DOCSLIB.ORG

Agenda Item 4

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Agenda Item 4 Page 5 Agenda Item 4 MUNICIPAL YEAR 2007/2008 REPORT NO. Agenda – Part: Item: MEETING TITLE AND DATE: EPL Scrutiny Panel Subject: Millfield Arts Centre REPORT OF: Director of Wards: Education Children’s Services & Leisure Department Cabinet Member consulted: Contact officer and telephone number: Simon Gardner –Leisure and Culture Manager 0208 379 3783 E mail: Simon. [email protected] 1. EXECUTIVE SUMMARY 1.1 Millfield Arts Centre is a campus of four buildings in a small park, including Millfield Theatre and Millfield House. 1.2 The venue is a significant collection of heritage and cultural value in Edmonton. 1.3 The facility made a financial lose in the last two years but this significantly improve last year. 1.4 With Weir Hall Library moving to Fore Street further developments in the space vacated by the library will be possible 1.5 Development and capital investment in the House is currently the subject of a Cabinet Report. 1.6 Development of the buildings and the park coupled with the realignment of services will reposition Millfield Arts Centre regionally, sub-regionally, and locally in time to take advantage of the Olympics in 2012 and the associated tourism and visitor markets. BACKGROUND Millfield Arts Centre is named after Millfield House, a private house built in Georgian times it was later a care facility for children before coming into Council ownership. Millfield Arts Centre composes of four buildings – the theatre, the house, the mews block, and the riverside studio – all within a small park setting that includes two car parking areas. Millfield Arts Centre is in fact a cultural campus and is often referred to by local people as ‘an oasis’ in Edmonton. The park is an important piece of green space in the southern part of the Borough and provides a counterpoint to the dense housing and busy North Circular Road. - 1 - Page 6 Millfield Arts Centre (the Centre) is very well positioned in terms of transport links. It is adjacent to the North Circular and A10 however it is not really visible from the roads increasing the feeling of being an oasis. Whilst visibility would increase the profile of the Centre it would reduce the essential feel of the site. The A10 is a major artery into London and the North Circular is one of the busiest routes in London. In 2012 London will host the Olympics, in the 4 years building up to the games London will host a Cultural Olympiad. In the build up to the games people will travel from across the UK into London and from abroad coming in from Stanstead, Luton, Gatwick and Heathrow airports. Millfield Arts Centre is well positioned to benefit from the increased tourism and visitors. The ‘Friends and Family’ market and the international visitor market is likely to receive a significant boost. Visitors will be looking for recreation and cultural experiences in London and Millfield Arts Centre will be part of the London regional offer. The Theatre Millfield Theatre is a 362 seat proscenium arch purpose built theatre. The theatre was built in 1987 but is now starting to look dated and a period of refurbishment for the has begun. Front of House customer facilities for refreshments, ticket sales, and toilets are planned to be updated this year. The backstage areas and dressing rooms need upgrading and as resources are available this work will be initiated. The theatrical technical equipment and safety equipment is original and coming to the end of its life this will be replaced as part of a rolling replacement scheme. The air conditioning chiller unit has recently become obsolete, replacement is likely to be a relatively modest cost. The truss and chain hoists that hold the rig of lights is also coming to the end of its life. Whilst replacement is costly the theatre can operate as normal with these permanently in place, changes to operating procedures will be required. Audiences to the theatre have increased by more than 30% over the last two years. Competitors The nearest other similar venues are the Bernie Grant Centre in Tottenham, and the Depot in Barnet. Neither venue is close enough to cause serious competition. The Chicken Shed Theatre in Southgate although a similar scale is however completely different in style and outlook it focus’s on a different audience with its inclusive theatre for children and a programme of drama courses linked to Middlesex University. Programme Millfield Theatre’s programme is aimed at all the family an eclectic mix for all ages and tastes. The programme includes: drama, comedy, music, dance, one-person shows, talent shows, and pantomime; it includes both amateur, and professional performances, hires, commissions, community plays, and visiting companies. The Centre produces its own pantomime each year. It is common for actors to say that they got started in panto, that it was local panto that set