JULY 2015 KISS ME, KATE WELCOME

Welcome to the madcap mayhem of Kiss Me, Kate! Last summer, in this same space, we proudly produced Fiasco Theater’s imaginative revival of a classic musical with deep roots at The Old Globe:Into the Woods. This summer, we’re delighted to bring San Diego audiences yet another vibrant, timeless show from the musical theatre canon. At the same time, with two world premiere musicals slated for the 2015-2016 season, we also continue our commitment to developing the great DOUGLAS GATES musicals of tomorrow. Managing Director Michael G. Murphy and Artistic Director Barry Edelstein.

This production of Kiss Me, Kate marks the return of director Darko Tresnjak, who headed our 2013 production of A Gentleman’s Guide to Love and Murder—a show that went on to Broadway, where it won numerous Tony Awards, including Best Musical and Best Direction of a Musical. As many of you know, Darko is the former co-artistic director of The Old Globe’s Summer Shakespeare Festival and the current artistic director of Hartford Stage, the Globe’s producing partner on this show. We’re thrilled to continue our productive artistic partnerships with both Darko and the great regional theatre he helms.

For decades, both Shakespeare and musical theatre have been central components of The Old Globe’s artistic identity. With Kiss Me, Kate, we get to bring you a little of both. What could be more perfect than that?

Barry Edelstein, Artistic Director Michael G. Murphy, Managing Director

MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large.

PERFORMANCES MAGAZINE 1 PRODUCTION SPONSORS PRODUCTION SPONSORS PRODUCTION SPONSORS

KAREN AND DONALD COHN CONRAD PREBYS AND DEBRA TURNER Karen and Donald Cohn have served in leadership roles at The Old Globe for more than 20 years. A native of South Bend, Indiana, and a San Diego resident since 1965, Conrad Prebys is the owner Karen, a graduate of University of San Diego School of Law, is involved with numerous major of Progress Construction Co, Inc. Debra Turner has been involved in Southern California real estate arts and cultural institutions. Don is the founder and former CEO of Dataquick Information for over 20 years. Conrad and Debra share a love of the arts and generously support San Diego not- Systems, Inc. and is owner of Ballena Vista Farms in Ramona, one of Southern California’s largest for-profits including La Jolla Music Society, Scripps Hospital, Sanford-Burnham Medical Research thoroughbred racing, breeding, and training facilities. Don has served as Board Chair at the Globe Institute, Salk Institute, San Diego Zoo, Boys and Girls Club of East County, UC San Diego, and San and continues his work on the Executive and other committees. Karen first joined the Globe Board Diego State University. Conrad and Debra serve on the Globe’s Board of Directors, with Conrad as a in 1992, serving two terms as Chair. The Cohns have supported several productions at the theatre, member of the Executive Committee and Debra as former Co-Chair of the Development Committee. most recently The Winter’s Tale, A Midsummer Night’s Dream, Rosencrantz and Guildenstern Are Both have served as Gala Co-Chair. As part of the Globe’s “Securing a San Diego Landmark” Capital Dead, and The Merchant of Venice. Karen and Don helped launch the Globe’s “Securing a San Diego Campaign, Conrad donated $10.4 million for the complex bearing his name. Together, Conrad Landmark” Capital Campaign in 2006 with a significant gift, and, in recognition, the theatre’s and Debra have sponsored many productions, including Dirty Rotten Scoundrels, Ace, Romeo and education center is named in their honor. Juliet, August: Osage County, Allegiance – A New American Musical, Other Desert Cities, Time and the Conways, and Into the Woods. In 2015 they serve as Production Sponsors of both Murder for Two and Kiss Me, Kate. PETER COOPER AND NORMAN BLACHFORD Peter Cooper and Norman Blachford are longtime supporters of The Old Globe and are well known for their major philanthropic activities and community activism. Norman serves on the Board of the GLORIA RASMUSSEN Mingei International Museum and is on the Founders Council of the Williams Institute at the UCLA Originally from New York, Gloria Rasmussen is an avid lover of the arts and began attending theatre School of Law. A native of Montreal, Norman founded a manufacturing firm that produces noise and opera at a very young age. She firmly believes in the importance of introducing children to the control materials for the transportation industry and many international corporations. In 1981, performing arts and regularly brought her son, Robert Jr., with her when attending productions. Norman and Louis Stankiewicz were awarded a Technical Achievement Award (Stage Operations) In New York City, Gloria owned and operated numerous boutique stores and traveled with her late by the Academy of Motion Picture Arts and Sciences. Peter, now a retired businessman, is a member first husband as his work sent him to countries around the world. After moving to Coronado, Gloria of the Globe’s Board of Directors, chairs the Nominating Committee, and serves on the Executive married Dick Rasmussen, a wonderfully kind, genuine, and intelligent man, who passed away two and Development Committees. He is also a Founding Council member of the Williams Institute at years ago and in whose memory she sponsored 2013’s Double Indemnity, last year’s Into the Woods, the UCLA School of Law. and now Kiss Me, Kate. Gloria is on the board of the San Diego Opera and ardently supports the performing arts, arts education, sciences, and organizations that increase the quality of life for children. PAMELA FARR AND BUFORD ALEXANDER Pam Farr and Buford Alexander spread their time across Rancho Santa Fe; Greenwich, Connecticut; and Amsterdam. Pam joined the Globe’s Board of Directors in 2005 and is a member of the Audit, Finance, and Governance Committees. Her relationship with The Old Globe goes back much further, however: as an amateur actress and dancer, she performed on the greens at the Globe when JUNE YODER she was a high school and college student. She is also a board member of the National Corporate June Yoder and her late husband, Paul, became subscribers of The Old Globe in 1963 upon moving Theatre Fund and Washington Performing Arts. Pam has served the American Red Cross as Chair to San Clemente, and for 52 years June has been making the trip from Orange County to attend of the Greenwich Chapter and National Chair of Volunteers, and she received the Harriman Award performances. She served as a member of the Globe’s Board of Directors for many years and for Distinguished Volunteer Service. Pam and Buford met through McKinsey & Company, where, continues to be an enthusiastic advocate for the Globe’s artistic mission and education programs. after 32 years, most of them in Europe, Buford is now a Director Emeritus. In recognition of his June and Paul raised five children, each of whom were introduced to the Globe and live theatre by not-for-profit work to enhance cultural, business, and educational relations between the U.S. and accompanying their parents to productions of the Summer Shakespeare Festival. Now her children the Netherlands, Queen Beatrix bestowed upon him the Royal Distinction of Officer in the Order bring their own children, and June remains passionate about bringing the world of the theatre of Oranje-Nassau. to children and young people. She sponsored the Globe’s 2011 production of Death of a Salesman, 2012’s Divine Rivalry in memory of her son, David M. Yoder, and last year’s Into the Woods. This year, KATHRYN HATTOX she is proud to sponsor Kiss Me, Kate. Kathryn Hattox is a native San Diegan who has attended Globe productions for over 50 years, often taking her children and grandchildren to performances with her husband, John. She has long been a strong advocate of the theatre and joined the Globe’s Board of Directors in 1997. She served as Board Chair for two years and has remained on the Board as an active member of the Executive, Finance, Craig Noel League, Investment, and Development Committees. In recognition of her leadership gift to the Globe’s “Securing a San Diego Landmark” Capital Campaign, the multipurpose performance and event room located in the Karen and Donald Cohn Education Center is named Hattox Hall. Kathryn has generously supported the Globe each year as a Sponsor for such plays as Lucky Duck, Rough Crossing, All My Sons, The Boswell Sisters, Measure for Measure, Cyrano de Bergerac, King Lear, Amadeus, As You Like It, The Merchant of Venice, and last year’s The Winter’s Tale, directed by Old Globe Artistic Director Barry Edelstein. 2 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 3 OUR THANKS In 1995, the Season Sponsor program was initiated by Globe Board members to secure a foundation of support for artistic Season Sponsors ($60,000 and higher) and education programs. Since that time, Season Sponsors have contributed millions of dollars collectively to underwrite the annual operating budget, and The Old Globe is pleased to acknowledge the following Season Sponsors who have generously supported the 2014-2015 season.

Leading Season Sponsors ($75,000 and higher)

JOAN AND IRWIN JACOBS VALERIE AND HARRY COOPER GILLIAN AND TONY THORNLEY Sponsors since 2002 Sponsors since 2005 Sponsors since 2009 U-T SAN DIEGO EDUARDO CONTRERAS / T CHARLES ERICKSON KAREN AND DONALD COHN DARLENE MARCOS SHILEY GLOBE GUILDERS AUDREY S. GEISEL Charter Sponsors since 1995 In memory of Donald Shiley Charter Sponsor since 1995 Sponsor since 1998 Charter Sponsor since 1995 JUNE E. YODER PAM FARR AND BUFORD ALEXANDER GLORIA RASMUSSEN Sponsor since 2010 Sponsors since 2011 Sponsor since 2012

KATHRYN HATTOX SHERYL AND HARVEY WHITE CONRAD PREBYS AND MARY BETH ADDERLEY Sponsor since 1998 Sponsors since 2000 DEBRA TURNER Sponsor since 2004 RHONA AND RICK THOMPSON HAL AND PAM FUSON VICKI AND CARL ZEIGER Sponsors since 2004 Sponsors since 2013 Sponsors since 2013 Sponsors since 2014

Charter Sponsor since 1995 Sponsor since 2007

JOAN MARCUSJOAN SUSAN AND JOHN MAJOR PETER COOPER AND EDGERTON FOUNDATION ELAINE AND DAVE DARWIN BRIAN AND SILVIJA DEVINE Sponsors since 2014 NORMAN BLACHFORD Sponsor since 2008 Sponsors since 2011 Sponsors since 2012 Sponsors since 2008 Leading Production Sponsors ($50,000 and higher)

Sponsor since 2000 JIM COX DIANE AND JOHN BEROL ELAINE LIPINSKY JEAN AND GARY SHEKHTER PAULA AND BRIAN POWERS ANN DAVIES Sponsors since 1996 FAMILY FOUNDATION Sponsors since 2014 Sponsors since 2012 Sponsor since 2013 Sponsor since 2012

Photo for Globe Guilders: Tanya Thai McBride and Amy Kim Waschke inThe White Snake, 2014 (photo courtesy of McCarter Theatre Center); For additional information on how you may become a Season Sponsor, for Edgerton Foundation: Carmen Cusack and Wayne Alan Wilcox in the world premiere of Bright Star, 2014; please contact Keely Tidrow or Rachel Plummer at (619) 231-1941. for Diane and John Berol: the cast of A Midsummer Night’s Dream, 2013. 4 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 5 OUR THANKS THE PLAY Welcome to the Globe! Farr and Buford Alexander, Kathryn Hattox, Conrad Prebys and Debra Turner, Gloria Rasmussen, and June Yoder. Join us on July In 1949, Kiss Me, Kate won the first 25 for the 2015 Globe Gala, in support of the theatre’s education and Tony Award ever for Best Musical, with artistic programs, and be wowed by a one-night-only performance by FROM THE Cole Porter’s sly, sexy, and supremely Bright Star’s Carmen Cusack and dance to the 15-piece Cab Calloway ARTISTIC inventive score and Sam and Bella Orchestra, led by Cab’s grandson, Calloway Brooks. Spewack’s delightful book introducing a DIRECTOR dozen songs that have all become classics Your philanthropy makes a difference. We ask you to invest in the of American musical theatre. In 1984, Globe and help San Diego’s largest not-for-profit performing arts A dear friend of mine recently retired after many years as the casting hilariously, and often subversively: it’s no coincidence that the Artistic Director Emeritus Jack O’Brien organization close the 45% funding gap between the total cost of director at one of this country’s great Shakespeare theatres. I asked Spewacks set Kiss Me, Kate at Ford’s Theatre in Baltimore in 1948. staged a revival of Kiss Me, Kate on this stage that longtime Globe producing each show and earned income from ticket sales. We are her what she thought she’d miss about her job, and she said, “I’ll miss Two years earlier, that very theatre was the site of a protest against audience members still speak of with fondness. I’m convinced, grateful to you, our audiences and supporters, for everything you do, knowing that every single day I will have the pleasure of hearing segregated seating that drew national press attention and lasted however, that at this performance, new cherished memories will be including purchasing tickets, attending performances, and spreading Shakespeare spoken aloud.” I was moved by that, and I can relate. seven years, ending when Ford’s finally integrated with the staging of made. After all, director Darko Tresnjak is known for a wild and witty the word about our productions and other programs with your One of the joys of my job is that I get to have Shakespeare in my life an interracially cast production, one of Baltimore’s first. The Spewack imagination that spins true theatre magic. friends. And we are grateful for your adventurous and open-minded every day. And not just Shakespeare, but classics of every kind and (and Porter) image of a racially mixed company working happily spirit, which encourages us to produce the best in entertaining and in so many genres and from so many periods. I come to my office together on a musical—something we now take for granted—was in As your Globe Board Chair and a firm believer in the transformative rewarding theatre. powers of the arts, I am pleased to represent and support this each morning to hear and to think about and to work on the great its time an innovation. amazing institution. We are grateful to the production sponsors, Thank you for being here, and for being part of the Globe family. masterpieces of the world stage. Pretty nice. Karen and Donald Cohn, Peter Cooper and Norman Blachford, Pam But fun is the order of the day, and there’s another master at work on Kiss Me, Kate is one such masterpiece, and I’m reveling in the this Kiss Me, Kate who brings it in loads: its director, Darko Tresnjak. privilege of being near it daily. Cole Porter’s score is so brilliant, so Darko is an ideal match for Cole Porter; both their imaginations are Elaine Bennett Darwin close to perfect in every aspect, that it feels touched by a spark of wellsprings of wit and invention. Darko finds a raffishness in this Chair, Board of Directors the divine. It is chock-full of triumphs of musical theatre art and musical and embraces its naughty humor, expressing it with color craft: its stunning range of genres and musical idioms, from Tin Pan and verve. San Diego audiences know well his command of the stage BOARD OF DIRECTORS Alley to operetta; its fabulous, jazz-inflected rhythms; its lush and and its effects, evidenced so amply in his glorious production ofA Elaine Bennett Darwin* Vicki L. Zeiger* Ann Davies* insinuating melodies that, heard once, persist in the mind’s ear; and Gentleman’s Guide to Love and Murder. Here they will find further CHAIR INCOMING CHAIR VICE CHAIR, EDUCATION of course its dizzying and dazzling and truly astonishing lyrical wit. strengths: a conceptual boldness and comic abandon at work in equal Peter J. Cooper* Anthony S. Thornley* Harvey P. White* VICE CHAIR, NOMINATING TREASURER SECRETARY Porter’s virtuosity shines in song after song, and the pleasures he measure. I love what Darko has found in this classic musical, and his delivers, which have inspired generations of composers and lyricists collaborators, especially choreographer Peggy Hickey, music director DIRECTORS HONORARY DIRECTORS EMERITUS DIRECTORS Sue Sanderson after him, remind us that the musical theatre, especially its golden Kris Kukul, and the first-rate design team, match Porter’s effortless Mary Beth Adderley* Harold W. Fuson, Jr.* Crystal Sargent Mrs. Richard C. Adams Garet B. Clark Elizabeth Altman Jack Galloway Marguerite Sargis (1912–2005) J. Dallas Clark (1913–2005) age work, is an American national treasure. dazzle with flourishes of their own. Terry Atkinson Victor P. Gálvez Jean Shekhter Clair Burgener (1921-2006) Bea Epsten Marla Black Kathryn Hattox* Ann Steck* Mrs. John H. Fox Sally Furay, R.S.C.J. We revere Mozart more than Da Ponte, his librettist, and posterity This is our second co-production with Darko’s Hartford Stage, one of Pamela Cesak Patricia A. Hodgkin Steven J. Stuckey (1908–2003) (1926-2015) has recorded Porter as the greater genius than his Kiss Me, Kate our country’s great regional theatres, and we are glad to count it as Nicole A. Clay Daphne H. Jameson Daniel L. Sullivan, Ph.D. Audrey S. Geisel Bernard Lipinsky collaborators, the Spewacks. But their achievements are not our close partner. Hartford has helped us bring this masterpiece to Joseph J. Cohen Jo Ann Kilty Karen Tanz Paul Harter (1914-2001) Donald L. Cohn* Sheila Lipinsky Rhona Thompson Gordon Luce (1925-2006) Delza Martin (1915–2005) inconsiderable. They construct two distinct realities—a production the heart of Balboa Park and helped us celebrate the Centennial of Valerie S. Cooper* Keven Lippert Evelyn Mack Truitt Dolly Poet (1921-2007) Darlene Marcos Shiley of Shakespeare’s The Taming of the Shrew and the backstage goings-on the California Pacific Exposition and the 80th Anniversary of The Old Silvija Devine Ramin Pourteymour Debra Turner Deborah Szekely Patsy Shumway around it—and weave them together with a remarkable complexity Globe. You can’t have a great celebration without great music, great Elizabeth Dewberry Paula Powers* Stacey LeVasseur Vasquez Hon. Pete Wilson Carolyn Yorston-Wellcome and sophistication. Just as the “real-life” concerns of actors Fred dancing, fancy clothes, and funny jokes. Kiss Me, Kate brings them all. Stephen P. Embry* Conrad Prebys* Jordine Von Wantoch Graham and Lilli Vanessi bubble into the characters of Petruchio Pamela A. Farr Tim Rafalovich Pamela J. Wagner *Executive Committee Member Karen Fox Adam Ratner Lynne Wheeler and Kate they play, so too the rich themes of Shakespearean Thanks for coming. Enjoy the show. Robert Foxworth Sandra Redman Karin Winner* comedy suffuse and deepen an otherwise routine backstage farce. Sexual politics, gender roles, and even racial taboos are all upended ASSOCIATE ARTISTS OF THE OLD GLOBE In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in acknowledging as Associate Artists the following individuals who have repeatedly demonstrated, by their active presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of the Globe. William Anton Tim Donoghue Mark Harelik John McLain Steven Rubin Deborah Taylor Gregg Barnes Richard Easton Bob James Jonathan McMurtry Ken Ruta Irene Tedrow* Jacqueline Brookes* Tovah Feldshuh Charles Janasz Stephen Metcalfe Douglas W. Schmidt Sada Thompson* Lewis Brown* Monique Fowler Peggy Kellner* Robert Morgan Seret Scott Paxton Whitehead Victor Buono* Robert Foxworth Tom Lacy Patrick Page David F. Segal James Winker Wayland Capwell* Ralph Funicello Diana Maddox Ellis Rabb* Richard Seger* Robert Wojewodski Kandis Chappell Lillian Garrett-Groag Nicholas Martin* Steve Rankin Diane Sinor* G. Wood* Eric Christmas* Harry Groener Dakin Matthews William Roesch Don Sparks Patricia Conolly A.R. Gurney Deborah May Robin Pearson Rose David Ogden Stiers *In Memoriam George Deloy Joseph Hardy Katherine McGrath Marion Ross Conrad Susa*

