DOCSLIB.ORG

Bibliography

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Bibliography Bibliography Absolute Lyrics (n.d.) ‘Galang – M.I.A.’, accessed 25 October 2012, absolutelyrics.com/lyrics/view/m.i.a./ galang/. Anderson, Jon Lee (2011) ‘Death of the Tiger’, The New Yorker, 17 January, accessed 3 March 2014. newyorker. com/magazine/2011/01/17/death-of-the-tiger/. Anderson, Sean and Jennifer Ferng (2013) ‘No Boat: The Architecture of Christmas Island’ Architectural Theory Review 18.2: 212–226. Appadurai, Arjun (1993) ‘Number in the Colonial Imagination’, in C.A. Breckenridge & P. van der Veer, eds. Orientalism and the Postcolonial Predicament (Philadelphia: University of Pennsylvania Press) 314–39. _______. (2003) ‘Disjuncture and Difference in a Global Economy’ in Jana Evans Braziel & Anita Mannur, eds. Theorizing Diaspora (London: Blackwell) 25–48. Arasanayagam, Jean (2009) ‘Rendition’, Sunday Times (Sri Lanka) August 3 2008, accessed 20 January 2010 http://www.sundaytimes.lk/080803/Plus/ sundaytimesplus_01.html. Arulpragasam, Mathangi Maya (2012) M.I.A. (New York: Rizzoli). Auden, W.H. (1976) Collected Poems. Edited by E. Mendelson (London: Faber & Faber). Australian (2007) ‘Reaching for Dog Whistle and Stick’, editorial, 2 August. Balasingham, Adele Ann (1993) Women Fighters of Liberation Tigers (Jaffna: LTTE). DOI: 10.1057/9781137444646.0014 Bibliography Balint, Ruth (2005) Troubled Waters (Sydney: Allen & Unwin). Bastians, Dharisha (2015) ‘In Gesture to Tamils, Sri Lanka Replaces Provincial Leader’, New York Times, 15 January, http://www. nytimes.com/2015/01/16/world/asia/new-sri-lankan-leader- replaces-governor-of-tamil-stronghold.html?smprod=nytcore- ipad&smid=nytcore-ipad-share&_r=0. Bavinck, Ben (2011) Of Tamils and Tigers: A Journey Through Sri Lanka’s War Years (Colombo: Vijita Yapa and Rajini Thiranagama Memorial Committee). Brager, Jenna (2015). ‘Bodies of Water’, The New Inquiry, May 12, http:// thenewinquiry.com/essays/bodies-of-water/. Beehner, Lionel (2010) ‘What Sri Lanka Can Teach Us about COIN’, Small Wars Journal 27. Bloom, Mia (2005) Dying to Kill: The Allure of Suicide Terror (New York: Columbia University Press). Bora, Papori (2010) ‘Between the Human, the Citizen, and the Tribal’, International Feminist Journal of Politics 12 (3–4): 341–60. Brown, Jayna (2010) ‘Buzz and Rumble Global Pop Music and Utopian Impulse’ Social Text 102 (28.1): 125–46. Brunero, Tim (2007) ‘The Tim Offensive: Citizenship Tests’. YouTube video. Accessed 15 October 2007. youtube.com/ watch?v=FKWFwsyyZb8/. Bush, George W. (2001) ‘Address to Joint Session of Congress’, 20 September, georgewbush-whitehouse.archives.gov/news/ releases/2001/09/20010920-8.html. Chang, Jeff (2007) ‘News from Nowhere’,The Nation, 19 November, thenation.com/article/news-nowhere?page=0. Cavarero, Adriana (2009) Horrorism: Naming Contemporary Violence (New York: Columbia University Press). Channel 4 (UK) (2013) ‘Fate of Tamil Propagandist: New Sri Lanka Evidence – Video’, 31 October. Accessed 11 November 2014. channel4. com/news/fate-of-tamil-actress-chilling-new-evidence-from-sri-lanka/. Christgau, Robert (2005) ‘Burning Bright’ Village Voice, 22 