the touch paper of their career, Millfield has provided this opportunity for many people. The hard work, personal achievement, and pride of performing in panto for your home crowd is also - 2 - Page 7 enough to bring many young people renewed confidence which in turn has a positive effect on their attainment and attendance at school. This year we are running another panto – Cinderella over the Christmas period. The House Millfield House(the House) is a Grade II* Listed building that has served the Borough well over the years (Grade II* is higher than Grade II signifying the degree of importance in terms of heritage value). It has a large number of rooms spread over more than 3 floors that range from relatively small and intimate spaces to large open spaces used for large group events. It complements the Theatre and provides the educational facilities for the theatre programme as well as open access booking by the community groups and individuals, Council staff meetings and partner groups. The House is used by local people for a wide range of educational, lifelong learning, cultural, family, and community uses. The list of uses includes, but is not limited to, parties and special occasions hire, dance school classes, conferences and educational meetings, school examinations eg music exams, rehearsals, clubs and societies, recreational dance classes, arts and crafts courses, chess, photography, drama workshops, professional performances of music or drama, family events and school events. The house also has two important tenants. The Arts Council of England – Creative Partnerships North London office is based in the House. Creative Partnerships are working with many schools in Enfield, Haringey, and Waltham Forest to deliver creative thinking and creative learning in partnership with schools, arts and creative organisations, and community sector organisations. This work aims to deliver ‘whole school’ cultural change so that creative learning approaches both influence, effect, and deliver curriculum outcomes and independent thinking children and young people. The second tenant is Guy Masterson Tours International, a highly respected Producer, Director, and Actor. His company produces and tours shows all over the world and at the Edinburgh Festival each year. Millfield is his base and we develop partnerships working with him to provide high quality drama for Enfield audiences. Staffing and organisational development. From April 2000 until 1 st February 2005 Millfield Arts Centre was managed by an independent trust called the Millfield Arts Trust. Following Members Voluntary Liquidation by the Trust, the Council took over full management control of the Arts Centre, liabilities, assets, and staff on the 1 st February 2005. The Council inherited the staff structure managed by the Trust. Following a review of the organisation and staff structure a reorganisation was undertaken to bring Millfield in line with Council objectives and management. - 3 - Page 8 The Centre has 15 F/T staff. The key posts are Millfield Arts Centre Manager, Operations Manager, Marketing Officer, Education Manager. The Centre also boasts more than 70 volunteers on regular rotas. Since 2007 due to natural staff migration more than half the staff team is new in post. The new Centre Manager will start in July 2008. This gives a management opportunity to develop the culture to better fit the Council’s corporate direction and strategic objectives. For example the Edmonton Review may consider a repositioning of Millfield to better serve the needs of young people through the performing arts including music, drama, and production skills. Opening hours – The house is open 8.30am – 10/10.30pm six days a week and closes a couple of hours earlier on a Sunday. The theatre opens 3-5 days a week for matinees and evening shows. There are opportunities to make more of the theatre during the day. Total number of events period 1/04/2007-31/03/2008 = 2,996. Education and community classes 764 events 12000 users Music & concerts 78 events 3200 users Community hires 1,468 events 37,000 users Commercial hires 586 events 14,500 users Rehearsals 23 events 250 users Private functions 6 events 450 users Internal 71 events 75 users Totals 2,996 events 67,475 users. The Café Bar attracts people not involved in an event but waiting for someone involved in an event such as mothers collecting children, estimates suggest around another 17,000 users over the same period, making a total use of 84,500 users of Millfield House. Financial Overview 2006/07 2007/08 Overview Plan Outturn Variance Plan Outturn Variance Expenditure £1,101,400 £1,379,238 £277,838 £1,176,980 £1,521,447 £344,467 Income -£733,970 -£748,632 -£14,662 -£854,650 -£1,135,014 -£280,364 £263,175 £64,102 - 4 - Page 9 Future opportunities Proposed improvements to the buildings and capital investment are the subject of a recent report by the Director ECSL to Cabinet.