6 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 7 in association with HARTFORD STAGE

PRESENTS CAST (in alphabetical order) SECOND MAN...... Brendan Averett* LILLI VANESSI/KATE...... Anastasia Barzee* KISS ME, KATE FIRST MAN...... Joel Blum* ACTOR/HORTENSIO/GREGORY, RILEY...... Giovanni Bonaventura* BILL CALHOUN/LUCENTIO...... Tyler Hanes* PAUL, INNKEEPER...... James T. Lane* MUSIC AND LYRICS BY BOOK BY GENERAL HARRISON HOWELL, STAGEHAND...... Tony Lawson* ACTOR/GREMIO, FLYNT...... Barrett Martin* COLE PORTER SAM and BELLA ACTRESS/MOMO...... Robin Masella* FRED GRAHAM/PETRUCHIO...... Mike McGowan* SPEWACK ACTRESS/VENETIA...... Shina Ann Morris* ACTRESS/BECKI WECKIO...... Jane Papageorge POPS, PRIEST...... Wayne W. Pretlow* RALPH...... Mike Sears* Alexander Dodge Fabio Toblini Philip S. Rosenberg Jonathan Deans LOIS LANE/BIANCA...... Megan Sikora* SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN ACTOR/PHILIP, CAB DRIVER, CHAUFFEUR...... Michael Starr HARRY TREVOR/BAPTISTA MINOLA...... Jeff Steitzer* DANCE CAPTAIN/BIONDELLO/NATHANIEL...... Johnny Stellard* Kris Kukul Jason Allen Claudia Hill-Sparks J. Allen Suddeth HATTIE, MISTRESS OF THE INN...... Aurelia Williams* MUSIC DIRECTOR WIG DESIGN VOCAL AND TEXT COACH FIGHT DIRECTOR

STAGE MANAGEMENT Binder Casting Max Mamon Anjee Nero Production Stage Manager...... Anjee Nero* Jay Binder, CSA/Mark Brandon, CSA ASSOCIATE MUSIC DIRECTOR PRODUCTION STAGE MANAGER Assistant Stage Manager...... Amanda Salmons* CASTING Stage Management Interns...... Kayla Geleynse, Cathy Hwang

CHOREOGRAPHY BY There will be one 15–minute intermission. PEGGY HICKEY PRODUCTION STAFF Assistant Director...... Sarah Hartmann Associate Choreographer...... Adam Cates DIRECTED BY Assistant Scenic Design...... Eileen McMann Associate Costume Design...... Charlotte Devaux Shields DARKO TRESNJAK Assistant Lighting Design...... Robert W. Sambrato, Jack Bender Assistant Sound Design...... Brian Hsieh Dance Captain...... Johnny Stellard* Fight Captain...... Anjee Nero* Kiss Me, Kate is presented by arrangement with Tams-Witmark Music Library, Inc., 560 Lexington Avenue, New York, New York 10022

Donald and Darlene Shiley Stage *Member of Actors’ Equity Association, the union of Professional Actors and Stage Managers in the United States. Old Globe Theatre Conrad Prebys Theatre Center Si desea una sinopsis de esta obra en Español o en Inglés, favor de pedírsela al acomodador que le entregó este programa. July 1 – August 2, 2015 If you would like a synopsis of this production in English or Spanish, please request it from an usher.

8 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 9 THE PLAY SONG LIST WORKING WITH THE MASTERS Director Darko Tresnjak talks about Kiss Me, Kate.

Act I By Danielle Mages Amato “Another Op’nin’, Another Show”...... Hattie, Company “Why Can’t You Behave?”...... Lois Lane, Bill Calhoun “Wunderbar”...... Fred Graham, Lilli Vanessi Why did you want to do Kiss Me, Kate? What were “So in Love”...... Lilli Vanessi the elements of it that most appealed to you? “We Open in Venice”...... Kate, Petruchio, Bianca, Lucentio “Tom, Dick or Harry”...... Bianca, Gremio, Hortensio, Lucentio Between Cole Porter and William Shakespeare, Kiss Me, “I’ve Come to Wive It Wealthily in Padua”...... Petruchio, Men Kate is for me a truly irresistible combination. It was never “I Hate Men”...... Kate a question if I wanted to direct, just when I was going to “Were Thine That Special Face”...... Petruchio get around to it. Many of my favorite Cole Porter songs “Cantiamo D’Amore”...... Hortensio, Nathaniel, Priest, Ensemble are in the show. And I do love the story, especially the “Kiss Me, Kate”...... Fred Graham, Lilli Vanessi, Ensemble temperamental, libidinous, and unapologetic characters at the center. Act II “Too Darn Hot”...... Paul, Ensemble Did you feel that working on Kiss Me, Kate “Where is the Life That Late I Led?”...... Petruchio required you to draw on your skills as a “Always True to You in My Fashion”...... Lois Lane Shakespeare director? “Bianca”...... Bill Calhoun, Ensemble “So in Love” (Reprise)...... Fred Graham Yes, of course. I think that Shakespeare and Cole Porter “Brush Up Your Shakespeare”...... First Man, Second Man were both masters of innuendo. It’s why the fit is so “Pavane”...... Orchestra natural. It may be easier to spot in Cole Porter’s lyrics, but “I Am Ashamed That Women are So Simple”...... Kate it’s also on every page of The Taming of the Shrew. So that “Kiss Me, Kate” (Finale)...... Kate, Petruchio, Ensemble understanding translated into some fun staging ideas.

Darko Tresnjak. ORCHESTRA THE PHOTO. DEFINING

“Shakespeare and The most important decision regarding the costume design was that the Elizabethan garb would not encumber the ’50s Music Director, Conductor...... Kris Kukul choreography. You don’t want to upholster those amazing Associate Music Director, Keyboard...... Max Mamon Cole Porter were bodies. It has to feel light. Concertmaster...... Healy Henderson Violin...... Andrea Altona Could you talk a little bit about how you Viola, Violin...... Travis Maril both masters of and choreographer Peggy Hickey collaborate? Piccolo, Flute, Clarinet, Soprano Saxophone, Alto Saxophone...... John Rekevics Do you talk extensively about what the Flute, Clarinet, Alto Saxophone...... Mark Margolies innuendo.” movement needs to achieve and communicate, Oboe, English Horn, Clarinet, Soprano Saxophone, Tenor Saxophone...... John Reilly or do you jump in and try things out in the room? Clarinet, Bass Clarinet, Bassoon, Baritone Saxophone...... David Burnett –Darko Tresnjak Trumpet, Piccolo Trumpet, Flugelhorn...... Steve Dillard It’s a perfect show for Peggy. She has the most extraordi- French Horn, Trumpet...... Jane Zwerneman nary, indefatigable energy. We talked a great deal before Trombone, Bass Trombone...... Sean Reusch the rehearsals began, and then—for big dance numbers Guitar, Mandolin...... Domenico Hueso like “Tom, Dick or Harry”—I left her completely alone. I Acoustic Bass...... Ken Dow What were some of your guiding principles in wanted to experience it all at once, all complete, like the Drums, Percussion...... Tim McMahon creating the physical production for the show? audience. Contractor...... Lorin Getline How did the design develop? Rehearsal Piano...... Max Mamon What are you most looking forward to about being Rehearsal Drums...... Tim McMahon My collaboration on mid-century theatre with Alexander back in San Diego? Is there any one thing or place Dodge, our set designer, and Fabio Toblini, our costume that you most want to reconnect with? designer, started at The Old Globe withBell, Book and Candle and The Pleasure of His Company. By now, we live Oh, I can’t wait to go back to Hob Nob Hill Restaurant All musicians are represented by the American Federation of Musicians of the United States and Canada. very comfortably in that world. It just happens. in Bankers Hill. Wonderful food, wonderful staff. 10 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 11 THE PLAY MEET THE ARTIST: Choreographer Peggy Hickey

Interview by Theresa MacNaughton

How old were you when you knew you wanted to be a dancer and SPIN OFF choreographer?

