DOCSLIB.ORG

Paul Mazursky Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Paul Mazursky Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨) Paul Mazursky 电影 串行 (大全) è€ä​ ººèˆ‡è²“ https://zh.listvote.com/lists/film/movies/%E8%80%81%E4%BA%BA%E8%88%87%E8%B2%93-1191093/actors Why Do Fools Fall in Love https://zh.listvote.com/lists/film/movies/why-do-fools-fall-in-love-1269043/actors Yippee https://zh.listvote.com/lists/film/movies/yippee-8053814/actors The Pickle https://zh.listvote.com/lists/film/movies/the-pickle-7757039/actors Miami Rhapsody https://zh.listvote.com/lists/film/movies/miami-rhapsody-908983/actors Na plovarne https://zh.listvote.com/lists/film/movies/na-plovarne-12039578/actors Blume in Love https://zh.listvote.com/lists/film/movies/blume-in-love-2322917/actors Weapons of Mass Distraction https://zh.listvote.com/lists/film/movies/weapons-of-mass-distraction-7978101/actors Alex in Wonderland https://zh.listvote.com/lists/film/movies/alex-in-wonderland-2833067/actors A Man, a Woman, and a Bank https://zh.listvote.com/lists/film/movies/a-man%2C-a-woman%2C-and-a-bank-4658040/actors 冤家，一个爱情故事 https://zh.listvote.com/lists/film/movies/%E5%86%A4%E5%AE%B6%EF%BC%8C%E4%B8%80%E4%B8%AA%E7%88%B1%E6%83%85%E6%95%85%E4%BA%8B-1401821/actors é¸​ 舉追ç·ä​ »¤ https://zh.listvote.com/lists/film/movies/%E9%81%B8%E8%88%89%E8%BF%BD%E7%B7%9D%E4%BB%A4-576505/actors 風的å¦​ 一邊 https://zh.listvote.com/lists/film/movies/%E9%A2%A8%E7%9A%84%E5%8F%A6%E4%B8%80%E9%82%8A-1458177/actors é æ​ ¢ç​ ¬‘æ–™ https://zh.listvote.com/lists/film/movies/%E9%A0%AD%E6%A2%9D%E7%AC%91%E6%96%99-1961600/actors 黑æ¿​ 森林 https://zh.listvote.com/lists/film/movies/%E9%BB%91%E6%9D%BF%E6%A3%AE%E6%9E%97-1215931/actors 忘我奇緣 https://zh.listvote.com/lists/film/movies/%E5%BF%98%E6%88%91%E5%A5%87%E7%B7%A3-1322943/actors Moscow on the Hudson https://zh.listvote.com/lists/film/movies/moscow-on-the-hudson-760989/actors 翹家è€å​ ª½ https://zh.listvote.com/lists/film/movies/%E7%BF%B9%E5%AE%B6%E8%80%81%E5%AA%BD-2521211/actors åˆæ​ ˆ€ç„¡é™​ https://zh.listvote.com/lists/film/movies/%E5%88%9D%E6%88%80%E7%84%A1%E9%99%90-693390/actors 皇家密殺令 https://zh.listvote.com/lists/film/movies/%E7%9A%87%E5%AE%B6%E5%AF%86%E6%AE%BA%E4%BB%A4-1753804/actors 暴风雨 https://zh.listvote.com/lists/film/movies/%E6%9A%B4%E9%A3%8E%E9%9B%A8-1057313/actors éž​ 常背å›​ https://zh.listvote.com/lists/film/movies/%E9%9D%9E%E5%B8%B8%E8%83%8C%E5%8F%9B-1755355/actors 情逢敵手 https://zh.listvote.com/lists/film/movies/%E6%83%85%E9%80%A2%E6%95%B5%E6%89%8B-1888524/actors çˆ±æƒ…å¤–ä¸€ç« https://zh.listvote.com/lists/film/movies/%E7%88%B1%E6%83%85%E5%A4%96%E4%B8%80%E7%AB%A0-693721/actors https://zh.listvote.com/lists/film/movies/%E5%8F%B2%E4%B8%B9%E5%88%A9%C2%B7%E5%AF%87%E6%AF%94%E5%8A%9B%E5%85%8B%EF%BC%9A%E9%9B%BB%E5%BD%B1%E4%BA%BA%E7%94%9F- å²​ 丹利·寇比力克：電影人生 765677/actors æ„›ä½ ã€æ​ ˆ€ä½ ã€æ​ ƒ³ä½ https://zh.listvote.com/lists/film/movies/%E6%84%9B%E4%BD%A0%E3%80%81%E6%88%80%E4%BD%A0%E3%80%81%E6%83%B3%E4%BD%A0-2070564/actors è’​ å”æ​ š´ç™¼æˆ¶ https://zh.listvote.com/lists/film/movies/%E8%8D%92%E5%94%90%E6%9A%B4%E7%99%BC%E6%88%B6-218290/actors èŠå​ £«ä¼™ä¼´ https://zh.listvote.com/lists/film/movies/%E8%8A%9D%E5%A3%AB%E4%BC%99%E4%BC%B4-4402939/actors 比è¯​ 利山之階級鬥çˆ​ https://zh.listvote.com/lists/film/movies/%E6%AF%94%E8%8F%AF%E5%88%A9%E5%B1%B1%E4%B9%8B%E9%9A%8E%E7%B4%9A%E9%AC%A5%E7%88%AD-7430794/actors 瘋狂謀殺計劃 https://zh.listvote.com/lists/film/movies/%E7%98%8B%E7%8B%82%E8%AC%80%E6%AE%BA%E8%A8%88%E5%8A%83-222873/actors ææ​ ƒ§å’Œæ¬²æœ› https://zh.listvote.com/lists/film/movies/%E6%81%90%E6%83%A7%E5%92%8C%E6%AC%B2%E6%9C%9B-929157/actors ç¨​ è£å​ ‡​ 皇å¸​ https://zh.listvote.com/lists/film/movies/%E7%8D%A8%E8%A3%81%E5%81%87%E7%9A%87%E5%B8%9D-1783269/actors é¸​ 角大師 https://zh.listvote.com/lists/film/movies/%E9%81%B8%E8%A7%92%E5%A4%A7%E5%B8%AB-16249127/actors https://zh.listvote.com/lists/film/movies/3602431/actors 婚外情 https://zh.listvote.com/lists/film/movies/%E5%A9%9A%E5%A4%96%E6%83%85-1306726/actors 角é é​ ¢¨é›² https://zh.listvote.com/lists/film/movies/%E8%A7%92%E9%A0%AD%E9%A2%A8%E9%9B%B2-939176/actors.
Load more

Recommended publications
  • The New Hollywood Films
    The New Hollywood Films The following is a chronological list of those films that are generally considered to be "New Hollywood" productions. Shadows (1959) d John Cassavetes First independent American Film. Who's Afraid of Virginia Woolf? (1966) d. Mike Nichols Bonnie and Clyde (1967) d. Arthur Penn The Graduate (1967) d. Mike Nichols In Cold Blood (1967) d. Richard Brooks The Dirty Dozen (1967) d. Robert Aldrich Dont Look Back (1967) d. D.A. Pennebaker Point Blank (1967) d. John Boorman Coogan's Bluff (1968) – d. Don Siegel Greetings (1968) d. Brian De Palma 2001: A Space Odyssey (1968) d. Stanley Kubrick Planet of the Apes (1968) d. Franklin J. Schaffner Petulia (1968) d. Richard Lester Rosemary's Baby (1968) – d. Roman Polanski The Producers (1968) d. Mel Brooks Bullitt (1968) d. Peter Yates Night of the Living Dead (1968) – d. George Romero Head (1968) d. Bob Rafelson Alice's Restaurant (1969) d. Arthur Penn Easy Rider (1969) d. Dennis Hopper Medium Cool (1969) d. Haskell Wexler Midnight Cowboy (1969) d. John Schlesinger The Rain People (1969) – d. Francis Ford Coppola Take the Money and Run (1969) d. Woody Allen The Wild Bunch (1969) d. Sam Peckinpah Bob & Carol & Ted & Alice (1969) d. Paul Mazursky Butch Cassidy & the Sundance Kid (1969) d. George Roy Hill They Shoot Horses, Don't They? (1969) – d. Sydney Pollack Alex in Wonderland (1970) d. Paul Mazursky Catch-22 (1970) d. Mike Nichols MASH (1970) d. Robert Altman Love Story (1970) d. Arthur Hiller Airport (1970) d. George Seaton The Strawberry Statement (1970) d.
