Corpus Letter 93 2014
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Occasional Papers from the Lindley Library © 2011
Occasional Papers from The RHS Lindley Library IBRARY L INDLEY L , RHS VOLUME FIVE MARCH 2011 Eighteenth-century Science in the Garden Cover illustration: Hill, Vegetable System, vol. 23 (1773) plate 20: Flower-de-luces, or Irises. Left, Iris tuberosa; right, Iris xiphium. Occasional Papers from the RHS Lindley Library Editor: Dr Brent Elliott Production & layout: Richard Sanford Printed copies are distributed to libraries and institutions with an interest in horticulture. Volumes are also available on the RHS website (www. rhs.org.uk/occasionalpapers). Requests for further information may be sent to the Editor at the address (Vincent Square) below, or by email ([email protected]). Access and consultation arrangements for works listed in this volume The RHS Lindley Library is the world’s leading horticultural library. The majority of the Library’s holdings are open access. However, our rarer items, including many mentioned throughout this volume, are fragile and cannot take frequent handling. The works listed here should be requested in writing, in advance, to check their availability for consultation. Items may be unavailable for various reasons, so readers should make prior appointments to consult materials from the art, rare books, archive, research and ephemera collections. It is the Library’s policy to provide or create surrogates for consultation wherever possible. We are actively seeking fundraising in support of our ongoing surrogacy, preservation and conservation programmes. For further information, or to request an appointment, please contact: RHS Lindley Library, London RHS Lindley Library, Wisley 80 Vincent Square RHS Garden Wisley London SW1P 2PE Woking GU23 6QB T: 020 7821 3050 T: 01483 212428 E: [email protected] E : [email protected] Occasional Papers from The RHS Lindley Library Volume 5, March 2011 B. -
Magazine April
Locks Heath U3A 28 March 2020 Weekenders Welcome to our first monthly magazine ... Smiling � � � � � � � ‘A Smile can neither bought or sold but it is the richest gift you could give or receive’ ‘If people are too tired to give you a smile Why not give them one of yours’ ‘The smile on my face doesn’t mean my life is perfect. It means I appreciate what I have been blessed with’ ⏰ Remember British Summer time begins today! � Put a note in your diary to ring or Weekenders - Doing it O-YO! face time a member or friend At least one name per day and you Due to restrictions on social gatherings won’t feel on your own and the common sense of Self-isolating It should not stop us finding other ways of communicating Hence this magazine to maintain the important link between the If you have back-up through Life members of Weekenders. Line Instead of often doing things O-YO (On Your Own) we are Now is the time to wear your seeking to pursue novel experiences together. pendant or wrist band 24/7 ❤ ❤ ❤ ❤ ❤ ❤ ❤ ❤ ❤ ❤ ❤ ❤ ❤ ❤ ❤ ❤ ❤ ❤ ❤ This weekend the clocks go forward and we can look forward to � Human contact is so important, lighter evenings and so in our first edition we have included some when the self distancing is over things to do over the weekend and once we are back to some sort of normality we can add in others... we can re- start our lives again Celebrations, parties, visits and holidays will eventually begin again and Visiting local towns and vilages so make each day count I came across the ‘Best places to live’ section in The Times last weekend. -
R.B. Kitaj Papers, 1950-2007 (Bulk 1965-2006)
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf0wf No online items Finding Aid for the R.B. Kitaj papers, 1950-2007 (bulk 1965-2006) Processed by Tim Holland, 2006; Norma Williamson, 2011; machine-readable finding aid created by Caroline Cubé. UCLA Library, Department of Special Collections Manuscripts Division Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2011 The Regents of the University of California. All rights reserved. Finding Aid for the R.B. Kitaj 1741 1 papers, 1950-2007 (bulk 1965-2006) Descriptive Summary Title: R.B. Kitaj papers Date (inclusive): 1950-2007 (bulk 1965-2006) Collection number: 1741 Creator: Kitaj, R.B. Extent: 160 boxes (80 linear ft.)85 oversized boxes Abstract: R.B. Kitaj was an influential and controversial American artist who lived in London for much of his life. He is the creator of many major works including; The Ohio Gang (1964), The Autumn of Central Paris (after Walter Benjamin) 1972-3; If Not, Not (1975-76) and Cecil Court, London W.C.2. (The Refugees) (1983-4). Throughout his artistic career, Kitaj drew inspiration from history, literature and his personal life. His circle of friends included philosophers, writers, poets, filmmakers, and other artists, many of whom he painted. Kitaj also received a number of honorary doctorates and awards including the Golden Lion for Painting at the XLVI Venice Biennale (1995). He was inducted into the American Academy of Arts and Letters (1982) and the Royal Academy of Arts (1985). -