Load more

Recommended publications
  • EDWARD LEAR FOUNDATION 60 Bonham Road London SW2 5HG 020 7326 1811
    EDWARD LEAR FOUNDATION 60 Bonham Road London SW2 5HG 020 7326 1811 Chronology of Disability Arts 1977- March 2003 by Allan Sutherland 1/6//05 Chronology of DisabilityArts 1/6/05 1 Introduction Context History is crucial to any culture, and it is essential to Disability Arts. It is through a sense of history that we define who we are, what journey we have undertaken and how far we have come. We also, implicitly, map out the future. By building upon the achievements of the past, as disability arts practitioners and the broader disability arts community, we can ensure that we are creating something solid that we hand down to those who come after us. But to be accessible to future generations, those achievements have to be documented. Otherwise, everything we do is transient, a superior form of occupational therapy. We might as well have been basket-weaving for the last twenty years. This process is particularly important for us as disabled people, because mainstream society devalues and marginalises so many of our achievements and struggles. We have to document our own culture, because it is not seen as significant enough to be documented in mainstream histories of the arts. We need to be able to hand something on to further generations that offers a vibrant view of disabled people, saying that there have been people like them before, and they created something of value, something that values them, something that is there for them to add to. And we can tell them the names of some of those people.
    [Show full text]
  • Cover Education, but Also Instead of Going to Our Email Database, Edmonton, London N9 9TU
    Our Voice Autumn 2013 Issue 15 Sponsors of Our Voice Families Bill and for those who Carol Mustafa has done a fantastic have Special Educational Needs, job of co-ordinating Our Voice for Welcome perhaps the most significant the last 4 years. Owing to changes in Welcome to the Autumn edition of changes in the last 20 or 30 her personal circumstances, as well Our Voice and the theme that years…. And due to funding as our funding, she has decided to keeps coming up: Change. challenges, there are also step down and the role of co- Things seem to be changing all changes happening to the Short ordinator is to be shared amongst the the time, sometimes too fast for us Breaks scheme. voluntary members of the all to keep up with. We’ll be In addition, Our Voice is going management committee. We would seeing changes coming through in through change and we want to like to give Carol an enormous and the law around the Children and update you all. heartfelt thank you for all of the work that she’s undertaken during this time. But don’t worry; she’ll continue to participate within Our Voice as a member of the management committee. Our Voice welcomes three new parents that are helping out (from left to right) Natalie Sherman, Resim Clear and Khilna Gudhka The Our Voice Management Committee (from left to right) Kate Linke, Fazilla Amide, Carol Mustafa and Liz Willis wire and has an indoor Autism Friendly Fun area where arts and crafts activities take place.
    [Show full text]
  • Millfield Theatre Hire Information Pack
    Millfield Theatre Hire Information Pack Millfield theatre is a 360 seat proscenium style theatre, featuring an air conditioned auditorium, large bar, disabled access and excellent technical facilities. The venue has a fully trained and professional staff in all areas of theatre production and management including Front of House, Box Office and Technical Production. Millfield Theatre is regularly hired for shows, conferences, presentations, award ceremonies, dance school shows and production companies. We ensure that all aspects of your event are taken care of in a highly professional manner. Contact the Hire Team Millfield Theatre, Silver Street, Edmonton, London N18 1PJ 020 8887 7333 | [email protected] | www.millfieldtheatre.co.uk Hire Rates THEATRE HIRE RATES AND CHARGES APRIL 2019 ‐ MARCH 2020 PERFORMANCES The performance fee is for performances up to three hours in length, including a 20 minute interval. The fee included 30 minutes after the end of the performance. For shows where there are two performances in one day the first performance will be charged at a 50% discount. PERFORMANCE FEE Mon/Tue/Wed/Thur/Fri £1200 per performance Sat/Sun £1400 per performance Hourly charge after three hours Mon/Tue/Wed/Thur/Fri £285 per hour Sat/Sun £335 per hour REHEARSAL AND TECHNICAL SET UP FEE For the use of the Theatre prior to performance for get in / rehearsal Hourly rate £105 per hour A venue technician is required for all bookings and will be charged at £15.50 per hour + VAT BOOKING DEPOSIT £500 Deposits must be made to secure booking. All deposits are non‐refundable.
    [Show full text]
  • There's a Little Theatre in Us All!