    [Show full text]
  • Painting En Abyme: Tracing the Uses of Painting in New Hollywood Cinema
    PAINTING EN ABYME: TRACING THE USES OF PAINTING IN NEW HOLLYWOOD CINEMA By MICHELLE LYNN RINARD Bachelor of Arts in Art History Southern Illinois University Carbondale, Illinois 2010 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF ARTS May, 2015 PAINTING EN ABYME: TRACING THE USES OF PAINTING IN NEW HOLLYWOOD CINEMA Thesis Approved: Dr. Louise Siddons Thesis Adviser Dr. Jeff Menne Dr. Rebecca Brienen ii Name: MICHELLE L. RINARD Date of Degree: MAY 2015 Title of Study: PAINTING EN ABYME: TRACING THE USES OF PAINTING IN NEW HOLLYWOOD CINEMA Major Field: ART HISTORY Abstract: In the period of the New Hollywood in cinema, four directors created films that incorporated paintings and artworks within their scenes: Mike Nichols’ The Graduate (1967); John Frankenheimer’s Seconds (1966); Stanley Kubrick’s A Clockwork Orange (1971); and Paul Mazursky’s An Unmarried Woman (1978). In four close readings, I demonstrate that these filmmakers incorporated painting to contribute to the emotions and narrative, to reflect the institutional power or ideological positions of characters and organizations, and as cultural or anti-cultural capital. The incorporation of painting in film creates a mise en abyme, doubling the forms and meanings of art within the film medium. The use of painting in cinema in the period between 1966 and 1978 is characteristic of an artistic trend in New Hollywood filmmaking. Earlier uses of art in film were overwhelmingly narrative and diegetic, while in New Hollywood film it becomes a mode of editorializing and extra diegetic commentary.
    [Show full text]
  • E Office of the City Engineer Los Angeles
    ACCELERATED REVIEW PROCESS - E Office of the City Engineer Los Angeles California To the Honorable Council Of the City of Los Angeles Honorable Members: C. D. No. 13 SUBJECT: Hollywood Boulevard and Vine Street - Walk of Fame Additional Name in Terrazzo Sidewalk- PAUL MAZURSKY RECOMMENDATIONS: A. That the City Council designate the unnumbered location situated one sidewalk square northerly of and between numbered locations 12H and 12h as shown on Sheet # 16 of Plan D-13788 for the Hollywood Walk of Fame for the installation of the name of Paul Mazursky at 6667 Hollywood Boulevard. B. Inform the Hollywood Chamber of Commerce of the Council's action on this matter. C. That this report be adopted prior to the date of the ceremony on December 13,2013. FISCAL IMPACT STATEMENT: No General Fund Impact. All cost paid by permittee. TRANSMITTALS: 1. Unnumbered communication dated November 5, 2013, from the Hollywood Historic Trust of the Hollywood Chamber of Commerce, biographical information and excerpts from the minutes of the Chamber's meeting with recommendations. City Council - 2- C. D. No. 13 DISCUSSION: The Walk of Fame Committee of the Hollywood Chamber of Commerce has submitted a request for insertion into the Hollywood Walk of Fame the name of Paul Mazursky. The ceremony is scheduled for Friday, December 13,2013 at 11:30 a.m. The communicant's request is in accordance with City Council action of October 18, 1978, under Council File No. 78-3949. Following the Council's action of approval, and upon proper application and payment of the required fee, an installation permit can be secured at 201 N.
