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(Pensumlisten Til «Bob Dylan» Ligger Nedenfor) 200-Nivået
ALLMENN LITTERATURVITENSKAP Valg av seminar og emnekode 200-nivå (Pensumlisten til «Bob Dylan» ligger nedenfor) 200-nivået: Studentene på bachelorprogrammet i litteraturvitenskap må ta ett litteraturteoretisk emne og ett litterært emne på 200-nivået. Litteraturteoretisk emne: ALLV201/ALLV251/KVIK201 Litterært emne: ALLV202/ALLV252/KVIK203/ANT202 For mer informasjon se: Studieplan for Bachelorprogram i litteraturvitenskap. Ett av emnene på 200-nivået må ha bacheloroppgave som eksamensform (ALLV251, ALLV252). Hvis studenter har tatt deler av 200-nivået tidligere i studiet, må vi se i hvert enkelt tilfelle hvilke 200-emner den enkelte må ta. Kontakt studiekonsulent. Seminar høsten 2017: ALLV201/ALLV251 (litteraturteori). Tema: «Lesning av litteratur hinsides mistenksomhetens hermeneutikk» ALLV202/ALLV252 (litterært) Tema: «Bob Dylan» NB! Studenter som ikke ønsker å ta «Lesning av litteratur hinsides mistenksomhetens hermeneutikk» eller «Bob Dylan», kan legge opp et individuelt pensum på ALLV201/202/251/252 i samråd med aktuell faglærer. BOB DYLANS SANGLYRIKK (ALLV202/252/303/304) Kursbeskrivelse Dette er det første kurset ved UiB som utelukkende er viet sangskriveren og sangeren Bob Dylan. Kurset skal gi et innblikk i og overblikk over (utvalgte deler av) hele hans sangverk – og det primære pensum vil bestå av ca. 200 sider sanglyrikk. Sanglyrikk er en lyrisk kunstart, og kursets hovedmål er diktanalytisk: Sangdikt skal analyseres og fortolkes – som litterære kunstverk i seg selv, og også som krysningspunkter av lyriske og musikalske referanser til annen kunst og sanglyrikk. Typiske sanglyriske trekk skal fremheves – ikke minst sangstemmen og andre orallitterære særtrekk. Det er også et mål å lese denne lyrikken i et historisk, ideologisk og sosialt perspektiv, og sekundærlitteraturen (artikler og utdrag svarende til ca. -
FOLK SONGS of WESTERN PENNSYLVANIA George Swetnam
FOLK SONGS OF WESTERN PENNSYLVANIA George Swetnam TJerhaps there are a few here tonight who have memories Jong X enough to recall that this is not the first program the Historical Society of Western Pennsylvania has ever had on folk song. Believe it or not, about 1951 or '52, ifIrecall correctly, Ispoke on the subject of the folk song of this area and brought with me a number of friends, some of whom are here tonight, who were in our folk-singing group. We really brought down the house. It must have been a success, be- cause they have waited twenty years to ask for another talk on the subject. Folk song is a term you all hear. It's commonly used inparlance. Every popular singer, nowadays nearly every rock singer, is referred to as a folk singer, and the new-style songs are referred to as folk, or folk rock, or, in the trade Iguess, they call them "country and western," regardless of where they came from. Iwant to talk to you this evening and present some of the genuine folk songs inthe technical sense of the word. Properly, a folk song is a song of unknown or obscure origin which has been widely adopted as a part of a popular culture and usually has been considerably changed in oral transmission, either by preference, misunderstanding, a tin ear, faulty memory, or for other reasons. Incase anyone may question how such wide changes may come about in tunes or words, or both, I'm asking Vivien Richman to trace how a Scottish border ballad about a young man who was murdered by his sweetheart came along, not rewritten by anybody but gradually changed inpassing from per- son to person until it grew into a playground song familiar,Iam sure,— to nearly every Pittsburgh child, as to nearly every child in America at least until the very latest generation when the radio and TVcaused parents to stop singing to their children. -
Still on the Road 2012 Tour of South and Central America
