N Citation Index

Total Page:16

File Type:pdf, Size:1020Kb

N Citation Index Cambridge University Press 0521855004 - Myth, Ritual, and Metallurgy in Ancient Greece and Recent Africa Sandra Blakely Index More information N CITATION INDEX Accius Aetius Amidemus Book 2, 262n.26 Philoctetes fr. 525, 50, 236n.19, 236n.24 Aetna 363–65, 273n.99 Aelian Akousilaos FGH 2 Nature of Animals fr. 20, 236n.19 6.58.24, 239n.82 fr. 26, 198 10.14, 261n.20, 262n.23 fr. 34, 244n.90 10.40, 154 Alciphro I ep. 15 .5.3, 239n.82 Varia Historia 5.19, 243n.78 ps-Alexander of Aphrodisias 1.4, 262n.25 Aeneas Tacticus 20.3, 32.5, 241n.21 Alexandros Polyhistor FGH 273 Aeschylus fr. 77, 236n.8, 246n.124 Choephoroi 631, 237n.26 Alexander of Tralles Eumenides 937–87, 260n.39 2.579, 143, 262n.37 Isthmiastai, 50 2.47, 261n.16 Kabeiroi, 36–37 Alkaios TGF fr. 97, 236n.19 PLF fr. 34, 251n.22 TGF fr. 95–97, 240n.18 PLF fr. 14, 264n.73 Prometheus Bound Alkiphro Epistolographus 1.15 .5, 265n.98 133, 207 Ammianus Marcelinus 457, 273n.103 22.9, 193, 236n.6 442–68, 478–506, 245n.97 22.8.21, 272n.82 482–512, 53 Anthologia Palatina 715, 272n.82 4.33.89, 258n.12 Prometheus Pyrkaieus, 49 5.166, 264n.73 Seven Against Thebes 6.301, 264n.83 103–07, 238n.56 6.245, 260n.46 560, 50, 244n.90 7.8, 264n.83 scholia to 304, 253n.69 9.1.2, 258n.12 Suppliants 11.321.2, 239n.82 291, 198 11.346, 264n.83 548, 271n.47 Antikleides FGH 140 fr. 121, 240n.16 625–709, 260n.39 Antoninus Liberalis 19, 251n.34 TGF fr. 356, 213 Antipater Sidonius in POxy 662.52, 273n.85 305 © Cambridge University Press www.cambridge.org Cambridge University Press 0521855004 - Myth, Ritual, and Metallurgy in Ancient Greece and Recent Africa Sandra Blakely Index More information CITATION INDEX Antiphanes PCG fr. 57.15 , 241n.21 Knights Apollodoros 237, 251n.22 1.3.4, 237n.37 608, 241n.21 2.1, 270n.2 scholia to 1253, 264n.74 2.1.1, 215 Lysistrata 982, 259n.14 2.1.1.4, 236n.11 Wasps 2.2, 264n.87 scholiast to 8, 238n.64 2.6.3, 246n.121 935 ff, 37 2.8, 216 1501 –37, 241n.24 2.170, 274n.10 Peace 3.3.1, 237n.33, 238n.62 276–86 and scholia, 264n.83 Apollonios of Rhodes Argonautica 277–78 and scholia, 237n.38, 258n.8 1.119–20, 95 790, 37 1.600–1162, 124 1320–28, 260n.39 1.915–21, 258n.8, 264n.83 PCG fr. 607, 240n.5 scholia to 1.916–18, 236n.23 Aristos of Salamis FGH 143 fr. 5, 237n.29, scholia to 1.917, 237n.25, 245n.107 252n.50 scholia to 1.932, 258n.11 Aristotle 1.1070–77, 125 De anima 1.2, 262n.22 1.1117–31 and scholia, 236n.4 Ethica Nicomachea 3.1.17, 243n.78 1.1123–31 , 15 , 26, 90, 93, 235n.2, 238n.58, fr. 283, 237n.37 238n.68, 252n.63 Historia Animalium 8.12.597 a, 52, 246n.121 scholia to 1.1127–1131, ps-Aristotle De mirabilibus auscultationibus 1.1129, 90, 237n.42, 251n.37 833 b, 204, 271n.50 1.1130, 259n.21 87.837 A 24–26, 210 scholia to 1.1130, 259n.21 Armenides FGH 378 fr. 8, 32, 96, 240n.1, 1.1135, 258n.5 253n.72, 265n.93 1.1141, 16 Arnobius Adversus Nationes scholia to 1.1141, 253n.75, 261n.2 3.41.43, 235n.2, 235n.5, 237n.32 1.1323, 272n.84 5.19, 240n.14 scholia to 2.780–83, 236n.4 Arrian FGH 156 2.788–97, 272n.82 fr. 32, 258n.11 2.1001–07, 207, 265n.97, 