DOCSLIB.ORG

Download a Charm Trail Map List for Best American Essays

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

ASTORIA: FOODIE RENAISSANCE & ULTIMATE GETAWAY www.oregoncoastmagazine.com Carefree Living FIND YOUR DREAM HOME COAST BUCKET LIST ✓ BUILD A BOAT ✓ FISH THE JETTIES FALL 2018 ✓ HIKE A NEW TRAIL RESORT Stay & Dine on the Ocean’s Edge! Large Indoor Pool & Sauna • Full Restaurant & Lounge Pet Friendly Rooms Available • Unique Gift Shop Weddings • Groups • Reunions A FAMILY DESTINATION! BOOK YOUR MEMORIES TODAY . adoberesort.com 1555 Hwy 101 N Yachats, OR 97498 800-522-3623 TABLE OF CONTENTS FALL 2018 48 48 HOURS IN ASTORIA— Spend a fun weekend FISHING THE ROCKS—Fishing off a jetty is 36in this Columbia River town that offers fascinating 62affordable, relatively easy, and doesn’t require a history along with great restaurants, breweries, and art boat. —Cheryl Wanner galleries. —Marie Sherlock WOODCRAFTER’S PARADISE—At the Coos Bay ASTORIA’S RESTAURANT RENAISSANCE— 66 Boatbuilding Center, you can build everything from 44 a wooden spoon to a red cedar canoe. —Tom Baake From Bosnian comfort food to innovative Northwest cuisine, you’ll find a multitude of options in Astoria’s TIDAL MARSHES— burgeoning restaurant 70 Salt marshes, scene. —Dwight Caswell important contributors to the coastal ecosystem, are wonderful places to observe CAREFREE COASTAL LIVING— If you’re looking birds and the ebb and flow of 48 for an investment that offers views and amenities, tides. —Gail Oberst but not a lot of upkeep, consider a property managed by a homeowners association. —Gail Oberst THE MARKET, 54 THEN AND 62 DEPARTMENTS NOW—Alicia Spooner Coast Lines looks at the coastal real 6 estate market 30 years 8 Incoming Tide after she and her husband Galleries bought this magazine in 10 1988. —Alicia Spooner 12 Take a Hike Sitka Sedge 14 Marine Life Puget Sound Kind Crab ON THE COVER: .A beautiful home in Oceanside, right on the 16 Coastal Happenings beach. —Courtesy Pam Zeilinsky 76 Calendar of Events www.oregoncoastmagazine.com OREGON COAST Fall 2018 3 Writers & Photographers Larry Andreasen lives on the Oregon Adams, his photographs have been Gail Oberst and her family founded Coast and enjoys taking and sharing his exhibited nationally. the Oregon Beer Growler, a craft beer photos from around the state of Oregon. magazine based in Oregon. She is a free- Dennis Frates is an Oregon photogra- lance writer, editor, and publisher as well Tom Baake is a Coos Bay area writer and pher specializing in nature and scenics. as a fifth-generation Oregonian—her photographer who has published three His images have been published in parents were both born on the Oregon South Coast guidebooks available at dozens of national and regional maga- Coast. www.scod.com/guidebooks. zines, calendars, posters, cards, and books. Robert L. Potts has worked in aerial The late Scott Blackman’s photos have photography, wildlands fire and range been published in calendars, websites, Bonnie Henderson is the author of management, and various wildlife billboards, magazines, and the books Day Hiking: Oregon Coast and Strand: An research projects. His photos have Oregon Surfing: Central Coast and Oregon Odyssey of Pacific Ocean Debris. appeared in Oregon Coast, Birder’s World, Surfing: North Coast. Alan Huestis is a professional writer, Country Journal, and many more publi- Joanne Carroll-Huemoeller special- videographer, and photographer from cations. izes in marine life subjects of the Pacific Bend, Oregon. With deep Oregon roots, Marie Sherlock is a Portland, Oregon- Northwest. Her education and marine Alan has spent 25 years shooting all over based freelance writer and author science background led to the publica- the world but his favorite place is the whose work has appeared in Family tion of her work in books, magazines, Oregon Coast—wild, beautiful, mystical. Circle, Seattle’s Child, Money, Portland and calendars. It’s all there along the Coast. Parent, and other magazines. She’s had a lifelong love affair with the Oregon Dwight Caswell is a writer and pho- Larry Geddis has been a resident Coast and writes frequently about its tographer in Astoria. A graduate of of Oregon since 1979 and is a former virtues as a travel destination. Stanford and the University of Chicago, schoolteacher. He now pursues a career he has written extensively about the in outdoor photography and resides in Craig Tuttle is a Portland, Oregon-based north Oregon coast. A student of Ansel Gresham. professional scenic photographer, with four coffee table books and numerous Visit the coast throughout the year calendars to his credit. His first profes- sional photo was published in Oregon Coast magazine in 1984. Cheryl Wanner is a freelance writer and Subscribe to Magazine photographer with a passion for writing YA novels. She lives in McMinnville, Oregon. Each Subscription Includes a Beautiful Scenic Calendar NOTICE TO CONTRIBUTORS Subscribe for 2 years & save even more! ❏ One Year $21.95 ❏ Two Years $35.95 Contributions from writers, photogra- NAME phers, and artists are welcome, but ADDRESS APT the safety or return of unsolicited material cannot be guaranteed. If you CITY STATE ZIP want your materials returned, send a PHONE # self-addressed stamped envelope ❏ MY CHECK IS ENCLOSED ❏ BILL ME DIRECTLY with sufficient postage. We prefer PLEASE CHARGE MY: ❏ AMERICAN EXPRESS ❏ MASTERCARD ❏ VISA story solicitations to be sent by email ACCOUNT # to [email protected] and EXP DATE CSV CODE we prefer photo submissions to be SHIPPING: US NONE CANADIAN $22.50 FOREIGN $46.00 sent by Dropbox. Send invite to FOR FASTER SERVICE, CALL 1-800-348-8401 TOLL FREE [email protected]. 