February. villagevoice.com/2005-02-22/music/burning-bright/. Cochrane, L. (2010) ‘Romain Gavras: Born Free Director Is No Stranger to Stress’, The Guardian, 25 September. Comaroff, Jean & John L. Comaroff (2006)Law and Disorder in the Postcolony. (Chicago: University of Chicago Press). DOI: 10.1057/9781137444646.0014 Bibliography Coomaraswamy, Radhika (1997) ‘Tiger Women and the Question of Women’s Emancipation’, Pravda 4 (9): 8–10. ——— and Nimanthi Perera-Rajasingham (2009) ‘Being Tamil in a Different Way’, in R. Cheran, ed. Pathways of Dissent: Tamil Nationalism in Sri Lanka (New Delhi: Sage) 107–38. CNN (2001) ‘Prison Watchdog Slams Refugee Conditions’. CNN, edition. cnn.com/2001/WORLD/asiapcf/auspac/10/30/aust.refugees.disgrace/. Daniel, E. Valentine & Yuvaraj Thangaraj (1995) ‘Forms, Formations and Transformations of the Tamil Refugee’, in E. Valentine Daniel & John Chr. Knudsen, eds. Mistrusting Refugees (Berkeley: University of California Press), 225–56. Debrix, Francois & Alexander D. Barder (2012) Beyond Biopolitics (New York: Routledge). Deleuze, Gilles & Felix Guattari (1980) A Thousand Plateaus: Capitalism and Schizophrenia. Translated and foreword by Brian Massumi. (Minneapolis: University of Minnesota Press). De Mel, Niloufer (2001) Women and the Nation’s Narrative (New Delhi: Kali for Women). _______. (2007) Militarizing Sri Lanka (New Delhi: Sage). Derrida, Jacques (1993) Spectres of Marx: The State of the Debt, the Work of Mourning, and the New International. Translated by Peggy Kamuf. (New York: Routledge). _______. (2005) Rogues. Translated by Michael Naas. (Stanford: Stanford University Press). DeVotta, Neil (2004) Blowback: Linguistic Nationalism, Institutional Decay, and Ethnic Conflict in Sri Lanka (Stanford: Stanford University Press). D’Lo (2008) ‘Beats, Rhythm, Life’ in Ajay Nair & Murali Balaji, eds. Desi Rap: Hip-Hop and South Asian America (London: Lexington Books). d’Souza, Radha (2012) ‘A Fleeting Moment in Times of Cognitive Dissonance’, Foreword to N. Malathy, A Fleeting Moment in My Country (Atlanta, GA: Clear Day Books). Durham, Meenakshi Gigi (2009) ‘M.I.A.: A Production Analysis of Musical Subversion’ (Chicago: International Communication Association, Feminist Scholarship Division). Dutta, Abhijit (2013) ‘22 years after Kunan and Poshpora, Rethinking Kashmir’, Kafila: Media, Politics, Dissent, 23 February. Accessed 20 January 2014. http://kafila.org/2013/02/23/22-years- after-kunan-and- poshpora-rethinking-kashmir-abhijit-dutta/. DOI: 10.1057/9781137444646.0014 Bibliography Edmund Rice Centre (2004 & 2006) Deported to Danger, Vols 1 and 2. (Homebush: Edmund Rice Centre). Eliot, T.S. (1971 [1920]) The Complete Poems and Plays 1909–1950 (New York: Harcourt Brace & World Inc.). Empire, Kitty (2005) ‘Flash Forward’, The Observer, 20 March, observer. guardian.co.uk/omm/story/0,,1438918,00.html. Feldman, Allen (2004) ‘Memory Theaters, Virtual Witnessing, and the Trauma-Aesthetic’, Biography 27 (1): 163–202. _______. (2006) ‘On the Actuarial Gaze’ Cultural Studies 19 (2): 203–26. Fernandes, Sujatha (2011) Close to the Edge: In Search of the Hip-Hop Generation (New York: Random House). Fitzpatrick, Stephen (2009) ‘Finally, the Real Alex Steps Forward’, The Australian, 9 