FUTURE MASTERS. The series was the idea of one of Nigeria's master artists, Abiodun Olaku, who was concerned about the declining standards of draughtmanship and skills amongst young artists. His objective was to create a platform which in Olaku’s words would enable “the underprivileged, stied younger generation artists in the brand crystallization process to showcase their unadulterated creative prowress in its purity”. In this group exhibition featuring carefully selected pieces, the artists have been able to portray everyday life and issues in their own peculiar styles. We are very pleased to have been part of the artists' various journeys and to have witnessed how their works have evolved over the past three years.
    [Show full text]
  • BUNMI OROGUN SAMUEL - Poems
    Poetry Series BUNMI OROGUN SAMUEL - poems - Publication Date: 2014 Publisher: Poemhunter.com - The World's Poetry Archive BUNMI OROGUN SAMUEL(3 OF MARCH 1976.) ...Mr Bunmi Orogun Samuel a.k.a Yaro alias 'reality' was from a meretricious shoals and petrified polygamist and bigamist subterranean miscegenation ethos avid bibliophile background and was made Lazarus and a servile perch. He was born a street bliss booming runner sesquipedalian struggle optimists blogger and was also betrayed and treated with dared enviousness and jealousy of land acts use regardless his mission and vision to life art called. He concupiscence and married to a diverse matriarch belligerent misalliance and malignant religious philter-ed politician woman who was from linage of a confused culture and made him lovelorn and not a misogynist respectively. He was a Polytechnic graduate from Ogun State and now was renowned Moshood Abiola polytechnic (MAPOLY) Ojere Abeokuta ogun state Nigeria. He was a Diaspora student in and at yaba college of technology, Lagos, Nigeria and a scholarly member of a distance learning institute (DLI) university of Lagos, Akoka, Lagos state, Nigeria, Africa. He hails from superlative auriferous city of Ikare Akoko in Ondo State sunshine city of Nigeria Africa and was proudly propped, mirror and grew beautifully at a Queen's mega glasss cycles fluent marina city Nolly-wood bustling centre Lagos state - Lagos State, Nigeria respectively. He attended saint Thomas Aquinas primary school Akinbaruwa Street Surulere Lagos, Nigeria and also, Atunrase Boys high school Owodele street off Ishaga road surulere, Lagos, Nigeria, and was latter transferred to Eko Boys high school Mushin, Lagos, Nigeria.
    [Show full text]
  • Download Now! [2.23
    © Oba Dr. Adedapo Adewale Tejuoso, CON, D.Sc All rights reserved. This book is copyright and so no part of it may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, electrostatic, magnetic tape, photocopying, recording, or otherwise without the express written permission of the copyright owners. First Edition ISBN: 978 - 978 - 951 -649-0 Published by: Pumark Nigeria Limited [Educational Publishers] Suite 14, Wing 1 - Jimmyco Shopping Complex - 19/21, Abeokuta Express Road, Beside ConOil/Sweet Sensation, Abule-Egba Junction, Agege, Lagos. Tel: 08022235233, 09093202174 E-mail:[email protected] Authors Correspondence: E-mail: [email protected] Tel: 08035592930 GRA, Ibara Abeokuta. Preface to the Royal Roots A Woman Industrialist: A Biography of Chief Mrs. Bisoye Tejuoso by Mrs. Omodele Karunwi is being preserved in its entirety because Mama was seen, spoken to, and her daily activities were captured in the book. A remarkable statement in the foreword to the book by a renowned scholar, diplomat, administrator of highest esteem, Pa S. O. Adebo, touched me deeply and is hereby summarised. - The last paragraph - "Mrs. Karunwi's book will not be the only book to be written on this remarkable daughter, Chief Mrs. Bisoye Tejuoso, of Egba land. But it is the first and Mrs. Karunwi deserves commendation for having written in a style so lucid and so pleasant to read" signed S. O. Adebo 28 May, 1991. - And as a cognac drink after a good meal, the editor Mrs Omodele Karunwi in her Preface had this to say; "Chief Bisoye Tejuoso has played her role successfully as a mother and head of her family, as a religious leader and an industrialist".