4 Fall 2018 OREGON COAST www.oregoncoastmagazine.com Stay • Play • Dine on the beach in Lincoln City I 1-877-644-3234 I CHINOOKWINDSCASINO.COM COAST LINES HIRTY YEARS AGO, Rob and I embarked on our adventure to the Oregon Coast, where we had just bought Oregon Coast magazine. Rob Tknew all about publishing a magazine because he had been associate publisher of a great magazine in Seattle called Pacific Northwest. I worked for a CPA firm in Bremerton as an accountant. When I arrived on scene, Russ and Nell Heggen, the previous owners, said, “You’re in charge of the editing. Don’t change anything.” I told them I knew nothing about editing a magazine and they said “It’s easy, just don’t change anything.” Nell showed me a rolling file cabinet and said, “Here are some stories people have sent in. Just go through and pick some out and send them to our editor.” After our editor, Vickie Nelson, was through with the story, she would send it over to the designer. She would put the galleys together and when it was done, I would take it to the printer. It wasn’t very long before I wanted to change something. I wasn’t very happy with the covers and this new photographer, Scott Blackman, had started sending me some amazing photos. I finally got up the nerve and told Betsy, the designer, that I wanted to use one of Scott’s photos for the cover. Scott had a way of catching the abstract and he had done a photo of a kite that framed people standing on a beach. Betsy argued but I managed to get my way. That was the beginning of a great friendship between Scott and our readers. We lost that great friend this summer when Scott Blackman passed away at 80 years old. Scott was born and raised in Waldport. After serving in the military, he became a photographer—and a dedicated surfer— on the central coast. He started taking pictures of local surfers in the early 1960s and never stopped, eventually publishing, with his wife Sandy, two books on Oregon surfing. Besides the many wonderful images that have appeared in this magazine, Scott’s images were featured in national and international publications, including Der Spiegel (Germany’s equivalent of Life magazine), the New York Times Magazine and McGraw-Hill textbooks. One of Scott’s full-page photos appears in this issue on page 9. Also in this issue, Marie Sherlock offers travel-savvy tips on spending a weekend in Astoria (page 36), while Dwight Caswell tempts us with his story on Astoria’s restaurant renaissance (page 44). Gail Oberst shares her love of low-maintenance, high-fun real estate—i.e., condos and townhouses (page 48)—and I wrote a story on how the coastal real estate market has waxed, waned, and waxed again in the 30 years since we bought this magazine (page 54). While researching my real estate article, I came across the publisher’s column that my husband Rob wrote in the October/November 1988 issue. It was so entertaining that we just had to share it with you (see facing page). Among other offerings in the pages ahead, you’ll find a story about tidal marshes, those magical places where saltwater meets fresh, and one about a woodworking center in Coos Bay where you can build every- thing from a simple wooden spoon to a functioning boat. It’s been great fun putting together this issue, and we hope you enjoy it as much as we did! Alicia Spooner Follow us on Twitter at OregonCoastMag Follow us on Facebook at facebook.com/OregonCoastMagazine 6 Fall 2018 OREGON COAST www.oregoncoastmagazine.com PUBLISHER Alicia Spooner [email protected] EDITOR Rosemary Howe Camozzi [email protected] MANAGING EDITOR Emily Kolkemo [email protected] ART DIRECTOR Darcy Jeffs AD DESIGNER zPaula Korte ADVERTISING SALES Long Beach, WA thru Tillamook County Jaci Spooner 541-999-7083 [email protected] Lincoln County thru Bandon Marji Brown 541-999-7616 [email protected] Port Orford thru Northern CA Barbara Ciaramella 541-661-2117 [email protected] AD COORDINATOR Marji Brown [email protected] DISTRIBUTION Subscription questions Lyn Winona [email protected] www.OregonCoastMagazine.com TO RENEW, SUBSCRIBE OR CHANGE ADDRESS Go online to ocm.magserv.com or call 818-286-3163 or send to Oregon Coast Magazine, P.O.
Recommended publications
  • 'British Small Craft': the Cultural Geographies of Mid-Twentieth