272n.82 fr. 65, 259n.22 1.1323, 272n.84 Athenaeus Deipnosophistae 4.1635–93, 130, 259n.21 1.54, 258n.11 4.1640, 259n.19 496a, 153 4.1757–59, 240n.16 6.233d, 210 Aratus 7.282e, 265n.94 Phaenomena 30.35, 237n.30 7.284b, 251n.24 scholia to Phaenomena 33, 21, 235n.5 7.295d, 251n.24 Archemachos FGH 424 fr. 9, 237n.30, 252n.52 7.327d, 251n.24 Aristias TGF fr. 3, 49 10.33, 37 Aristides Panegyrikos 2.469, 17 10.441, 259n.14 Aristophanes 10.456d, 241n.22 Birds Ausonius Moselle 316 , 262n.22 42, 274n.14 686, 274n.23 Bacchylides Clouds 1260 ff, 241n.25 fr. 29, 274n.18 Ecclesiazusae scholia to 1056, 264n.86 fr. 55, 155 , 265n.94, 265n.99 Frogs 289 and scholia to 293, 264n.86 I.1–19, 15 306 © Cambridge University Press www.cambridge.org Cambridge University Press 0521855004 - Myth, Ritual, and Metallurgy in Ancient Greece and Recent Africa Sandra Blakely Index More information CITATION INDEX ps-Basil De virg. 18, 262n.23 2.16, 236n.11, 238n.64 2.19.1–4, 240n.14 Callimachus 4.41, 198, 270n.16 Aetia 10.84, 194, 270n.3 1.1–17, 239n.82 Columella 7.5.12, 265n.88 1.5, 236n.11 Corinna 654.1.12–16, 237n.32 3.75–51.69, 236n.15 , 238n.60 Cornutus 19, 253n.67 3 fr. 75.64–69, 274n.18 4 fr. 100, 95 Daimacus FGH 65 fr. 4, 207 4 fr. 110, 48, 272n.84 Damigeron Latinus, 5.64, 236n.15 De lapidibus fr. 115, 16, 92 21, 143 fr. 75, 253n.75 30, 142, 262n.35 fr. 236, 251n.22 30.185, 262n.22 fr. 701, 252n.55 30.187, 262n.28 Hymn to Delos 31 , 236n.17, 265n.96 Demetrius of Troezen FGH 304 fr. 1, 270n.16 Hymn to Zeus Demokritos DK 68 A 165, 141, 262n.24 45–53, 237n.32 Diodorus Epigrammaticus Anthologia Palatina 4, 47, 259n.19 6.245, 135 Celsus Medicus 5.6, 262n.26 Diodorus Siculus Cicero 1.8.1–7, 245n.97 De natura deorum 1.13.3, 273n.99 1.43, 236n.19 3.12–14.2, 156 , 265n.97 3.16, 23 3.55.8–9, 237n.38 3.23, 237n.37 4.43.1–2, 125, 264n.83 3.37.89, 264n.83 4.4.5–7, 125 De divinatione 1.39.86, 141 4.6.4, 258n.12 Claudian Magnes 35–39, 262n.22 4.61.1, 264n.74 Clement of Alexandria 4.42.1, 264n.83 Stromateis 4.43.1–2, 258n.8 1.15 .132, 193, 236n.6, 236n.8, 237n.49, 4.48.5–7, 258n.8, 264n.83 246n.124 4.49.8, 264n.83 1.16.132, 140, 193 4.72, 252n.50 1.36.2, 58, 94, 148 4.80, 237n.32 1.45.2, 1, 252n.58 5.35.2–4, 1.102.5, 215, 236n.11 5.35.3, 59 1.164, 270n.8 5.47.1–48.3, 53, 246n.125 1.362, 148, 209, 236n.5, 263n.54, 5.48–50.1, 30 273n.91 5.49.3, 237n.38 2.26.2, 262n.22 5.55, 15 , 16, 21, 23, 28, 32, 125, 152 , 156 , 2.461, 243n.78 193, 218, 220, 236n.11, 236n.13, 5.8, 264n.73 236n.17, 237n.32, 238n.67, 240n.1, 5.45.2, 238n.69 253n.75, 258n.8, 260n.46, 261n.2, 5.56.8, 238n.69 265n.96 6.3.29–30, 152 5.55–56, 238n.70, 263n.70 6.26.4, 212 5.55–57, 238n.60, 274n.10, 274n.13 7.4.26, 155 , 265n.88 5.56, 93, 96, 215, 217, 253n.73 7.9.4, 262n.22 5.57, 16, 30, 152 , 260n.46 Protrepticus 5.58.2–3, 263n.66 2.14.16, 2, 18, 36 5.59.5, 274n.10 307 © Cambridge University Press www.cambridge.org Cambridge University Press 0521855004 - Myth, Ritual, and Metallurgy in Ancient Greece and Recent Africa Sandra Blakely Index More information CITATION INDEX Diodorus Siculus (cont.) Ephraem Historicus Poeta Chronicon 1264, 5.64, 29, 30, 