    [Show full text]
  • Lagos State Poctket Factfinder
    HISTORY Before the creation of the States in 1967, the identity of Lagos was restricted to the Lagos Island of Eko (Bini word for war camp). The first settlers in Eko were the Aworis, who were mostly hunters and fishermen. They had migrated from Ile-Ife by stages to the coast at Ebute- Metta. The Aworis were later reinforced by a band of Benin warriors and joined by other Yoruba elements who settled on the mainland for a while till the danger of an attack by the warring tribes plaguing Yorubaland drove them to seek the security of the nearest island, Iddo, from where they spread to Eko. By 1851 after the abolition of the slave trade, there was a great attraction to Lagos by the repatriates. First were the Saro, mainly freed Yoruba captives and their descendants who, having been set ashore in Sierra Leone, responded to the pull of their homeland, and returned in successive waves to Lagos. Having had the privilege of Western education and christianity, they made remarkable contributions to education and the rapid modernisation of Lagos. They were granted land to settle in the Olowogbowo and Breadfruit areas of the island. The Brazilian returnees, the Aguda, also started arriving in Lagos in the mid-19th century and brought with them the skills they had acquired in Brazil. Most of them were master-builders, carpenters and masons, and gave the distinct charaterisitics of Brazilian architecture to their residential buildings at Bamgbose and Campos Square areas which form a large proportion of architectural richness of the city.
    [Show full text]
  • Nigeriastartswithme.Pdf
    It’s not a cliché. It’s a way of life that every Nigerian must embrace. To be inherently and unabashedly Nigerian - unrelenting in the pursuit of integrity, excellence and progress. #NigeriaStartsWithMe...what about you? Join the conversation! The Project nveiled in March 2017, the #NigeriaStarts- We hope that it would elicit positive conversations and ac- WithMe project is an initiative of Sahara tions that will sustain ongoing initiatives aimed at transform- Group, a leading African Energy (Power, Oil ing Nigeria. Our experience with the project makes us even and Gas) and infrastructure conglomerate more committed to the cause of inspiring and promoting with operations in over 10 countries across sustainable development across the globe, in collaboration Ufour continents. with like-minded partners. The initiative seeks to rally young people to own major Working through Sahara Foundation, our corporate respon- stakes in the transformation of Nigeria by coming up sibility vehicle, Sahara Group has over the years continued with practical ideas that key into the 17 Sustainable to deploy sustainable platforms and projects that empower Development Goals (SDGs). It is designed to create a shift young people to reach for their dreams. in the nature of ongoing conversation about Nigeria from the clutch of social media trolls to practical solutions that would ignite creativity, innovation and a sense of patriotism In 2016, we flagged off Sahara in Nigerian youths. Foundation’s plans to directly The project was designed to challenge and inspire Nige- impact 12,000,000 Nigerian rian youths to resist activities that relegate them to being youths over the next four years mere stooges for individuals/organisations or being hired to perpetrate sundry illegal activities.
    [Show full text]
  • Curriculum Vitae of Dr
    Curriculum Vitae of Dr. (Mrs.) Bogda Prucnal-Ogunsote page 1 of 13 CURRICULUM VITAE Contact Information Name: PRUCNAL-OGUNSOTE, Boguslawa. Address: Department of Architecture, Federal University of Technology, Akure, Ondo State, Nigeria. Cell Phone: +2348033788866. Alternate Cell Phone: +2348034735611. Email: [email protected]. Alternate email: [email protected]. Web site: sdngnet.com. Personal Information Place and date of Birth: Jasliska, Poland, April 11, 1960 Citizenship: Polish Sex and marital status: Female, Married. Spouse's Name: Prof. Olusimibo Oladimeji Ogunsote (Nigerian, Ph.D. Architecture). International Languages: Fluent in English and Polish. Some knowledge of German and Russian. Countries Visited: Bulgaria, Ethiopia, France, Germany, Libya, Spain, The Netherlands, United Kingdom, United States of America. Work History and Academic Positions Employer Position Duration Federal University of Technology, Akure. Associate Professor 26Feb2003 to date. Federal University of Technology, Akure. Senior Lecturer 2000 to 2003. Ahmadu Bello University, Zaria. Lecturer I. 1991-2000. Ahmadu Bello University, Zaria. Lecturer II. 1988- 1991. Ahmadu Bello University, Zaria. Assistant Lecturer. 1985-1988. Research and Training: I have directly participated in the training of over a thousand architects to M.Sc. Architecture and M.Tech. Architecture level. Supervised over a hundred M.Sc. Architecture and M.Tech. Architecture theses and over a hundred B.Sc. Architecture and B.Tech. Architecture theses. Undergraduate teaching ARC 504 Comparative Studies of Built Form. ARC 505 Modern Movements in Architecture. ARC 509 Independent Research Project. ARCH 201 Architectural Design. ARCH 202 Architectural Design. ARCH 213 Free hand Drawing. ARCH 222 Architectural Graphics. ARCH 301 Architectural Design. ARCH 302 Architectural Design. ARCH 329 Presentation Techniques.