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CCM 27 [9] [P]:Layout 1 22/7/11 10:04 Page e Chri Church Matters TRINITY TERM 2011 ISSUE 27 CCM 27 [9] [P]:Layout 1 22/7/11 10:02 Page b Editorial Contents ‘There are two educations; one should teach us how DEAN’S DIARY 1 to make a living and the other how to live’John Adams. CARDINAL SINS – Notes from the Archives 2 A BROAD EDUCATION – John Drury 4 “Education, education, education.” Few deny how important it is, but THE ART ROOM 5 how often do we actually stop to think what it is? In this 27th issue of Christ Church Matters two Deans define a balanced education, and REVISITING SAAKSHAR 6 members current and old illuminate the debate with stories of how they CATHEDRAL NEWS 7 fill or filled their time at the House. Pleasingly it seems that despite the increased pressures on students to gain top degrees there is still time to CHRIST CHURCH CATHEDRAL CHOIR – North American Tour 8 live life and attempt to fulfil all their talents. PICTURE GALLERY PATRONS’ LECTURE 10 The Dean mentions J. H. Newman. His view was that through a University THE WYCLIFFITE BIBLE – education “a habit of mind is formed which lasts through life, of which the Mishtooni Bose 11 attributes are freedom, equitableness, calmness, moderation, and wisdom. ." BOAT CLUB REPORT 12 Diversity was important to him too: "If [a student's] reading is confined simply ASSOCIATION NEWS AND EVENTS 13-26 to one subject, however such division of labour may favour the advancement of a particular pursuit . -
The British Journal for the History of Science Mechanical Experiments As Moral Exercise in the Education of George
The British Journal for the History of Science http://journals.cambridge.org/BJH Additional services for The British Journal for the History of Science: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here Mechanical experiments as moral exercise in the education of George III FLORENCE GRANT The British Journal for the History of Science / Volume 48 / Issue 02 / June 2015, pp 195 - 212 DOI: 10.1017/S0007087414000582, Published online: 01 August 2014 Link to this article: http://journals.cambridge.org/abstract_S0007087414000582 How to cite this article: FLORENCE GRANT (2015). Mechanical experiments as moral exercise in the education of George III. The British Journal for the History of Science, 48, pp 195-212 doi:10.1017/ S0007087414000582 Request Permissions : Click here Downloaded from http://journals.cambridge.org/BJH, IP address: 130.132.173.207 on 07 Jul 2015 BJHS 48(2): 195–212, June 2015. © British Society for the History of Science 2014 doi:10.1017/S0007087414000582 First published online 1 August 2014 Mechanical experiments as moral exercise in the education of George III FLORENCE GRANT* Abstract. In 1761, George III commissioned a large group of philosophical instruments from the London instrument-maker George Adams. The purchase sprang from a complex plan of moral education devised for Prince George in the late 1750s by the third Earl of Bute. Bute’s plan applied the philosophy of Frances Hutcheson, who placed ‘the culture of the heart’ at the foundation of moral education. To complement this affective development, Bute also acted on seventeenth-century arguments for the value of experimental philosophy and geometry as exercises that habituated the student to recognizing truth, and to pursuing it through long and difficult chains of reasoning. -
The Magazine of Corpus Christi College
8 0 0 2 s a m l e a h c i M 6 1 e u s s I The magazine of Corpus Christi College Cambridge SttuarrttLaiing PaullWarrrren CorrpussCllocck FiirrssttTellephone New Mastterr New Burrsarr unveiilled Campaiign Contents 3 The Master’s Introduction Stuart Laing, Master 4 Stuart Laing takes up Mastership 8 The Office of Treasurer appointed 10 The Corpus Clock 12 Paul Warren, Bursar 14 Nick Danks, Director of Music 16 Alumni Fund & Telephone Campaign 18 Christopher Kelly: Attila the Hun 19 Paul Mellars receives an award 20 John Hatcher: The Black Death 21 Concert dates, for Ryan Wigglesworth 22 Twenty five years of the Admission of women 26 Student summer internship 27 New Junior Common Room Editor: Liz Winter Managing editor: Latona Forder-Stent Assistant editor: Lucy Gowans Photographers: Philip Mynott Andisheh Photography (Andisheh Eslamboil m2000) Stephen E Gross: Atllia the Hun Jeremy Pembrey: Corpus Clock Alexander Leiffheidt ( m2001): John Hatcher Greg E J Dickens: Chapel Organ Dr Marina Frasca-Spada Nigel Luckhurst: Ryan Wigglesworth Manni Mason Photography: Paul Mellars Jet Photographic Eden Lilley Photography Occasional Photography Produced by Cameron Design & Marketing Ltd www.cameronacademic.co.uk Master’s Introduction Dear Alumni and friends of Corpus, Gerard Duveen 4 March 1951 – 8 Nov 2008 I write having taken up the Mastership just three weeks ago. I am naturally delighted – and honoured – The Master and Fellows of Corpus Christi are to be here, at a desk looking out into New Court where sad to announce the death of Dr Gerard so many of my distinguished predecessors have Duveen, Fellow of the College and Reader in sat before. -