    THERE’S A LITTLE THEATRE IN US ALL! Theatre Tokens - Participating Venues Details correct as of Friday, 07 July 2017 * Plus your telephone company's network charge Aberdare Coliseum 0800 014 7111 Dumfries Theatre Royal 01387 254209 Aberdeen Aberdeen Box Office 01224 641122 Dumfries (for His Majesty's Dundee Dundee Repertory 01382 223530 Theatre & Music Hall) Theatre Aberdeen His Majesty's Theatre 01224 641122 East Grinstead Chequer Mead 01342 302000 Aberdeen Music Hall 01224 641122 Theatre Aberystwyth Arts Centre 01970 623232 Eastleigh The Point Theatre 02380 652333 Aylesbury Aylesbury Waterside 0844 871 7667 Calls cost 7p/pm* Edinburgh Festival City Theatres 0131 529 6000 Theatre Edinburgh Kings Theatre 0131 529 6000 Bath Theatre Royal 01225 448844 Edinburgh Playhouse Edinburgh 0844 871 7667 Calls cost 7p/pm* Bedworth Civic Hall 02476 376707 Edinburgh Royal Lyceum Theatre 0131 248 4848 Birmingham Alexandra Theatre 0844 871 7667 Calls cost 7p/pm* Edinburgh Traverse Theatre 0131 228 1404 Birmingham Repertory Theatre 0121 236 4455 Epsom Epsom Playhouse 01372 742555 Blackburn King George's Hall 0844 847 1664 Calls cost 7p/pm* Exeter The Exeter Northcott 01392 726363 Blackpool Grand Theatre 01253 290190 Theatre Bognor Regis Alexandra Theatre 01243 861010 Eastbourne Congress Theatre 01323 412000 Bolton Octagon Theatre 01204 520661 Eastbourne Devonshire Park 01323 412000 Bradford Alhambra Theatre 01274 432000 Theatre Bradford St George's Concert 01274 432000 Eastbourne Royal Hippodrome 01323 802020 Hall Theatre Bristol Bristol Hippodrome 0844
    [Show full text]
  • Two Venues, Twice the Entertainment
    THE SUMMER SEASON SUMMER 2013 TWO VENUES, TWICE THE ENTERTAINMENT As summer approaches and the days are getting longer, we’re looking forward to springing into a new season of great drama, music, comedy, poetry, jazz nights and even a series of films. The Dugdale Centre’s intimate studio space will play host to a season of outstanding theatre. Vamos Theatre Company will return with the funny and fearless masked performance Finding Joy and THURSDAY 25th - FRIDAY 26th APRIL 8PM we have an award winning new play from Emma Jowett, Snap. X AT DUGDALE CENTRE Catch. Slam. Photographer: David Jackson David Photographer: For the first time the Dugdale Centre will be staging two Greek events: a modern day version of Aristophanes’ play Wealth, a political satire on contemporary Athens, and stand up comedian Paul Lambis is sure to keep you entertained with tales about growing up in Cyprus. “It was the mischief Our season of jazz and poetry continues to flourish withZiggy’s we got up to World Jazz Club, The Sunday Edition and Jacqueline Saphra, and that kept us going” we’re screening classic films from across the world with cinema (Mary, Survivor 2011) group, Talkies. At Millfield Theatre local talent takes centre stage. Saint Monica’s Players will perform the hit musical Our House featuring the ska pop genius of Madness. The ever popular Haringey Shed return with two brand new shows and future stars from Performers Become A fan & have YOUR SAY College will showcase their dance and choreography skills. www.millfieldtheatre.co.uk Like us at Millfield
    [Show full text]
  • FAIRNESS for ALL - EQUALITY and DIVERSITY SUMMARY ANNUAL REPORT 2013 (Pages 1 - 80)
    Public Document Pack Contact:Jacqui Hurst Cabinet Secretary Direct : 020 8379 4096 or Ext:4096 Fax: 020 8379 3177 (DST Office only) Textphone: 020 8379 4419 (in Civic Centre) e-mail: [email protected] THE CABINET Wednesday, 9th April, 2014 at 8.15 pm in the Conference Room, Civic Centre, Silver Street, Enfield, EN1 3XA AGENDA – PART 1 BACKGROUND PAPER – FOR INFORMATION 8. FAIRNESS FOR ALL - EQUALITY AND DIVERSITY SUMMARY ANNUAL REPORT 2013 (Pages 1 - 80) Please see attached a listed background paper to the above report. Page 2 This page is intentionally left blank Page 1 Fairness for All Enfield Council’s Equality and Diversity Annual Report 2013 www.enfield.gov.uk 1 Page 2 Introduction by Councillor Doug Taylor, Leader of the Council, and Rob Leak, Chief Executive Enfield Council takes great pride in contribute positively to community demonstrating our commitment to cohesion. ensuring that we provide high quality services and employment opportunities This is Enfield Council’s Equality and to all on a fair and equitable basis whilst Diversity Annual Report 2013 - in it, we recognising the different needs that you tell you what we have done, and what tell us about. we plan to do in the future, to meet the duties placed on all public sector bodies Our equality and diversity work is under the Equality Act 2010, namely to - championed by Councillor Christine • combat discrimination, harassment Hamilton, Cabinet Member for and victimisation Community Wellbeing and Public • advance equality of opportunity and Health, and by James Rolfe, Director of access, and Finance, Resources and Customer • foster good relations amongst all the Services.