138, 139, 140, 154 , 160, 161, 1648, 239n.82 235n.1, 235n.2, 236n.4, 236n.6, Epicharmus PCG fr. 47.1, 241n.21 237n.50, 246n.124, 273n.91 Epicurus fr. 293 Usener, 141, 261n.19, 5.64–66, 260n.46 262n.24 5.65, 93, 235n.5 Epimenides FGH 457 fr. 22, 15 5.65–66, 19, 21, 23, 30, Ergias of Rhodes FGH 513 fr. 1, 263n.66 237n.49 Etymologicum Genuinum 5.70.2, 19, 237n.32, 237n.49 qlgeinù , 236n.13 5.70.6, 130, 259n.26 ìIdaioi Dktuloi, 235n.1, 236n.3 10.19.6, 240n.16 Kbeiroi, 237n.25 13.26.3, 245n.97 Etymologicum Gudianum 17.7.6, 91 qlgein, 263n.68, 264n.84 17.41.8, 253n.68 Kbeiroi, 18, 50, 237n.25, 237n.42 Diogenes Laertius Telc©v, 239n.82 1.10, 264n.78 Etymologicum Magnum 1.1.24, 262n.22 %nta©a, 236n.16, 261n.2 4.54, 56–57, 261n.12 D©kth, 130, 259n.22 6.2.59, 264n.83 ëHrkleianù , l©qon 261n.20 8.2–3, 237n.43 qeion, 155 Diogenianus 6.98, 51 qlgein, 239n.82, 251n.39 Diomedes Grammaticus ïIdh, 210 III.474.75 P, 235n.5, 273n.96, Kbeiroiù , 18, 50, 237n.25, 237n.42 239n.79 magntiv h , 261n.20 Dionysius of Halicarnassos Telc©nev, 238n.67, 265n.98 Antiquitates Romanae Clubev, 272n.84 1.23, 18, 237n.26 Eubulos PCG fr. 77 K, 261n.20 1.23.5, 238n.58, 260n.46 Eumelos Corinthiaka EGF fr.
Recommended publications
  • Kretan Cult and Customs, Especially in the Classical and Hellenistic Periods: a Religious, Social, and Political Study
    i Kretan cult and customs, especially in the Classical and Hellenistic periods: a religious, social, and political study Thesis submitted for degree of MPhil Carolyn Schofield University College London ii Declaration I, Carolyn Schofield, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been acknowledged in the thesis. iii Abstract Ancient Krete perceived itself, and was perceived from outside, as rather different from the rest of Greece, particularly with respect to religion, social structure, and laws. The purpose of the thesis is to explore the bases for these perceptions and their accuracy. Krete’s self-perception is examined in the light of the account of Diodoros Siculus (Book 5, 64-80, allegedly based on Kretan sources), backed up by inscriptions and archaeology, while outside perceptions are derived mainly from other literary sources, including, inter alia, Homer, Strabo, Plato and Aristotle, Herodotos and Polybios; in both cases making reference also to the fragments and testimonia of ancient historians of Krete. While the main cult-epithets of Zeus on Krete – Diktaios, associated with pre-Greek inhabitants of eastern Krete, Idatas, associated with Dorian settlers, and Kretagenes, the symbol of the Hellenistic koinon - are almost unique to the island, those of Apollo are not, but there is good reason to believe that both Delphinios and Pythios originated on Krete, and evidence too that the Eleusinian Mysteries and Orphic and Dionysiac rites had much in common with early Kretan practice. The early institutionalization of pederasty, and the abduction of boys described by Ephoros, are unique to Krete, but the latter is distinct from rites of initiation to manhood, which continued later on Krete than elsewhere, and were associated with different gods.