    'British Small Craft': the Cultural Geographies of Mid-Twentieth

    ‘British Small Craft’: the cultural geographies of mid-twentieth century technology and display James Lyon Fenner BA MA Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy August 2014 Abstract The British Small Craft display, installed in 1963 as part of the Science Museum’s new Sailing Ships Gallery, comprised of a sequence of twenty showcases containing models of British boats—including fishing boats such as luggers, coracles, and cobles— arranged primarily by geographical region. The brainchild of the Keeper William Thomas O’Dea, the nautical themed gallery was complete with an ocean liner deck and bridge mezzanine central display area. It contained marine engines and navigational equipment in addition to the numerous varieties of international historical ship and boat models. Many of the British Small Craft displays included accessory models and landscape settings, with human figures and painted backdrops. The majority of the models were acquired by the museum during the interwar period, with staff actively pursuing model makers and local experts on information, plans and the miniature recreation of numerous regional boat types. Under the curatorship supervision of Geoffrey Swinford Laird Clowes this culminated in the temporary ‘British Fishing Boats’ Exhibition in the summer of 1936. However the earliest models dated back even further with several originating from the Victorian South Kensington Museum collections, appearing in the International Fisheries Exhibition of 1883. 1 With the closure and removal of the Shipping Gallery in late 2012, the aim of this project is to produce a reflective historical and cultural geographical account of these British Small Craft displays held within the Science Museum.
  • Fishing Gear and Methods for Off-Shore Fishing in Sri Lanka

