Theater Season 2017-18 Brochure
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Friends of Niagara University Theatre
Friends of Niagara University Theatre For those who love theatre at Niagara University Spring 2005 Broadway Luminary Lights Friends’ 20th Annual Gala One of Broadway’s brightest talents, exciting evening as we support the with three composer and Tony-Award winner Niagara University Theatre program major John Kander, will be the guest of honor and its students.” productions: at the 20th Annual Friends’ Gala to be Guest of honor John Kander has the held on Saturday, April 30, at the written Broadway scores for: “A Family Encores Castellani Art Museum on Niagara Affair” (1962); “Never Too Late” production University’s campus. (1962); “Flora, the Red Menace” of The gala will include a silent auction (1965); “Cabaret” (1966); “The “Chicago”; featuring a variety of items, an open bar Happy Time” (1968); “Zorba” (1968); the preceding an elegant dinner, and “70, Girls, 70” (1971); “Zorba” Donmar Niagara University Theatre (London, 1973); “Chicago” (1975); (from performance of “Flora, the Red “The Act” (1977); “And The World London) John Kander Menace,” with music by John Kander Goes Round — The Kander and Ebb production of “Cabaret”; and “Steel and lyrics by the late Fred Ebb. The Musical” (1991); “Kiss of the Spider Pier,” which Niagara University charming, bittersweet musical is based Woman” (1993); and “Steel Pier” Theatre produced in 1999. His work, on the novel “Love is Just Around the (1997). Television work includes music “The Visit,” premiered in Chicago in Corner” by Lester Atwell. The musical for “Liza with a Z” (1974); “Ole Blue 2001. He is also the recipient of The underwent a major revival in New York Eyes is Back” (Frank Sinatra); Kennedy Center Honors. -
AS YOU LIKE IT, the First Production of Our 50Th Anniversary Season, and the First Show in Our Shakespearean Act
Welcome It is my pleasure to welcome you to AS YOU LIKE IT, the first production of our 50th anniversary season, and the first show in our Shakespearean act. Shakespeare’s plays have been a cornerstone of our work at CSC, and his writing continues to reflect and refract our triumphs and trials as individuals and collectively as a society. We inevitability turn to Shakespeare to express our despair, bewilderment, and delight. So, what better place to start our anniversary year than with the contemplative search for self and belonging in As You Like It. At the heart of this beautiful play is a speech that so perfectly encapsulates our mortality. All the world’s a stage, and we go through so many changes as we make our exits and our entrances. You will have noticed many changes for CSC. We have a new look, new membership opportunities, and are programming in a new way with more productions and a season that splits into what we have called “acts.” Each act focuses either on a playwright or on an era of work. It seemed appropriate to inaugurate this with a mini-season of Shakespeare, which continues with Fiasco Theater's TWELFTH NIGHT. Then there is Act II: Americans dedicated to work by American playwrights Terrence McNally (FIRE AND AIR) and Tennessee Williams (SUMMER AND SMOKE); very little of our repertoire has focused on classics written by Americans. This act also premieres a new play by Terrence McNally, as I feel that the word classic can also encapsulate the “bigger idea” and need not always be the work of a writer from the past. -
And the World Goes 'Round Just After Finishing the New York Revival of Kander and Ebb's Flora, the Red Menace
AND THE WORLD GOES ‘ROUND Music by John Kander: Lyrics by Fred Ebb: Conceived by Scott Ellis, Susan Stroman and David Thompson Westside Theatre - Off-Broadway - March 18, 1991 (408 perfs) SYNOPSIS "Rehearsals had been under way for nearly a month. In another week, we'd be in the Westside Theatre on West 43rd Street. On this particular day, John and Fred were coming to the studio. Of course, their appearance wasn't at all unusual. They were one of us. Even so, every few days we sat them down and showed them our progress. We wanted to make sure our interpretation of the number matched their own interpretation. Composers and lyricists are notorious for