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Argentinian and Latin America History of Art Academic Year: 2016 Campus: Buenos Aires Duration: Anual Course: 2Nd Year Professor: Alicia Martin Contact Hours: 36

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Argentinian and Latin America History of Art Academic Year: 2016 Campus: Buenos Aires Duration: Anual Course: 2Nd Year Professor: Alicia Martin Contact Hours: 36 Degree Program: Tourism Course: Argentinian and Latin America History of Art Academic Year: 2016 Campus: Buenos Aires Duration: Anual Course: 2nd Year Professor: Alicia Martin Contact Hours: 36 Course Description: The course is necessary to understand the artistic and cultural production in Argentina and Latin America. Enabling students of Tourism a knowledge of different cultures and artistic expressions through the analysis of painting, sculpture and architecture that will serve to contextualize and analyze diversity in the search of a Hispanic identity. Objectives: Students will be able to: - Understand and contextualize the main artistic and cultural expressions of Argentina and Latin America. - Understand through a critical judgment on the issues raised in the highlights of the history of Argentine and Latin American Art. - Use art as a necessary tool for understanding the historical and sociocultural reality. Course Schedule I AméricaPrehispánica – Pre-Hispanic America Mesoamerica. Mexico: Primary cultures of the Gulf Coast Region of Oaxaca, Mexico Valley and Maya area. Andean cultures. Peru: Cultures of the coast. Saw cultures: Chavin, Paracas, Mochica, Nazca, Tiahuanaco -Huari, Chimu, Inca. Argentine: Northwest Zone. Prehispanicpaintings. II América Hispana – Hispanic America The meeting of two cultures.The temple fortress. Open chapels. Examples: Huejotzingo. Acolman and actopan. The great American cathedrals: Cathedral of Mexico and Puebla. The ultrabaroque eighteenth century: Taxco and Puebla. Peru .The Limeñaarchitecture, Cuzco, Arequipa. Bolivia. The Paceña and Potosina architecture. Brazil. The Portuguese Baroque.The mining Baroque. Minas Gerais. Overview of colonial painting , main schools : Quito , Limeña , Cuzco and Potosina. Featured carvers.Altarpieces.Pulpits and Images of worship. The Jesuits: Cultural Project, Misiones and stays. Jesuitic Art III Argentina Architecture. Main features of the architecture of Buenos Aires : Different periods Architecture: colonial period, post colonial , neo gothic, neo classical. The Italian and French influence. Eclecticism.The architecture of the national restoration. The Art Nouveau.The Art Deco.The International style.The Rationalist architecture.The latest trends. Main features of the Regional Architecture: North , Central, Cuyo , Litoral. Painting. Religious paintings from the colonial era.The nineteenth century.The arrival of traveling artists.The manners. Vidal, Bacle ,Pellegrini. The precursors. Carlos Morel, PueyrredónPrilidiano . CándidoLópez and his "naive realism". Eighty generation. Sivori. E. Cárcova .Della Valle. Giuduci.The twentieth century. The turn of the century Impressionism . Martin Malharro . The Nexus Group: Fader. Collivadino.Quirós.Ripamonte.The Martín Fierro group or Florida.Boedo Group. The group La Boca. The Social Realism .Continuadores: Berni. Spilimbergo, Castagnino. The Paris group.Surrealism and the Orion Group. The followers .Art concrete invention.MadiArt .The Informalismo.The New Figuration.Latesttrends. Sculpture. Colonial sculpture and iconographic changes that occur in the nineteenth century. Joseph Dubourdieu . Elias Duteil . The sculpture in the early twentieth century. Foreign artists . Rodin, Bourdelle . The first Argentine sculptors F. Cafferata .L .Correa Morales. Rogelio Irurtya . Lola Mora. José Fioravanti . The Cubist sculpture.The concrete sculpture.The latest trends. The sculpture of the centenary. Monuments of the communities. The monuments and historical places of Argentina as touristic attractions Course Requirements Students must comply with written papers based on the work and topics dealt with in class, in addition to complying with appropriate attendance standards. Participation in class will be continually assessed. Mid-Term Assessment: Students will have to pass two written mid-terms and one essay per tem. Final Examination Students must pass an oral final examination in which they must demonstrate the analytical handling of all topics dealt with. Required and Supplementary Reading. A selection of translated chapters of the following: ALONSO, RODRIGO [Dir.] Sistemas, acciones y procesos. 