    Fishing Gear and Methods for Off-Shore Fishing in Sri Lanka

    Fishing gear and methods for off-shore fishing in Sri Lanka Item Type article Authors Pajot, G. Download date 04/10/2021 19:48:40 Link to Item http://hdl.handle.net/1834/32871 Fishing Gear and Methods for OJf=Shore Fishing in Sri Lanka By G. PAJOT* P.reface This paper describes the commercially viable off-shore fishing methods for catching known commercial resources available around Sri Lanka. Also the in-shore fishing methods such ::l.S bait fishery which are related and of prime importance for carrying out certain off-shore methods are described. This paper may serve as a background material for the description of fishing methods and to discussions on their various aspects connected with the operation of those fisheries. Introduction Fishing methods to be applied are determined by known commercially exploitable resources within operating range from a base. As discussed by Dr. Sivasubramaruam on the prevwus paper the Known commercmuy exploitable 1·esomces are of pelagic nature. Deep-sea demersal resources are stili unknown and no commercial scale fishery have even been done and should not be without further experimental investigation which would determine the future commercial value of such resomce· and indicate what vessel, gear technology should be used. As a result the fishing methods to be discussed are as follows : (1) Long lining for large pelagic species such as large Tuna (YeHow:fin, Bigeye), Shark, spearfish and others ; (2) Driftnetting for small and large Tuna species (Skipjack, YeUow:fin and others), shark, spearfish, etc. ; (3) Pole and line for small deep-sea pelagic species such as Skipjaclc, YeUowfi.n, Frigate mackerel, etc.; (4) Purse seining (small scale) for small pelagic species suitable as bait fish for pole and line and longline fisheries.
  • Audit Maritime Collections 2006 709Kb

    Audit Maritime Collections 2006 709Kb

    AN THE CHOMHAIRLE HERITAGE OIDHREACHTA COUNCIL A UDIT OF M ARITIME C OLLECTIONS A Report for the Heritage Council By Darina Tully All rights reserved. Published by the Heritage Council October 2006 Photographs courtesy of The National Maritime Museum, Dunlaoghaire Darina Tully ISSN 1393 – 6808 The Heritage Council of Ireland Series ISBN: 1 901137 89 9 TABLE OF CONTENTS 1. INTRODUCTION 4 1.1 Objective 4 1.2 Scope 4 1.3 Extent 4 1.4 Methodology 4 1.5 Area covered by the audit 5 2. COLLECTIONS 6 Table 1: Breakdown of collections by county 6 Table 2: Type of repository 6 Table 3: Breakdown of collections by repository type 7 Table 4: Categories of interest / activity 7 Table 5: Breakdown of collections by category 8 Table 6: Types of artefact 9 Table 7: Breakdown of collections by type of artefact 9 3. LEGISLATION ISSUES 10 4. RECOMMENDATIONS 10 4.1 A maritime museum 10 4.2 Storage for historical boats and traditional craft 11 4.3 A register of traditional boat builders 11 4.4 A shipwreck interpretative centre 11 4.5 Record of vernacular craft 11 4.6 Historic boat register 12 4.7 Floating exhibitions 12 5. ACKNOWLEDGMENTS 12 5.1 Sources for further consultation 12 6. ALPHABETICAL LIST OF RECORDED COLLECTIONS 13 7. MARITIME AUDIT – ALL ENTRIES 18 1. INTRODUCTION This Audit of Maritime Collections was commissioned by The Heritage Council in July 2005 with the aim of assisting the conservation of Ireland’s boating heritage in both the maritime and inland waterway communities. 1.1 Objective The objective of the audit was to ascertain the following:
  • Gaelic Names of Plants