Hunt, Stephen E. "'Free, Bold, Joyous': the Love of Seaweed in Margaret Gatty and Other Mid–Victorian Writers." Environment and History 11, No
The White Horse Press Full citation: Hunt, Stephen E. "'Free, Bold, Joyous': The Love of Seaweed in Margaret Gatty and Other Mid–Victorian Writers." Environment and History 11, no. 1 (February 2005): 5–34. http://www.environmentandsociety.org/node/3221. Rights: All rights reserved. © The White Horse Press 2005. Except for the quotation of short passages for the purpose of criticism or review, no part of this article may be reprinted or reproduced or utilised in any form or by any electronic, mechanical or other means, including photocopying or recording, or in any information storage or retrieval system, without permission from the publishers. For further information please see http://www.whpress.co.uk. ʻFree, Bold, Joyousʼ: The Love of Seaweed in Margaret Gatty and Other Mid-Victorian Writers STEPHEN E. HUNT Wesley House, 10 Milton Park, Redfield, Bristol, BS5 9HQ Email: [email protected] ABSTRACT With particular reference to Gattyʼs British Sea-Weeds and Eliotʼs ʻRecollections of Ilfracombeʼ, this article takes an ecocritical approach to popular writings about seaweed, thus illustrating the broader perception of the natural world in mid-Victorian literature. This is a discursive exploration of the way that the enthusiasm for seaweed reveals prevailing ideas about propriety, philanthropy and natural theology during the Victorian era, incorporating social history, gender issues and natural history in an interdisciplinary manner. Although unchaperoned wandering upon remote shorelines remained a questionable activity for women, ʻseaweedingʼ made for a direct aesthetic engagement with the specificity of place in a way that conforms to Barbara Gatesʼs notion of the ʻVictorian female sublimeʼ. -
John Taylor Contents
John Taylor Born 1936. Philanthropist, horologist, and inventor of thermostatic electric kettles. Autobiographical life story. Available online at www.livesretold.co.uk Contents 1. Life 2. Inventions 3. Passions 4. Business Life 5. Philanthropy 6. Art & Design 7. Horology & Clocks 8. Science & Engineering 9. The Corpus Chronophage 10. The Midsummer Chronophage 11. The Dragon Chronophage 12. Chronophage Commissions 13. Publications 14. Arragon Mooar 15. A Personal Tribute This life story was archived in 2021, with acknowledgement and thanks, from Dr. John Taylor's website at www.johnctaylor.com. Where additional internet material has been added the source is acknowledged. 1 1. Life I was lucky to be able to study Natural Sciences at Corpus Christi College at Cambridge University. I remember thinking I was very smart at school – until I got to university – when I realised that there were a lot of people much smarter than me! However, after a long career, I’m now immensely proud to be considered one of Britain’s greatest inventors. I returned to live on the Isle of Man 40 years ago after running the highly successful Otter Controls business in Buxton, Derbyshire. Many of the hundreds of patents that I hold are for domestic appliances, thermostats and electrical equipment. Probably my most famous invention is the thermostat controls for the cordless kettle, patented and used throughout the world. It’s been calculated that over two billion of my bi- metal blades – used in thermostats to switch off kettles – have been produced since their invention in the 1970s. Strix, a company I founded, now holds four Queen’s Awards, three for Export and one for Innovation, granted for my 360-degrees cordless kettle connector. -
This Anthology Is a Collection of Winning Entries and Runners-Up In