    [Show full text]
  • Kernos Revue Internationale Et Pluridisciplinaire De Religion Grecque Antique
    Kernos Revue internationale et pluridisciplinaire de religion grecque antique 20 | 2007 Varia Pherekydes’ Daktyloi Ritual, technology, and the Presocratic perspective Sandra Blakely Electronic version URL: http://journals.openedition.org/kernos/161 DOI: 10.4000/kernos.161 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 1 January 2007 ISSN: 0776-3824 Electronic reference Sandra Blakely, “Pherekydes’ Daktyloi”, Kernos [Online], 20 | 2007, Online since 15 March 2011, connection on 26 February 2021. URL: http://journals.openedition.org/kernos/161 ; DOI: https:// doi.org/10.4000/kernos.161 This text was automatically generated on 26 February 2021. Kernos Pherekydes’ Daktyloi 1 Pherekydes’ Daktyloi Ritual, technology, and the Presocratic perspective Sandra Blakely Introduction: Classics and the Evolutionary paradigm 1 Western culture is traditionally ill equipped to understand the intersection of ritual and technology. Pfaffenberger, Killick, and Lansing have observed the causes, and what is lost by failing to shake these off.1 Because these activities occupy different categories in the industrialized world, attempts to interpret their coincidence in other cultures lean to the dismissive. They are regarded as a reflection of the earliest stages of invention, compensatory appeals to the divine that reflect incomplete mastery of technological processes. The combination is often called magic by both practitioners and academics. Magic has been traditionally synonymous with primitivism; an evolutionary model suggests that such superstitions evaporate as technology is mastered, and linger only in folk tales and half-remembered superstitions.2 The cost of this paradigm is substantial. Emphasizing the movement into subsequent intellectual paradigms, it reduces attention to symbols in context.
    [Show full text]
  • An Ancient Theatre Dynasty: the Elder Carcinus, the Young Xenocles and the Sons of Carcinus in Aristophanes
    Philologus 2016; 160(1): 1–18 Edmund Stewart* An Ancient Theatre Dynasty: The Elder Carcinus, the Young Xenocles and the Sons of Carcinus in Aristophanes DOI 10.1515/phil-2016-0001 Abstract: The elder Carcinus and his sons are mentioned, or appear on stage, as tragic performers in three plays by Aristophanes (Wasps, Clouds and Peace). They provide a unique insight into how the performance of tragedy could be (and frequently was) a family business. This study attempts to establish what can be known about this theatrical family from the evidence of comedy and how it functioned as an acting troupe. Moreover, in examining how the family troupe changed over time, we begin to learn more about the process by which one of Carcinus’ sons, Xenocles, was trained as a tragic poet. Though little is known about Carcinus, Xenocles was a relatively successful tragedian, who was active in the final two decades of the fifth century B.C. Both ancient and modern scholars have assumed that Xenocles was a poet by 422, when he is thought to have appeared as a character in the Wasps. I argue that Xenocles did not in fact make his debut as an independent poet until after 420. Before this date Aristophanes recognises Carcinus as the poet of the family company, which suggests that the young Xenocles was still serving his apprenticeship with his father at this time. Keywords: Aristophanes, Carcinus, Xenocles, tragedy, actors Introduction Theatre in the fifth century was often a family business. Sons, grandsons and other relations of tragedians frequently followed their forebears into a career in the theatre, either as actors or poets.1 The same was true of comic performers, though 1 See Sutton (1987) 11–9; Olson (2000) 69–70.