    [Show full text]
  • Metropolitan Open Land & Green Chains Review
    Enfield’s Local Plan EVIDENCE BASE Metropolitan Open Land & Green Chains Review March 2013 Metropolitan Open Land & Green Chains Review MOL & GCs Review 2013 2 Contents 1. Introduction 4 2. Policy Background 5 3. Methodology 6 4. Initial Findings 5. Recommendations 7 MOL & GCs Review 2013 3 1. Introduction 1.1 The Council has carried out a comprehensive review of all the open spaces designated as Metropolitan Open Land (MOL) and Green Chains (GCs) in the Borough to support the policies in the Development Management Document (DMD). This report identifies and recommends proposed changes to the list of open spaces currently designated on the Core Strategy Policies Map. 1.2 Enfield’s Core Strategy is accompanied by a Policies Map to show designations related to policies. Figure 1. Existing adopted Metropolitan Open Land 1.3 Core Strategy Policy 34 states the Council will continue to protect MOL and extend this designation to include Green Chains that meet the MOL designation criteria stipulated by the adopted London Plan. 1.4 As stated in the adopted London Plan, MOL has an important role to play as part of London’s multifunctional green infrastructure and the Mayor is keen to see improvements in its overall quality and accessibility. These improvements help human health, biodiversity and quality of life. 1.5 The London Plan also makes reference to the importance of Green Chains. It states: The open spaces and links within a Green Chains should be designated as MOL due to their London‐wide importance. MOL & GCs Review 2013 4 1.6 It is within this context that this report details proposed changes to the Policies Map as part of the preparation of the DMD.
    [Show full text]
  • 25 Years of the London Jazz Festival
    MUSIC FROM OUT THERE, IN HERE: 25 YEARS OF THE LONDON JAZZ FESTIVAL Emma Webster and George McKay MUSIC FROM OUT THERE, IN HERE: 25 YEARS OF THE LONDON JAZZ FESTIVAL Emma Webster and George McKay Published in Great Britain in 2017 by University of East Anglia, Norwich NR4 7TJ, UK as part of the Impact of Festivals project, funded by the Arts and Humanities Research Council, under the Connected Communities programme. impactoffestivals.wordpress.com ACKNOWLEDGEMENTS This book is an output of the Arts and Humanities Research Council collaborative project The Impact of Festivals (2015-16), funded under the Connected Communities Programme. The authors are grateful for the research council’s support. At the University of East Anglia, thanks to project administrators CONTENTS Rachel Daniel and Jess Knights, for organising events, picture 1 FOREWORD 50 CHAPTER 4. research, travel and liaison, and really just making it all happen JOHN CUMMING OBE, THE BBC YEARS: smoothly. Thanks to Rhythm Changes and CHIME European jazz DIRECTOR, EFG LONDON 2001-2012 research project teams for, once again, keeping it real. JAZZ FESTIVAL 50 2001: BBC RADIO 3 Some of the ideas were discussed at jazz and improvised music 3 INTRODUCTION 54 2002-2003: THE MUSIC OF TOMORROW festivals and conferences in London, Birmingham, Cheltenham, 6 CHAPTER 1. 59 2004-2007: THE Edinburgh, San Sebastian, Europe Jazz Network Wroclaw and THE EARLY YEARS OF JAZZ FESTIVAL GROWS Ljubljana, and Amsterdam. Some of the ideas and interview AND FESTIVAL IN LONDON 63 2008-2011: PAST, material have been published in the proceedings of the first 7 ANTI-JAZZ PRESENT, FUTURE Continental Drifts conference, Edinburgh, July 2016, in a paper 8 EARLY JAZZ FESTIVALS 69 2012: FROM FEAST called ‘The role of the festival producer in the development of jazz (CULTURAL OLYMPIAD) in Europe’ by Emma Webster.