    [Show full text]
  • American Cinema of the 1970S SCREEN AMERICAN CULTURE / AMERICAN CINEMA DECADES
    American Cinema of the 1970s SCREEN AMERICAN CULTURE / AMERICAN CINEMA DECADES Each volume in the Screen Decades: American Culture/American Cinema series is an anthology of original essays exploring the impact of cultural issues on film and the impact of film on American society. Because every chapter presents a discussion of particularly significant motion pictures and the broad range of historical events in one year, readers will gain a systematic and progressive sense of the decade as it came to be depicted on movie screens across North America. We know that our series represents just one approach to the growth of the American cinema: to organ- ize by decades establishes somewhat artificial borders and boundaries, and each author’s thematic choices are but one way to understand the culture of a particular year. Despite such limitations, this structure contextualizes the sprawling progres- sion of American cinema, especially as it relates to historical and cultural events. We hope that these books, aimed at scholars and general readers, students and teachers, will shed valuable new light on, and will provide a better understanding of, Ameri- can culture and film history during the twentieth century. LESTER D. FRIEDMAN AND MURRAY POMERANCE SERIES EDITORS Ina Rae Hark, editor, American Cinema of the 1930s: Themes and Variations Wheeler Winston Dixon, editor, American Cinema of the 1940s: Themes and Variations Murray Pomerance, editor, American Cinema of the 1950s: Themes and Variations Lester D. Friedman, editor, American Cinema of the 1970s: Themes and Variations Stephen Prince, editor, American Cinema of the 1980s: Themes and Variations American Cinema of the 1970s Themes and Variations EDITED BY LESTER D.
    [Show full text]
  • Art at FCC Young, "Especially Black Students Should Rea- in Major Art Institutions Has for the Most Lize Life Is Difficult
    20 ARTS federal City College artists William Derrick—Preacher Calvin tfatkins—Seated Figure John Armstrong—Design II Carol Ball—Fish The large number of art classes now of- The exhibit grew out of a steadily grow- fered at FCC recalls the strides made since its ing and improving relationship between the beginning in 1968 when the art department con- NCFA and the FCC art department. An increase sisted of three faculty members and two rooms. in opportunities for black art students to work Today there are three well-equipped floors of in art institutions is precisely what young ART black art professionals and teachers feel is workshops and studios and ten faculty members who are trying, and apparently succeeding, in most needed to better prepare younger blacks inspiring their students with attitudes of for jobs in art that will permit them to be- hard work, discipline and no shortcuts. "For come part of the system which evaluates art. one thing," says art department chairman Chuck Chuck Young of FCC and others feel black input Art at FCC Young, "especially black students should rea- in major art institutions has for the most lize life is difficult. In some institutions part been on a one-shot basis, as for example ANDREA 0. COHEN the attitude of just doing your own thing has at the National Gallery, which reverted to be- done more harm than good, because your own ing an all-European museum after mounting its "FIVE Years Later," an exhibit of Federal thing may be no thing. You must find what's African exhibit.