    [Show full text]
  • Jan N. Bremmer Initiation Into the Mysteries of the Ancient World
    Jan N. Bremmer Initiation into the Mysteries of the Ancient World Unauthenticated | 176.92.32.227 Download Date | 7/28/14 8:56 PM Münchner Vorlesungen zu Antiken Welten Herausgegeben vom Münchner Zentrum für Antike Welten (MZAW) Band 1 Unauthenticated | 176.92.32.227 Download Date | 7/28/14 8:56 PM Jan N. Bremmer Initiation into the Mysteries of the Ancient World Unauthenticated | 176.92.32.227 Download Date | 7/28/14 8:56 PM ISBN 978-3-11-029929-8 e-ISBN 978-3-11-029955-7 ISSN 2198-9664 This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License. For details go to http://creativecommons.org/licenses/by-nc-nd/3.0/. Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.dnb.de. © 2014 Walter de Gruyter GmbH, Berlin/Boston The book ist published with open access at www.degruyter.com. Typesetting: jürgen ullrich typosatz, Nördlingen Printing: CPI books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Unauthenticated | 176.92.32.227 Download Date | 7/28/14 8:56 PM Contents Preface VII Acknowledgments XV Conventions and Abbreviations XVII I Initiation into the Eleusinian Mysteries: A ‘Thin’ Description 1 1 Qualifications and preparations for initiation 2 2 The myêsis
    [Show full text]
  • Proclus and Artemis: on the Relevance of Neoplatonism to the Modern Study of Ancient Religion
    Kernos Revue internationale et pluridisciplinaire de religion grecque antique 13 | 2000 Varia Proclus and Artemis: On the Relevance of Neoplatonism to the Modern Study of Ancient Religion Spyridon Rangos Electronic version URL: http://journals.openedition.org/kernos/1293 DOI: 10.4000/kernos.1293 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 1 January 2000 ISSN: 0776-3824 Electronic reference Spyridon Rangos, « Proclus and Artemis: On the Relevance of Neoplatonism to the Modern Study of Ancient Religion », Kernos [Online], 13 | 2000, Online since 21 April 2011, connection on 01 May 2019. URL : http://journals.openedition.org/kernos/1293 ; DOI : 10.4000/kernos.1293 Kernos Kernos, 13 (2000), p. 47-84. Proclus and Artemis: On the Relevance of Neoplatonism to the Modern Study of Andent Religion* Imagine the situation in which contemporary philosophers would find themselves if Wittgenstein introduced, in his Philosophical Investigations, the religious figure of Jesus as Logos and Son of God in order to illuminate the puzzlement ofthe private-language paradox, or if in the second division of Being and Time Heidegger mentioned the archangel Michael to support the argument of 'being toward death'. Similar is the perplexity that a modern reader is bound to encounter when, after a highly sophisticated analysis of demanding metaphysical questions about the relationship of the one and the many, finitude and infinity, mind and body, Proclus, l in ail seriousness and without the slightest touch of irony, assigns to some traditional gods of Greek polytheism a definitive place in the structure of being.
    [Show full text]
  • The Children of Earth and Starry Heaven: The
    Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Greek, Latin, and Classical Studies Faculty Research Greek, Latin, and Classical Studies and Scholarship 2010 The hiC ldren of Earth and Starry Heaven: The Meaning and Function of the Formula in the 'Orphic' Gold Tablets Radcliffe .G Edmonds III Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/classics_pubs Part of the Classics Commons, and the Religion Commons Custom Citation R. G. Edmonds III, “The hiC ldren of Earth and Starry Heaven: The eM aning and Function of the Formula in the 'Orphic' Gold Tablets,” in Orfeo y el orfismo: nuevas perspectivas, Alberto Bernabé, Francesc Casadesús y Marco Antonio Santamaría (eds.), Alicante : Biblioteca Virtual Miguel de Cervantes (2010), pp. 98-121. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/classics_pubs/98 For more information, please contact [email protected]. 4 THE CHILDREN OF EARTH AND STARRY HEAVEN: THE MEANING AND FUNCTION OF THE FORMULA IN THE ʹORPHICʹ GOLD TABLETS Radcliffe G. Edmonds III Bryn Mawr University The most striking aspect of the tiny gold tablets often known as the Orphic gold leaves is undoubtedly the enigmatic declaration: ʺI am the child of Earth and starry Heavenʺ. All of the tablets which, following Zuntzʹs classification, have been labelled B tablets, contain this mysterious formula, whether the scenario of the deceasedʹs journey through the underworld is described in greater or lesser detail1. The statement captures the imagination with its imagery and its simplicity, but also with its mysterious nature.