November. theaustralian.com.au/news/finally-the-real- alex-steps-forward/story-e6frg6n6-1225795570337. Foundas, Scott (2015) ‘Cannes Film Review: Dheepan’, Variety, 21 May. http://variety.com/2015/film/festivals/dheepan-film-review-cannes- 1201502383/. Franco, Jean (2013) Cruel Modernity (Durham: Duke University Press). Frere-Jones, Sasha (2004) ‘Bingo in Swansea’, New Yorker, 22 November. newyorker.com/ archive/2004/11/22/041122crmu_music#ixzz1OeGqbkav. _______. (2012) ‘M.I.A. Shouldn’t Have Apologized’, New Yorker, 6 February. newyorker.com/online/blogs/culture/2012/02/im-sorry-mia-ap. Galligan, Brian & John Chesterman (1999) ‘Australia’s Citizenship Void’, in Globalization and Citizenship in the Asia-Pacific, A. Davidson & K. Weekley, eds. (Basingstoke: Macmillan) 73–86. Ganeshananthan, V.V. (2008) Love Marriage (New York: Random House). _______. (2010) ‘We Regret To Inform You That Your Condolences Cannot Be Accepted at This Time’ in End of War in Sri Lanka: Reflections and Challenges, accessed 15 June 2010, groundviews. org/2010/05/20/we-regret-to-inform-you-that-your-condolences- cannot-be-accepted-at-this-time/. _______. (2010) ‘Hippocrates’ Granta 109http://granta.com/hippocrates/. Getler, M. 2009, ‘Rapping about genocide’, PBS Ombudsman, 12 February. pbs.org/ombudsman/2009/02/rapping_about_genocide_1. htm/, viewed 25 October 2012. Ghosh, Amitav (2003) ‘The Greatest Sorrow: Times of Joy Recalled in Wretchedness’, Kenyon Review, Summer/Fall. http://www.kenyonreview. org/journal/summerfall-2003/selections/the-greatest-sorrow/. DOI: 10.1057/9781137444646.0014 Bibliography Grattan, M. & Allard, T. (2009) ‘Not Sorry: PM Unmoved by Pleas”, Age, 16 October. http://www.theage.com.au/national/not-sorry-pm- unmoved-by-pleas-20091015-gz5y.html. Groundviews (2012) ‘The End of the War in Sri Lanka Captured for Posterity by Google Earth’, Groundviews. http://groundviews. org/2012/09/12/the-end-of-war-in-sri-lanka-captured-for-posterity- by-google-earth/. Hall, Stuart (2012) ‘Avtar Brah’s Cartographies: Moment, Method, Meaning’, Feminist Review 100: 27–38. Harrison, Francis (2012) Still Counting the Dead (London: Portobello Books). Hartmann, Florence & Ed Vulliamy (2015) ‘How Britain and the U.S. Decided to Abandon Srebrenica to Its Fate’, Guardian, July 5. http:// www.theguardian.com/world/2015/jul/04/how-britain-and-us- abandoned-srebrenica-massacre-1995. Haviland, Charles de (2011) ‘Sri Lanka to Hold Militancy Summit’, BBC, 24 May, accessed 7 November 2014. bbc.co.uk/news/world-south- asia-13518949/. Hernandez, Vittorio (2012) ‘Navy Burns Asylum Boats’, The Advertiser, 20 July. ibtimes.com/articles/365031/20120720/navy-burns-asylum- boats.htm#.U1ivWlWSzE0. Hirschberg, Lynn (2010) ‘M.I.A’s Agitprop Pop’, New York Times, 25 May. nytimes.com/2010/05/30/magazine/30mia-t. html?src=tp&pagewanted=2. Hoole, Rajan, D. Somasundaram, K. Sritharan & R. Thiranagama (1990) The Broken Palmyrah (Claremont, California: The Sri Lanka Studies Institute). Hoole, Rajan (2015) Palmyra Fallen From Rajini to War’s End (Jaffna: University Teachers for Human Rights [Jaffna]). Hulme, Peter (2004) ‘Cast Away’, in Sea Changes: Historicizing the Ocean, B. Klein & G. Mackenthun, eds., (London: Routledge) 187–97. _______.