STILL ON THE ROAD 2012 TOUR OF SOUTH AND CENTRAL AMERICA JANUARY 12 Los Angeles, California Hollywood Palladium Theater Santa Monica, California Groove Masters Studios , Tempest recording sessions APRIL 15 Rio de Janeiro, Brazil Citibank Hall 17 Brasilia, Brazil Ginasio Nilson Nelson 19 Belo Horizonte, Brazil Chevrolet Hall 21 São Paulo, Brazil Credicard Hall 22 São Paulo, Brazil Credicard Hall 24 Porto Alegre, Brazil Pepsi On Stage 26 Buenos Aires, Argentina Teatro Gran Rex 27 Buenos Aires, Argentina Teatro Gran Rex 28 Buenos Aires, Argentina Teatro Gran Rex 30 Buenos Aires, Argentina Teatro Gran Rex MAY 2 Santiago, Chile Movistar Arena 5 Heredia, Costa Rica Palacio de los Deportes 7 Monterrey, Mexico Auditorio Banamex 9 Guadalajara, Mexico Auditorio Telmex 11 Mexico City, Mexico Pepsi Center 12 Mexico City, Mexico Pepsi Center 25 Washington, District Of Columbia East Room, The White House, Medal Of Freedom Ceremony Bob Dylan: Still On The Road – 2012 Tour of South and Central America 33790 Hollywood Palladium Theater Los Angeles, California 12 January 2012 Critics' Choice Movie Awards 1. Blind Willie McTell Bob Dylan (vocal & harmonica), Stu Kimball (guitar), Charlie Sexton (guitar), Donnie Herron (banjo), Tony Garnier (bass), George Recile (drums). Notes. Blind Willie McTell was performed as a tribute to Martin Scorsese. Introduction by Olivia Harrison. Stereo TV recording, 6 minutes. Session info updated 13 January 2012. Bob Dylan: Still On The Road – 2012 Tour of South and Central America 33795 Groove Masters Studios Santa Monica, California January - March 2012 Tempest recording sessions, produced by Jack Frost 1. Duquesne Whistle (Bob Dylan-Robert Hunter/Bob Dylan) 2. -
Still on the Road: 2013 Europe Fall Tour
STILL ON THE ROAD 2013 EUROPE FALL TOUR OCTOBER 10 Oslo, Norway Spektrum 12 Stockholm, Sweden Stockholm Waterfront Auditorium 13 Stockholm, Sweden Stockholm Waterfront Auditorium 15 Copenhagen, Denmark Falconer Salen 16 Copenhagen, Denmark Falconer Salen 18 Hannover, Germany Swiss Life Hall 19 Hamburg, Germany Congress Center Hamburg 20 Hamburg, Germany Congress Center Hamburg 22 Düsseldorf, Germany Mitsubishi Electric Halle 24 Berlin, Germany Tempodrom 25 Berlin, Germany Tempodrom 26 Berlin, Germany Tempodrom 28 Geneva, Switzerland Geneva Arena 30 Amsterdam, The Netherlands Heineken Music Hall 31 Amsterdam, The Netherlands Heineken Music Hall NOVEMBER 2 Milan, Italy Teatro degli Arcimboldi 3 Milan, Italy Teatro degli Arcimboldi 4 Milan, Italy Teatro degli Arcimboldi 6 Rome, Italy Atlantico 7 Rome, Italy Atlantico 8 Padova, Italy Gran Teatro Geox 10 Brussels, Belgium Vorst Nationaal 12 Paris, France Le Grand Rex 13 Paris, France Le Grand Rex 14 Paris, France Le Grand Rex 16 Esch-sur-Alzette, Luxembourg Rockhal 18 Glasgow, Scotland Clyde Auditorium 19 Glasgow, Scotland Clyde Auditorium 20 Glasgow, Scotland Clyde Auditorium 22 Blackpool, England Opera House Theatre 23 Blackpool, England Opera House Theatre 24 Blackpool, England Opera House Theatre 26 London, England Royal Albert Hall 27 London, England Royal Albert Hall 28 London, England Royal Albert Hall Bob Dylan: Still On The Road – 2013 Europe Fall Tour Bob Dylan: Still On The Road – 2013 Europe Fall Tour 35160 Spektrum Oslo, Norway 10 October 2013 1. Things Have Changed 2. She Belongs To Me 3. Beyond Here Lies Nothin' (Bob Dylan-Robert Hunter/Bob Dylan) 4. What Good Am I? 5. Pay In Blood 6. -
INFORMATION SHEET and SYLLABUS You Will Receive an E-Mail Attachment Copy of This Syllabus and It Will Also Be Available on Canvas
LIT 200 / Bob Dylan: Life, Legacy, Literature / Spring 2018/ Hill Page 1 LIT 200 / Section 1 / Bob Dylan: Life, Legacy, and Literature Richard Hill, Ph.D. Point Loma Nazarene University / Spring 2018 2 Credit Hours INFORMATION SHEET AND SYLLABUS You will receive an e-mail attachment copy of this syllabus and it will also be available on Canvas Meeting Time and Place: Tuesdays and Thursdays 6:00-7:45 in Liberty Station 205B Professor: Richard (Rick) Hill / Home phone: 858-270-5227 / Cell Phone 858-366-5221 / E-Mail: [email protected] Office: BAC 112/ Office Phone: 2670 /LJML Dept Phone: 2297 Office Hours: Open: Wed 12:30-1:15 PLNU office /Tues- Thurs 5:30 -6:00 in Liberty Station Classroom Other hours can also be arranged. Knock on the door with a question: Anytime I’m in the office PLNU Mission: To