    Gaelic Names of Plants

    [DA 1] <eng> GAELIC NAMES OF PLANTS [DA 2] “I study to bring forth some acceptable work: not striving to shew any rare invention that passeth a man’s capacity, but to utter and receive matter of some moment known and talked of long ago, yet over long hath been buried, and, as it seemed, lain dead, for any fruit it hath shewed in the memory of man.”—Churchward, 1588. [DA 3] GAELIC NAMES OE PLANTS (SCOTTISH AND IRISH) COLLECTED AND ARRANGED IN SCIENTIFIC ORDER, WITH NOTES ON THEIR ETYMOLOGY, THEIR USES, PLANT SUPERSTITIONS, ETC., AMONG THE CELTS, WITH COPIOUS GAELIC, ENGLISH, AND SCIENTIFIC INDICES BY JOHN CAMERON SUNDERLAND “WHAT’S IN A NAME? THAT WHICH WE CALL A ROSE BY ANY OTHER NAME WOULD SMELL AS SWEET.” —Shakespeare. WILLIAM BLACKWOOD AND SONS EDINBURGH AND LONDON MDCCCLXXXIII All Rights reserved [DA 4] [Blank] [DA 5] TO J. BUCHANAN WHITE, M.D., F.L.S. WHOSE LIFE HAS BEEN DEVOTED TO NATURAL SCIENCE, AT WHOSE SUGGESTION THIS COLLECTION OF GAELIC NAMES OF PLANTS WAS UNDERTAKEN, This Work IS RESPECTFULLY INSCRIBED BY THE AUTHOR. [DA 6] [Blank] [DA 7] PREFACE. THE Gaelic Names of Plants, reprinted from a series of articles in the ‘Scottish Naturalist,’ which have appeared during the last four years, are published at the request of many who wish to have them in a more convenient form. There might, perhaps, be grounds for hesitation in obtruding on the public a work of this description, which can only be of use to comparatively few; but the fact that no book exists containing a complete catalogue of Gaelic names of plants is at least some excuse for their publication in this separate form.
  • Descarregueu L'article En

    Descarregueu L'article En

    Català Castellà aa a (alfa) a (alfa) a aixopluc a cubierto a altes hores a altas horas a babor tota a babor toda a babord a babor a babord i a estribord a babor y a estribor a babord l'arjau a babor el timòn a babord tot a babor todo a babord una mica a babor un poco a babord vermell i clar ! a babor rojo i claro a baix abajo a baix ! abajo ! a baix tots ! a bajo todos a banda i banda a banda y banda a barbes de gat a barbas de gato a besar a besar a bloc a bloque a boca de llop a boca de lobo a bon viatge a buen viaje a bon viatge les àncores a buen viaje las anclas a bord a bordo a cel obert a cielo abierto a cenyir a ceñir a cobert de . a cubierto de de . a compte i risc de a cuenta y riesgo a cop de xiulet a golpe de pito a dalt a arriba a dalt arriba a darrera hora a última hora a encesa de llum al encenderse la luz a estribord a estribor a estribord el timó a estibor el timòn a estribord l’arjau a estibor el timòn a estribord major i gàbia a estribor mayor i gavia a estribord una mica a estribor un poco a favor del corrent a favor de la corriente a fil de a filo de a fil de roda a filo de roda a fil de vent al filo del viento a flor d'aigua a flor de agua a flot aflote a fons a fondo a fosques a oscuras a granel a granel a l’hora baixa a la puesta del sol a l’hora orada a última hora a la banda a la banda a la bretona a la bretona a la capa a la capa a la crugia en la crujía a la deriva a la deriva a la fluixa a la cacea a la fonda fondeado a la gareta a la garete a la gareta al garete a la llarga a la larga a la lleva a la leva a la menuda a granel a la menuda a granel a la quadra a la cuadra a la revolada a la revolada a la ronsa a la ronza a la sirga a la sirga a la vegada a la vez a la veu a la voz a la veu al habla a la veu al habla a la via ! a la vía ! a l'abordatge al abordaje a l'abric de .
  • BOAT QUIZ the Answers Are All Types of Vessel. Bon Voyage!

    BOAT QUIZ the Answers Are All Types of Vessel. Bon Voyage!