1965 – 1975, Buenos Aires, Proa, 2011. ALONSO, RODRIGO, Berni y las representaciones argentinas en la Bienal de Venecia, Buenos Aires, Colección Fortabat, 2013. BATTITI, FLORENCIA Y CINTA MEZZA, CINTIA, Artistas de la Boca, Buenos Aires, Centro Virtual de Arte Argentino, 2006. En www.buenos aires.gob.ar/areas/cultura/arteargentino LAURIA, ADRIANA, Arte concreto en Argentina, Centro Virtual de Arte Argentino, 2003, En www.buenos aires.gob.ar/areas/cultura/arteargentino LÓPEZ ANAYA, Jorge, El Informalismo en la Argentina, Buenos Aires, Centro virtual de Arte Argentino, 2003.En www.buenos aires.gob.ar/areas/cultura/arteargentino OLIVERAS, ELENA,Arte cinético y neocinetismo. Hitos y nuevas manifestaciones en el siglo XXI, Buenos Aires, Emecé, 199 . SARTI, GRACIELA,El Grupo CAyC, Buenos Aires, Centro virtual de Arte Argentino, 2013. En www.buenos aires.gob.ar/areas/cultura/arteargentino SUAREZ GUERRINI, FLORENCIA Y OTROS,Usos de la ciencia en el arte argentino contemporáneo, Buenos Aires, Papers, 2010. USUBIAGA, VIVIANA, “Los ’80 en el MAM: La instalación como balance y proyección de una década” en Herrera, María José [Dir.] Exposiciones de Arte Argentino y Latinoamericano. Curaduría, diseño y políticas culturales, Córdoba, Escuela Superior de Bellas Artes. Dr. Figueroa Alcorta, 2011. OCTAVIO PAZ,El Arte de México: Materia y Sentido. Artes Rituales del Nuevo Continente. América Pre-Colombina,Skira. LOPEZ AUSTIN, A- LOPEZ LUJÁN, L. El Pasado Indígena, México, FCE, 1996. PASZTORY, ESTHER,Teotihuacan en la Antigua América, México, Azabache, 1993. BURGER, R.,El Centro Sagrado de Chavín de Huantar en la Antigua América, México, The Art Institute of Chicago, 1993. KOLATA, A Y PONCE SANGINÉS, C.Tiwanaku, La Ciudad del Medio, en la Antigua América, México, The Art Institute of Chicago, 1993. Gordillo, Inés y Kusch, María Florencia, Aguada Por una Aproximación Iconográfica. Pueblos Hombres y Formas en el Arte. Arte Colonial, Características Generales. Conventos y Monasterios Mexicanos. Apogeo del Barroco Mexicano. Arquitectura Colonial en Bolivia y Perú. Bollini, Horacio, Misiones Jesuíticas, Visión Artística y Patrimonial. Buenos aires. Corregidor, 2009. MAGAZ MARÍA DEL CARMEN. Escultura y Poder en el Espacio Público. Acervo Editora Argentina. Burbridge, Horacio A. Turismo religioso y santuarios, una propuesta para la Argentina Comisión Episcopal de Migraciones y Turismo Secretariado Nacional para la pastoral del Turismo Bs.As, 1992. Marina Waisman, Documentos para una historia de la arquitectura argentina Ediciones SUMA EUDEBA.(autores varios) .- Arquitectura en la Argentina. Buenos Aires l980. Parera, Ricardo (coordinación) La arquitectura del Liberalismo en la Argentina. Editorial Sudamericana Bs.As l968. Gutierrez, Ramón. "Presencia y continuidad de España en la arquitectura rioplatense" Ortiz, Federico. La arquitectura en la Argentina de l930 a l970. Librería Concentra Ortiz, Federico. Grupo SEPRA Sánchez Elia, Peralta Ramos, Agostini. Instituto de Arte Americano e Investigaciones estéticas de la Universidad de Bs.As. Municipalidad de Buenos Aires (cuadernos) Evolución urbana de la ciudad de Buenos Aires Cuadernos de la municipalidad l972. Blas Matamoro. La casa porteña Centro Editor de América Latina. Bs As. l971. Nadal Mora, Vicente La arquitectura tradicional de Buenos Aires de l536 a l870. Editorial Ateneo. Peña, Jose María y Martini Xavier. La ornamentación en la arquitectura de Buenos Aires Instituto de Arte Americano e investigaciones estéticas de la Universidad de Buenos Aires .l966 Municipalidad de Bs.As La arquitectura de Buenos Aires de l850 a l880. Cuadernos No. 61. Gesualdo, Vicente. Como fueron las artes en la Argentina. Editorial Plus Ultra. Buschiazzo,Mario. La arquitectura en la Argentina. Librería del colegio l969. Vigil, Carlos. Los monumentos y lugares históricos de la Argentina. Bs.As. Atlantida l948 Buschiazzo, Mario Estudios de arquitectura colonial hispanoamericana Kraft l944. Buschiazzo, Mario. La Arquitectura colonial hispanoamericana. Mac Gauld. l971. Museo de la ciudad .Casas italianas de Buenos Aires. BsAs l973.Centro de Arte y Comunicación. Le Corbousier y Buenos Aires. Tasca, Adolfo. Iglesias de Buenos Aires. Itinerarium l983. Academia Nacional de Bellas Artes. Art Nouveau Bs.As l965. Lecuona, Diego, Teran M. El circulo militar en el palacio Retiro. Galileano, Las reducciones guaraníticas. Ministerio de Cultura y Educación., Edit. Codex l979. Peña, Jose María. Esculturas de Buenos Aires. Edit National Lead CompanyuBsAs l972. Haedo, Oscar Felix. Lola Mora. Eudeba. Bs.As. l974. Haedo, Oscar. Las Fuentes porteñas. Cuadernos de la Municipalidad de la Ciudad de Buenos Aires. Noel, Martín Correa Morales. Academia Nacional de Bellas Artes .1949 Ministerio de Cultura y Educación. Los monumentos Ediciones culturales argentina. Viscontea. (autores varios) Argentina en el Arte. Taverna Irigoyen Aproximación a la escultura argentina de este siglo Editorial Colmena. Santa Fe l967. Ediciones Culturales Argentinas. Fioravanti, José. Buenos Aires l963. Foglia, Carlos Perlotti el escultor de Eurindia, Buenos Aires 1963. Lozano Moujan, Apuntes para la historia de nuestra pintura y escultura. Bs.As. l922. Manrique Zago Editores. Buenos Aires y Sus esculturas. Mujica Lainez, Alberto Lagos Monografias de Artistas argentinos. Academia Nacinal de Bellas Artes Magaz, Maria, Arévalo, María. El escultor Alberto Lagos en el Barrio
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