wanting their songs sung in a very particular way. For some reason, they think they know how a song is intended to sound. We were slightly apprehensive because we had been tinkering with one of their best known songs, Cabaret. We had changed not only the melody but the words as well. Our intention, unlike our intention for most of the other songs in the show, was to find a new way to present the song: to make it different-fresh-and as exciting as it must have been the first time it was ever performed. Now it was time to see if we had succeeded. John and Fred arrived. The performers stood around the piano and sang David Loud's new arrangement. When they had finished, a few moments passed. Nothing. Maybe this time we had gone too far. Finally, Fred broke the silence and said with a broad smile, "Well, you made the old turkey gobble again." Scott Ellis, Susan Stroman and I began working on And the World Goes 'Round just after finishing the New York revival of Kander and Ebb's Flora, the Red Menace. -
THEORETICAL ANALYSIS: the VISIT by JENNIFER WILKE WILLENS A
THEORETICAL ANALYSIS: THE VISIT by JENNIFER WILKE WILLENS A THESIS PROJECT Presented to the Theater Arts Department in partial fulfillment of the requirements for the degree of Master of Theater Studies in Production and Design Ashland, Oregon June 2009 11 APPROVAL PAGE "Theoretical Analysis: The Visit, " a project prepared by Jennifer Wilke Willens in partial fulfillment of the requirements for the Master of Theater Studies in Production and Design. This project has been approved and accepted by: \!k/6/o& Dr. Eric Levin, Chair of the Examining Committee Date Chris Sackett, Committee Member Date Deborah Rosenberg, Committee Member Date Dr. Josie Wilson, Acting Dean, College of Arts Date and Sciences Copyright 2009 Jennifer Wilke Willens iv ACKNOWLEDGEMENTS I wish to express my sincere appreciation to the professors and guest artists from the Ashland Center for Theater Studies at Southern Oregon University whose guidance, wisdom and great talent has inspired the final product as it is presented in this theoretical design. In addition, my deepest thanks are due to Judith Lyons and Susan Deeley-Wells, my professional mentors at Brentwood School, who opened their doors and their theater to me over the past three years to support me in my growth as a theater educator and professional. My participation in this program was made possible by their generosity, advice and most valuable recommendations and input. TABLE OF CONTENTS Chapter 1. Directorial Analysis 2. Beat Analysis 3. Costume Design 4. Set Design 5. Lighting Design 6. Sound Design 1 I. The Justice of Everyman: A Directorial Analysis of Durrenmatt's The Visit Friedrich Durrenmatt was a playwright, a visual artist and a novelist whose artistic themes indicated a fascination with justice, distortion and morality. -
All Costume Designers Cynthia Winstead Brad Ferguson Lighting & Sound Designer Mark Putman Scene Shop Supervisor John M
,v.e ~y~Qdy has,a r~ isoo; XQtoroe to . Andy " ~". Coming Soon • 2919 N. 61enstone Tent Theatre 1999 Company Manager Michael Casey Production Manager Mark Putman Production Directors Marcia Joy Douglas Michael Mauldin Jack Parkhurst Choreographers Rhythm McCarthy Mark Santi llano Musical Directors Michael Casey Heather Chittenden-Luellen Technical Director Don Hovis Scenic Designer J. Amburn Darnall Costume Designers Cynthia Winstead Brad Ferguson Lighting & Sound Designer Mark Putman Scene Shop Supervisor John M. Johnson Scenic and Properties Artisan Ellen Schaeffer Public Relations & Marketing Director Mark Templeton Production Stage Managers Celeste Pawol Gretchen Casey Assistant Directors Rusty Sneary, Travis Eli Dance Captains Tracey Petrillo, Kelley Lace Assistant Box Office Manager Lauryl Wagoner Assistant Scenic Designer Andrea B. Toombs Master Electrician Lisa Davis Master Carpenter Robert Yoshioka Construction & Properties Eric Koziatek, Patrick Wilson Bobbi Shackleford, Joshua Bruce, Jason White Costume & Wardrobe Tonya Wesley, Gretchen Balsman Lighting and Sound Chris Claybough, Brad Reed PR/Box Office Staff Sarah Fouse, Dixie Phillips Amber Smith, Naree Thanjindawong Theatre and Dance Office Staff Gloria Reed Magdalena Berry 7(~~ z;>~~ ~. ~ f ::... /~,~ ~ Dazzling fine jewelry brought to you by ~ w~ C C OR.NER.STONE FINE JEWELRY 881-0667 2 21 S. Glenstone, Battlefield Mall-Glenstone entrance, in the Firestone Building. To Serve You Better.. tight'$hingS "more than just dancewear" 2674 S. Glenstone Brentwood Center Across From the Mall 417 -882-7205 We Invite You To Visit Us At Our Store. 2 Tent Theatre Scholarships and Internships For 37 years, Tent Theatre has offered students a great opportunity to participate in live theatre while earning college credit. -