    BOAT QUIZ The answers are all types of vessel. Bon voyage! 1. A headless short play. 5 Ketch 2. A flour sifter. 7 Dredger 3. An optically amplified beam. 5 Laser 4. Push your way through. 5 Barge 5. A plastic bag for carrying a Lightning. 7, 7 Aircraft carrier 6. Used for making pastry shapes? 6 Cutter 7. A child’s punishment that’s banned. 5 Smack 8. A gamble on the river. 4 Punt 9. For resting glasses on. 7 Coaster 10. Why err when you can change it to a Broads vessel? 6 Wherry 11. A snow runner made from Whitby stone? 3, 3 Jet ski 12. It belongs to me this brush. 11 Minesweeper 13. Built from gopher wood. 3 Ark 14. A dog’s shout on the radio. 6 Barque 15. A prison aboard a ship and a ship. 4 Brig 16. Wet aluminium sheeting can be speedy. 9 Hydrofoil 17. About ancient Greek fount of all knowledge. 7 Coracle 18. A dinghy cracked in the Lady of Shalott. 6 Mirror 19. A palindromic Innuit vessel. 5 Kayak 20. Origami for instance at the top of the stairs? 7,5 Landing Craft 21. To break wind for a change. 4 Raft 22. A weight between light and heavy. 7 Cruiser 23. Eight pints full of energy maybe Spanish. 7 Galleon 24. Parahandy’s vessel is out of breath. 6 Puffer 25. Extracted from Adam. 3 RIB 26. You might drink sherry from this multimaster. 8 Schooner 27. The loan god must change before a canal ride in Italy.
  • Irish Landscape Names

    Irish Landscape Names

    Irish Landscape Names Preface to 2010 edition Stradbally on its own denotes a parish and village); there is usually no equivalent word in the Irish form, such as sliabh or cnoc; and the Ordnance The following document is extracted from the database used to prepare the list Survey forms have not gained currency locally or amongst hill-walkers. The of peaks included on the „Summits‟ section and other sections at second group of exceptions concerns hills for which there was substantial www.mountainviews.ie The document comprises the name data and key evidence from alternative authoritative sources for a name other than the one geographical data for each peak listed on the website as of May 2010, with shown on OS maps, e.g. Croaghonagh / Cruach Eoghanach in Co. Donegal, some minor changes and omissions. The geographical data on the website is marked on the Discovery map as Barnesmore, or Slievetrue in Co. Antrim, more comprehensive. marked on the Discoverer map as Carn Hill. In some of these cases, the evidence for overriding the map forms comes from other Ordnance Survey The data was collated over a number of years by a team of volunteer sources, such as the Ordnance Survey Memoirs. It should be emphasised that contributors to the website. The list in use started with the 2000ft list of Rev. these exceptions represent only a very small percentage of the names listed Vandeleur (1950s), the 600m list based on this by Joss Lynam (1970s) and the and that the forms used by the Placenames Branch and/or OSI/OSNI are 400 and 500m lists of Michael Dewey and Myrddyn Phillips.
  • Final New River Plan 2004

    Final New River Plan 2004

    U.S. DEPARTMENT OF THE INTERIOR Bureau of Land Management Coos Bay District Office, 1300 Airport Lane, North Bend, OR 97459 NEW RIVER AREA OF CRITICAL ENVIRONMENTAL CONCERN MANAGEMENT PLAN Updated May 2004 ii iii iv VISION STATEMENT New River is a dynamic, ever-changing system influenced by biological, climatological, geo-physical, and fluvial processes. The river and adjacent lands administered by the Bureau of Land Management (BLM) are in a special management category known as the New River Area of Critical Environmental Concern (ACEC). The New River ACEC is managed to maintain biodiversity and quality habitats for native communities of plants, birds, animals, and fish. It also provides protection to cultural sites and affords educational, interpretive, and recreational opportunities to the visiting public in a manner consistent with the primary goals of protecting natural and cultural resources. BLM’s vision of the New River area includes protecting or enhancing habitats for a diversity of wildlife and plant species. Varied ecosystems such as meadows, forests, wetlands, coastal lakes, open sand dunes, and the New River estuary will continue to support this biodiversity. This includes a more stable meandering river with greater riparian vegetation. BLM also envision a visiting public that will appreciate and enjoy the varied ecosystems protected at New River in a way that will not degrade the naturalness of the setting or the quality of the visitor experience. BLM will manage the ACEC primarily for non-motorized public use that is compatible with the semi-primitive natural setting evident throughout most of the area. v vi TABLE OF CONTENTS Vision Statement .
  • United States National Museum