    [Show full text]
  • Peter Bondanella
    35 Peter Bondanella LA PRESENZA DI FELLINI NEL CINEMA CONTEMPORANEO: CONSIDERAZIONI PRELIMINARI PETER BONDANELLA Valutare l’impatto di Federico sa tematica in modi magari popolare dopo il successo del Fellini sul cinema mondiale molto diversi. film), ma lucertoloni. appena una decade dopo la Come lucertole, i perdigiorno sua morte non può certamente provinciali della Wertmüller condurre a conclusioni defini- Il cinema di Fellini come arrostiscono al sole sulle me- tive, visto che il raggio della magazzino di facce, immagini taforiche pietre della loro pic- sua influenza sulle cinema- e sequenze: Martin Scorsese, cola città, e, come il Moraldo tografie o sui registi di altre Lina Wertmüller, Peter di Fellini, l’unico vitellone che nazioni nonché quella sulla Greenaway, Giuseppe sembra capace di scuotersi dal pop-culture, sulla pubblicità e Tornatore, Joel Schumacher suo provinciale letargo, Anto- sul folklore comincia a chia- e Bob Fosse. nio (Antonio Petruzzi) si con- rirsi nettamente solo adesso. fronta con Roma in una breve Tenterò dunque di illustrare L’analisi dell’impatto dei visita, durante la quale accom- alcuni dei più importanti e film di Fellini su specifiche pagna due zie nella capitale. interessanti esempi della sua sequenze o situazioni di film, Una volta tornato a casa, influenza su differenti tipi rivela che un insieme di regi- l’energia che questi sembrava di cinema e su registi molto sti piuttosto differenti fra loro assorbire dalla Città Eterna diversi, appartenenti ad altre ha reso omaggio all’opera di svanisce di giorno in giorno e cinematografie nazionali. È Fellini. Antonio finisce per rimandare inutile dire che le mie osserva- Cronologicamente, il primo senza fine la sua partenza dal- zioni mirano solo ad aprire un successo commerciale di Felli- la città natale.
    [Show full text]
  • SHSU Video Archive Basic Inventory List Department of Library Science
    SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films.
    [Show full text]
  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
    INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.
    [Show full text]
  • More Inmate Security Issues at the County Jail It's Beginning to Look a Lot
    WEEKEND EDITION MIAMIOK.COM Have a great day! FAIRLAND OPENS Thanks for supporting WITH SWEEP OF FOYIL your local paper! SPORTS, PAGE B1 6 54708 10125 7 MIAMI NEWS-RECORD Serving Miami and the surrounding communities since 1903. Friday, November 27, 2020 | Vol. 116 No. 95 | $1.25 More inmate security issues at the county jail Carla Nielsen caused some damage and threat- a metal plate and gain access being used and there was a metal removed all the screws and that [email protected] ened the security of the facility. through the walls into the female plate put over the area where the gave them an escape route. All three Ottawa County com- inmate cells and the mechanical faucets would come through the “The damage wasn’t real bad. MIAMI — When the county missioners and other officials room. concrete wall,” District 3 com- We think they were trying to get commissioners met for their reg- went on a jail inspection tour It is not known if the men were missioner Russell Earls said. “It into the female pod and I don’t ular meeting Monday they were after learning that two inmates actually able to make it into the had been secured with some lag know if they managed to do that greeted with the news that there had vandalized an area in an female pod. bolts and screws, but evidently or not, but that was their motive,” had been another inmate incident inmate pod over the weekend “In the pods there is a shower the inmates somehow got a at the jail over the weekend that that enabled them to remove on the second level that is not screwdriver from somewhere and SEE SECURITY, A3 It’s beginning to look a lot like Christmas Carla Nielsen at 6 p.m.