    [Show full text]
  • Cinema Business in Lagos, Nigeria Since 1903
    Historical Research Letter www.iiste.org ISSN 2224-3178 (Paper) ISSN 2225-0964 (Online) Vol 3, 2012 CINEMA BUSINESS IN LAGOS , NIGERIA SINCE 1903 Oladipo O. Olubomehin, PhD Department of History and Diplomatic Studies, Olabisi Onabanjo University, Ago Iwoye, Nigeria. E-mail:[email protected] Abstract Cinema business constituted an important aspect of the local economy in Nigeria during the colonial period. The business flourished from 1903 when the first film was shown in Lagos through into the 1970s and 80s. Lagos, being the nerve centre of commercial activities in Nigeria with a cosmopolitan population, had many cinema houses. Apart from enriching the owners, cinemas provided employment for many people and also served an important social function. People visited cinemas for relaxation and entertainment purposes. However, the downturn in the national economy and the emergence of the home video business created a negative effect on cinema ventures as many of the cinema houses were closed down. This paper is a history of the rise and decline of cinema ventures in the city of Lagos, Nigeria. It examines the nature of the business as well as the socio- economic impact on the society. It tries to unravel the factors that led to the decline of the business and the new trend in the re-emergence of cinema houses in the country. Key words : Cinema, Business, Lagos, Nigeria. 1. Introduction Prior to the advent of the television and home video in Nigeria, cinema was one of the major means of entertainment and relaxation in the country. Lagosians, in particular, already had a vibrant cinema culture since the colonial era.
    [Show full text]
  • Lagos State Pilot Programe Screening Locations for the Twelve Months
    LAGOS STATE PILOT PROGRAME SCREENING LOCATIONS FOR THE TWELVE MONTHS (APRIL 1, 2018 TO MARCH 31, 2019) JANUARY 2019 – CERVICAL CANCER AWARENESS MONTH S/N LOCATION DATE NOTES (FOR INTERNAL REFERENCE) 1. NEW YEAR DAY 01.01.19 – TUESDAY NEW YEAR DAY 2019 1ST #GIVINGTUESDAY OF 2019 2. LAGOS STATE FIRE SERVICE (LSFS) 02.01.19 – WEDNESSDAY B/D: “F.I.R.E” (1ST OF JAN) MOBOLAJI BANK ANTHONY WAY, IKEJA BUS STOP, IKEJA 3. *TWO OUTREACHES* 03.01.19 – THURSDAY IFAKO-IJAIYE LGA SECRETARIAT: NO 1 OLUWATOYIN ST, OFF AINA AJOBO ST, OFF YAYA ABATAN RD, OGBA- IJAIYE IFAKO – IJAIYE MINI STADIUM, 1/2, COLLEGE RD IFAKO – IJAIYE 4. *TWO LOCATIONS* 04.01.19 – FRIDAY OJOKORO LCDA SECRETARIAT 9/11, AGBADO STATION RD (IJAIYE OJOKORO RD), IJAIYE-OJOKORO ASIWAJU BOLA AHMED TINUBU ULTRA MODEL MARKET 5. OJODU LCDA SECRETARIAT: 05.01.19 – SATURDAY NO 1-3 SECRETARIAT RD, POWERLINE, OKEIRA, OGBA 6. IBA HOUSING ESTATE, BEHIND ZONE E FENCE, OTO-IJANIKIN 06.01.19 – SUNDAY THE EPIPH. 7. AGBADO/OKE-ODO LCDA SECRETARIAT: 07.01.19 – MONDAY ABEOKUTA E/W, OPPOSITE OJA-OBA BUS STOP, ABULE EGBA 8. mass medical mission | 31, BODE THOMAS ST, SURULERE 08.01.19 – TUESDAY 2ND #GIVINGTUESDAY OF 2019 9. AYOBO-IPAJA LCDA SECRETARIAT: 09.01.19-WEDNESDAY AYOBO-IPAJA RD, IGBOGILA BUS STOP, IPAJA 10. OTO-AWORI LCDA SECRETARIAT: 10.01.19 – THURSDAY OTO-AWORI, KM 28, LAGOS-BADAGRY E/W, IJANIKIN 11. *TWO OUTREACHES* 11.01.19 – FRIDAY THE TONYE COLE DAY (DIAMOND CENTURION) MAKOKO COMMUNITY INT’L THANK YOU DAY YABA LCDA SECRETARIAT: 198 H/MACAULAY ST, ADEKUNLE, YABA 12.
    [Show full text]