Teach ~ To Shape ~ To Send Point Loma Nazarene University exists to provide higher education in a vital Christian community where minds are engaged and challenged, character is modeled and formed, and service is an expression of faith. Being of Wesleyan heritage, we strive to be a learning community where grace is foundational, truth is pursued, and holiness is a way of life. REQUIRED TEXTS, ONLINE READING, AND AUDIO Dylan, Bob. Chronicles Volume One. New York: Simon and Schuster, 2004. Bobdylan.com. Official Website Bob Dylan. Wikipedia article. https://en.wikipedia.org/wiki/Bob_Dylan Expecting Rain. Obsessive Bob Dylan website. http://www.expectingrain.com/ Selected Songs by Bob Dylan (See page 7 for required items) Optional Items on Library Reserve One or two books per week about or by Dylan will be introduced in class, then placed on library reserve for further perusal. -
The Bob Cats Newsletter 2015-10-16
THE BOB CATS NEWSLETTER OCTOBER 16, 2015. CELEBRATING THE ART AND THE MANY LIVES OF BOB DYLAN. ESTABLISHED 2006 BY PETER HOLST • 9th year and running. HTTPS://THEBOBCATSNEWSLETTER.WORDPRESS.COM Welcome to another edition of the Bob Cats Newsletter. It's night time in the big city and the full moon is yawning above the linden trees of MacArthur Park. A tandem rotor heavy- lift helicopter, Boeing CH-47 Chinook, with a rhinoceros hanging on a wire lands on the flat top roof of the Saint James Hotel, the beast is asleep, safely sedated on etorphine, the pilot’s looking for the zoo, goes downstairs to the reception, asking for directions, the bell boy who’s the kid shows him the way on a map he’s drawing on the back of a telephone book from 1954. The rhinoceros wakes up, it’s hungry, goes looking for food. Mademoiselle Hippolyte de Villemessant from Antibes in a pink track suit and a blue Paris Saint Germain cap, feisty and petite strides the stairs to the top floor for her evening jog beneath a starry sky to the i-pod-music of Hugh Masakela. The pilot puts the extra etorphine shot on the reception desk and studies the makeshift map through his cracked steel framed reading glasses. NEWS FLASH - TOUR 2015 VIDEO: MALMÖ SWEDEN OCTOBER 10, 2015. http://alldylan.com/bob-dylan-malmo-sweden-october-10-2015-audio/ VIDEO: LOVE SICK - OSLO NORWAY OCTOBER 3, 2015. http://alldylan.com/bob-dylan-love-sick-oslo-norway-october-3-2015-video/ VIDEO: EARLY ROMAN KINGS - OSLO NORWAY OCTOBER 3, 2015. -
The Beacon, September 14, 2012 Beacon Staff
Northwestern College, Iowa NWCommons The Beacon, 2012-2013 The Beacon 9-14-2012 The Beacon, September 14, 2012 Beacon staff Follow this and additional works at: https://nwcommons.nwciowa.edu/beacon2012 This News Article is brought to you for free and open access by the The Beacon at NWCommons. It has been accepted for inclusion in The Beacon, 2012-2013 by an authorized administrator of NWCommons. For more information, please contact [email protected]. Volume 85 - Issue 2 September 14, 2012 Big man on campus CONTRIBUTED PHOTO Freshman Preston Hoebelheinrich wears prosthetic legs after undergoing a double amputation to remove a life threatening infection from spreading further. A leg up on the competition BY TYLER LEHMAN the severe infection FEATURES CO-EDITOR from spreading, and he There was a time when received prosthetic legs. Preston Hoebelheinrich Hoebelheinrich has since had legs, but he says he lost any recollection of his can’t remember it. life before the surgery. T h e N o r t h we s t e r n “It was like I was a f r e s h m a n u n d e r we n t newborn baby, but I was six a double amputation at years old. It was like I had the tender age of 6, when just been born,” he said. doctors discovered he had Suddenly confronted a life-threatening infection with a new reality, of bacterial meningitis. Hoebelheinrich struggled H o e b e l h e i n r i c h ’s to cope as a child. -
Bob Dylan's “Mississippi” – an Analysis by Kees De Graaf. Dylan