    United States National Museum

    GREAT INTERNATIONAL FISHERIES EXHIBITION. LONDON, 1883. UNITED STATES OF AMERICA. J. CATALOGUE APPARATUS FOR THE CAPTURE OF FISH EXHIBITED BY THE UNITED STATES NATIONAL MUSEUM. R. EDWARD EARLL, Curator of the Fisheries Collections, U. S. National Museum, and Assistant U. S. Fish Commission. WASHINGTON: GOVERNMENT PRINTING OFFICE. 1884. 825 — TABLE OF CONTENTS. A.—APPARATUS OF DIRECT APPLICATION. I.—Hand Implements. * FOR STRIKING. Page. 1. Unarmed clubs 9 Seal clubs - 9 Fish clubs 9 Drawings illustrative of fisheries in which clubs are employed 10 ** FOR CUTTING. 2. Knives ---- 10 Aboriginal knives 10 Sheath knives 12 Modern fish-knives 13 Rimming knives or plows 19 Scrapers and inshaves 20 Net-mender's knives 21 21 3. Axes and cutting spades Axes proper - 21 Spades 21 Clam and bait choppers 23 *** FOR THRUSTING. 23 4. Thrusting-spears and prods Lances 23 Prodding instruments 26 II. Implements for Seizure of Objects. 5. Scoops Shovels 27 Dip-nets - 27 Dredges 30 Smooth dredges 30 Toothed dredges and rakes 32 de- * The classification here adopted is, with a few unimportant exceptions, that vised by Prof. G. Brown Goode, and employed by him in his catalogue of the Government exhibit at the Centennial Exhibition at Philadelphia in 1876 of appara- of the fishery apparatus exhibited tus for the capture of animals ; and in his catalogue bv the United States at the Berlin Fisheries Exhibition in 1880. 827 [3] 828 FISHERIES OF THE UNITED STATES. 6. Grasping implements Tongs Nippers 7. Hooked instruments (those used with a single motion, that of hooking).. Single-pointed hooks Gaff-hooks Fish sounders Many-pointed hooks Fish forks or pews Squid forks Many-pointed fish jigs Oulachon rakes Squid jigs 8.
  • Oregon's Spectacular Coast

    Oregon's Spectacular Coast

    Oregon’s Spectacular Coast Oregon Coast – Images by Lee Foster by Lee Foster The 363-mile Oregon coast is one of the world’s spectacular parks because it is all public land, owned by the people of Oregon. Legislative action in 1913 and in 1967 set aside the coastline for “free and uninterrupted use” of the people. Billboards are controlled, making the appearance entirely unlike the Southern California coast, for example. Oswald West, the governor who defended the public coastline early in the century, tapped a progressive strain in Oregonians that remains alive today. In the past, when Oregon assumed a somewhat smug “Visit But Don’t Stay” attitude of provincial isolationism toward outsiders, the Oregon coast was one of the state amenities that citizens meant to protect. In 1973 the state’s landmark returnable-bottle bill insured that the coast, as well as the rest of Oregon, would remain relatively litter-free. This rugged coast offers unusual diversity to the traveler. If forced to select one superlative element that distinguishes it, a good choice would be the huge dunes in the 32,000-acre Oregon Dunes National Recreation Area, located about two-thirds of the way down the coast. Mile after mile of monumental, shifting sand dunes remind one of Death Valley in California. Aside from the dunes, the Oregon coast offers forests, seashore, beach combing, camping, tide pools, and fishing. There are 74 state parks and recreation areas along the roadway, including some that preserve virgin vestiges of some of the greatest coniferous forest in North America. The parks beckon the traveler to leave the car and actively enjoy the beach, the trails, and the hillsides with a walk.
  • Harold MABERN: Teo MACERO