Load more

Recommended publications
  • CHAP 9 Sri Lanka
    79o 00' 79o 30' 80o 00' 80o 30' 81o 00' 81o 30' 82o 00' Kankesanturai Point Pedro A I Karaitivu I. Jana D Peninsula N Kayts Jana SRI LANKA I Palk Strait National capital Ja na Elephant Pass Punkudutivu I. Lag Provincial capital oon Devipattinam Delft I. Town, village Palk Bay Kilinochchi Provincial boundary - Puthukkudiyiruppu Nanthi Kadal Main road Rameswaram Iranaitivu Is. Mullaittivu Secondary road Pamban I. Ferry Vellankulam Dhanushkodi Talaimannar Manjulam Nayaru Lagoon Railroad A da m' Airport s Bridge NORTHERN Nedunkeni 9o 00' Kokkilai Lagoon Mannar I. Mannar Puliyankulam Pulmoddai Madhu Road Bay of Bengal Gulf of Mannar Silavatturai Vavuniya Nilaveli Pankulam Kebitigollewa Trincomalee Horuwupotana r Bay Medawachchiya diya A d o o o 8 30' ru 8 30' v K i A Karaitivu I. ru Hamillewa n a Mutur Y Pomparippu Anuradhapura Kantalai n o NORTH CENTRAL Kalpitiya o g Maragahewa a Kathiraveli L Kal m a Oy a a l a t t Puttalam Kekirawa Habarane u 8o 00' P Galgamuwa 8o 00' NORTH Polonnaruwa Dambula Valachchenai Anamaduwa a y O Mundal Maho a Chenkaladi Lake r u WESTERN d Batticaloa Naula a M uru ed D Ganewatta a EASTERN g n Madura Oya a G Reservoir Chilaw i l Maha Oya o Kurunegala e o 7 30' w 7 30' Matale a Paddiruppu h Kuliyapitiya a CENTRAL M Kehelula Kalmunai Pannala Kandy Mahiyangana Uhana Randenigale ya Amparai a O a Mah Reservoir y Negombo Kegalla O Gal Tirrukkovil Negombo Victoria Falls Reservoir Bibile Senanayake Lagoon Gampaha Samudra Ja-Ela o a Nuwara Badulla o 7 00' ng 7 00' Kelan a Avissawella Eliya Colombo i G Sri Jayewardenepura
    [Show full text]
  • Sexual/Textual Tendencies in Shyam Selvadurai's Funny
    Concentric: Literary and Cultural Studies 44.2 September 2018: 199-224 DOI: 10.6240/concentric.lit.201809_44(2).0008 Sexual/Textual Tendencies in Shyam Selvadurai’s Funny Boy Louis Lo Department of English National Taipei University of Technology, Taiwan Abstract The word “funny” is examined as it is used throughout Selvadurai’s Funny Boy (1994) from the early chapters describing the family’s domestic life, to the ways in which language dominating public and textual discourses is rendered funny. Through an examination of the multivalent meanings of the words “funny” and “tendencies” in the novel, its intertextual references, and allusions to British canonical literature, this paper explores how the novel’s “critical funniness” negotiates such forces as imperialism and nationalism, seemingly stabilizing, but also violent and castrating. Critical funniness poses challenges to the history of British colonialism that frames modern Sri Lanka. This paper shows how the text of Selvadurai’s novel resists the essentializing discourses implied in the country’s national and sexual ideologies. Keywords Shyam Selvadurai, Funny Boy, Sri Lankan Canadian literature, postcolonial theory, homosexuality, Henry Newbolt, British imperialism I wish to express my gratitude to Jeremy Tambling, who first introduced Funny Boy to me 12 years ago. His generous intellectual engagement was essential for the development of central ideas in this paper. I am indebted to Thomas Wall, Joel Swann, Kathleen Wyma, and the anonymous readers for their incisive feedback. Thanks also go to Kennedy Wong for his timely assistance. Finally, the present version of this paper would not exist were it not for the invaluable support and encouragement of Grace Cheng.