Bob Dylan’s “Mississippi” – an analysis by Kees de Graaf. Dylan composed this masterpiece during the 1997 recording sessions for the album “Time out of Mind”. Dylan decided not to include this brilliant song on “Time out of mind” and obviously he had his reasons for this decision. However, little must he have realized at the time that it was destiny that caused this song to end up on the 2001 album “Love and Theft”. “Destiny” is a word often used by Dylan in his book “Chronicles”- Volume 1. When asked in his famous 2004 60 minutes CBS television interview why his still out there on stage after so many years he replies: ‘’It goes back to that destiny thing. I mean, I made a bargain with it, you know, long time ago. And I’m holding up my end’’. When asked whom he made that bargain with he replies: “With the Chief Commander, in this earth and in a world we can’t see”. The fact is that the album “Love and Theft” was released on September the 11th 2001, the day when those two planes crashed into two twin towers and the world stood still in shock and agony. “Mississippi” exactly puts into words what happened on that dreadful day to all those unfortunate who were trapped in these towers: “We’re all boxed in, nowhere to escape, trapped in the heart of it, trying to get away, and “Sky full of fire, pain pouring down”. It was as if destiny- the powers from above- had instructed Dylan to hold this prophetic song in his portfolio for more than 4 years and not release it until September the 11th 2001. -
A God of Time and Space
A God of Time and Space Robert W. Kvalvaag and Geir Winje (Eds.) A God of Time and Space NEW PERSPECTIVES ON BOB DYLAN AND RELIGION © 2019 Robert W. Kvalvaag, Geir Winje, Anders Thyrring Andersen, Pål Ketil Botvar, Petter Fiskum Myhr, Gisle Selnes, Erling Aadland and Reidar Aasgaard. The album covers presented in chapter 5 are not included in the CC BY 4.0 licence. The album covers cannot be reused without permission. Album covers are used by the courtesy of Sony Norge. This work is protected under the provisions of the Norwegian Copyright Act (Act No. 2 of May 12, 1961, relating to Copyright in Literary, Scientific and Artistic Works) and published Open Access under the terms of a Creative Commons Attribution 4.0 International (CC BY 4.0) License (https://creativecommons.org/licenses/by/4.0/). This license allows third parties to freely share, copy and redistribute the material in any medium or format as well as adapt, remix, transform, and build upon the material for any purpose, including commercial purposes, provided the work is appropriately credited to the author(s), including a link to the license, and changes, if any, are thoroughly indicated. Attribution can be provided in any reasonable manner, however, in no way that suggests the author(s) endorse(s) the third party or the third party’s use of the work. Third parties are prohibited from applying legal terms or technological measures that restrict others from doing anything permitted under the terms of the license. Note that the license may not provide all of the permissions necessary for an intended reuse; other rights, for example publicity, privacy, or moral rights, may limit third party use of the material. -
Bob Dylan and Antithetical Engagement with Culture
Volume 41 Number 4 Article 3 June 2013 Bob Dylan and Antithetical Engagement with Culture Jeff Taylor Dordt College, [email protected] Follow this and additional works at: https://digitalcollections.dordt.edu/pro_rege Part of the Christianity Commons, and the Music Commons Recommended Citation Taylor, Jeff (2013) "Bob Dylan and Antithetical Engagement with Culture," Pro Rege: Vol. 41: No. 4, 16 - 26. Available at: https://digitalcollections.dordt.edu/pro_rege/vol41/iss4/3 This Feature Article is brought to you for free and open access by the University Publications at Digital Collections @ Dordt. It has been accepted for inclusion in Pro Rege by an authorized administrator of Digital Collections @ Dordt. For more information, please contact [email protected]. Editor’s note: This article was presented by Jeff Taylor at the Christian Evasion of Popular Culture Conference at Dordt College, November 2012. Bob Dylan and Antithetical Engagement with Culture nant trends and institutions of society. His con- version to Christianity in 1978 did not