I took my first dance lesson when I was four. YOUR SHAKESPEARE: I was one of those kids that always knew what I wanted to do. I was staging musicals in my garage with the neighborhood kids MASHUPS AND REMIXES from about eight years old. By Danielle Mages Amato Is there a particular musical, opera, or Peggy Hickey and director Darko Tresnjak. film from your childhood that was your Kiss Me, Kate combines Shakespeare’s The SPIN-OFFS greatest inspiration? What’s your favorite work you have Taming of the Shrew with the backstage Playwright Tom Stoppard penned perhaps done with Darko, and why? shenanigans of a feuding couple supposedly the most famous Shakespeare spin-off of all When I was little my parents took us to see inspired by the great husband-and-wife time, Rosencrantz and Guildenstern Are Dead Mary Poppins and The Sound of Music in the There are so many, but of course, I will have team of Alfred Lunt and Lynn Fontanne. (1966), bumping Hamlet’s school friends up the life of a Shakespeare theatre festival, movie theatre, and I was smitten! I especially to say that A Gentleman’s Guide to Love and Shakespeare himself was something of a from their minor roles and giving them a sto- where off-stage drama often parallels the loved “Step in Time” from Mary Poppins! Murder has been one of our most gratifying mash-up artist, combining and reworking ry and a life beyond the tragedy that Shake- on-stage programming. And in a fascinat- collaborations, as it has gone on to win so plots taken from Chaucer, Boccacio, speare originally imagined. More recently, in ing twist on the backstage story, Paolo and When did you first work with Darko? much acclaim. It has been a thrill seeing Plutarch, and Ovid, among others. He wove 2010, the Royal Shakespeare Company pre- Vittorio Taviani’s 2012 filmCaesar Must Die IMMERSIVES our work reach such a wide and appreciative events from historical chronicles together miered David Grieg’s Dunsinane, which picks follows inmates at a Roman prison as they Theatre artists are taking Shakespeare Michael Price from the Goodspeed Opera audience! with stories from classical drama, even as up the story of Macbeth after the final cur- rehearse and perform a production of Julius beyond the stage and into the world of House put us together for A Little Night he drew heavily on his own unparalleled tain falls. Grieg’s play is a reflection on not Caesar, creating a compelling contemporary immersive theatrical experiences. The Music 14 years ago. We’ve been happily busy What part of Kiss Me, Kate are you most imagination. just Shakespeare but also present-day con- blend of documentary, art-film, and rousing form was pioneered by companies like with musicals, opera, and Shakespeare ever excited about? flicts in occupied lands around the world. Shakespeare in performance. Punchdrunk, whose Sleep No More (2003, since. Given that, it seems only fair that 2009, 2011) allows audiences to wander I have to say I am so excited about all of it. Shakespeare’s own work should be so widely BACKSTAGE STORIES POP-CULTURE MASHUPS through a three-dimensional world What’s unique about working with Of course, the number “Too Darn Hot” is a reused and reimagined. Film adaptations are Shakespeare has proven fertile fodder for Recent mashups shatter the boundaries inspired by Shakespeare’s Macbeth. Other Darko? highlight, as well as “Tom, Dick or Harry.” legion—both straightforward productions backstage dramas that blur the lines between between high culture and pop culture, experiments in making Shakespeare The dancers are the best in the business, and and modern retellings. And Kiss Me, the plays on stage and the lives of the actors putting Shakespeare on the page in both immersive and experiential include Darko is an incredibly generous and it is always a thrill to work with this amazing Kate belongs to a venerable tradition of and directors producing them. The 1940s unexpected styles and with unexpected Diane Paulus’s The Donkey Show, a full-on supportive collaborator. He includes me in level of talent! Shakespearean musicals that includes West saw a series of noir films that focused on the partners. The popular Kill Shakespeare comic nightclub event infused with elements all of his planning, and we work far ahead Side Story, The Boys from Syracuse,and Two darker side of playing Shakespeare. A Double book series sends some of the Bard’s most from A Midsummer Night’s Dream. of production dates planning and designing. What’s your next project? Gentlemen of Verona, as well as such Globe- Life (1947) follows an actor whose psychol- famous heroes—Hamlet, Falstaff, Juliet, Darko’s spectacular and unique sense of the produced tuners as The Last Goodbyeand ogy transforms with every role. When he Othello—on a graphic adventure to defeat (clockwise from top left) The cast ofKiss Me, Kate (photo visual and emotional underpinnings of a The day after we opened in Hartford, I Play On! But some Shakespeare-inspired plays Othello, tragedy ensues. In 1998, Tom the machinations of villains like Richard III, by T Charles Erickson); the comic book cover from IDW’s production always inspires and teaches me. went on to Bellport, New York, to start works go beyond adapting Shakespeare’s Stoppard returned to Shakespeare with the Iago, and Lady Macbeth, and ultimately (as Kill Shakespeare; the book cover from Two Gentlemen of Lebowski; Sherman Howard, John Lavelle, and Lucas I think the fact that we have become dear Nice Work If You Can Get It at the Gateway plots. Like Kiss Me, Kate, the plays, films, and film—now the stage drama—Shakespeare in advertised) to kill the playwright himself. Hall in Rosencrantz and Guildenstern Are Dead at The Old friends through it all has added greatly to Playhouse. Gershwin! I feel so lucky to be books that follow use Shakespeare as only Love, which intertwined a fictional biography The past decade has also seen a slew of Globe, 2013 (photo by Michael Lamont). our ability to work well together. able to do two iconic composers in a row. one thread in a larger tapestry, drawing on of the Bard with powerful scenes from the tongue-in-cheek “Shakespearean” retellings Orginally appeared in his characters (and often his words) to create plays themselves. The Canadian television of cult films, includingThe Two Gentlemen of Harford Stage’s Stagenotes. wholly new, wholly modern works of art. series “Slings & Arrows” (2003-2006) follows Lebowski and William Shakespeare’s Star Wars. 12 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 13 ARTISTS BRENDAN AVERETT (in post-production), and her television TYLER HANES with Loretta Swit, White Christmas, Les MIKE MCGOWAN Stage Productions), and Irving Berlin’s (Second Man) appeared credits include guest starring and (Bill Calhoun/Lucen- Misérables, Beauty and the Beast, and (Fred Graham/Pe- White Christmas (Norris Theatre). Ms. Off Broadway inTitus recurring roles on “Elementary,” “The tio) has been seen on Ken Hill’s Phantom of the Opera. Mr. truchio) appeared on Papageorge is a graduate of UCLA’s Ray Andronicus (New York Blacklist,” “Blue Bloods,” “Younger,” Broadway in A Chorus Lawson has been seen regionally in On Broadway in The Pro- Bolger Musical Theater Program. Shakespeare Exchange), “Golden Boy,” “White Collar,” “Made Line, Hairspray, Sweet the Twentieth Century (Goodspeed Mu- ducers, The Apple Tree, The Killer and A Mid- in Jersey,” “666 Park Avenue,” “Law & Charity, The Frogs, The sicals), Lone Star Love (The 5th Avenue the revival of Ragtime, WAYNE W. summer Night’s Dream Order: Special Victims Unit,” “Law & Boy from Oz, Urban Cow- Theatre), An American in Paris (Alley Grease, and Priscilla PRETLOW (Theatre for a New Au- Order,” the movie of the week Murder boy, and Oklahoma!, as Theatre), Treasure Island (Cincinnati Queen of the Desert. He (Pops, Priest) began dience), As You Like It (Shakespeare in She Wrote: A Story to Die For, “Days of well as the first national tour ofFosse. Playhouse in the Park), The Music Man was also seen in the national tours of acting at age 16 and the Park), Massacre (Rattlestick Play- Our Lives,” “Herman’s Head,” “Get a His Off Broadway credits include A The Book of Mormonand Ringling Bros. performed in the Hart- Life,” and others. She also recorded a (Arena Stage), Lend Me a Tenor (Fulton wrights Theater),Hamlet (The Gallery Bed and A Chair: A New York Love Affair Theatre),Oliver! (Paper Mill Playhouse), and Barnum & Bailey Circus. His Off ford Stage summer Players), and Passion Play (Epic Theatre solo album, The Dimming of The Day, (New York City Center) and Juno (City She Loves Me (Alliance Theatre), Crazy Broadway and New York credits include youth theatre produc- Ensemble). His tours include Guys and released on Sh-K-Boom/Ghostlight Center Encores!). His regional credits Grey Gardens (Playwrights Horizons), tions of Kiss Me, Kate Dolls, and his regional credits include Records. include Mary Poppins, Les Misérables, for You (Riverside Theatre), Chicago (Northern Stage), The Fantasticks (Mu- Macbeth (NativeAliens Theatre Collec- and Anything Goes. His Broadway and Romeo and Juliet (Actors Theatre of Lou- and The Drowsy Chaperone (Maine State tive), Bernstein Mass Project (Carnegie Off Broadway credits include The Civil isville), Of Mice and Men and As You Like JOEL BLUM Music Theatre),On the Town (Paper Mill sic Theatre of Connecticut),The Sound of Music (The Wick Theatre), andBarnum Hall), and Thou Swell (New York City War (St. James Theatre),A Christmas It (Cincinnati Playhouse in the Park), (First Man) has ap- Playhouse), Spamalot (Pittsburgh Civic Carol (Madison Square Garden), and The (Westchester Broadway Theatre). Ballet). Regionally he has been seen in Passion Play (Yale Repertory Theatre, peared on Broadway in Light Opera), Footloose (Jeff Award Most Happy Fella, St. Louis Women star- Goodman Theatre),Cyrano de Bergerac Showboat (Tony Award nomination) and All Shook Up (The Mar- First Wives Club (Oriental Theatre in nomination for Fea- Chicago), South Pacific and Kiss Me, Kate ring Vanessa L. Williams, and Golden and As You Like It (A Noise Within), riott Theatre), Cabaret (Theatre Under BARRETT MARTIN Boy (City Center’s Encores!). Regionally The Tempest (Will Geer’s Theatricum tured Actor in a Musi- The Stars), The Studio (Signature Theatre (Actor/Gremio, Flynt) (Paper Mill Playhouse, Music Theatre cal), Steel Pier (Tony Wichita), Carnival (Goodspeed Mu- he appeared in the original production Botanicum), Henry V (The California Company), and 42nd Street (Paramount has numerous Broad- of The Dream Team starring S. Epatha Shakespeare Company), Bloody Poetry Award nomination for Theatre). Mr. Hanes appeared in the sicals), Master Class (Paper Mill Play- way credits that include Merkerson, Reginald VelJohnson, and and The Alchemist (Everyman Theatre), Featured Actor in a Musical), as Marcel- films In the Blood, Phoebe in Wonderland, the 2014 revival of Side house), Candide (The 5th Avenue The- atre), Mud and Life’s a Dream (Ten Thou- James McDaniel (Goodspeed Musi- and A Midsummer Night’s Dream, Mea- lus in The Music Man, the original pro- Rose, and the upcoming Hail, Caesar! Show, Nice Work If You sand Things),Jekyll & Hyde (Music Cir- cals) as well as Guys and Dolls (Arena sure for Measure, The Brothers Karam- duction of 42nd Street directed by Gow- His television credits include “30 Rock,” Can Get It, the 2011 re- azov, and The Swanne: Queen Victoria er Champion, Stardust, Elaine May’s “Dancing with the Stars,” “One Life to cus), Cabaret (Theatre Under The Stars), Stage, North Shore Music Theatre; vival of How to Succeed in Business With- The Who’s Tommy (Bay Street Theater), 2000 Helen Hayes Award nominee for (The Seduction of Nemesis) (Stratford After the Night and the Music, A Christ- Live,” Kristin Chenoweth: Coming Home, out Really Trying, The Addams Family, Festival). His television and film cred- mas Carol, and Debbie. His Off Broadway “The Tony Awards,” and the upcoming and A Little Night Music (Stages St. Lou- Outstanding Supporting Performer, credits include Golf: The Musical (Drama the 2009 revival of Guys and Dolls, Young is). Mr. McGowan’s film and television Resident Musical; IRNE Award win- its include “Law & Order: Special Vic- “Ms. Guidance.” tylerhanes.com. Frankenstein, Wicked, and Urban Cowboy. tims Unit,” Trapped in the Closet, and Desk Award nomination for Outstand- credits include Big Words, The Dark Rite, ner). Mr. Pretlow’s film credits include “Blossom.” He trained at American ing Featured Actor in a Musical), And JAMES T. LANE His national tour credits include Movin’ The Producers, “Curb Your Enthusiasm,” The Accident, Next Stop Wonderland Academy of Dramatic Arts, Stratford the World Goes ’Round, and Game Show, (Paul, Innkeeper) last Out, Wicked (Chicago), Footloose, and “The New Electric Company,” and “Delo- (Cannes Film Festival award winner), Festival’s Birmingham Conservatory, and his tour credits include Billy Elliot: appeared at the Globe Copacabana. His Off Broadway credits cated.” He trained at Drake University. and In Retrospect written and directed and British American Drama Academy’s The Musical, Doctor Doolittle starring in The Scottsboro Boys. include Follies and Stairway to Paradise themikemcgowan.com. by Logan Coles. He has been seen on Midsummer in Oxford, and he is As- Tommy Tune (also associate choreog- His recent credits in- (City Center Encores!), and his regional television in “The Good Wife,” “The -So sociate Producer for New York Shake- rapher), 101 Dalmatians, And the World clude The Scottsboro credits include Side Show (La Jolla Play- SHINA ANN MORRIS pranos,” “Law & Order,” “Law & Order: speare Exchange’s The Sonnet Project. Goes ’Round, and Annie Get Your Gun Boys (West End, Young house, The Kennedy Center) and Any- (Actress/Venetia) has Special Victims Unit,” “Person of Inter- starring Debbie Reynolds. Mr. Blum has Vic) and A Chorus Line thing Goes (Kansas City Starlight The- several Broadway cred- est,” “Nurse Jackie,” and over 100 na- ANASTASIA BARZEE been seen regionally in Tin Pan Alley (London Palladium); both shows re- atre). Mr. Martin has been seen on film its, including Star to tional commercials. waynepretlow.com, (Lilli Vanessi/Kate) has Rag (Barrymore Award for Outstanding ceived Olivier Award nominations. His and television in Ted 2, The Producers, Be in Annie, Rodgers + @pretzenmassa on Twitter, and join his starred on Broadway Supporting Actor in a Musical), Meet Broadway credits include The Scottsboro “The Miraculous Year” (HBO pilot), “The Hammerstein’s Cinder- Facebook fan page. in Henry IV, Parts I and John Doe (Helen Hayes Award nomina- Boys, Chicago, and A Chorus Line, and Kennedy Center Honors,” and “Satur- ella, Nice Work If You Can II with Kevin Kline, as tion), Damn Yankees with Tony Randall, his national tour credits include Jersey day Night Live.” Get It, Erma understudy MIKE SEARS Hope in Urinetown, as and Pal Joey with Lena Horne. His film Boys, Cinderella with Eartha Kitt, and in Anything Goes, and Consuela in West (Ralph) last appeared at Emma in Jekyll & Hyde, and television credits include Those Lips, Fame the Musical. His favorite regional ROBIN MASELLA Side Story. Her other New York credits the Globe in Othello. He and as Ellen in Miss Those Eyes, “Ed,” “The Sopranos,” two shows and theatres include Once on this (Actress/Momo) ap- include Bells Are Ringing and The Most has appeared Off Broad- Bob Hope specials, “The Sonny and Cher Saigon. She created the role of Josephine Island (Olney Theatre Center), Dream- peared in the national Happy Fella (City Center Encores!). Ms. way in When Words Fail in Napoleon on the West End (also cast Show,” “The Tonight Show,” and “Law & girls (Prince Music Theater),Finian’s tours of Evita and Morris received her B.F.A. in Musical (John Houseman The- album). Her other credits include Lorna Order” twice. Rainbow (Walnut Street Theatre), and Chicago, where she Theatre at University of Michigan. atre), Leap (Abingdon in Golden Boy (City Center Encores!) The Wiz (Dallas Theater Center). Mr. Theatre Company), and GIOVANNI understudied the role and Hope In Anything Goes, Rosabella Lane has also appeared in concerts with JANE PAPAGEORGE To Have and to Hold (Phil Bosakowski in The Most Happy Fella, and Jenny in BONAVENTURA The New York Pops at Carnegie Hall, of Roxie. Ms. Masella made her New York theatre debut in (Actress/Becki Weckio) Theatre). His Off Off Broadway credits Company (Reprise Theatre Company in (Actor/Hortensio/Greg- Indianapolis Symphony Orchestra, Ot- include American Globe Theatre, Boo- ory, Riley) appeared in Candide at Lincoln Center, and her has performed region- Los Angeles). Ms. Barzee created the tawa Symphony Orchestra, and Naples merang Theatre Company’s Summer role of Betty Hanes in the premiere of the Broadway produc- Philharmonic. numerous regional theatre credits ally in numerous pro- tion of Rodgers + Ham- include productions with Sacramento ductions, including Hair Shakespeare, New Dramatists, New Irving Berlin’s White Christmas (also York International Fringe Festival, The merstein’s Cinderella Music Circus, Goodspeed Musicals, (Hollywood Bowl), Scary cast album); appeared in the premiere TONY LAWSON Present Company, Musical Theatre of Sunset Boulevard with Glenn Close and the national tour of (General Harrison Musical the Musical Theatre Under The Stars, and Kansas Works, Producer’s Club Theatres, and (also cast album); and played Beth Elf. Mr. Bonaventura’s regional theatre Howell, Stagehand) ap- City Starlight Theatre. Some of her (NoHo Arts Center), Company (Cabrillo Music Theatre),Gen - The Duplex. His regional credits include in The Kennedy Center’s Sondheim credits include Somewhere in Time (New peared on Broadway in favorite productions include Carnival, tlemen Prefer Blondes (Musical Theatre Sideways, His Girl Friday, Hands on a Celebration production of Merrily We York City workshop, Portland Center Les Misérables and Off Spamalot, Crazy for You, and Disney’s Roll Along, Mallory in the Los Angeles Stage), Pippin (American Repertory Broadway in Kismet Guild), A Chorus Line and Oklahoma! Hard Body, and Bonnie & Clyde (La Jolla The Little Mermaid. She was also seen in (Musical Theatre West),How to Succeed Playhouse), A Behanding in Spokane and and first national tour productions of Theater), and Damn Yankees (Paper Mill (Equity Library Theatre) a Ford Fusion commercial for the season City of Angels, and others. Ms. Barzee’s Playhouse). Mr. Bonaventura trained at and The Case of Mary in Business Without Really Trying (Musi- Man from Nebraska (Cygnet Theatre University of Cincinnati College-Con- two premiere of NBC’s hit television cal Theatre West’s Reiner Staged Read- Company), Tortilla Curtain (San Diego films include Doug Liman’s Fair Game Todd Lincoln (York Theatre Company). series “Smash.” opposite Sean Penn, Those Who Wander servatory of Music. His national tour credits include Damn ing Series), Guys and Dolls (Freud Play- Repertory Theatre), Killer Joe (Compass (to be released this fall), and Confessions Yankees with Dick Van Dyke, 42nd Street house), Young Frankenstein (Moonlight Theatre), The Foreigner, The Glory Man, 14 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 15 ARTISTS and Rehearsal for Murder (Lamb’s Play- JEFF STEITZER COLE PORTER with Patti LuPone, at Los Angeles Edge (Second Stage Theatre),Maple PHILIP S. ROSENBERG ers Theatre), Birds of a Feather (Diver- (Harry Trevor/Baptista (Music and Lyrics) was born in Peru, Opera. Upcoming productions include and Vine and Rapture, Blister, Burn (Lighting Design) previously designed sionary Theatre), Simpatico (New Village Minola) last appeared Indiana in 1891. He attended Yale Uni- the stage thriller Rear Window and the (Playwrights Horizons), The Understudy the Globe productions of Buyer & Cellar, Arts), Good Boys (Mo’olelo Performing at The Old Globe inMis - versity, where his football songs are still world premiere musical Anastasia, both (Roundabout Theatre Company), Paris A Gentleman’s Guide to Love and Murder, Arts Company), and Tuesdays with Mor- alliance. He was previ- popular. After his first Broadway show at Hartford Stage, and the national Commune and Measure for Pleasure Pygmalion, and The Recommendation. rie (North Coast Repertory Theatre). ously seen on Broadway bombed, he exiled himself to Europe tour of A Gentleman’s Guide to Love and (The Public Theater),Observe the Sons His Broadway credits include The Ele- Mr. Sears is a graduate of the William in Inherit the Wind and and married legendary beauty Linda Murder. of Ulster Marching Towards the Somme phant Man, It’s Only a Play, and A Gentle- Esper Studio in New York City. Thomas. Returning to New York in the man’s Guide to Love and Murder. His Off Mary Poppins. He appeared Off Broad- (Lucille Lortel Award) and Chaucer in late 1920s, he gained renown as the PEGGY HICKEY Rome (Lincoln Center Theater), and Broadway credits include The Explorers way in The Power of Darkness (Mint The- MEGAN SIKORA composer of some of the greatest songs (Choreography) choreographed the Old Antony and Cleopatra (Theatre for a New Club and Cactus Flower. His other re- (Lois Lane/Bianca) re- ater Company) and regionally in Five ever heard on stage or screen, among Globe and Hartford Stage production of Audience). Mr. Dodge also designed the gional theatre credits include Hartford cently won a Connecti- Presidents and Xanadu (Arizona Theatre them “Night and Day,” “You’re the A Gentleman’s Guide to Love and Murder, West End production of All New People. Stage, The Kennedy Center, La Jolla cut Critics Circle Award Company), Little Shop of Horrors and Top,” “Begin the Beguine,” “Don’t Fence which is currently running on Broadway His opera credits include The Ghosts of Playhouse, Ford’s Theatre, Guthrie The- for this role at Hartford The Music Man (The 5th Avenue The- Me In,” and “Love for Sale.” The 1930s and won four Tony Awards, including Versailles (LA Opera), La Rondine (Opera ater, TheatreWorks Silicon Valley, Chi- Stage. She has numer- atre), Assisted Living (A Contemporary were highlighted by Anything Goes, Gay Best Musical. Ms. Hickey received Out- Theatre of Saint Louis), An American cago Shakespeare Theater, Shakespeare ous Broadway credits Theatre), Safe in Hell (Yale Repertory Divorce, Jubilee, and Born to Dance. A er Critics Circle and Astaire Award nom- Tragedy (Glimmerglass Opera), Il Theatre Company, Manhattan School including The Nance; Theatre), John Bull’s Other Island (Geva crippling accident in 1937 left him in inations for her work. Her Off Broadway Trittico (Deutsche Oper Berlin), and of Music, Portland Stage, The Actors How to Succeed in Business Without Re- Theatre), andInspecting Carol (Seattle constant pain, yet he continued to write credits include Antony and Cleopatra Lohengrin (Budapest State Opera). Company Theatre, Barrington Stage ally Trying; Promises, Promises; Bambi Repertory Theatre). His film and televi- memorable scores, among them Can- (Theatre for a New Audience), and her Mr. Dodge will next design Ripcord Company, Williamstown Theatre Festi- in Curtains; Wicked; Dracula, the Musi- sion credits include “The Fugitive,”The Can, Silk Stockings, and his masterpiece, other New York credits include Hansel for Manhattan Theatre Club. He has val, Dorset Theatre Festival, Bay Street cal; Wonderful Town; Thoroughly Modern Beaver, “Law & Order,” “30 Rock,” and Kiss Me, Kate. He died in 1964. and Gretel, La Rondine, The Most Happy received a Connecticut Critics Circle Theater, Two River Theater Company, Millie; and 42nd Street. In addition, her Georgia. He is also the multiplayer an- Fella, My Fair Lady, and Lincoln Center’s Award, two Elliot Norton Awards, and George Street Playhouse, and Westport national tour credits include Adelaide nouncer for all Microsoft “Halo” games. SAM AND BELLA SPEWACK Lucky to Be Me: The Music of Leonard three IRNE Awards. He trained at Yale Country Playhouse. Mr. Rosenberg has in Guys and Dolls and Judy in Irving (Book) met while working as newspaper Bernstein. Her regional credits inculde School of Drama. served as associate lighting designer of Berlin’s White Christmas. Her Off Broad- JOHNNY STELLARD reporters: for him, The World, and for Carnival, Amour, A Little Night Music, more than 35 Broadway plays and mu- way credits include Under My Skin, An- (Dance Captain/Bion- her, The Call. Mr. Spewack attended Co- Brigadoon, King of Hearts, and On The FABIO TOBLINI sicals. drew Lippa’s The Wild Party, and four lumbia University in 1919, while Mrs. dello/Nathaniel) ap- Twentieth Century (Goodspeed Musi- (Costume Design) previously designed productions with City Center Encores! Spewack chronicled her early years in JONATHAN DEANS peared on Broadway cals), Oklahoma! (Paper Mill Playhouse), the Globe productions of The Pleasure of Her regional credits include Can-Can the autobiography Streets: A Memoir of Oliver!, Fiddler on the Roof, Brigadoon, His Company and The Two Gentlemen of (Sound Design) previously designed the and Oklahoma! (Paper Mill Playhouse), in Evita (also national the Lower East Side, which was published Globe’s world premiere of Allegiance – A tour) and Off Broadway and Carousel (California Musical The- Verona. His past credits with Hartford Anything Goes (Kansas City Starlight posthumously in 1995 by Feminist atre), and The Music Man (The Bushnell). New American Musical. His work spans in A Tree Grows in Brook- Stage include Hamlet, A Song at Twilight, Theatre), A Chorus Line (Ogunquit Play- Press. The couple married in 1922. They She also choreographed The King and Iat Breath & Imagination, Hedda Gabler, The from Royal Opera House in Covent Gar- lyn at Theatre at St. Clement’s. Mr. Stel- house), and productions with Music wrote their first play together, Solitaire Théâtre du Châtelet in Paris. Ms. Hick- Tempest, and Bell, Book and Candle. His den to Michael Jackson: One in Las Ve- Circus and Pittsburgh Civic Light Op- lard’s regional appearances include The Man, in 1926, which was followed by ey’s opera credits include work with LA recent credits include Romeo and Ju- gas. His Broadway credits include Find- era. She has been seen in film and tele- Drowsy Chaperone (North Carolina The- their first collaboration with Cole Por- Opera, San Francisco Opera, Santa Fe liet (Broadway), A Midsummer Night’s ing Neverland, Pippin (Tony Award nom- vision in Ted 2, “Boardwalk Empire,” atre), A Christmas Carol (Arkansas Rep- ter, 1932’s Clear the Wires (which later Opera, Seattle Opera, New York City Dream and My Fair Lady (Guthrie The- ination), Priscilla Queen of the Desert, and “Important Things with Demetri ertory Theatre),The Music Man (Geva became Leave It to Me!). Boy Meets Girl Opera, Chicago Lyric Opera, Dallas Op- ater), Alexandre Bis and Comedy on the Spider-Man: Turn Off the Dark, La Cage Martin.” Ms. Sikora received a B.A. in Theatre), andCurtains, My Fair Lady, was written in 1935. They wrote some era, Houston Grand Opera, Hong Kong Bridge (Gotham Chamber Opera), and aux Folles (Tony and Drama Desk Award Dance from Point Park University, and and Les Misérables (Music Theatre Wich- 20 films together, including the notable Arts Festival, and Savonlinna Opera L’Impresario and Le Rossignol (Santa Fe nomination), Young Frankenstein, The Pi- she received an Ovation Award nomina- ita). Mr. Stellard performed on televi- Weekend at the Waldorf and My Favorite Festival. Her film and television credits Opera). Mr. Toblini has also designed rate Queen, Lestat, Taboo, Follies, Seussi- tion for Featured Actress in a Musical as sion for “Great Performances” and “The Wife, which earned them an Academy include The Brady Bunch Movie, “Saman- musicals and plays at Long Wharf The- cal, Beauty and the Beast, The Music Man, Bambi Bernet in Curtains. 66th Annual Tony Awards.” He received Award nomination. Kiss Me, Kate, a tha Who?,” “90210,” “Hot in Cleveland,” atre, Goodspeed Musicals, Alley The- Fosse, Candide, King David, and the origi- his B.F.A. from Elon University. musical collaboration with Mr. Porter, “General Hospital,” and “Days of Our atre, American Players Theatre, Chil- nal production of Ragtime. His numer- MICHAEL STARR won Mr. and Mrs. Spewack the first Lives.” Ms. Hickey serves on the faculty dren’s Theatre Company, Ford’s Theatre, ous Off Broadway credits includeA Sec- (Actor/Philip, Cab Driv- AURELIA WILLIAMS ever Tony Award given for the book of a of UCLA’s Ray Bolger Musical Theater and The Studio Theatre. His further ond Chance at The Public Theater,Carrie er, Chauffeur) appeared (Hattie, Mistress of the musical. Their other credits as a writing Program. She has received Connecticut opera credits include works for Opera (Drama Desk nomination), and Parade in the L.A. premiere team include Two Blind Mice, My Three Critics Circle Awards for Outstanding Theatre of Saint Louis, Wexford Fes- (Drama Desk nomination). He has also of Carrie the Musical Inn) is currently tak- Angels, Festival, Mr. Broadway, and Once Choreography for Brigadoon and On the tival Opera, De Nationale Reisopera, designed opera, plays, and productions (La Mirada Theatre),A ing a break from the There Was a Russian. Twentieth Century as well as an MTV Salzburger Landestheater, and Portland on the West End. His work with Cirque Charlie Brown Christ- Off Broadway hit Sistas Video Music Award for Best Choreogra- Opera. He designed the Off Broadway du Soleil includes One, Love, Ka, Criss mas – Live! (San Fran- the Musical to join this DARKO TRESNJAK phy for Beck’s “The New Pollution.” premieres of Hedwig and the Angry Inch, Angel Believe, Viva Elvis, Zumanity, O, cisco Symphony), Big Fish and Okla- amazing cast. You also (Director) won the Tony, the Drama Bat Boy: The Musical, Freckleface Straw- Mystère, La Nouba, Wintuk, Ovo, Corteo, homa! (Musical Theatre West),Psyche: might catch her on an episode of truTV’s Desk, the Outer Critics Circle, the and Saltimbanco. Mr. Deans was pre- ALEXANDER DODGE berry, and The Divine Sister, as well as A Modern Rock Opera (Greenway Court new sketch comedy show, “Friends of Connecticut Critics Circle, and the San sented with the USITT Award for Dis- (Scenic Design) designed A Gentleman’s the national tours of The Creature from Theatre), Irving Berlin’s White Christmas the People.” Her favorite credits in- Diego Theatre Critics Circle Craig Noel tinguished Achievement in Sound and Guide to Love and Murder at The the Black Lagoon, Jesus Christ Superstar, (Norris Theatre),Barefoot in the Park, clude Motormouth Maybelle in Hair- Awards for his direction of A Gentleman’s has received a number of other awards. Old Globe, Hartford Stage, and on Fame, and Godspell. For ballet he has Murder Among Friends, The Rocky Hor- spray, Effie in Dreamgirls, Jewel in The Guide to Love and Murder. He just won Broadway, where he received Tony, He heads the Sound Design for the The- ror Show, Legally Blonde, Grease, Spama- the Obie Award for his direction of designed Ib Andersen’s Diversions and atre course at University of Nevada, Las Best Little Whorehouse in Texas, Ethel Drama Desk, and Outer Critics The Nutcracker, played every year at Bal- lot, West Side Story, and Joseph and the Toffelmeir in The Music Man, Asaka in The Killer, with Michael Shannon, at Circle Award nominations. His other Vegas. designingsound.com. Amazing Technicolor Dreamcoat (Forest- Theatre for a New Audience. Favorite let Arizona, and Romeo and Juliet for Once on This Island, The Radio in Caro- Broadway credits include Present burgh Playhouse), and Babes in Arms Old Globe credits include The Women, Dominic Walsh Dance Theater. Mr. To- line, or Change, Katisha in The Hot Mi- Laughter (Tony nomination), Old KRIS KUKUL and Steel Pier (Musical Theatre West’s Cyrano de Bergerac, and Pericles. Recent blini received Connecticut Critics Circle (Music Director) was most recently at kado, various roles in All Shook Up, and Acquaintance, Butley, and Hedda Gabler. Reiner Staged Reading Series). He is a directing credits include Hamlet at Awards for Bell, Book and Candle and The the Globe with the world premiere of Gloria the Hippo in Madagascar Live! His Off Broadway credits include Lips Tempest, an Irene Sharaff Young Mas- graduate of UCLA’s Ray Bolger Musical aurelia-williams.com. Hartford Stage, where he is the Artistic The Last Goodbye. His current and recent Theater Program. @mjstarr77 on Twitter. Director, and The Ghosts of Versailles, Together, Teeth Apart, Modern Terrorism, ter Award, and a Lucille Lortel Award projects include The Heart of Robin Hood All New People, Trust, and The Water’s nomination. (Toronto, American Repertory Theater),