    [Show full text]
  • Borderlands E-Journal
    borderlands e-journal www.borderlands.net.au VOLUME 11 NUMBER 1, 2012 Missing In Action By all media necessary Suvendrini Perera School of Media, Culture & Creative Arts, Curtin University This essay weaves itself around the figure of the hip-hop artist M.I.A. Its driving questions are about the impossible choices and willed identifications of a dirty war and the forms of media, cultural politics and creativity they engender; their inescapable traces and unaccountable hauntings and returns in diasporic lives. In particular, the essay focuses on M.I.A.’s practice of an embodied poetics that expresses the contradictory affective and political investments, shifting positionalities and conflicting solidarities of diaspora lives enmeshed in war. In 2009, as the military war in Sri Lanka was nearing its grim conclusion, with what we now know was the cold-blooded killing of thousands of Tamil civilians inside an official no-fire zone, entrapped between two forms of deadly violence, a report in the New York Times described Mathangi ‘Maya’ Arulpragasam as the ‘most famous member of the Tamil diaspora’ (Mackey 2009). Mathangi Arulpragasam had become familiar to millions across the globe in her persona as the hip-hop performer M.I.A., for Missing in Action. In the last weeks of the war, she made a number of public appeals on behalf of those trapped by the fighting, including a last-minute tweet to Oprah Winfrey to save the Tamils. Her appeal, which went unheeded, was ill- judged and inspired in equal parts. It suggests the uncertain, precarious terrain that M.I.A.
    [Show full text]
  • The Nation and Its Discontents South Asian Literary Association 2014 Annual Conference Program JANUARY 8-9, 2014
    The Nation and Its Discontents South Asian Literary Association 2014 Annual Conference Program JANUARY 8-9, 2014 ALOFT HOTEL (CITY CENTER) 515 NORTH CLARK STREET; CHICAGO, IL 60654 312-661-1000 TUESDAY, JANUARY 7 PRE-CONFERENCE MEETING - “THE YELLOW LINE” ROOM 6-8 p.m. Executive Committee DAY 1: WEDNESDAY, JANUARY 8 8:00 a.m. onward REGISTRATION Lobby 9:00-9:30 a.m. CONFERENCE WELCOME ROOM: THE L Moumin Quazi, Tarleton State University SALA President OPENING: Madhurima Chakraborty, Columbia College Chicago Umme Al-wazedi, Augustana College Conference Co-Chairs 1 9:45-11:00 a.m. SESSION 1 (PANELS 1A, 1B, AND 1C) 1A: INTERROGATING INDEPENDENCE AND NATIONALISM ROOM: THE RED LINE Panel Chair: Henry Schwarz, Georgetown University 1. Nationalism and Gender in Cracking India Anil H. Chandiramani, University of Minnesota, Twin Cities 2. Fragments of History and Female Silence: Discursive Interventions in Partition Narratives Parvinder Mehta, Siena Heights University 3. Engendering Nationalism: From Swadeshi to Satyagraha Indrani Mitra, Mount St. Mary's University 4. Unhomed and Deterritorialized: Quest for National Identity in Indira Goswami's Ahiran Kumar Sankar Bhattacharya, Birla Institute of Technology and Sciences (BITS), Pilani 1B: EUROPE IMAGINES SOUTH ASIA ROOM: THE BLUE LINE Panel Chair: J. Edward Mallot, Arizona State University 1. From Somebodies to Nobodies: The Dilemma of National Belonging for Poor Whites in India and Britain Suchismita Banerjee, University of Wisconsin, Milwaukee 2. White Elephants and Discontents Moumin Quazi, Tarleton State University 3. Social Outcasts in Melodrama: Cross-Cultural Comparisons between Indian and Spanish Melodrama in Film Maria Dolores Garcia-Borron, Independent scholar 4.