  • Deploying Visual Arts As an Empowerment Tool for Cultural and Societal Renewal in Lagos State and Make Appropriate Recommendations for Dealing with Them
    UNILAG Journal of Humanities Deployment of Visual Arts as an Empowerment Tool for Cultural and Societal Renewal in Lagos State, Nigeria Princess Theresa Iyase-Odozi Creative Arts Department, University of Lagos, Akoka Abstract The essence of a vibrant society is its ability to both preserve and reinvent its culture, thereby conserving its history and heritage while creating new forms of expression for the present. Thus, for several decades, some states in Nigeria have carried out beautification projects that entail the use of visual arts. A recent example is the effort of the Lagos State Government in the “Lagos @ 50” Project. This is an ambitious effort that fully engages artists to create and unveil community murals and other forms of artwork to validate and celebrate the historical past while using public art works to revitalise streetscape improvements. Also, some privately-owned organisations, such as Terra Kulture and Nike Centre for Arts & Culture, both in Lagos, have been involved in deploying visual arts as a means of preserving the society’s cultural heritage. This study examines how visual art activities are being deployed, particularly through the engagement of artists, as a tool for cultural and societal renewal in Lagos State. The methodology adopted involves the direct application of first and second-hand observations as well as bibliographic studies geared towards a qualitative research. The Meta-theory of Empowerment is deployed to establish the theoretical foundation for the study. This paper articulates the roles of visual- arts in society and the forms in which they are being deployed towards culture al and societal renewal in Lagos State.
    [Show full text]
  • APAPA, Nigeria Phone: LAGOS42153
    PROGRESS INTERNATIONAL FI THE GRE ST FE TIVAL NAFRICXS HISTORY set to go. Commander Fingesi, President of FESTAC talking to Don Taylor, Editorial Director of Progress International. ORO: From Commander O. P. FINGESI, PRESIDENT of FESTAC January 15, 1977 the curtain will be drawn in formal opening of the 2nd World Black and African Festival of and Culture (FESTAC), On that memorable day a new dawn will break in the history of all Black and African :l. les of the world; we shall witness the largest-ever gathering of Black and African peoples in the quest , e peace in the world and for the progress of humanity. e 2nd World Black and African Festival of Arts and Culture is a historic event in the lives of Black and -~ 'can peoples. It will bring together for the first time the' greatest scholars, the greatest artists and the -ro.n-a,t'T minds in the Black and African world to exalt the dignity and promote the prosperity of the most ired and most humiliated people in human history. These artists and scholars will converge on Nigeria e four corners of the world to present Black and African culture in its highest and widest conception, ate a new awareness and pride in all Black and African peoples in their common heritage, to promote ity among all the Brack and African peoples and to facilitate better and lasting international and inter- understanding in the world, e Festival. therefore, should be of interest not only to all Black and African peoples but to all peoples of rid, irrespective of race or colour.