    [Show full text]
  • Yippee! a Journey to Jewish Joy
    Yippee! A Journey to Jewish Joy A Paul Mazursky Film USA, 2006, 74 minutes SELECTED FESTIVAL SCREENINGS Montreal World Film Festival Palm Springs International Film Festival Atlanta Jewish Film Festival Lincoln Center, New York Vancouver Jewish Film Festival UK Jewish Film Festival Skirball Cultural Center, Los Angeles Jerusalem Cinematheque, Jerusalem The National Center for Jewish Film Brandeis University, Lown 102, MS 053 Waltham, MA 02454-9110 Tel: (781) 899-7044 Fax: (781) 736-2070 [email protected] www.jewishfilm.org Directed by award-winning American filmmaker, actor, and scriptwriter Paul Mazursky (Next Stop Greenwich Village, An Unmarried Woman, Down and Out in Beverly Hills, Enemies: A Love Story), Yippee! chronicles the director’s whirlwind journey to Uman, a small Ukrainian town that is the site of a unique, annual gathering of Jewish men making pilgrimages to the burial place of Rabbi Nachman (1772-1810). When Mazursky was told (by his optometrist) that 25,000—mostly Hassidic—Jews from around the world were expected to visit Uman for three days of praying, singing, and dancing, the director felt compelled to make the journey himself. Arriving in the Ukraine with a small film crew, Mazursky experiences an amazing series of events. He meets and interviews a wide variety of Jewish men from many countries, sharing meals, laughs, and this unique experience. The director visits the gravesite of Hassidic movement founder the Baal Shem Tov (Nachman's great-grandfather) and talks with Uman’s non-Jews about their reactions to the annual massive influx of Hassidim. The adventure culminates on the evening of Rosh Hashanah in a mass expression of spiritual ecstasy.
    [Show full text]
  • Jewish-Mothers-In-Movies.Pdf
    Jewish filmmakers love their mothers. In fact, they love them so much that they'll do almost anything to get their mothers out of the country when their movies are released—at least those movies in which Jewish mothers appear as major characters. That's because throughout the years Jewish mothers have been portrayed as everything from stubborn, embarrassing, annoying, fat, and short to opinionated, smothering, worrisome, sarcastic, and spiteful. Fortunately, not always at the same time. But the traditional Hollywood image of Jewish mothers is starting to change. For all the stereotypical renderings, recent characters have Jewish mothers been honest, fiercely supportive of their children, and among the funniest and most endearing charac­ have been ters ever to come out of Hollywood. portrayed as Even the annoying ones. stubborn, The history of Jewish mothers on film goes back almost as far as the film industry itself. embarrassing, When Al Jolson says, "You ain't heard nothing yet" annoying, fat in 1927's The Jazz Singer, he could easily be referring not just to talking motion pictures, but to and opinionated. Jewish mothers as well. In the first talking feature ^ film, Eugenie Besserer plays the devoted Mrs. Rabi­ ut is this changing:ns nowitz who supports her son's desire to pursue a life show business even though her husband demands j Q E L that the boy follow family tradition and become a SAMBERG cantor. But the screenplay limits Besserer to looks of torn devotion and not much more. Tamara Shayne is similarly restricted as Mama Jolson (or, more accurately, Mama Yoelson) in The Jolson Story of 1946.
    [Show full text]
  • Don't Act Your Age - Harry, Tonto, Paul, and You
    July 4, 2014 Don't Act Your Age - Harry, Tonto, Paul, and You Jeffrey Sonnenfeld, Senior Associate Dean, Lester Crown Professor of Management Practice, Yale School of Management At age 44, the maverick satirical filmmaker Paul Mazursky wrote and directed Harry & Tonto, chronicled an old man's unexpected late life struggle against society's selfish coercive pressures to relocate, institutionalize, and infantilize him back into a state of docile dependency. This week, 40 years later, Mazursky, at age 84, himself, became the ultimate victim of aging but not the victim of ageism. He beat ageism by not allowing others define him as "past his prime," "last year's model," "over-the-hill," and any of the other euphemisms aspiring middle-aged combats use to push aside those who appear to block their own career paths. Robert McFadden wrote in his New York Times obituary: Mr. Mazursky was a show-business rarity, almost never out of work in a run of six decades that began as a stage and screen actor in the early 1950s and was still adding credits at the time of his death... For all that, there was an ageless quality about him. Associates said he had boundless energy, the rapid patter of a stand-up comic and an actor's gift for memory. This was the parallel goal of Mazurky's character Harry Combs of Harry & Tonto-- the roles so poignantly played by 55-year-old Art Carney, who earned an Oscar for "Best Actor." As a retired school teacher in his 70s, widower Harry was living in a decaying building where his apartment was a museum of memories -- all artifacts of a life that had past.
    [Show full text]