    [Show full text]
  • Professors to Discuss War Issues
    NONPROFIT ORGANIZATION WITH NINE QUARTERBACKS, THERE WILL BE A FIGHT TO START PAGE 4 U.S. POSTAGE BATTLE FOR THE BALL: PAID BAYLOR UNIVERSITY ROUNDING UP CAMPUS NEWS SINCE 1900 THE BAYLOR LARIAT FRIDAY, FEBRUARY 8, 2008 Professors Keston to discuss Institute war issues unveils An open dialogue led by Baylor religious alum and Dr. Ellis to talk about Christian perspectives abuse By Stephen Jablonski Reporter A collection of When Dr. Marc Ellis, director of the Center communist memorabilia for Jewish Studies and universtiy professor, put on display in mentioned a lack of discussion on the moral dilemma of war in Christianity last semester, Carroll Library the notion rang true with Baylor alumnus Adam Urrutia. This proposal culminated a presentation and discussion of topics relevant By Anita Pere to Christians in a world at war. Staff writer Baylor professors will discuss “Being Chris- tian in a Nation at War … What Are We to Say?” Oppression resonates at 3:30 p.m. Feb. 12 in the Heschel Room of through history as a bruise on the Marrs McLean Science Building. Co-spon- the face of humanity. sored by the Center for Jewish Studies and Many of the world’s citi- the Institute for Faith and Learning, the event zens, grappling with constantly was first conceived by Urrutia, who, Ellis said, changing political regimes and took the initiative to organize the discussion. civil unrest, have never known “This issue is particularly close to what I’m civil liberties. interested in,” Urrutia said. “I’m personally a But one cornerstone of all pacifist and I thought this would be a good societies has survived the test opportunity to discuss this with people.” Associated Press of oppression: religion.
    [Show full text]
  • Sound Matters: Postcolonial Critique for a Viral Age
    Philosophische Fakultät Lars Eckstein Sound matters: postcolonial critique for a viral age Suggested citation referring to the original publication: Atlantic studies 13 (2016) 4, pp. 445–456 DOI http://dx.doi.org/10.1080/14788810.2016.1216222 ISSN (online) 1740-4649 ISBN (print) 1478-8810 Postprint archived at the Institutional Repository of the Potsdam University in: Postprints der Universität Potsdam Philosophische Reihe ; 119 ISSN 1866-8380 http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-98393 ATLANTIC STUDIES, 2016 VOL. 13, NO. 4, 445–456 http://dx.doi.org/10.1080/14788810.2016.1216222 Sound matters: postcolonial critique for a viral age Lars Eckstein Department of English and American Studies, University of Potsdam, Potsdam, Germany ABSTRACT KEYWORDS This essay proposes a reorientation in postcolonial studies that takes Sound; M.I.A.; Galang; music; account of the transcultural realities of the viral twenty-first century. postcolonial critique; This reorientation entails close attention to actual performances, transculturality; pirate their specific medial embeddedness, and their entanglement in modernity; Great Britain; South Asian diaspora concrete formal or informal material conditions. It suggests that rather than a focus on print and writing favoured by theories in the wake of the linguistic turn, performed lyrics and sounds may be better suited to guide the conceptual work. Accordingly, the essay chooses a classic of early twentieth-century digital music – M.I.A.’s 2003/2005 single “Galang”–as its guiding example. It ultimately leads up to a reflection on what Ravi Sundaram coined as “pirate modernity,” which challenges us to rethink notions of artistic authorship and authority, hegemony and subversion, culture and theory in the postcolonial world of today.
