Volume 41 Number 4 Article 3 June 2013 Bob Dylan and Antithetical Engagement with Culture Jeff Taylor Dordt College,
[email protected] Follow this and additional works at: https://digitalcollections.dordt.edu/pro_rege Part of the Christianity Commons, and the Music Commons Recommended Citation Taylor, Jeff (2013) "Bob Dylan and Antithetical Engagement with Culture," Pro Rege: Vol. 41: No. 4, 16 - 26. Available at: https://digitalcollections.dordt.edu/pro_rege/vol41/iss4/3 This Feature Article is brought to you for free and open access by the University Publications at Digital Collections @ Dordt. It has been accepted for inclusion in Pro Rege by an authorized administrator of Digital Collections @ Dordt. For more information, please contact
[email protected]. Editor’s note: This article was presented by Jeff Taylor at the Christian Evasion of Popular Culture Conference at Dordt College, November 2012. Bob Dylan and Antithetical Engagement with Culture nant trends and institutions of society. His con- version to Christianity in 1978 did not indicate a renuniciation of his countercultural stance. Rather, it was a clarifying, broadening, and deepening of his position. During the past three decades, Dylan has wo- ven his Christian perspective like a thread through his songs (both recorded originals and performed covers). His theology is based on three sources: the ancient Jewish prophetic tradition, the Jesus Movement tradition coming out of the early 1970s, and the Christian tradition in folk-country-and- blues music. Dylan’s example reminds us that en- by Jeff Taylor gagement with popular culture does not necessarily mean endorsement or emulation. It also reminds us that a transformative approach to culture does not On September 11, 2012, Bob Dylan released necessarily mean involvement in electoral politics his thirty-fifth studio album, Tempest, in the or government.