    [Show full text]
  • Scapin's Tricks Moliere's Lightest and Liveliest Comedy (Honestly!)
    LogoS~ presents SCAPIN'S TRICKS MOLIERE'S LIGHTEST AND LIVELIEST COMEDY (HONESTLY!) New translation by Kenneth McClellan Directed by Melissa Holston Design by Gabriella Csanyi-Wills Tuesday 23rd September -Saturday 11th October 1997 Wimbledon Studio Theatre 1 03 The Broadway LONDON SW19 1QG Jonathan Ashley Jonathan trained at the Webber Douglas Academy. He appeared for Logos last year SCAPIN'S TRICKS as Cornwall in King Lear at the Courtyard Theatre. Other Theatre includes Mansfield Park (Redgrave Theatre, Farnham), Arms and the Man (Cambridge MOLIERE'S LIGHTEST AND LIVELIEST COMEDY Theatre Company) Ladies in Retirement, Hay Fever, and Salad Days (Southwold New translation by Kenneth McClellan Repertory Theatre), Hansel and Gretel (Cochrane Theatre and tour), 1953 (Greenwich Studio Theatre), The Secret of Theodore Brown (Unicorn Theatre), COMPANY Waiting for Godot and The Dumb Waiter (Albany Empire), Hooligan Clown (Lyric Theatre, Hammersmith), and played Scaramouche at the Brighton Festival. Film and TV include The Score, Divine Magic, The People's Game and Flying Colours. NERINA VALERIE VAUGHAN WILLIAMS Writing: Jonathan's black comedy thriller Stiffs will be premiered at the Hen and Chickens Theatre in Spring '98. SILVESTRO ANTONY HAMPTON 0TTAVIO TRISTAN LANGLOIS David Forest SCAPIN }ONATHAN ASHLEY Theatre includes: Jungle Book, The Adventures of Venice and Who Cares? (Kings HYACINTH EMMA OwEN SMITH Head), Hamlet (Wimbledon Studio) The Chimes (White Bear), King John (Tabard), ARGANTE CuvE FRYDE The Comedy of Errors (Eye), Switching Tracks (Lyric Studio), Pinocchio (Brockley Jack), The Last Bus to Bradford (Chelsea Centre), In the Jungle of Cities GERONTE DAVID FOREST (Southwark Playhouse), The Cradle Will Rock (BA C), and his one man show LEANDRO PAUL WILLCOCKS Entertaining Changes (New End and Edinburgh and Dublin Fringes).
    [Show full text]
  • Richie Campbell
    Richie Campbell Film Blue Story (Tyrone) Blue Story/Paramount Rapman The Mummy Sarcophagus Films Ltd Alex Kurtzman Tango One (The African) Apex Media Films One Ltd Sacha Bennet The Last Photograph TLP Ltd Danny Huston Anti Social Reg Traviss Montana Moli Films Mo Ali Get Lucky Gateway Films Sacha Bennett Fast Girls FG Productions Regan Hill Sket Revolver Nirpal Bhogal Anuvahood Gunslinger/Revolver Adam Deacon The Firm Vertigo Films Nick Love Wilderness Ecosse Film Michael J. Bassett The Plague Prodigal Productions Greg Hall Television Small Axe (series) Bluebeat/BBC Steve McQueen Liar (series 2) Two Brothers/ITV1 Christopher Sweeney Top Boy Well Street/Netflix Brady Hood Vanity Fair Mammoth/ITV1 James Strong Death in Paradise (series 7) Red Planet (DIP) ltd Stewart Svaasand Liar (series reg) Brocess/ ITV James Strong NW (BAFTA nominated for Best Single Mammoth Screen/BBC Saul Dibb Drama) The Frankenstein Chronicles (series lead) Rainmark Films/ITV Benjamin Ross Eve - series regular (series 1, 2, 3) Cinevisual/CBBC Adrian McDowell Lewis Mammoth/ITV1 David Drury Walter ITV/BBC1 Damon Thomas Breathless ITV/ITV1 Phillipa Langdale Waterloo Road (series 8) Shed/BBC1 Various Mid-Morning Matters Baby Cow/Sky Dave Lambert Top Boy (4 part series) Cowboy Films/C4 Yann Demange Random Hillbilly Films/C4 Debbie Tucker Green AHA Talent Ltd 2 Percy Street, London W1T 1DD T: +44 (0)20 7250 1760 ● [email protected] ● www.ahatalent.co.uk Registered in England No: 9361821 VAT No: 211895509 Richie Campbell Page 2 Victim Pure Film Productions Alex Pillai Game Over SO Television/BBC Sasha Ransome The Silence (4 part series) Company Pictures/BBC1 Dearbhla Walsh Minder Talkback Thames/C5 David Innes Edwards Holby City BBC Indra Bhose Coming Up: And Kill Them IWC Media/Channel 4 Miranda Bowen The Bill (14 eps) Fremantle/ITV1 Richard Nominated for a Screen Nation Film and Television Award in the ‘Emerging Talent’ category.