    [Show full text]
  • Education for Maintenance Culture in Nigeria: Implications for Community Development
    International Journal of Sociology and Anthropology Vol. 3(8), pp. 290-294, August 2011 Available online http://www.academicjournals.org/IJSA ISSN 2006-988x ©2011 Academic Journals Full Length Research Paper Education for maintenance culture in Nigeria: Implications for community development Adedokun Mary Olufunke Faculty of Education, University of Ado Ekiti, Ekiti State, Nigeria. E-mail: [email protected] Accepted 7 July, 2011 Infrastructural development is the bedrock of any development in the modern world. However, without a strong maintenance culture, efforts at infrastructural development will amount to nothing. This study looked into the issue of maintenance as practiced by Nigerians. Two null hypotheses were formulated and tested at 0.05 level of significance. The survey design used for the study are sample of 120 men and women at various governmental levels which were randomly selected from Oyo State Ministry of Agriculture, Department of Works and Services Ibadan North Local Government and the Ministry of Commerce and Industry. A 12-item questionnaire called Maintenance Culture for Development scale was constructed on a four-point Likert-type scale and used for data collection. The data was analyzed using chi-square statistical tool. The result indicated that there was a significant relationship between maintenance of facility and development and that education has a significant impact on maintenance culture. Based on the result, it was recommended that people should be educated and encouraged to adequately and properly maintain facilities in their care so as to facilitate rapid process of development. Key words: Maintenance, culture, infrastructural facilities, development, community. INTRODUCTION Infrastructural development is the basis and bedrock of and indeed our bodies is dependent on how well we have any development effort in the world today.
    [Show full text]
  • Nigerian Theatre Journal a Journal of the Society of Nigeria Theatre Artists (SONTA)
    Nigerian Theatre Journal A Journal of the Society of Nigeria Theatre Artists (SONTA) Vol. 17, No. 1 Editor Ameh Dennis Akoh 2017 Copyright © 2017 Society of Nigeria Theatre Artists (SONTA) Nigerian Theatre Journal (NTJ) is published by the Society of Nigeria Theatre Artists, c/o The Editor, NTJ, Department of Theatre and Film Studies, Federal University, Ndufu-Alike, Ikwo, Nigeria ISSN 0189-9562 EDITORIAL BOARD MEMBERS Professor Sunday E. Ododo – University of Maiduguri, Nigeria Professor Alex Asigbo – Nnamdi Azikiwe University, Nigeria Professor Tor Iorapuu – University of Jos, Nigeria Professor Ameh D. Akoh – Federal University Ndufu-Alike,Ikwo, Nigeria Dr Barclays F. Ayakoroma – Nasarawa State University, Nigeria Professor M. I. Umar-Buratai – Ahmadu Bello University, Nigeria Professor Julie Umukoro – University of Port-Harcourt, Nigeria EDITORIAL ADVISERS Professor Olu Obafemi – University of Ilorin, Nigeria Professor Duro Oni – University of Lagos, Nigeria Professor Saint Gbilekaa – University of Abuja, Nigeria Professor Kevin Wetmore – Loyola MaryMount University, USA Professor Chris Nwamuo – University of Calabar, Nigeria Professor Sam Ukala – Delta State University, Nigeria Professor Osita Okagbue – Goldsmiths, University of London, UK Professor Irene Agunloye – University of Jos, Nigeria Professor J.S. Egwugwu Illah – University of Jos, Nigeria Professor Sam Kasule – University of Derby, UK ii Copyright © 2017 – Society of Nigeria Theatre Artists (SONTA) All Right Reserved Nigerian Theatre Journal (ISSN 0189-9562) is published annually by the Society of Nigeria Theatre Artists (SONTA). Because the leadership of the Society changes every two to four years, it is encouraged that enquires about the Journal should be addressed to the current President of SONTA. Paper Subscription: Libraries and other institutions, U.S $100.00; individuals, U.S.
    [Show full text]