16 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 17 ARTISTS David Byrne’s St. Joan (The Public The- la Tesla Drops the Beat, Shades of Wayne, HARTFORD STAGE her stage debut. Edelstein has taught Award), Hairspray (Tony Award), Imagi- tribution to their Fine Arts department; ater), June Moon and Animal Crackers and The Greenwood Tree (Musical The- (Co-Producer) Now in its 51st season, Shakespearean acting at The Juilliard nary Friends, The Invention of Love (Tony San Diego State University’s Outstand- (Williamstown Theatre Festival), My ater Factory), and Sweet Nothings and Hartford Stage is one of the nation’s School, NYU’s Graduate Acting Program, nomination, Drama Desk Award), The ing Alumnus; Conservator of American Depression (HBO Films), The Nomad Rain Down the Ruin (New York Univer- leading resident theatres, known for and the University of Southern Califor- Full Monty (Tony nomination), More to Arts Award from American Conserva- (The Flea Theater),From the Fire (Edin- sity). Mr. Mamon trained at Princeton producing innovative revivals of classics nia. His book Thinking Shakespeareis Love, Getting Away with Murder, Pride’s tory Theater; the San Diego Press Club burgh Festival Fringe), In the Footprint University, Royal College of Music, and and provocative new plays and musi- the standard text on American Shake- Crossing, The Little Foxes, Hapgood Headliner Award; San Diego Gentleman (The Civilians), andRevolting Rhymes NYU’s Tisch School of the Arts Graduate cals, as well as offering a distinguished spearean acting. He is also the author of (Lucille Lortel Award, Best Director), of Distinc­tion Award; and a combined (Atlantic Theater Company/Lucille Lor- Musical Theatre Writing Program. He education program. Under the leader- Bardisms: Shakespeare for All Occasions. Damn Yankees, Two Shakespearean Actors tribute from the Public Arts Advisory tel Theatre). Mr. Kukul has served as was also the winner of New York City ship of Darko Tresnjak and Michael (Tony nomination), Porgy and Bess Council and the San Diego County Music Director of Williamstown Theatre Center’s Sondheim Remix Challenge. Stotts, the theatre has presented the MICHAEL G. MURPHY (Tony Award). Metropolitan Opera: II Board of Supervisors. Mr. Noel was par- Festival for 10 seasons, including their world premieres of A Gentleman’s Guide (Managing Director) served as Gen- Trittico. London: Love Never Dies, Hair- ticularly proud of the following three Late-Night Cabarets. He has composed ANJEE NERO to Love and Murder, currently on Broad- eral Manager of The Old Globe from spray (Olivier nomination). National honors representing edu­cation and the- music for Wing It! and Camp Monster (Production Stage Manager) has pre- way and winner of four 2014 Tony 2003 to 2012, overseeing the Produc- Theatre: His Girl Friday. Six movies for atre: Honorary Doctorate of Humane (Williamstown), Beauty Queen (3Graces viously worked on the Globe produc- Awards including Best Musical. Oth- tion, Education, Human Resources, PBS’s “American Playhouse.” Awards: Letters, University of San Diego; Hon- Theater Co.), Dash Dexter (Manhattan tions of The Twenty-seventh Man, Bright er credits include Our Country’s Good, Information Technology, and Facilities 2008 Theatre Hall of Fame Inductee, orary Doctorate in Fine Arts, San Diego Theatre Club), and A Midsummer Night’s Star, Dog and Pony, The Winter’s Tale, Falsettos, Enchanted April, The Orphans’ Departments, as well as Front of House 2005 John Houseman Award, ArtServe State University; and the annual Awards Dream (National Theatre of Greece). His Be a Good Little Widow, Allegiance – A Home Cycle, and Tea at Five; the 2013- operations. He also managed the con- Michigan 2008 International Achieve- for Excellence in Theatre named in his further international work includes La New American Musical, A Room with a 2014 national tour of Man in a Case with struction of the Globe’s new theatre and ment Award, Honorary Doctorate, Uni- honor by the San Diego Theatre Critics MaMa Cantata (Tokyo, Istanbul, Skopje, View, Richard O’Brien’s The Rocky Hor- Mikhail Baryshnikov; and Water by the education facilities. Prior to the Globe, versity of Michigan. Honorary Doctor Circle. In 2007, he received the National Japan, Spoleto, Zagreb, Belgrade), Her- ror Show, The Savannah Disputation, Spoonful, winner of the 2012 Pulitzer he was the Managing Director of Austin of Humane Letters, University of San Medal of Arts—the nation’s highest acles directed by Andrei Serban, Bokan Cornelia, Kingdom, and the 2007 Shake- Prize. Lyric Opera in Austin, Texas; Director Diego. Film (actor): Sex and the City 2. honor for artistic excellence—in a cer- (Festival Iberoamericano de Teatro de speare Festival. Her selected La Jolla of Administration of San Diego Opera; Jack Be Nimble: The Accidental Education emony at the White House. Craig Noel Bogotá), The Bacchae (Warsaw), and The Playhouse credits include Sideways di- BARRY EDELSTEIN and General Manager of San Diego of an Unintentional Director, his memoir died on April 3, 2010 at the age of 94. Frogs (Epidaurus Festival). Mr. Kukul is rected by Des McAnuff, Ruined directed (Artistic Director) is a stage director, Repertory Theatre. Before relocating about the early years of his career, was an adjunct faculty member of New York by Liesl Tommy, A Midsummer Night’s producer, author, and educator. Widely to San Diego from New York, he held released in the summer of 2013 by Far- University’s Tisch School of the Arts. Dream directed by Christopher Ashley, recognized as one of the leading Ameri- similar positions at Theatre for a New rar, Straus and Giroux. and Herringbone directed by Roger Rees CASTING can authorities on the works of Shake- Audience and the Joyce Theater Foun- BINDER CASTING and starring BD Wong. Ms. Nero has speare, he has directed nearly half of worked with several prominent regional dation’s American Theater Exchange. CRAIG NOEL BINDER CASTING (Casting) has cast over 70 Broadway the Bard’s plays. His Globe directing Jay Binder, CSA, Jack Bowdan, CSA, theatres including Hartford Stage, Cen- He also served as negotiating assistant (Founding Director) was born on Au- shows including A Gentleman’s Guide credits include The Winter’s Tale; Othel- for the League of Resident Theatres gust 25, 1915, and in 2015 The Old Mark Brandon, CSA, Jason Styres, CSA to Love and Murder, The Lion King, Nice ter Theatre Group, SITI Company, Hun- lo; the West Coast premiere of novelist Joanna Levinger tington Theatre Company, and Berkeley and sales representative for Colum- Globe celebrates the 100th birthday Work If You Can Get It, Born Yesterday, Nathan Englander’s play The Twenty- bia Artists Theatricals Corporation. of this theatre legend who was instru- Casting Interns: The Miracle Worker, Finian’s Rainbow, Repertory Theatre, among others. Her seventh Man; and the upcoming world Andrew Pace, Victor Albaum other selected credits include Schick Ma- Mr. Murphy serves on the Board of mental in cultivating the San Diego arts Brighton Beach Memoirs, A Chorus Line, premiere of Michael John LaChiusa and Directors of the National Alliance of community. Noel was first appointed Gypsy, The 39 Steps, Irving Berlin’s White chine (Paul Dresher Ensemble), which has toured nationally and internation- Sybille Pearson’s musical Rain. He also Musical Theatre, the National Corpo- director in 1939, directing 15 produc- Christmas, Is He Dead?, Inherit the Wind, ally, Dream Report (Allyson Green Dance directed All’s Well That Ends Well as the rate Theatre Fund, and the Balboa Park tions prior to World War II. Since then Journey’s End, Butley, Who’s Afraid of Vir- featuring Lux Borreal), and Garden of inaugural production of Globe for All, a Cultural Partnership and serves as a he directed more than 200 plays of all This theatre operates under an agreement ginia Woolf?, Sweet Charity, Wonderful new producing platform that tours the between the League of Resident Theatres Forbidden Loves and Garden of Deadly Management Trustee for San Diego styles and periods and produced an and Actors’ Equity Association, the union of Town, Movin’ Out, 42nd Street, The Music Sound (IMAGOmoves), both of which works of Shakespeare to diverse com- County Theatrical Trusts, the pen- additional 270 productions. His vi- professional actors and stage managers in the Man, The Iceman Cometh, You’re a Good toured to the International Hungarian munities throughout San Diego County. sion and welfare trust for IATSE stage- sion for The Old Globe resulted in the United States. Man, Charlie Brown, The Sound of Music, Theatre Festival in Cluj, Romania. As Director of the Shakespeare Initia- hands in the San Diego region. He was establishment of the Shakespeare Fes- Beauty and the Beast, The Last Night of tive at The Public Theater (2008-2012), also an adjunct faculty member of the tival and the San Diego Junior Theatre The Directors are members of the Society Ballyhoo, Chicago, The King and I, Damn Edelstein oversaw all of the company’s Music Department at the University in the late ’40s, the expansion to two of Stage Directors and Choreographers, AMANDA SALMONS an independent national labor union. Yankees, Lost in Yonkers, Jerome Robbins’ (Assistant Stage Manager) has worked Shakespearean productions, as well as of San Diego. Mr. Murphy earned his theatres in the ’50s, Globe Educational Broadway, The Goodbye Girl, and every previously at The Old Globe onThe White its extensive educational, community B.F.A. degree in Stage Management Tours in the ’70s, and Teatro Meta and City Center Encores! production since outreach, and artist-training programs. Snake, All’s Well That Ends Well, The Two from Webster University in St. Louis, the Old Globe/University of San Diego This Theatre operates under an Agreement its inception in 1994. Their film, televi- Gentlemen of Verona, Vanya and Sonia At The Public, he staged the world pre- Missouri, and his M.F.A. in Performing Graduate Theatre Program in the ’80s. with the International Alliance of Theatrical sion, and other credits include Carousel and Masha and Spike, The Last Goodbye, miere of The Twenty-seventh Man, Julius Arts Management from Brooklyn Col- During the 1940s, Mr. Noel served as Stage Employees Local No. 122. (New York Philharmonic/PBS), Six by the Shakespeare Festival (2011-2013), Caesar, The Merchant of Venice, Timon of lege of the City University of New York. dialogue director for the 20th Century Sondheim (HBO), “So You Think You Dr. Seuss’ How the Grinch Stole Christ- Athens, and Steve Martin’s WASP and Fox Studios and was the director of the Can Dance,” West Side Story (San Fran- Other Plays. He was also Associate Pro- The Scenic, Costume, Lighting and Sound mas!, Somewhere, Lost in Yonkers, I Do! I JACK O’BRIEN Ernie Pyle Theatre in Tokyo. Described Designers in LORT Theatres are represented by cisco Symphony), Hairspray, Dreamgirls, Do!, and The Price. In addition, she stage ducer of The Public’s Broadway produc- (Artistic Director Emeritus) served as by Variety as the éminence grise of San United Scenic Artists Local USA-829, IATSE. Chicago, and Nine. Binder Casting is a managed for the Summer Shakespeare tion of The Merchant of Venice starring Al the Artistic Director of The Old Globe Diego theatre, Mr. Noel is one of the few 10-time Artios Award winner. Intensive through the Globe’s educa- Pacino. From 1998-2003 he was Artis- from 1981 through 2007. Mr. O’Brien San Diegans to have had an entire year tion department, working with high tic Director of Classic Stage Company. directed the 2014 Broadway revival of (1987) proclaimed in his honor, and to MAX MAMON school students on Love’s Labour’s Lost, Edelstein’s other Shakespearean direc- It’s Only a Play starring F. Murray Abra- be named one of San Diego’s “Living (Associate Music Director) worked on As You Like It, and Pericles, Prince of Tyre. torial credits include The Winter’s Tale ham, Matthew Broderick, Nathan Lane, Treasures.” He was a founder of the Cali- the New York and regional productions Her other credits include Kiss Me, Kate at Classic Stage Company; As You Like Stockard Channing, and Megan Mul- fornia Theatre Council and a former vice of Marie Christine (Columbia Stages), (Hartford Stage), The Foreigner, miXtape, It starring Gwyneth Paltrow; and Rich- lally. His Broadway credits also include: president of the California Confedera- Bend in the Road (New York Musical See How They Run, The Music Man, and ard III starring John Turturro. Addi- Macbeth with Ethan Hawke, The Nance, tion of the Arts. His numerous honors Theatre Festival), Boys Who Tricked Me The Rivalry(Lamb’s Players Theatre), tional credits include the Lucille Lortel Dead Accounts, Catch Me If You Can, include the San Diego Union-Tribune list (Musical Theater Factory), and Into the The Gondoliers, The Pirates of Penzance, Award-winning revival of Arthur Mill- Impressionism, The Coast of Utopia (Tony of 25 persons who shaped the city’s his- Woods and Assassins (Arc Stages). His Candide, and Trial by Jury (Lyric Opera er’s All My Sons; the world premiere of Award), Dr. Seuss’ How the Grinch Stole tory; the Governor’s Award for the Arts; reading credits include First Daughter San Diego), and SummerFest (La Jol- Steve Martin’s The Underpants, which Christmas!, Dirty Rotten Scoundrels University of Arizona Alumni Associa- Suite (Oregon Shakespeare Festival), la Music Society). Ms. Salmons holds a he commissioned; and Molière’s The (Tony nomination), Henry IV (Tony tion’s Outstanding Citizen, for his con- The Martian Chronicles(Theatre C), Niko- B.A. in Theatre from UC San Diego. Misanthrope starring Uma Thurman in 18 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 19 EDUCATION 80 YEARS SHAKESPEARE FOR THE AGES A LOOK BACK: CELEBRATING