    [Show full text]
  • Millfield House Hire Information Pack
    Millfield House Hire Information Pack Millfield House offers a number of flexible spaces capable of meeting a wide range of needs at very competitive prices. Whether it is a business meeting, training, a dance class or weekly group hire Millfield House can offer space and facilities to suit your needs, all located within a beautiful setting. We offer a wide range of audio visual, performance and conferencing equipment. We are also able to offer catering options dependent on the nature of your booking. The 6 rooms for hire are: Strand, Ambassadors, Huxley, Bridport, Alyward, and Sawyer. Contact the Hire Team Millfield Theatre, Silver Street, Edmonton, London N18 1PJ 020 8887 7333 | [email protected] | www.millfieldtheatre.co.uk Strand Ambassadors Huxley Brigport Alyward Venue Hire Rates and Charges (These prices are valid until 31st March 2018 and are relevant to the dates of hire, NOT the date of the booking.) Floor Room Theatre Board Horse Cabaret Dimensions Cost Style Room Shoe per hour Ground Strand 50 30 25 38 28’x28’ £35.00 Ground Ambassadors 30 18 25’x25’ £29.00 1st Floor Huxley 50 30 25 38 28’x28 £35.00 1st Floor Bridport 30 20 18 20 26’x19’ £30.00 1st Floor Aylward 20 16 12 10 16’x16’ £25.00 2nd Floor Sawyer 30 20 18 20 24’x23’ £29.00 Layouts Cabaret Theatre Horseshoe Boardroom Groups of tables with Rows of chairs. This Suitable for medium Table with chairs chairs. This layout is is suitable for sized meetings and around the outside. suitable for a variety conferences and presentations.
    [Show full text]
  • North London
    North London IN THIS ISSUE Education, Family Holidays with Skiwear Focus, Children’s Theatre and more… Plus WIN Tickets to a Tales From the Shed Show at the Chickenshed! See page 14 Issue 134 January/February 2019 familiesonline.co.uk Welcome to the January/February issue! CONTACT US: UPCOMING ISSUES Mar/Apr 2019 IN THIS ISSUE: — “Education, 3 Families News House & Home, Families North London 6 Nurseries and Childcare Holiday Camps/ 7 Education Activities and North London 8 Independent School Parties” IN THIS ISSUE Education, Family Holidays with Skiwear Open Days Focus, Children’s Magazine Deadline : Theatre and more… 12 Education Plus WIN Tickets to a Tales 4 February From the Shed Show at the Editor: Karen Konowalchuk Chickenshed! See page 14 2019 12 Family Travel PO Box 74501, Muswell Hill N10 9DZ 14 Children’s Theatre Send in your T: 020 8793 3366 16 What’s On news, stories Issue 134 January/February 2019 familiesonline.co.uk E: [email protected] and advertising 18 Parties, Activities, Clubs and Classes Events/What’s On: bookings to the details left. [email protected] FamiliesNorthLondon FamiliesNthLon FamiliesNorthLondon www.FamiliesNorthLondon.co.uk HADLEY WOOD M25 WHERE IS FAMILIES NORTH LONDON? TRENT PARK HIGH BARNET CLAY HILL M1 COCKFOSTERS ENFIELD PONDERS END Families North London Magazine is distributed bi-monthly throughout North London. ARKLEY EAST BARNET TOTTERIDGE WINCHMORE HILL MILL HILL WHETSTONE SOUTHGATE LOWER EDMONTON An area bordered by the M1/A5 on the West, the A112/A10 on the East, the M25 to the ARNOS GROVE FINCHLEY A406 North and the A501 to the South.
    [Show full text]