Celebrating the 50Th Year of the Globe Replica DANCE at HOFSTRA - 2000
The Poo - wá - bah Hofstra/DRAMAandDANCE Alumni Newsletter December 2000 Vol. IX, No. 1 Celebrating the 50th Year of the Globe Replica DANCE AT HOFSTRA - 2000 Nicole Walter (’00) in Walkin’ Through Life. Choreography by Cathy McCann (l. to r.) Nicole Alexis, Jennifer Alvarado, Lisa Craig in Another Moon. Choreography by Jolea Maffei Yves Maco and Nadia Giaccio (’00)in The Queen’s Chamber. Choreography by Eleo Pomare. CONTENTS THE FIFTIETH ANNIVERSARY (PART II). .2 NEW DESIGN TEACHER. ..5 SANDER STEPS DOWN AS CHAIR OF DRAMA AND DANCE. .6 SOME CHANGES HAVE OCCURRED. .6 DANCE PROGRAM. .6 DRAMA PROGRAM. 7 THE SHOWCASE AND THIS YEAR’S GRADS. .7 2000 DRAMA AND DANCE GRADUATES. 8 PHIL ROSENTHAL RECEIVES ALUMNI ACHIEVEMENT AWARD. .9 FACULTY, FORMER FACULTY AND STAFF. 10 ALUMNI. .14 ACKNOWLEDGEMENTS. 39 NATALIE ACKERMAN. 39 THE HOFSTRA WEDDING ALBUM. 40 “FRIDAY AFTERNOON COFFEE HOUR AT THE MIGHTY PLAYHOUSE”. 41 Photography Credits: Dance Concert, Johan Elbers; Everyone, The Two Noble Kinsmen, Love’s Labour’s Lost, Jeff George; The Boys From Syracuse, Kindertransport, Brian Ballweg. 1 THE FIFTIETH ANNIVERSARY (PART II) We had such a good time in spring 1999 with our 50th anniversary celebration that we continued it through the majority of our 1999-2000 season. This enabled us to celebrate not only the 50th anniversary of the Shakespeare Festival (1950-1999) but also the 50th anniversary of the first use of the Globe replica (1951-2000). John Cranford Adams originally conceived the Globe Playhouse in the 1940s, and a model was subsequently built with the assistance of Irwin Smith. In fact, the Globe model was exhibited on campus in 1950 and was the reason and occasion for the first Shakespeare Festival. -
The World Goes 'Round.” – the World Goes ’Round
PRESS RELEASE For Immediate Release Tuesday, April 14, 2009 CONTACT: Patrick Finlon, PR Director 315-443-2636 or [email protected] Syracuse University Department of Drama Presents The World Goes ’Round A Dazzling Musical Revue from Kander & Ebb Conceived by David Thompson, Jacques Deval and Susan Stroman Lyrics by Fred Ebb Music by John Kander Directed, Musically Directed and Musical Staging by Nathan Hurwitz Choreographed by Kimberly Hale ARTHUR STORCH THEATRE at SYRACUSE STAGE Opens: April 24, 2009 Closes: May 9, 2009 “Sometimes you're happy and sometimes you're sad – but the world goes 'round.” – The World Goes ’Round (SYRACUSE, NY) Life – with its glories, indignities, hopes and quiet dreams – is the subject of this stunning revue of the beloved songs of John Kander and Fred Ebb. Featuring unforgettable gems from throughout their incredible career in theatre, film and television, the work spotlights songs from Cabaret, Chicago, New York, New York, Funny Lady, Kiss Of The Spiderwoman and more. Filled with humor, romance, drama, nonstop melody and brassy, insightful lyrics, The World Goes ’Round is a thrilling celebration of life and the fighting spirit that keeps us all going. Presented April 24 through May 9 by the Department of Drama in The College of Visual and Performing Arts at Syracuse University, tickets to The World Goes ’Round are available at 315-443-3275 or by visiting www.vpa.syr.edu/drama. The World Goes ’Round offers a particular challenge to student actors in the Department of Drama. “In a revue, everything is stripped away and the actors have nothing to hide behind, no exposition or spectacle. -
Love Makes the World Go Somewhere Page 1 5. Love Makes