By Roberta Wells-Famula

Here at the Globe, we embrace our historic CRAIG NOEL’S 100TH BIRTHDAY relationship with all things Shakespeare, As Balboa Park celebrates its centennial in In the early 1960s, Noel developed California’s neighboring cultures, Noel and our education programs reflect that 2015, The Old Globe also marks a major an audience for new plays with Globe instituted the Globe’s bilingual theatre affection and respect. The Old Globe was milestone: our 80th Anniversary. Throughout productions he programmed at the La Jolla component, Teatro Meta, in 1983. His created quite simply to bring Shakespeare the year, our programs will feature articles Museum of Contemporary Art, exposing passion for arts education fueled many to the San Diego community, and it was and photo essays looking back over eight local audiences to such playwrights as other innovative programs, including the from that goal that the Globe became decades of Globe history. Samuel Beckett, Eugène Ionesco, Luigi Globe Educational Tours in 1974 and the Pirandello, Bertolt Brecht, and Edward renowned Master of Fine Arts graduate what it is today. Our audiences return As San Diego celebrates 100 years of Albee. The success of that series led to acting program (in conjunction with the year in and year out, eager to wrangle Balboa Park, The Old Globe marks yet a new play series at the Globe’s Falstaff University of San Diego) in 1987. with challenging text and listen until the another important centennial—100 years Tavern, later renamed Cassius Carter words sound natural to them and they since the birth of Globe Founding Director Centre Stage, and eventually replaced by Over his more than 70-year career at are caught up in the tale. Even those who Craig Noel. Born on August 25, 1915, the Sheryl and Harvey White Theatre. the Globe, Noel directed more than know perfectly well how the stories end in Deming, New Mexico, Noel moved to Soon after the original Old Globe Theatre 200 works, produced an additional are lured in with familiar lines, haunting San Diego as a child. He appeared in The was destroyed by arson in 1978, Noel 270 productions, and created innovative verse, and finely wrought characters. Distaff Side, the very first production the conceived the idea of building an outdoor and influential theatre programs. In Whether Shakespeare is new to our guests Globe produced following the Panama- festival theatre in the wooded canyon 1984, the theatre Craig Noel built or is an old friend, it is the magic of these California Exposition. After serving in adjacent to the theatre complex. The became the ninth theatrical institution the military during World War II, Noel original Festival Stage was destroyed by selected to receive the Tony Award for stories, the Bard’s great gift to us all, that returned to lead the Old Globe Theatre fire in 1984. It was rebuilt and named the Outstanding Regional Theatre. In 2007, touches all who pass through our doors. Photo by Jeffrey Weiser. in 1947. In 1949, he launched the San Lowell Davies Festival Theatre in 1985. Noel received the National Medal of Diego National Shakespeare Festival, Arts—the nation’s highest honor for and 10 years later guided the Globe To fulfill his long-held dream of a theatre artistic excellence—capping off a long and Forty fifth-grade students huddle around their scripts. The words on the page are as from community to professional status, that would extend across the border to fruitful career whose influence is still felt foreign to them as if they were grappling with simple English again, as many of them establishing the first full Actors’ Equity enrich artists and audiences of Southern at the Globe and in San Diego today. company in California. did mere months ago. Most of these students learned English as a second or even third language and now that language they thought they were mastering is again confounding “When I read Shakespeare I am them. The words look like English but they are tangled on the page in sentences that seem struck with wonder that such to have toppled from a shelf and been swept back onto the page and left for someone else trivial people should muse and to sort out. thunder in such lovely language.” A patient Old Globe teaching artist gently guides them into place with questions, games, –D. H. Lawrence tableaus, and, yes, even dictionaries. The students slowly discover the rhythms and the structure of the text and, magically, a story unfolds. A thrilling story of witches and kings and ghosts and war. A story of mystery and ambition and horror and grief. They speak words that do not fall easily from their lips. They repeat them until they feel natural and easy. They remember them—perhaps for the rest of their lives.