indicate a renuniciation of his countercultural stance. Rather, it was a clarifying, broadening, and deepening of his position. During the past three decades, Dylan has wo- ven his Christian perspective like a thread through his songs (both recorded originals and performed covers). His theology is based on three sources: the ancient Jewish prophetic tradition, the Jesus Movement tradition coming out of the early 1970s, and the Christian tradition in folk-country-and- blues music. Dylan’s example reminds us that en- by Jeff Taylor gagement with popular culture does not necessarily mean endorsement or emulation. It also reminds us that a transformative approach to culture does not On September 11, 2012, Bob Dylan released necessarily mean involvement in electoral politics his thirty-fifth studio album, Tempest, in the or government. -
Counting Down Bob Dylan His 100 Finest Songs 1St Edition Ebook
COUNTING DOWN BOB DYLAN HIS 100 FINEST SONGS 1ST EDITION PDF, EPUB, EBOOK Jim Beviglia | 9781538101872 | | | | | Counting down Bob Dylan His 100 Finest Songs 1st edition PDF Book Home Learning. After exhaling a deep breath, I did find myself simpatico with his analysis of each of these songs. From Wikipedia, the free encyclopedia. Paste Media Group. Be the first to write a review About this product. Andrew McCarron. This foundational volume tackles the iconic Bob Dylan and his nearly year career. This is a fun read for anyone who has been enthralled by the work of this popular music icon who has been entertaining global audiences for a half-century and is still going strong. Oliver Trager. Behind the Shades: The 20th Anniversary Edition. Forever Young by Bob Dylan 4. Steve books 91 friends. Archived from the original on 29 July For more of what the list contains, we recommend you purchase the tome for your library. The work is designed to lead the reader into a comparison of his own opinions with those expressed by the author, and those of other fans. In a reply to a question on the "Ask Lou" section of his website in , singer-songwriter Lou Reed picked "Idiot Wind" as the song he wished he had written. In the mids, Mark Blake. Time to get out the iTunes gift-card. Augustine" Join Goodreads. You could still be writing it, really. Eric Von Schmidt. Flagging a list will send it to the Goodreads Customer Care team for review. Guernica Editions. Unlike other 'best of' lists that can be found online by the hundreds, this publication provides its value in the analysis of each song. -
Q&A with Electro DJ Pumpkin
SoundCheck Arts&Entertainment Artist: The xx Artist: Bob Dylan Album: Coexist Album: Tempest Genre: Post-club rock Genre: Folk BY MYKEL VERNON-SEMBACH BY DANIEL DAW hen The xx opened up ew artists are as ubiquitously with “Intro” on their well-known as Bob Dylan. His self-titled release, the impressive career has spawned F35 studio albums, his most recent be- Wsimple rhythmic guitar became an overwhelming beginning to an ing Tempest, along with several live album that completely dominated and compilation albums. With over 40 both its own genre along with addi- years of performing, there is little to tional genres (Exhibit A: Rihanna’s say about Bob Dylan that hasn’t already “Drunk On Love” samples “Intro” been said. as its harmony.) Tempest showcases Dylan’s lyrcal When The xx opened up with mastery and a unique mix of styles, in- “Angels” on their second release, cluding folk, rock and roll, swing and Celtic. Coexist, it was a disappointment, (Photos courtesy of Pumpkin) to say the least. Unless releasing The album starts off strong with the worst track as a single is some “Duquesne Whistle,” beginning with a new publicity technique, front duo nice swing guitar line that sets the tone Romy Madley Croft and Oliver Sim for the rest of the song. You can hear Q&A with electro DJ Pumpkin made a mistake even placing it on Dylan’s age in his voice, sounding rasp- BY THOMAS STEINHAGEN the album. ier and deeper than in his earlier work. This starts looking up by Even if some consider his voice weaker he Lumberjack reporter Thomas Steinhagen and I love so many different kinds of music.