5. Love Makes The World Go Somewhere (“Gabriel’s Letter/My First Woman”) In This Lesson • How bookwriters address matters of love and sex for an increasingly skeptical audience and whether this is necessary or merely a reflection of the moment • How composers deal with romance, including romantic love, heroic adventure and woolgatherers’ dreams • How lyricists strike a balance between sentimentality and honest sentiment in a changing world Overview Whether you agree with Richard Rodgers (“Love Makes The World Go Square” from No Strings) or Bob Merrill (“Love Makes the World Go Round” from Carnival) you will probably agree that love of one kind or another is present in large amounts in most musicals. Love comes in many guises, two of which are exhibited in the selection from The Kiss of the Spider Woman (book by Terrence McNally, music by John Kander, lyrics by Fred Ebb) with the double title “Gabriel’s Letter/My First Woman. Gabriel sings about his friend, Molina, an incarcerated gay window-dresser. Valentin, uncomfortable being Molina’s cellmate, sings about his first sexual experience with a woman. Love and sex can be confusing; one without the other can be unsatisfying…or not, depending on the circumstances. Romance is a different word, however. In the past, musical theatre romance almost always meant boy/girl love affairs, and the always ended happily. In recent years this is not always true. The lovers separate at the end of Once. Alexander Hamilton marries a woman he doesn’t love because the woman he does love won’t marry him. -
THE DROWSY CHAPERONE Music & Lyrics by Book by LISA LAMBERT and BOB MARTIN and GREG MORRISON DON MCKELLAR
Friday, August 13, 2021 | 7:30 PM Saturday, August 14, 2021 | 7:30 PM Livestreamed MANHATTAN SCHOOL OF MUSIC MUSICAL THEATRE Liza Gennaro, Associate Dean and Director THE DROWSY CHAPERONE Music & Lyrics by Book by LISA LAMBERT and BOB MARTIN and GREG MORRISON DON MCKELLAR Original Broadway production of The Drowsy Chaperone produced by Kevin McCollum, Roy Miller, Bob Boyett, Stephanie McClelland, Barbara Freitag, and Jill Furman Friday, August 13, 2021 | 7:30 PM Saturday, August 14, 2021 | 7:30 PM Livestreamed MANHATTAN SCHOOL OF MUSIC MUSICAL THEATRE Liza Gennaro, Associate Dean and Director THE DROWSY CHAPERONE Music & Lyrics by Book by LISA LAMBERT and BOB MARTIN and GREG MORRISON DON MCKELLAR Original Broadway production of The Drowsy Chaperone produced by Kevin McCollum, Roy Miller, Bob Boyett, Stephanie McClelland, Barbara Freitag and Jill Furman Evan Pappas, Director Liza Gennaro, Choreographer David Loud, Music Director Dominique Fawn Hill, Costume Designer Nikiya Mathis, Wig, Hair, and Makeup Designer Kelley Shih, Lighting Designer Scott Stauffer, Sound Designer Megan P. G. Kolpin, Props Coordinator Angela F. Kiessel, Production Stage Manager Super Awesome Friends, Video Production Jim Glaub, Scott Lupi, Rebecca Prowler, Jensen Chambers, Johnny Milani The Drowsy Chaperone is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.mtishows.com STREAMING IS PRESENTED BY SPECIAL ARRANGEMENT WITH MUSIC THEATRE INTERNATIONAL (MTI) NEW YORK, NY. All authorized performance materials are also supplied by MTI. www.mtishows.com WELCOME FROM LIZA GENNARO, ASSOCIATE DEAN AND DIRECTOR OF MSM MUSICAL THEATRE I’m excited to welcome you to The Drowsy Chaperone, MSM Musical Theatre’s fourth virtual musical and our third collaboration with the video production team at Super Awesome Friends—Jim Glaub, Scott Lupi and Rebecca Prowler. -
BTW.C.Schedule2017(MH Edit)
Broadway Teachers Workshop C 2017 Schedule (*subject to change) Thursday, July 13, 2017 Today’s workshops are held at The Sheen Center; 18 Bleecker Street, New York, NY 10012 9:15 a.m. – 10:00 a.m. Registration/ Welcome/ Meet and Greet Your Peers 10:00 a.m. – 11:30 a.m. Opening Session: Creativity and Connection: with Susan Blackwell ([title of show]) In this fun, festive welcome session, Susan Blackwell kicks off your Broadway Teachers Workshop with a bang! This year's theme is CREATIVITY and--as always--the discussion will be spirited, the ideas shared will be inspiring, and the connections made will lay the foundation for a warm, wonderful BTW adventure! Susan Blackwell is on a mission to free people’s creativity and self-expression. She champions this cause as a performer, writer, educator and business consultant. She played a character based on herself in the original Broadway musical [title of show} and the Off-Broadway musical Now. Here. This. She created and hosts the freewheeling chat show ‘Side by Side by Susan Blackwell’ on Broadway.com. As the founder of Susan Blackwell & Co., she partners with like-minded compassionate artists and thought leaders to deliver inspiring entertainment and educational offerings aimed at freeing people’s creativity and self-expression. 