    [Show full text]
  • Being Heard Being Heard Being Me Freedom
    beingbeing heardheard•• being me•• freedom dignity••power words that burn A resource• •to wordsenable young peoplethat to burn explore human rights and self-expression through poetry. ‘ Poetry is thoughts that breathe and words that burn.’ THOMAS GRAY Introduction Poetry and spoken word are powerful ways to understand and respond to the world, to voice thoughts and ideas, to reach into ourselves and reach out. ‘Josephine Hart described Human rights belong to all of us but are frequently denied or abused even poetry as a route map through in the UK. Poets are often the first to articulate this in a way to make us life. She said “Without think and to inspire action. Perhaps this explains why they’re often among the first to be silenced by oppressive regimes. poetry, life would have Amnesty International is the world’s largest human rights organisation been less bearable, less with seven million supporters. We’ve produced this resource to enable comprehensible and infinitely young people to explore human rights through poetry whilst developing their voice and skills as poets. less enjoyable”. It would be The resource was inspired by the poetry anthology Words that Burn her sincere wish that this curated by Josephine Hart of The Poetry Hour, which in turn was inspired by Amnesty resource will prove the words of Thomas Gray (cover). The essence of these words shaped this to be first steps on a happier resource, which aims to provide the creative oxygen to give young people the confidence to express themselves through poetry, to stand up and make journey through life for many.
    [Show full text]
  • Karaoke Mietsystem Songlist
    Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind.
    [Show full text]
  • PRESSEHEFT Kinostart
    PRESSEHEFT Kinostart: 22. November 2018 Im Verleih von Rapid Eye Movies INHALT Credits / Filmdaten ....................................................................................................................... 3 Synopsis ....................................................................................................................................... 4 Bio-/Filmografie Regie .................................................................................................................. 4 Über die Produktion und die besondere Beziehung zwischen M.I.A. und Steve Loveridge ........ 5 Über das Team .............................................................................................................................. 9 Songliste des Films ........................................................................................................................ 9 Pressestimmen ........................................................................................................................... 15 Kontakte ..................................................................................................................................... 16 2 MATANGI / MAYA / M.I.A. Ein Film von Steve Loveridge CREDITS Regie & Produktion: Steve Loveridge Mit: Maya Arulpragasam Kamera: Graham Boonzaaier, Catherine Goldsmith, Matt Wainwright Schnitt: Marina Katz, Gabriel Rhodes Musik: Dhani Harrison, Paul Hicks Music Supervisor: Tracy McKnight Sound Design: Ron Bochar Produzenten: Lori Cheatle, Andrew Goldman, Paul Mezey Ausführende Produzenten:
    [Show full text]
  • In Romesh Gunesekera's Ghost Country
    Commonwealth Essays and Studies 40.2 | 2018 Confluence/Reconstruction In Romesh Gunesekera’s Ghost Country Pascal Zinck Electronic version URL: http://journals.openedition.org/ces/296 DOI: 10.4000/ces.296 ISSN: 2534-6695 Publisher SEPC (Société d’études des pays du Commonwealth) Printed version Date of publication: 1 April 2018 Number of pages: 85-96 ISSN: 2270-0633 Electronic reference Pascal Zinck, “In Romesh Gunesekera’s Ghost Country”, Commonwealth Essays and Studies [Online], 40.2 | 2018, Online since 05 November 2019, connection on 02 April 2021. URL: http:// journals.openedition.org/ces/296 ; DOI: https://doi.org/10.4000/ces.296 Commonwealth Essays and Studies is licensed under a Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. In Romesh Gunesekera’s Ghost Country The French term “reconstruction” has two different meanings, both of which are in common usage. Its older meaning refers to the physical act of rebuilding what has been damaged or destroyed, as a like-for-like replacement. A more modern meaning suggests a more structural and systematic process. The present paper posits that understanding the dif- ferences between the two is helpful in post-conflict resolution and reconciliation. To provide a long-term approach to fractures and vulnerabilities, a nation must not only open a Pandora’s box of legal accountability. Reconstruction ultimately poses the challenge of redefining national iden- tity. Romesh Gunesekera’s Noontide Toll explores such issues in the context of the three decade- long civil war between the Government of Sri Lanka and the Liberation Tigers of Tamil Elam (LTTE).