Some 75 high school students take their turns intoning rhyming couplets before a panel “The remarkable thing about of directors hoping that their take on Juliet or Iago will make them one of the 34 chosen Shakespeare is that he is really for The Old Globe’s Summer Shakespeare Intensive. Whispered coaching from their very good - in spite of all the teachers or parents echoes in their ears. And then the words exhale from their mouths, people who say he is very good.” voicing deep longings in a language that transcends those they speak and hear every day. They revel in the thought that they are surrounded by people who share their joy –Robert Graves in voicing this archaic language that wafts through the room and soars around before finding its way into our souls.

Six hundred adults lean forward in their seats as Barry Edelstein coaches three actors “Soule of the Age! on the mysteries of antithesis and iambic pentameter—words that may have baffled The applause! delight! them in their high school English classes suddenly make perfect sense. Somehow this The wonder of our stage!” Shakespearean expert manages to make it seem so simple and logical, and audience members relax and laugh and, when leaving the theatre, feel excited to practice (clockwise from left) Craig Noel and Jack O’Brien oversee construction of the Old Globe Theatre after the fire; Noel (left) in the Globe’s 1975 –Ben Jonson their listening skills when Twelfth Night opens on the Festival stage this summer. production of Our Town; Noel with a copy of John Loves Mary, which he directed at the Globe in 1949; Noel directing during dress rehearals. For more information about the Globe’s Education programs, contact our Education Department at [email protected]. 20 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 21 OUR THANKS OUR THANKS ARTIST SPONSORS EXTRAORDINARY LEADERSHIP

Since the founding of The Old Globe in 1935, heroic leadership has made The following individuals and organizations, recognized for their the theatre a cultural icon in San Diego and a forerunner in the American tremendous cumulative giving, comprise a special group of friends theatre. Many individuals have paved that way and enabled the theatre’s who have played leading “behind-the-scenes” roles, helping create the extraordinary success, and the Globe would like to recognize and honor productions on the three stages, programs in the community, and our its most generous and committed philanthropists who have helped make influence beyond this region. that possible. — $25 million and higher — Donald* and Darlene Shiley

— $11 million and higher — Conrad Prebys | San Diego Commission for Arts and Culture

— $8 million and higher — Karen and Donald Cohn | Sheryl and Harvey White

— $7 million and higher — Kathryn Hattox

— $3 million and higher — Helen K. and James S. Copley Foundation | Audrey S. Geisel | County of San Diego

Artist Sponsor for Anastasia Barzee Artist Sponsor for Mike McGowan — $2 million and higher — (Lilli Vanessi/Kate) (Fred Graham/Petruchio) The James Irvine Foundation | The Shubert Foundation | Viterbi Family Foundation

— $1 million and higher — LYNNE AND STEVE WHEELER JORDINE VON WANTOCH The Lipinsky Family The Kresge Foundation J. Dallas and Mary Clark* Carolyn Yorston-Wellcome Estate of Dorothy S. Prough Qualcomm Foundation Steve and Lynne Wheeler have loved and supported theatre all their Jordine Von Wantoch is delighted to sponsor Mike McGowan. She California Cultural & Historical Endowment National Endowment for the Arts Bank of America Stephen & Mary Birch Foundation, Inc. Helen Edison* Mary Beth Adderley lives. Their daughters Jennifer Wheeler Kahn and Jessica Wheeler has loved and supported the Globe since 1968, when she and her late Jeannie and Arthur Rivkin Estate of Beatrice Lynds* Globe Guilders Bailey both graduated from University of Southern California with husband, Harvey, arrived in San Diego. Jordine is a Board member, Wells Fargo Victor H.* and Jane Ottenstein Anonymous Theatre degrees and both have theatrically-related careers. Steve and Globe Ambassador, Globe Guilder, and member of the Craig Noel *In Memoriam Lynne especially enjoy The Old Globe productions and are delighted League, a group for those who have included the Globe in their estate to sponsor Anastasia Barzee as Kate… what a fun character to play! plans. Captain Jordine Von Wantoch retired as Commanding Officer, They love “fabulous” director Darko Tresnjak, andKiss Me, Kate is Personnel Support Activity, in 1986 after 30 years of Naval service. FIVE REASONS TO one of their favorite productions: they could watch this show every day of their lives! They send their congratulations—and thanks for the joy—to the cast and crew. “Break a leg!” BECOME A GLOBE GUILDER!

• Be a part of the annual Celebrating Couture Fashion Show, a major fundraiser and a

SPECIAL THANKS DOUGLAS GATES staple in San Diego’s social calendar for 25 years. • Assist at Meet-and-Greets with each new Globe cast on the first day of rehearsals. • Learn about the Old Globe/USD M.F.A. Program and get to know its talented students. • Bring cheer to guests on the Globe Plaza during December Nights. NATIONAL ENDOWMENT FOR THE ARTS • Become involved with an organization of wonderful friends. Supporting Free Student Matinees at the Globe For 60 years, the Globe Guilders have supported The Old Globe and are proud to be The Old Globe is grateful to receive the NEA’s support for the Student Access to the Arts/Free Student Matinee Program. Last year, an integral part of the theatre. They love the Globe and generously give of their time, DOUGLAS GATES this program gave nearly 4,000 students throughout San Diego County opportunities to experience many of the same plays and musi- effort, and financial support to its artistic, education, and community programs. cals enjoyed by our patrons. This fall, students will enjoy performances ofIn Your Arms, the world premiere dance-theatre musi- cal created by 10 of America’s best theatrical storytellers, director-choreographer Christopher Gattelli (Newsies), and composer Ste- To learn more and become a Globe Guilder, visit www.GlobeGuilders.org phen Flaherty (Ragtime); the Old Globe/University of San Diego Graduate Theatre Program production of Shakespeare’s As You Like or contact Wendy Ledford, Vice President of Membership, at [email protected]. It; and the annual holiday production of Dr. Seuss’ How the Grinch Stole Christmas! The program includes intensive pre-show work- (top, from left) Managing Director Michael G. Murphy, Globe Guilders President Margi Sargis, Honorary Chair and Globe shops with Globe teaching artists to provide background information about the productions and to help students build artistic literacy. Historian Darlene Davies, Event Chair Suzie Turner, Hilit Edelstein, and Artistic Director Barry Edelstein at the 2015 Celebrating Couture Fashion Show. (middle) 2012 M.F.A. graduate Allison Spratt Pearce with Globe Guilder Jane Cowgill at the annual Globe Guilders Luncheon with M.F.A. students. (bottom) Globe Guilders prepare a delicious spread and bring good cheer to the first day of rehearsals for a recent production.

For information about how you can contribute matching funds to help support the Globe’s free student matinees, GILLESPIENORM contact Major Gifts Officers Rachel Plummer or Keely Tidrow at (619) 231-1941. 22 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 23 OUR THANKS OPENING NIGHT: RICH GIRL CIRCLE PATRON MEMBERSHIP ADD TO YOUR GLOBE EXPERIENCE and ARMS AND THE MAN

Circle Patrons are vital supporters of The Old Globe. When you join the Circle Patron family of donors, Their gifts allow the theatre to produce a wide array you will embark on a new level of theatrical The Old Globe celebrated the openings ofArms and the Man of productions and offer essential education and enjoyment as you support the Globe’s mission and on May 14 and Rich Girl on May 28. The festivities began community programs to participants countywide. partake in a bevy of benefits, such as: with pre-show dinners for Annual Fund and Circle Patron donors, Board members, sponsors, and the artistic teams. The celebrations continued after the performances with the addition of cast and crew members at the opening night cast parties.

1. DOUGLAS GATES DOUGLAS GATES DOUGLAS GATES Access to Lipinsky Family Suite donor lounge. Invitations to Opening Night Dinners. Valet service along Old Globe Way. 5.

Craig Noel Circle: $2,500 Founder Circle: $5,000 Director Circle: $10,000 • Complimentary admission to the Lipinsky All Craig Noel Circle benefits, plus: All Founder Circle benefits, plus: 2. Family Suite private donor lounge when • Admission for two to the complimentary • Complimentary Globe valet parking for each attending Globe performances Founder Circle Dinner in the fall production • Personal VIP ticketing and subscription • Invitation for two to the Board of Directors • Personal VIP ticketing for productions at services Annual Dinner participating theatres in London • Invitations to Circle Patron events and • Personal VIP ticketing for productions at • Access to Globe facilities for private meetings behind-the-scenes experiences with Globe participating theatres in New York or events artists • Voucher for one use of the Globe VIP valet • Complimentary admission for two to the parking service Opening Night event of your choice 3. 4. 6.

Exclusive Circle Patron luncheons with Globe Artists: Arms and the Man 1. Students from the UC San Diego Jacobs School of Engineering, Season Sponsors Joan and Irwin Jacobs, and Albert Pisano, Dean of the UC San Diego Jacobs School of Engineering. 2. Bertrand and Denise Hug of Season Sponsor Mister A’s, Ramin Pourteymour*, and Season Sponsors Valerie* and Harry Cooper. 3. Leading Season Sponsor and Board Chair Elaine Darwin* and Artist Sponsor Nikki Clay*. 4. Leading Season Sponsors John and Kathy* Hattox, Artistic Director Barry Edelstein, and Season Sponsor Gloria Rasmussen. 7. Rich Girl 5. Costume designer Shirley Pierson, director James Vásquez, and Production Sponsors Sheila* and Jeff Lipinsky. 6. Playwright Victoria Stewart (center) with Production Sponsor Founder Circle Patrons Jack and Pat Thomas (center) Craig Noel Circle Patron Gigi Cramer (center) with Craig Noel Circle Patrons Harry and Sandra Carter U.S. Bank representatives Rockette and Rob Ewell (left) with Kim Martin-Cotten and Max Gordon Moore from Chilina Kennedy, Ken Barnett, and Lisa O’Hare from (left and right) with stage manager Annette Yé and and Steve* and Gia Stuckey (right). Time and the Conways. A Gentleman’s Guide to Love and Murder. cast member Tyler Lansing Weaks from 7. Jorge Cortina (second from left) and Karen Fox* (fourth from left) Vanya and Sonia and Masha and Spike. with the cast of Rich Girl: Lauren Blumenfeld, Meg Gibson, JD Taylor, and Carolyn Michelle Smith. To learn more about the Globe’s Circle Patron program, please contact 8. Chuck Freebern, Artist Sponsor Jo Ann Kilty*, Production Sponsor Evelyn Mack Truitt*, and Managing Director Michael G. Murphy. Major Gifts Officers Keely Tidrow or Rachel Plummerat (619) 231-1941. *Member of the Old Globe Board of Directors. Photos by Douglas Gates. 8. 24 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 25 OUR THANKS CRAIG NOEL LEAGUE WHAT THE GLOBE MEANS TO US KEEP CRAIG NOEL’S DREAM ALIVE — JOIN THE We love The Old Globe for the wonderful theatre it provides CRAIG NOEL LEAGUE TODAY! us. It is not only thought-provoking; it is also emotionally stimulating and a joy to behold. It allows us to live in and visit other worlds not always accessible in reality but always available “I want this theatre to have the security of through our imagination. It is great entertainment. an endowment so that we may continue –Ron Leonardi and Ruth Wikberg-Leonardi Craig Noel Circle Patrons, to engage and inspire audiences for Craig Noel League members, generations to come.” –Craig Noel former Globe Board member BOB ROSS BOB Joel Ewan and Carol Spielman-Ewan at the 2014 Globe Gala.

Supporting The Old Globe has been an enriching The Dream CRAIG NOEL LEAGUE MEMBERS experience for us. We enjoy being part of the Globe Anonymous (20) Bernard* & June Harland Darlene Marcos Shiley family, getting to know the attentive and considerate To keep Craig’s dream alive, Associate Artist Robert Bobbie Ball Patrick Harrison & Patsy & Forrest* Shumway staff and meeting fellow San Diego playgoers at shows Foxworth and Jordine Von Wantoch—both of whom Diana Barliant* Eleanor Lynch B. Sy & Ruth Ann Silver and events. At the heart of it all is the excitement of live are Globe Board members and together co-chair the Jan Bart Kathryn Hattox Dee E. Silver, M.D. theatre—entertaining, moving, thought-provoking, and Craig Noel League—encourage you to include the Nancine Belfiore David & Debbie Hawkins Stephen M. Silverman always creatively staged. That is what keeps us returning Globe in your estate plans, which will help ensure a Alan Benaroya Jill Denison Holmes Roberta Simpson year after year! strong and stable future for this beloved theatre. Barbara Bolt Craig & Mary Hunter Jen Sisskind Nancy Brock Grace Johnston Dolores & Rod Smith –Joel Ewan and Carol Spielman-Ewan DOUGLAS GATES Robert and Pamela Brooks Gladys H. King Marisa SorBello & Founder Circle Patrons, Ron Leonardi and Ruth Wikberg-Leonardi at the Circle Patron Opening Night celebration of Buyer & Cellar. Ronald Brown Marilyn Kneeland Peter Czipott former Globe Board member Dr. & Mrs. Edgar D. Canada Jean & David Laing John & Cindy Sorensen Sandra & Harry Carter James & Janice LaGrone Nancy A. Spector & Garet & Wendy Clark Dr. Ronald & Alan R. Spector Joseph J. Cohen & Mrs. Ruth W. Leonardi Jeanette Stevens Martha P. Farish Jerry Lester Foundation Peter Stovin & Marilyn Johns We’ve been going to The Old Globe since we were teenagers; it’s R. Patrick & Sharon Connell Robin J. Lipman Miriam Summ one of our favorite regional theatre companies in the country! Jane Cowgill Heather Manion Eric Leighton Swenson We’re impressed by the broad audience their productions Gigi Cramer Judith Menzel Anne C. Taubman and programs bring together, and how, by embracing its Patricia W. Crigler, Ph.D., Chris & Jill Metcalf Randy Tidmore patrons, the Globe still keeps its warmth and intimacy. CAPT, USN (Ret.) Paul I. & Margaret W. Meyer Cherie Halladay Tirschwell MIKE HAUSBERG Carlos & Patricia Cuellar Steve Miller Evelyn Mack Truitt Associate Artist Robert Foxworth and Jordine Von Wantoch, –Sheila and Jeff Lipinsky Co-Chairs of the Craig Noel League Committee and members Darlene Gould Davies Shirley Mulcahy Ginny Unanue Production Sponsors, Board member of the Board of Directors. Mrs. Philip H. Dickinson* Laurie Dale Munday Jordine Von Wantoch

Board member Sheila and Jeff Lipinsky (back row, center) with Artistic Director Doug Druley & Becky Young Stanley Nadel & Pamela J. Wagner Barry Edelstein and the cast and creative team of Dog and Pony at the Opening This year the Globe celebrates Craig Noel’s 100th Cecilia Carrick Night Cast Party. Bernard J. Eggertsen & Merle Wahl* Anne Turhollow and Michael Perkins with Buyer & Cellar’s birthday, which is the perfect opportunity to honor Florence Nemkov Alice B. Nesnow Peggy Ann Wallace David Turner (center) at a Circle Patron Lunch. his memory with your legacy gift. Join today and have Dr. & Mrs. Robert Epsten Harvey* & Marsha Netzer Holly J. B. Ward We’ve been subscribers for 25 seasons; it is only natural the satisfaction of knowing that your gift will have a Frank A. Frye, III Arthur & Marilyn Neumann Sarah Woodruff Watkins that we want to support the Globe in partial recompense lasting impact on the community. New members will Hal & Pam Fuson Ronald J. Newell Joy & Stephen Weiss for all the entertainment and intellectual stimulation it also receive a complimentary invitation to Craig’s Mr. Alan Gary & Greg & Polly Noel Sheryl & Harvey P. White has afforded us over the years. We contribute so that the 100th Birthday Celebration on Monday, August 17. Ms. Joanee Udelf PACEM (Pacific Academy of Mrs. Jack Galen Whitney Globe can continue to do so for all present and future Nancy Reed Gibson Ecclesiastical Music) Julie Meier Wright theatre audiences. Robert Gleason & Sarah B. Marsh-Rebelo & Carolyn Yorston-Wellcome For further information, contact Associate Director Marc Matys John Rebelo –Anne Turhollow and Michael Perkins of Development Bridget Cantu Wear Marcy Goldstone Gloria Rasmussen *In Memoriam Craig Noel Circle Patrons at (619) 231-1941 x 2312 Carol & Don Green Esther Rodriguez Bruce Sherman DOUGLAS GATES or [email protected]. Betsy Hamblin 26 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 27 OUR THANKS CORPORATE DONORS ANNUAL FUND DONORS

Lead Season Sponsors ($75,000 or more) Season Sponsors ($60,000 - $74,999) The Old Globe’s ability to maintain the highest standard of excellence, while keeping ticket prices affordable, is due in large part to the financial support of more than 2,000 individuals, businesses, foundations, and government agencies. Please join us in giving warm thanks and recognition to these leaders who have made tonight and our other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight.