    [Show full text]
  • Dancing with Decorum
    http://www.diva-portal.org This is the published version of a paper published in Opuscula: Annual of the Swedish Institutes at Athens and Rome. Citation for the original published paper (version of record): Habetzeder, J. (2012) Dancing with decorum: The eclectic usage of kalathiskos dancers and pyrrhic dancers in Roman visual culture Opuscula: Annual of the Swedish Institutes at Athens and Rome, 5: 7-47 https://doi.org/10.30549/opathrom-05-02 Access to the published version may require subscription. N.B. When citing this work, cite the original published paper. Permanent link to this version: http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-274655 JULIA HABETZEDER • DaNCING WITH DECORUM • 7 JULIA HABETZEDER Dancing with decorum The eclectic usage of kalathiskos dancers and pyrrhic dancers in Roman visual culture Abstract* Kalathiskos dancers constituted an established motif This article examines two groups of motifs in Roman visual culture: fe- within Roman visual culture1 at least from the age of Augus- males modelled on kalathiskos dancers, and males modelled on pyrrhic tus, on into the 2nd century AD. During the same time-span, dancers. Eclecticism is emphasized as a strategy which was used to intro- the iconography of such dancers was also used for depictions duce novelties that were appropriate within a Roman cultural context. The figures representing kalathiskos dancers and pyrrhic dancers were of the goddess Victoria (Table 4). The armed males modelled both changed in an eclectic manner and this resulted in motifs repre- on pyrrhic dancers, on the other hand, are only depicted senting the goddess Victoria, and the curetes respectively.
    [Show full text]
  • UC Berkeley UC Berkeley Electronic Theses and Dissertations
    UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Atypical Lives: Systems of Meaning in Plutarch's Theseus-Romulus Permalink https://escholarship.org/uc/item/6f213297 Author Street, Joel Martin Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Atypical Lives: Systems of Meaning in Plutarch's Teseus-Romulus by Joel Martin Street A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Classics in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Mark Griffith, Chair Professor Dylan Sailor Professor Ramona Naddaff Fall 2015 Abstract Atypical Lives: Systems of Meaning in Plutarch's Teseus-Romulus by Joel Martin Street Doctor of Philosophy in Classics University of California, Berkeley Professor Mark Griffith, Chair Tis dissertation takes Plutarch’s paired biographies of Teseus and Romulus as a path to understanding a number of roles that the author assumes: as a biographer, an antiquarian, a Greek author under Roman rule. As the preface to the Teseus-Romulus makes clear, Plutarch himself sees these mythological fgures as qualitatively different from his other biographical sub- jects, with the consequence that this particular pair of Lives serves as a limit case by which it is possible to elucidate the boundaries of Plutarch’s authorial identity. Tey present, moreover, a set of opportunities for him to demonstrate his ability to curate and present familiar material (the founding of Rome, Teseus in the labyrinth) in demonstration of his broad learning. To this end, I regard the Teseus-Romulus as a fundamentally integral text, both of whose parts should be read alongside one another and the rest of Plutarch’s corpus rather than as mere outgrowths of the tra- ditions about the early history of Athens and Rome, respectively.
    [Show full text]
  • Apollod.] 3.5.5 (41 W.)
    Un’isola per i Phlegyai: Euph. CA fr. 115 e [Apollod.] 3.5.5 (41 W.) I bellicosi Phlegyai sono ricordati dalle fonti antiche per un’intensa attività di deva- stazione e rapina, praticata in diverse regioni del territorio greco e non di rado sfo- ciata in manifestazioni di somma empietà: oltre che in Tessaglia (Laceria, Girtone), essi sono localizzati in Beozia (Orcomeno, area della Copaide), in Focide (Daulide, Panopeo) e anche nel Peloponneso (Epidauro). La prima attestazione di questo po- polo è una similitudine iliadica, in cui i due eroi Meriones e Idomeneus, mentre pro- cedono in armi verso la battaglia, vengono paragonati ad Ares e al figlio Phobos nell’atto di intervenire in un conflitto tra Phlegyai ed Ephyroi. Alla notizia di tale conflitto, si aggiungono varie testimonianze che documentano assalti contro Tebe e contro Delfi. Nel primo caso, sappiamo che per contrastare i Phlegyai, Amphion e Zethos furono costretti a fortificare la loro città, ma alla morte dei gemelli Tebe si trovò inerme agli attacchi degli invasori, capitanati da Eurymachos. In Focide, la hybris flegia raggiunse il culmine con l’attacco al tempio di Apollo, avvenimento che lasciò anche un segno nella lingua locale – dove φλεγυᾶν significava ὑβρίζειν – e favorí la nascita di tradizioni in merito a interventi in difesa del luogo sacro, co- me quello del corpo argivo di uomini scelti, guidato da Philammon e completamente annientato, o quello degli Arcadi di Elatos, figlio di Arkas, che era rimasto in Focide dopo la fondazione di Elateia. Alla ricerca di nuove terre da saccheggiare, infine, pa- re che Phlegyas si fosse spinto addirittura sino a Epidauro, accompagnato dalla figlia Koronis, la quale in questo luogo si sarebbe sgravata di Asklepios, di nascosto dal padre1.