    [Show full text]
  • Table of Contents
    TABLE OF CONTENTS Video Summary & Related Content 3 Video Review 4 Before Viewing 5 While Viewing 6 Talk Prompts 8 After Viewing 11 The Story 13 Activity #1: Analyzing World Issues in M.I.A.’s Music 23 Activity #2: Silenced Political Bands Campaign 24 Sources 26 CREDITS News in Review is produced by Visit www.curio.ca/newsinreview for an archive of all CBC NEWS and curio.ca previous News In Review seasons. As a companion resource, go to www.cbc.ca/news for additional GUIDE articles. Writer: Chris Coates Editor: Sean Dolan CBC authorizes reproduction of material contained VIDEO in this guide for educational purposes. Please Host: Michael Serapio identify source. Senior Producer: Jordanna Lake News In Review is distributed by: Packaging Producer: Marie-Hélène Savard curio.ca | CBC Media Solutions Associate Producer: Francine Laprotte Supervising Manager: Laraine Bone © 2019 Canadian Broadcasting Corporation MAYA/MATHANGI/M.I.A. – The Making of a Political Pop Star Video duration – 9:06 Mathangi Maya Arulpragasam — known simply now as M.I.A. — is an acclaimed Sri Lankan-Tamil rapper pop star from England. Always controversial, she is an outspoken activist, who uses her fame as a platform to express her political views, particularly about the Tamil crisis in Sri Lanka. Film director Stephen Loveridge put together a documentary of the artist’s life which includes a slew of footage shot by Maya herself over the past 22 years. It follows her from her early years in Sri Lanka, growing up in London and her rise to fame. The National’s host Adrienne Arsenault takes a look at the life of this controversial music artist at the release of her documentary in North America.
    [Show full text]
  • Because Most People Marry Their Own Kind: a Reading of Selvadurai
    Because Most People Marry Their Own Kind: A Reading of Shyam Selvadurai's uTunny Boy" R. RAJ RAO JT\ NEW PHASE has begun in writing from the Indian subconti• nent with the emergence of the Sri Lankan novelist Romesh Gunesekera, whose novel Reef ( 1994) was recently on the Booker Prize shortlist. Gunesekera describes Reef as a story of a society in transition and as a narrative that "illuminated the political, moral and emotional realities we all live by, whatever our circumstances and our obsessions" (Literature Matters 3). Less well-known than Gunesekera is another contemporary novelist from Sri Lanka, Shyam Selvadurai, whose first novel, Funny Boy ( 1994), was pub• lished in 1994 by Jonathan Cape, and reprinted by Penguin Books in India. Selvadurai, born in Colombo in 1965, left Sri Lanka after the 1983 riots in Colombo and settled with his family in Toronto, Canada. The year 1983 marks the beginning of the secessionist struggle in the island, in which the Tamils, mostly Hindu by faith, wanted to break away from the Sinhalese majority (mostly Buddhist), and form their own homeland in the north, in and around the province of Jaffna. I propose to look at Funny Boy, a novel with a Sri Lankan boy as its protagonist, against this political backdrop, from the angles of race, sexuality, and gender, and to show that a subaltern identi• fication exists between minorities in the three groups, who con• stitute the "other" of the male fanatical self. What I mean is this: in each of the domains of race, sexuality, and gender, there are those who are empowered and those who are not; I use "male- ness" and the chauvinism associated with it as a metaphor to incorporate the other two categories of race and sexuality (thereby hinting at a fusion), and I invent the phrase "male fanatical self to explore the notion of the self as empowered, the ARIEL: A Review of International English Literature, 28:1, January 1997 118 R.
    [Show full text]