Benefactors ($100,000 and above) Mary Beth Adderley Edgerton Foundation Microsoft Anonymous Audrey S. Geisel/Dr. Seuss Fund at Paula & Brian Powers City of San Diego Commission for Arts & Culture The San Diego Foundation Conrad Prebys & Debra Turner Karen & Donald Cohn Globe Guilders Qualcomm Foundation Elaine & Dave Darwin Kathryn & John Hattox Darlene Marcos Shiley, in memory of Donald Shiley Mr. & Mrs. Brian K. Devine The James Irvine Foundation The Shubert Foundation Production Sponsors (30,000 - $59,999) Sheryl & Harvey White Foundation Season Sponsors ($60,000 to $99,999) Peter Cooper & Norman Blachford Hal & Pam Fuson Rhona & Rick Thompson Valerie & Harry Cooper Joan & Irwin Jacobs Fund of the Gillian & Tony Thornley Ann Davies Jewish Community Foundation United Pamela Farr & Buford Alexander Gloria Rasmussen June E. Yoder Vicki & Carl Zeiger

Artist Circle (20,000 - $29,999) Production Sponsors ($30,000 to $59,999) Alan Benaroya Las Patronas S. Mark Taper Foundation The Legler Benbough Foundation Elaine Lipinsky Family Foundation Evelyn Mack Truitt Diane & John Berol Jeffrey & Sheila Lipinsky Family Foundation Union Bank County of San Diego National Corporate Theatre Fund U.S. Bank Nina & Robert Doede Patrons of the Prado Viterbi Family Fund of the Jewish Hervey Family Non-endowment Fund The Prado at Balboa Park Community Foundation at The San Diego Foundation Price Philanthropies Foundation Pamela J. Wagner Leonard Hirsch, in memory of Elaine Hirsch Jean & Gary Shekhter Wells Fargo HM Electronics, Inc. Ms. Jeanette Stevens

Artist Circle ($20,000 to $29,999)

National Corporate Theatre Fund (NCTF) is a not-for‑profit created to increase Bank of America Higgs, Fletcher & Mack, LLP Random House Children’s Books Director Circle ($15,000 - $19,999) and strengthen support from the business community for this country’s most Barney & Barney Holland America Line San Diego Gas & Electric distinguished professional theatres. The following donors support these theatres California Bank & Trust Hyatt Regency La Jolla at Aventine Sanderson Family Foundation through their contributions to NCTF ($10,000 and above): Pamela & Jerry Cesak Daphne H. & James D. Jameson Sheraton San Diego Hotel & Marina Buford Alexander and Marsh & McLennan Companies Nikki & Ben Clay Jo Ann Kilty Torrey Pines Bank Pamela Farr Jonathan Maurer and Gretchen Shugart Joseph Cohen & Martha Farish The Lodge at Torrey Pines Jordine Skoff Von Wantoch Allianz Global Corporate McGraw Hill Financial Elizabeth Dewberry MetLife/TCG A-ha! Program: Think It, Do It Mandell Weiss Charitable Trust & Specialty MetLife Neiman Marcus Dr. Steve & Lynne Wheeler American Express Morgan Stanley AOL National Endowment for the Arts The San Diego Foundation (This grant was made possible by the Ariel W. Coggeshall Fund of the San Diego Foundation Malin Burnham Center for Civic Engagement) Bank of America OneBeacon Entertainment BNY Mellon Lisa Orberg Bloomberg Frank & Bonnie Orlowski Director Circle ($10,000 to $19,999) Steven & Joy Bunson Pfizer, Inc. Terry Atkinson Diana R. Glimm Peggy & Peter Preuss Chubb Group of Insurance Companies RBC Wealth Management Cisco Systems, Inc. Roe Green Foundation Melissa Garfield Bartell & Michael Bartell Lee & Frank Goldberg Allison & Robert Price Citi The Schloss Family Foundation Jane Smisor Bastien Dr. & Mrs. Harry F. Hixson, Jr. Rivkin Family Fund I at CMT/ABC The Shubert Organization, Inc. Richard & Kathy Binford Barbara G. Kjos The San Diego Foundation DeWitt Stern Skadden, Arps, Slate, Meagher Bjorg Family Brooke & Dan Koehler Mickey Stern Paula Dominick & Flom ($10,000 - $14,999) Dorsey & Whitney Foundation Southwest Airlines California County Superintendents Carol & George Lattimer Karen & Stuart Tanz Educational Services Association Susan & John Major Carol & Larry Veit Mister A’s ResMed Foundation Edgerton Foundation TD Charitable Foundation Epiq Systems Theatermania.com/ Gretchen Shugart The Anthony Cerami & Anne Dunne National Endowment for the Arts Karin Winner Ernst & Young Travelers Entertainment Foundation for World Health Caroline & Nicolas Nierenberg Brent Woods & Laurie Mitchell Ford Foundation James S. & Lynne Turley Founder Circle ($5,000 - $9,999) Carlo & Nadine Daleo The Kenneth T. & Eileen Norris Foundation Alan & Jennifer Freedman UBS GEN7 Wines Maxwell Technologies Goldman, Sachs & Co. Wells Fargo Karen Fox Tom & Lisa Pierce Ted Hartley & RKO Stage Willkie Farr & Gallagher LLP The Hearst Foundations FOUNDER CIRCLE Colwell Family Distributable Fund Carol Spielman-Ewan & Joel Ewan Liz & Gary Helming ($5,000 to $9,999) at The San Diego Foundation Susanna & Michael Flaster Alexa Kirkwood Hirsch PUBLIC SUPPORT Anonymous R. Patrick & Sharon Connell Drs. Thomas H. & Hutcheson Family Fund at Joan & Jeremy Berg Bernard J. Eggertsen & Jane D. Gawronski The San Diego Foundation Jay Biskupski & Catherine Imrie Florence Nemkov Norm Hapke & Jerri-Ann & Gary Jacobs Major funding provided by the City of San Diego Commission for Arts and Culture. Barbara Bloom Marion Eggertsen Valerie Jacobs Hapke William Karatz The Old Globe is funded by theCounty of San Diego. Carol & Jeff Chang Barbara & Dick Enberg Gordon & Phyllis Harris J. Robert & Glady H. King Barbara Charlton Dr. & Mrs. Robert Epsten David Whitmire Hearst, Jr. Family Trust Arlene & Richard Esgate Foundation

28 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 29 Pauline Forman Tony & Nancy Janus Rod & Barbara Orth Don Stanziano & Michael Sikich Regina Kurtz, in fond memory of Teresa George Charles & Sherry Sheppard Thomas D. Lookabaugh Foundation Robert & Stacey Foxworth Dr. & Mrs. Clyde W. Jones Dr. David & Elizabeth Ostrander Kathleen Steele Al Isenberg Terrie Georgi Drs. Joseph & Gloria Shurman Joy & Ronald Mankoff Dr. Ben & Sue Frishberg LABS, Inc./Silvia Dreyfuss Phil & Pam Palisoul Ronald & Susan Styn Peter Landin & Michelle Cardinal Arthur Getis & Roberta King Dee E. Silver, MD Jasna Markovac & Gary Miller Steven & Susan Garfin Michael & Katherine Lee Lori Partrick Clifford & Kay Sweet Levinson Family Fund of the Gilcrest Family: Andy, Karen, Nancy & Alan Spector and Family Carlos Martinez & Steven Jacobson J. M. Gillman Sherry & Rick Levin Julius J. Pearl Fund at John & Gail Tauscher Jewish Community Foundation A.J. & Tommy Nancy Steinhart & Marcia A. Mattson Morris & Phyllis Gold Fund of the Lois & Larry Lewis The San Diego Foundation Roger Thieme & Sylvia Steding Peter Manes & Yoko Sakaguchi Wendy Gillespie Rebecca Goodpasture James & Estelle Milch Fund of the Jewish Community Foundation Mack Lewis & Kate Herring In Memory of Margaret Peninger Doris Trauner, M.D. & Paul & Maggie Meyer Carol L. Githens Miriam Summ Jewish Community Foundation Robert & Edry Goot Marshall & Judy Lewis Fund of the James & Judy Queenan Richard Stanford Money/Arenz Foundation, Inc. Robert Gleason & Marc Matys Karen & Don Tartre Rena Minisi & Rich Paul Carol & Don Green Jewish Community Foundation Robert Reid Mr. & Mrs. Jeffrey C. Truesdell Michael G. Murphy Sheila & Tom Gorey C. Anne Turhollow & Charles & Ilene Mittman Richard & Candace Haden Edward & Nancy Lyon Stuart & Linda Robinson Natalie C. Venezia & Paul A. Sager Bernard Paul George C. Guerra Michael J. Perkins Ursula & Hans Moede Jeff & Judy Handler Carl Maguire & Margaret Sheehan Rowling Family Charitable Fund Kathy & Jim Waring Matthew & Judith Pollack Ms. Cheryl Haimsohn Michael T. Turner & Jim & Ruth Mulvaney Foundation Virginia Hawkins Sally & Luis Maizel of the Jewish Community Dennis & Carol Wilson Chrissy & Roger Roberts Guy & Laura Halgren Suzanne Poet Turner at The San Diego Foundation Kaaren Henderson Drs. Betty Joan Maly & Foundation Cass Witkowski Family Patricia K. Shumway Pat & Rick Harmetz Nita & Henk van der Werff Marsha J. Netzer, in memory of Jamie Henson & John Meyers Mr. & Mrs. Todd Ruth Joseph & Mary Witztum Beth & Kevin Smith Patrick Harrison & Eleanor Lynch Mary R. Warkentin Alice & Ray Jacobson Robert Houskeeper Rev. Stephen J. Mather Frank Ruyak & Denise Graham Brendan M. & Kaye I. Wynne Herb Solomon & Elaine Galinson Philip & Kathy Henry Jan Harden Webster & Raul Ortega Mark Niblack, MD Gerald M. Hermanson & Ronald McCaskill & Robyn Rogers Susan & Haddon Salt Iris & Matthew Strauss Rhonda Heth & Thomas Mabie The Patricia and Christopher Weil William & Carla Nolan Donna L. Buckner Bill & Mim McKenzie Brigid Hom-Schnapp & Pat & Jack Thomas Bill & Nancy Homeyer Family Foundation The Oceanaire Seafood Room Robert & Sabine Hildebrand Dr. & Mrs. Paul E. Michelson Russell Schnapp *In Memoriam Cherie Halladay Tirschwell Gary & Carrie Huckell Shirli Fabri Weiss and Sons Virginia Oliver Bruce & Jane Hopkins Dr. & Mrs. Robert Morrison Paul Searby Carol Vassiliadis Drs. Sonia & Andy Israel James E. & Kathryn A. Whistler Barbara B. Oswalt Stephanie & Carl Hurst Charles & Susan Muha Linda J. Seifert This list current as of Mary Kay West Pat JaCoby Fund at The San Diego Foundation Christopher & Susan Pantaleoni Joseph & Donna Hynes Shirley Mulcahy Tim & Luci Serlet June 5, 2015. Jim & Mary Jane Wiesler Mary & Russell Johnson Nowell Wisch Tim & Leslie Paul Mrs. Susan Inot Darrell Netherton Beverly & Howard Silldorf Pamela & Marty Wygod Jackie Johnston Ellen & Tim Zinn Robert & Doris Reed Steven & Barbara Jaffe Jan Newmark Anne & Ronald Simon Katleman Family Fund of the Bernard Reiter Fund of the Ed & Linda Janon Evy & Ed Newton Norman & Judith Solomon CRAIG NOEL CIRCLE Jewish Community Foundation DIAMOND Jewish Community Foundation ($2,500 to $4,999) Dr. Gerald & Barbara Kent ($1,500 to $2,499) Michael Robertson & Dale Johnston Dr. & Mrs. Wayne Akeson Edythe Kenton Gary & Barbara Blake Family Fund Esther Rodriguez PATRON INFORMATION Lawrence G. Alldredge & Ken & Sheryl King of the Jewish Community The Ralph B. Rogers Foundation Dawn Moore Webster & Helen Kinnaird Foundation Crystal Ann Rubin In Memory of Freda Altschuler & Jack Kirkland Mary-Kay Butler Ryan Family Charitable Foundation TICKET SERVICES HOURS SEATING OF LATECOMERS Sylvia Goldin Sherry & Larry Kline Gay and Lesbian Fund for San Diego San Diego Branch of Monday: Closed Although we understand parking is often at a premium, the seating of Anonymous (7) Jane & Ray* Klofkorn at The San Diego Foundation The English-Speaking Union Tuesday – Sunday: Noon – last curtain latecomers is extremely disruptive. Latecomers may be given alternative Drs. Gabriela & Mike Antos Curt & Nancy Koch Dr. & Mrs. M. Joseph McGreevy Jay & Julie Sarno Judith Bachner & Eric Lasley Rosalie Kostanzer & Michael Keefe The Musser Family Robert & Lisa Shaw Hours subject to change. Please call ahead. seating and will be seated at an appropriate interval. Rick & Donna Baldridge Bob & Laura Kyle John & Josette Rekettye Mr. William D. Smith & PHONE (619) 23-GLOBE (234-5623) Jan & Rich Baldwin Jean & David Laing Dr. Sara Rosenthal & Dr. Carol Harter FAX (619) 231-6752 YOUNG CHILDREN Bobbie Ball Terry & Mary Lehr Dr. Julie Prazich John & Margery Swanson EMAIL [email protected] or [email protected] Children under five years of age will not be admitted to performances. Jan Bart The Leist Family Ryde Family Memorial Foundation Casey & Julie Tibbitts Mr. & Mrs. Bear Ronald & Ruth W. Leonardi at The San Diego Foundation Tim & Judy Tillyer WEBSITE www.TheOldGlobe.org Charlotte & Charles Bird James & Pamela Lester Marilies Schoepflin, Ph.D. Brenda & Robert Tomaras ELECTRONIC DEVICES AND CAMERAS Paul Black Paul Levin Ms. Lari Sheehan Stan & Anita Ulrich ADMINISTRATION HOURS The video and/or audio recording of this performance by any means Steve & Elizabeth Bluhm Robin J. Lipman Alan & Esther Siman Karen Walker Barbara Bolt Barbara & Mathew Loonin Dave & Phyllis Snyder Sandy Wichelecki & Monday – Friday: 9:00 a.m. – 5:00 p.m. whatsoever is strictly prohibited. Please silence all digital watches, Dr. Herman & Irene H. Boschken Carlos Malamud Jack & Louise Strecker Suzanne Dukes PHONE (619) 231-1941 pagers, and cellular phones prior to entering the theatre. Bea & Bill Briggs Dr. Robert & Marcia Malkus Greta & Steve Treadgold Howard & Christy Zatkin WEBSITE www.TheOldGlobe.org Anita Busquets & William Ladd Jackie & Charlie Mann Judith Wenker ADDRESS The Old Globe ASSISTED LISTENING SYSTEM Dr. & Mrs. Edgar D. Canada Lois I. Marriott GOLD Edward & Pamela Carnot Dr. Ted & Marcy Mazer PLATINUM ($500 to $999) P.O. Box 122171 For the convenience of our hard-of-hearing and hearing-impaired Cecilia Carrick & Stan Nadel Elizabeth & Edward McIntyre ($1,000 to $1,499) Howard E. Abrams San Diego, CA 92112-2171 patrons, The Old Globe has an Assistive Listening System in all three Harry & Sandra Carter Elizabeth B. Meyer Anonymous (2) Mrs. Marilyn Adams theatres: the Sheryl and Harvey White Theatre, the Old Globe Theatre, George & Ellen Casey Dr. Howard & Barbara Milstein Jonathan & Alicia Atun George Amerault, Jr. Rudy & Carol Cesena Judith Morgan David A. & Jill Wien Badger Anonymous (4) ORDERING TICKETS/CHANGE OF ADDRESS and the Lowell Davies Festival Theatre. A limited number of the Garet & Wendy Clark Akiko Charlene Morimoto & Amnon & Lee Ben-Yehuda Earl Asbury The Old Globe accepts Visa, Discover, MasterCard, and American lightweight headsets, as well as induction neck loops, may be obtained Ms. Heidi Conlan/ Hubert Frank Hamilton, Jr. Sondra & Robert Berk Fund of the Katherine Austin Express. Phone orders for non-subscribers are subject to a $3.50-per- from the house manager prior to performances. The Sahan Daywi Foundation Nancy & James Mullen Jewish Community Foundation The Backman Family Richard & Stephanie Coutts Joyce & Martin Nash Mrs. Lazare F. Bernhard Bruce & Patricia Becker ticket service charge. Ticket exchanges are subject to a service charge for Susan Barlow Cowell Lyn Nelson Chortek Family Fund of the Sally & John Berry non-subscribers. If you have moved, please notify the Ticket Services PUBLIC TOURS Jane Cowgill Arthur & Marilyn Neumann Jewish Community Foundation Bob & Joyce Blumberg Office to update our records. Call (619) 234-5623 during Ticket Services Go behind the scenes at The Old Globe to learn about the history, three Gigi & Ed* Cramer Lawrence Newmark Dean & Mrs. Michael H. Dessent Deb & Brand Brickman hours, mail your change of address to the Ticket Services Office, or stages, shops and craft areas. Open tours: most Saturdays and Sundays Darlene G. Davies, in memory Susan C. Parker Dorothy R. Dring Robert & Pamela Brooks of Lowell Davies Mr. & Mrs. Thomas C. Pastore Norman & Patricia Gillespie The Bunn Family email [email protected]. at 10:30 a.m. Groups by reservation. $5 adults; $3 seniors and students. Jim & Sally Ditto Patricia Payne Joyce Glazer Brent Carey Call (619) 238-0043 x2145 for information/reservations. Devora & Ron Eisenberg of Col. & Mrs. Ben Pollard Mr. William & Dr. Susan Glockner Luc Cayet & Anne Marie Pleska UNABLE TO ATTEND? Great News! Bill & Mo Popp Louise & Doug Goodman Ms. Lisa Churchill & LOST AND FOUND Mr. & Mrs. Ira S. Epstein Daniel Porte & Sally Dubois Chris Graham & Michael Albo Dr. Susan Forsburg If you find you are unable to use your tickets, please give them to a Mary & David Fitz The Arthur & Jeanette Pratt Heat Bar & Kitchen Richard T. Clampitt friend, or turn them in to the Ticket Services Office and receive a tax If you have misplaced a personal item while at the theatre, please Jean & Sid Fox Memorial Fund Isaacs Brothers Foundation at Ronald D. Culbertson receipt for your donation. Tickets must be received by show time. contact the Ticket Services Office or Security as soon as possible. If we Samuel I. & John Henry Joseph & Jane Rascoff The San Diego Foundation Honorable Vincent P. Di Figlia (Ret.) are unable to locate your item, we’ll happily take down your contact Fox Foundation Sarah B. Marsh-Rebelo & Louis & Mary Beth Kelly Jacqueline & Stan Drosch at Union Bank of California John G. Rebelo Robert J. Kilian & Berit & Tom Durler RESTROOMS information and a description of the item and contact you if it is found. Chuck Freebern Wade and Candi Rich Kathleen M. Slayton Bill Eiffert & Leslie Hodge Restrooms are located in the lower lobby of the Old Globe Theatre, The Old Globe does not assume liability for items left behind on the Charles & Millicent Froehlich Nancy J. Robertson Bill & Linda Kolb Georgia Ellis the lobby of the Sheryl and Harvey White Theatre, and adjacent to the premises. Joy & Dr. Fred Frye Cathy & Larry Robinson Jennifer Lake & Nate & Margaret Englund Barbara & Albert Garlinghouse Carole Sachs Donald Francis Donovan Drs. George & Susan Dersnah Fee Lowell Davies Festival Theatre. Bill & Judy Garrett Beverly & Warren Sanborn Susan Lane & Torrey Harmon Richard & Beverly Fink Daniel & Arline Genis Dr. Myron & Doreen Schonbrun Dr. & Mrs. James E. Lasry Family Foundation NATURAL HERB COUGH DROPS—COURTESY OF RICOLA USA, INC.—ARE AVAILABLE UPON REQUEST. PLEASE ASK AN USHER. 30 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 31 Barry Edelstein, Artistic Director Michael G. Murphy, Managing Director