This anthology is a collection of winning entries and runners-up in the inaugural writing competition for children and young adults organised by the Friends of Rock Road Library in late 2016. The theme of the competition was ‘Location as Inspiration’, inviting entries in the form of short stories, poems and plays about a place in Cambridge or the city itself. The competition was divided into two categories: 7 – 11 year olds and 12 – 16 year olds. The judges were local authors Adéle Geras and Julian Sedgwick. Contents 7 – 11 Year Old Category ................................................................... 8 12 – 16 Year Old Category ................................................................. 9 The Day Trip ....................................................................................... 10 The Book with the Hidden Code ......................................................... 13 The Fitzwilliam Museum .................................................................... 16 Visit Fitzwilliam .................................................................................. 17 Maniac ................................................................................................. 19 Bird’s Eye View .................................................................................. 21 The Round Church .............................................................................. 24 Cat on the Hat! .................................................................................... 25 The Corpus Clock ............................................................................... -
Sir Joseph Carruthers in the History of Australian Liberalism
University of Wollongong Research Online University of Wollongong Thesis Collection 1954-2016 University of Wollongong Thesis Collections 2016 Sir Joseph Carruthers in the history of Australian liberalism Zachary Kevin Kearney Gorman University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/theses University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Gorman, Zachary Kevin Kearney, Sir Joseph Carruthers in the history of Australian liberalism, Doctor of Philosophy thesis, School of Humanities and Social Inquiry, University of Wollongong, 2016. -
2019 Speakers
HEDQF Annual Conference 2019: Designing for Wellbeing in Higher Education - Speaker biographies Gary Jebb, Director of Estates, University of Edinburgh Gary Jebb has considerable experience in estates projects and facilities management and is very well known as a leader in the Estates field in the Higher Education sector. As Director of Estates for The University of Edinburgh, Gary is responsible for one of the largest and most diverse University estates portfolio in the UK. He moved to Edinburgh from Queen’s University Belfast in 2014 to lead on a major capital development programme which translates the University’s academic vision into reality. During his tenure at Queen’s, Gary delivered a ten-year transformational estates strategy. Before joining the University sector, he worked in the private sector as a Chartered Surveyor. Rab Bennetts, Founding Director, Bennetts Architects Rab Bennetts co-founded Bennetts Associates in 1987 with his partner Denise Bennetts and established its reputation for architecture and professionalism at the highest level. To date, the practice has accrued more than 150 awards, including shortlisting for the RIBA Stirling Prize three times and UK Architect of the Year on four occasions. Since the early 1990s, Rab has pioneered the link between sustainable design and high-quality architecture and is a founder of the UK Green Building Council. He continues to take a personal, hands-on approach to projects, fostering a collaborative spirit throughout the practice’s activities. An active, engaging public speaker, Rab often participates in lectures, seminars and panel discussions exploring the practice’s rich history, design principles and sustainability initiatives. -
Roger Quilter
ROGER QUILTER 1877-1953 HIS LIFE, TIMES AND MUSIC by VALERIE GAIL LANGFIELD A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Music School of Humanities The University of Birmingham February 2004 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT Roger Quilter is best known for his elegant and refined songs, which are rooted in late Victorian parlour-song, and are staples of the English artsong repertoire. This thesis has two aims: to explore his output beyond the canon of about twenty-five songs which overshadows the rest of his work; and to counter an often disparaging view of his music, arising from his refusal to work in large-scale forms, the polished assurance of his work, and his education other than in an English musical establishment. These aims are achieved by presenting biographical material, which places him in his social and musical context as a wealthy, upper-class, Edwardian gentleman composer, followed by an examination of his music. Various aspects of his solo and partsong œuvre are considered; his incidental music for the play Where the Rainbow Ends and its contribution to the play’s West End success are examined fully; a chapter on his light opera sheds light on his collaborative working practices, and traces the development of the several versions of the work; and his piano, instrumental and orchestral works are discussed within their function as light music.