11:45 a.m. – 1:00 p.m. A.) EXPLORING FRANK LOESSER: A concert and class with Broadway Music Director David Loud Join Broadway Music Director David Loud (Scottsboro Boys, Curtains, The Visit) in another of his delightful inquiries into the songs of our greatest theatre composers. -
Beck Center for the Arts Produces the Scottsboro Boys Marking the Ninth Collaboration with Baldwin Wallace Music Theatre Program Running February 7 Through 23, 2020
17801 Detroit Avenue Lakewood, OH 44107 beckcenter.org 216.521.2540 CONTACT: Julie Gilliland, 216.521.2540 x22 or [email protected] FOR IMMEDIATE RELEASE: December 16, 2019 Beck Center For The Arts Produces The Scottsboro Boys Marking The Ninth Collaboration With Baldwin Wallace Music Theatre Program Running February 7 through 23, 2020 Lakewood, OH–Beck Center for the Arts is pleased to produce The Scottsboro Boys with the esteemed Baldwin Wallace University Music Theatre Program. This limited engagement runs February 7 through 23, 2020 in the Mackey Theater. Show times are 8 p.m. Fridays and Saturdays and 3 p.m. Sundays. Special Wednesday and Thursday performances will take place at 8 p.m. on February 13, 19, and 20. Buy early and save with promo code: TRIAL to receive $5 off each adult or senior ticket purchased by February 6. Preview performance is the Thursday before opening night, February 6. Tickets range from $10 Smart Seats ® to $33 each. Group and student discounts are available. Tickets are on sale now. With a book by David Thompson, The Scottsboro Boys holds the distinction of the last production created by venerable songwriting team of composer John Kander and lyricist Fred Ebb. They were primarily known for stage musicals, such as the poignant Cabaret and sexy Chicago. The Scottsboro Boys is a musical with the framework of a minstrel show. This powerful musical is based on the true story of nine young black men in a landmark case that helped give rise to the civil rights movement and changed history. This production was nominated for the 2010 Drama Desk Award for Outstanding Musical and Outstanding Book of a Musical, as well as nominations for 2010 Tony Award Best Musical, Best Book of a Musical, and Best Original Score. -
The World Goes 'Round
MUSICAL THEATRE LIZA GENNARO, ASSOCIATE DEAN AND DIRECTOR THE WORLD GOES ’ROUND MUSIC BY JOHN KANDER LYRICS BY FRED EBB CONCEIVED BY SCOTT ELLIS, SUSAN STROMAN, DAVID THOMPSON ORIGINAL VOCAL AND DANCE ARRANGEMENTS BY DAVID LOUD Alex Sanchez, Director and Choreographer Steve Marzullo (BM ’84), Music Director WEDNESDAY, FEBRUARY 13, 2019 | 7:30 PM THURSDAY, FEBRUARY 14, 2019 | 7:30 PM FRIDAY, FEBRUARY 15, 2019 | 7:30 PM THE RIVERSIDE THEATRE WEDNESDAY, FEBRUARY 13, 2019 | 7:30 PM THURSDAY, FEBRUARY 14, 2019 | 7:30 PM FRIDAY, FEBRUARY 15, 2019 | 7:30 PM THE RIVERSIDE THEATRE THE WORLD GOES ’ROUND DIRECTOR’S NOTE MUSIC BY JOHN KANDER LYRICS BY FRED EBB The music of Kander and Ebb is rich in its narrative and emotional content. It inherently embodies the spirit of the human will to survive. Their music CONCEIVED BY SCOTT ELLIS, SUSAN STROMAN, DAVID THOMPSON never gives in to defeat but pushes us to be victorious over our struggles. I discovered that our need for validation and love is at the core of this revue. ORIGINAL VOCAL AND DANCE ARRANGEMENTS BY DAVID LOUD When you hear these melodies wrapped around the lyrics, my hope is that you will experience the power of its emotional range. Sung with the voices Alex Sanchez, Director and Choreographer of this new generation, the music of Kander and Ebb continues to express Steve Marzullo (BM ’84), Music Director our human conditions but with a fresh, contemporary point of view. These melodies will linger in your mind as you walk out of the theatre, having been Lorraine Smyth, Costume Coordinator enriched, I hope, by the power that is the music of Kander and Ebb.