Amy E. Allison...... General Manager PROPERTIES FINANCE Dave Henson...... Director of Marketing and Communications Neil A. Holmes...... Properties Director Cindy Hunt...... Senior Accountant Mark Somers...... Director of Finance Kristin Steva Campbell...... Assistant to the Director Trish Guidi...... Accounts Payable/Accounting Assistant Richard Seer...... Director of Professional Training M.H. Schrenkeisen...... Shop Foreman Adam Latham...... Payroll Coordinator/Accounting Assistant Robert Drake...... Director of Production Rory Murphy...... Lead Craftsman Tim Cole...... Receptionist Roberta Wells-Famula...... Director of Education Chris Carignan...... Carpenter David Medina...... Properties Buyer DEVELOPMENT ARTISTIC Kristine Hummel-Rosen...... Properties Assistant Annamarie Maricle...... Associate Director, Eric Louie, Justin Waldman...... Associate Producers Nick Pecher, Trish Rutter...... Craftspersons Institutional Grants Danielle Mages Amato...... Literary Manager/Dramaturg David Buess...... Property Master, Globe Bridget Cantu Wear...... Associate Director, Planned Giving Bernadette Hanson...... Artistic Associate Kristen Flores...... Stage and Property Master, White Eileen Prisby...... Events Director Michelle Panek...... Interim Artistic Associate Andrew Recker...... Property Master, Festival Rachel Plummer, Keely Tidrow...... Major Gifts Officers Karen Ann Daniels...... Community Outreach Manager Robin Hatfield...... Annual Fund Manager Zane Alcorn...... Artistic Intern LIGHTING Matthew B. Williams...... Major Gifts Associate Shawna Cadence...... Lighting Director Diane Addis...... Membership Administrator PRODUCTION Jack Bender...... Assistant Lighting Director Rico Zamora...... Development Assistant Debra Pratt Ballard...... Associate Director of Production Ryan Osborn...... Master Electrician, Globe Tyler Jones...... VIP Donor Ticketing Ron Cooling...... Company Manager Jim Dodd...... Master Electrician, White Derek Floyd...... Grants Assistant Carol Donahue...... Production Coordinator Kevin Liddell...... Master Electrician, Festival Jackson Smith...... Assistant Company Manager Steve Schmitz...... Lighting Assistant DONOR SERVICES Bradley Bergholtz, Silvana Burrato, Jyothi Doughman, Laura Regal, STAGE MANAGEMENT Derek Lauer...... Follow Spot Operators, Festival Janette Jack, Barbara Lekes, Richard Navarro, Leila Knox...... Production Stage Manager Michael Anderson, Stephanie Reed, Stephen Wade...... Suite Concierges Sean Murray...... Follow Spot Operators, Globe TECHNICAL Michael Anderson, Sammy Bauman-Martin, MARKETING Benjamin Thoron...... Technical Director Bradley Bergholtz, Derek Lauer, Xavier Luevano, Susan Chicoine...... Public Relations Director Shawn McCombs, Sean Murray, Michael Paolini, Wendy Berzansky...... Associate Technical Director Ed Hofmeister...... Associate Director of Marketing Bo Tindell, Kimberlee Winters...... Electricians Lucas Skoug...... Assistant Technical Director Mike Hausberg...... Public Relations Associate Andrew Waltz...... Digital and Print Publications Coordinator Eileen McCann...... Resident Design Assistant SOUND Eliza Korshin...... Technical Assistant/Buyer Jordyn Patton...... Marketing Assistant Paul Peterson...... Sound Director Gillian Kelleher...... Master Carpenter Stephen Wade...... Marketing/Events Assistant Jeremy Nelson...... Master Sound Technician, Globe Carole Payette...... Charge Scenic Artist Carolann Malley...... Distribution Staff Clayton Nicodemus...... Master Sound Technician, White Christian Thorsen...... Stage Carpenter/Flyman, Globe RJ Givens...... Master Sound Technician, Festival Robert Dougherty...... Festival Master Carpenter SUBSCRIPTION SALES Alex Heath...... Deck Audio, Festival Jack Hernandez...... Charge Carpenter, White Scott Cooke...... Subscription Sales Manager Austin Taylor...... Deck Audio, Globe Dave Atchison, Daniel Capiro, Curtis Carlsteen, Arthur Faro, Stephen Jones, Janet Kavin, Kevin Dawes...... Sound Technician Sean Chaffin, Chris Chauvet, Michael Curtis, Pamela Malone, Yolanda Moore, Philip Patterson, Sloan Holly, Laura McEntyre, Francisco Ramirez, Ken Seper, Cassandra Shepard, Jerome Tullmann, Kurtis Weichers...... Carpenters ADMINISTRATION Grant Walpole...... Subscription Sales Representatives W. Adam Bernard...... Lead Scenic Artist Alexandra Hisserich...... General Management Associate Jessica Amador...... Scenic Artist Carolyn Budd...... Assistant to the Artistic TICKET SERVICES Jason Chohon...... Automation Coordinator and Managing Directors Bob Coddington...... Ticket Services Director Eszter Julian...... Automation operator, Festival Darlene Davies...... The Old Globe Historian Marsi Bennion...... Ticket Operations Manager Benjamin Gray, James Ramirez, Cristal Salow...... Group Sales Manager Zane Whitmore...... Deck Crew INFORMATION TECHNOLOGY Stephanie Haglund, Dean Yager...... Information Technology Director Caryn Morgan...... Lead Ticket Services Representatives COSTUMES John Ralston...... Information Technology Assistant Manager Christian Amezcua, Kari Archer, Matt Costa, Brittany Summers...... Information Technology Assistant Kathy Fineman, Merri Fitzpatrick, Bea Gonzalez, Stacy Sutton...... Costume Director Lauryn Greschke, Alejandro Gutierrez, Amanda King, Charlotte Devaux Shields...... Resident Design Associate Damon Shearer, Maureen Mac Niallais...... Assistant to the Director HUMAN RESOURCES John Sweeney...... Ticket Services Representatives Shelly Williams...... Design Assistant/Shopper Sandy Parde...... Human Resources Director Erin Cass, Louise Powers-Prues...... Drapers Manny Bejarano...... Human Resources Coordinator PATRON SERVICES Su-Lin Chen, Marsha Kuligowski, Mike Callaway...... Patron Services Director Wendy Miller...... Tailor/Drapers MAINTENANCE Juliana Johnson, Mary Taylor...... House Managers Lisa Goering, Annie Glidden Grace, Somsi Norfolk, Ramon Juarez...... Facilities Director Angela Montague Kanish...... Front of House Assistant Susan Sachs, Raquel Stewart...... Assistant Cutters Mack Benjamin, Violanda Corona, Ismael Delgado, Nic Hagan...... Food and Beverage Manager Mary Miller...... Tailoring/Construction Roberto Gonzalez, Bernardo Holloway, Tim Acosta, Stephanie Passera, Allison Elsey, Franzesca Mayer, Reyna Huerta, Jason McNabb, Jose Morales, Brandon Potter...... Pub Shift Supervisors Victor Quiroz, Maria Rios, Leonardo Rodriguez, Tea Ninkovic, Heather Premo...... Stitchers Shelby Anderson, Deborah Montes, Michelle Thorsen, Vielka Smith...... Building Staff Erin Carignan...... Craft Supervisor/Dyer/Painter Jennifer Van Atta, Sharon Granieri, Stephanie Parker, Jacquelyn Weber...... Pub Staff Emily Smith...... Crafts Artisans PROFESSIONAL TRAINING Linda Bahash, Jakey Hicks...... Wig and Makeup Supervisor Shana Wride...... Program Coordinator Stephanie Rakowski...... Gift Shop Supervisors Kim Parker...... Assistant to Wig and Makeup Supervisor Brian Byrnes, Maria Carrera, Cynthia Caywood, Kim Eddo, Ana Maldonado...... Wig Assistants Ray Chambers, Gerhard Gessner, Jan Gist, SECURITY/PARKING SERVICES Fred Robinson, Abraham Stoll...... M.F.A. Faculty Beverly Boyd...... Wardrobe Supervisor Edward Camarena...... Security Supervisor Corey Johnston, Nate Parde, Beth Merriman...... Wardrobe Crew Chief, Globe Sherisa Eselin...... Security Officer Peet Cocke, Robin Roberts...... M.F.A. Production Staff Anna MacDonald...... Wardrobe Crew Chief, White Jonathon Ayon, Joshua Caldwell, Francisco Dukes, Jeff Howell, Janet Larson, Robert Lowe, Ana Maldanado, Hannah May, EDUCATION Anna Noll...... Wardrobe Crew, Globe Jonathan Martinez, Eleuterio Ramos, Crystal Mercado...... Education Programs Manager Garrett Bazzle, Sunny Haines, Katie Knox, Anna Salgado, Jakob Schmidt...... Security Guards Sue Noll, Crystal L. Williams, Carol Green...... Speakers Bureau Coordinator Alexander Thomas...... VIP Valet Attendant Noelle Van Wyk...... Wardrobe Crew, Festival Lisel Gorell-Getz, Catherine Hanna, Katherine Harroff, Jason Heil, Erika Malone, Heather Pauley, Marie Jezbera...... Rental Agent Christopher Salazar, Jason Maddy, Jack O’Brien...... Artistic Director Emeritus Damon Shearer...... Teaching Artists Craig Noel...... Founding Director

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