    [Show full text]
  • Greek Mythology / Apollodorus; Translated by Robin Hard
    Great Clarendon Street, Oxford 0X2 6DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Athens Auckland Bangkok Bogotá Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris São Paulo Shanghai Singapore Taipei Tokyo Toronto Warsaw with associated companies in Berlin Ibadan Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © Robin Hard 1997 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published as a World’s Classics paperback 1997 Reissued as an Oxford World’s Classics paperback 1998 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organizations. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose this same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Apollodorus. [Bibliotheca. English] The library of Greek mythology / Apollodorus; translated by Robin Hard.
    [Show full text]
  • Wandering Poets and the Dissemination of Greek Tragedy in the Fifth
    Wandering Poets and the Dissemination of Greek Tragedy in the Fifth and Fourth Centuries BC Edmund Stewart Abstract This work is the first full-length study of the dissemination of Greek tragedy in the earliest period of the history of drama. In recent years, especially with the growth of reception studies, scholars have become increasingly interested in studying drama outside its fifth century Athenian performance context. As a result, it has become all the more important to establish both when and how tragedy first became popular across the Greek world. This study aims to provide detailed answers to these questions. In doing so, the thesis challenges the prevailing assumption that tragedy was, in its origins, an exclusively Athenian cultural product, and that its ‘export’ outside Attica only occurred at a later period. Instead, I argue that the dissemination of tragedy took place simultaneously with its development and growth at Athens. We will see, through an examination of both the material and literary evidence, that non-Athenian Greeks were aware of the works of Athenian tragedians from at least the first half of the fifth century. In order to explain how this came about, I suggest that tragic playwrights should be seen in the context of the ancient tradition of wandering poets, and that travel was a usual and even necessary part of a poet’s work. I consider the evidence for the travels of Athenian and non-Athenian poets, as well as actors, and examine their motives for travelling and their activities on the road. In doing so, I attempt to reconstruct, as far as possible, the circuit of festivals and patrons, on which both tragedians and other poetic professionals moved.
    [Show full text]
  • Wandering Poets and the Dissemination of Greek Tragedy in the Fifth
    Wandering Poets and the Dissemination of Greek Tragedy in the Fifth and Fourth Centuries BC Edmund Stewart Abstract This work is the first full-length study of the dissemination of Greek tragedy in the earliest period of the history of drama. In recent years, especially with the growth of reception studies, scholars have become increasingly interested in studying drama outside its fifth century Athenian performance context. As a result, it has become all the more important to establish both when and how tragedy first became popular across the Greek world. This study aims to provide detailed answers to these questions. In doing so, the thesis challenges the prevailing assumption that tragedy was, in its origins, an exclusively Athenian cultural product, and that its „export‟ outside Attica only occurred at a later period. Instead, I argue that the dissemination of tragedy took place simultaneously with its development and growth at Athens. We will see, through an examination of both the material and literary evidence, that non-Athenian Greeks were aware of the works of Athenian tragedians from at least the first half of the fifth century. In order to explain how this came about, I suggest that tragic playwrights should be seen in the context of the ancient tradition of wandering poets, and that travel was a usual and even necessary part of a poet‟s work. I consider the evidence for the travels of Athenian and non-Athenian poets, as well as actors, and examine their motives for travelling and their activities on the road. In doing so, I attempt to reconstruct, as far as possible, the circuit of festivals and patrons, on which both tragedians and other poetic professionals moved.
    [Show full text]