    Harold MABERN: Teo MACERO

    This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Harold MABERN: "Workin' And Wailin'" Virgil Jones -tp,flh; George Coleman -ts; Harold Mabern -p; Buster Williams -b; Leo Morris -d; recorded June 30, 1969 in New York Leo Morris aka Idris Muhammad 101615 A TIME FOR LOVE 4.54 Prest PR7687 101616 WALTZING WESTWARD 9.26 --- 101617 I CAN'T UNDERSTAND WHAT I SEE IN YOU 8.33 --- 101618 STROZIER'S MODE 7.58 --- 101619 BLUES FOR PHINEAS 5.11 --- "Greasy Kid Stuff" Lee Morgan -tp; Hubert Laws -fl,ts; Harold Mabern -p; Boogaloo Joe Jones -g; Buster Williams -b; Idriss Muhammad -d; recorded January 26, 1970 in New York 101620 I WANT YOU BACK 5.30 Prest PR7764 101621 GREASY KID STUFF 8.23 --- 101622 ALEX THE GREAT 7.20 --- 101623 XKE 6.52 --- 101624 JOHN NEELY - BEAUTIFUL PEOPLE 8.33 --- 101625 I HAVEN'T GOT ANYTHING BETTER TO DO 6.04 --- "Remy Martin's New Years Special" James Moody Trio: Harold Mabern -p; Todd Coleman -b; Edward Gladden -d; recorded December 31, 1984 in Sweet Basil, New York it's the rhythm section of James Moody Quartet 99565 YOU DON'T KNOW WHAT LOVE IS 13.59 Aircheck 99566 THERE'S NO GREEATER LOVE 10.14 --- 99567 ALL BLUES 11.54 --- 99568 STRIKE UP THE BAND 13.05 --- "Lookin' On The Bright Side" Harold Mabern -p; Christian McBride -b; Jack DeJohnette -d; recorded February and March 1993 in New York 87461 LOOK ON THE BRIGHT SIDE 5.37 DIW 614 87462 MOMENT'S NOTICE 5.25 --- 87463 BIG TIME COOPER 8.04 --- 87464 AU PRIVAVE
  • The Johnny Griffin Orchestra Big Soul Band & White

    The Johnny Griffin Orchestra Big Soul Band & White

    The Johnny Griffin Orchestra Big Soul Band & White Gardenia mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Big Soul Band & White Gardenia Country: Spain Released: 2012 Style: Soul-Jazz MP3 version RAR size: 1945 mb FLAC version RAR size: 1707 mb WMA version RAR size: 1610 mb Rating: 4.2 Votes: 511 Other Formats: DXD AHX ADX AU VQF AC3 AUD Tracklist 1 Wade In The Water 3:47 2 Panic Room Blues 4:34 3 Nobody Knows The Trouble I've Seen 2:42 4 Meditation 8:18 5 Holla 3:36 6 So Tired 6:35 7 Deep River 5:27 8 Jubilation 3:57 9 Gloomy Sunday 4:07 10 That Old Devil Called Love 3:51 11 White Gardenia 3:19 12 God Bless The Child 3:18 13 Detour Ahead 4:33 14 Good Morning, Heartache 4:13 15 Don't Explain 4:45 16 Travelin' Light 4:09 17 No More 4:01 18 Left Alone 2:56 Notes Tracks 1-8 from the album "Big Soul Band" recorded at Plaza Sound Studios, NYC, 1960 Trackes 9-18 from the album "White Gardenia" recorded at Plaza Sound Studios, NYC, 1961 Barcode and Other Identifiers Barcode: 8 427328 607230 Related Music albums to Big Soul Band & White Gardenia by The Johnny Griffin Orchestra Nat "King" Cole - Blue Gardenia / Can't I Josh White - Good Morning Blues - The Josh White Stories Gardenia - Chiquita Linda Mark Lanegan Band - Play Blues Funeral, Mexico City, Plaza Condesa, 9/4/2012 Bob Brookmeyer Orchestra, The - Gloomy Sunday And Other Bright Moments Barry White / Big Mama Thornton & Her Hounddogs - Tracy (All I Have Is You) / Wade In The Water Billy Vaughn And His Orchestra - Live At Nakano Sun Plaza Hall William "Wild Bill" Moore - Bottom Groove White River Bluegrass Band, The - The White River Bluegrass Band Johnny Adams - Good Morning Heartache Eric Jupp And His Players - Love In Bloom Nat King Cole - Blue Gardenia / Can't I.