Music Composed by Graeme Revell Music Editor Dick Bernstein Assistant Music Editor Philip Tallman Music Recorded and Mixed at C. T. S. Studios, Wembley England Score Engineered and Mixed by Keith Grant Conductor and Orchestrator Tim Simonec Musicians Assembled by Nat Peck “Boogie Shoes” Written by Harry W. Casey and Richard Finch Published by Longitude Music Co. Performed by K. C. and the Sunshine Band Courtesy of Rhino Records, Inc. By Arrangement with Warner Special Products “Son of A Preacher Man” Written by John Hurley and Ronnie Wilkins Published by Tree Publishing Co., Inc. Performed by Dusty Springfield Courtesy of Atlantic Recording Corp. By Arrangement with Warner Special Products “Is Anybody Goin’ to San Antone” Written by Dave Kirby and Glenn Martin Published by Tree Publishing Co., Inc. Performed by Doug Sahm Courtesy of Atlantic Recording Corp. By Arrangement with Warner Special Products CD: A CD of the score was released by Varèse Sarabande in the US (VSD-5483) and in Germany (VSD-5483) in 1994: Music composed by Graeme Revell Album produced by Graeme Revell Executive album producer Robert Towsnon Orchestrations: Tim Simonec and Graeme Revell Sampling: Brian Williams Music editors: Dick Bernstein and Philip Tallman Scoring mixer: Keith Grant Orchestra conducted by Tim Simonec Orchestra contracted by Nat Peck 1. No Escape: Main Titles (1’58”) 2. Helicopter To Absolom (2’13”) 3. Robbins Captured By The Outsiders (1’52”) 4. Ralph: Director Of Aquatic Activities (0’48”) 5. The Father (1’55”) 6. The Insiders’ Camp (1’34”) 7. “Wet Dreams” (2’05”) 8. “I Love Those Boots” (Twelve-string guitar - Philip Tallman) (1’47”) 9. Banishment (1’32”) 10. On The Ramparts/Outsiders Attack (3’24”) 11. Battle With Marek (1’26”) 12. The Funeral Pyre (1’31”) 13. Robbins Returns To The Outsiders’ Camp (1’30”) 14. Casey Tortured (3’35”) 15. Robbins Kills Casey (1’19”) 16. Redemption And New Hope (2’16”) 17. Marek’s Death (1’39”) 18.The Traitor Unmasked (1’38”) 19. The Trap Is Set and Freedom (3’46”) Graeme Revell: Composer Graeme Revell is too well known to detail at length here. He did a couple of Australian films, such as Dead Calm and the Aboriginal-cop thriller Deadly, and then took his undoubted musical talents to Hollywood. He has a relatively detailed wiki here, and his management, here provided this short CV for his career: Since his first appearance on the film scene with the chilling score to Dead Calm, Graeme Revell has gone on to score films for such high-profile directors as John Woo, Wim Wenders, Robert Rodriguez, Ted Demme, and Michael Mann. He has scored such films as The Experiment, Unthinkable, Days of Wrath, and Pineapple Express. He also composed the music for the political documentary Darfur Now. Revell’s work can be heard in the popular film adaptation of the graphic novel series, Sin City, as well as in Blow, Grindhouse, The Chronicles of Riddick, Daredevil, Lara Croft: Tomb Raider, The Insider, The Siege, The Negotiator, From Dusk Till Dawn, The Crow, and The Hand That Rocks The Cradle. Proving that his sound can successfully cross both genres and platforms, Revell scored the first season of the television series CSI: Miami. Most recently Revell completed his first film trilogy with the box office hit Riddick directed by David Twohy and starring Vin Diesel. Graeme’s most recent work can be heard in the the Australian TV series Old School and the critically acclaimed Fox TV series Gotham. A native of New Zealand, Revell received classical training in piano and French horn, but it was in an Australian mental hospital where his career as a composer began. He incorporated recordings of the sounds and rhythms of patients at the hospital (where he worked as an orderly) into the songs of his band SPK, whose music in turn landed him his first film scoring gig on Dead Calm. Since then he’s written scores for over 100 projects, earning an ASCAP award and 7 BMI Film Music Awards. He was also honored by BMI with the Richard Kirk Award for Outstanding Career Achievement. (Below: Graeme Revell) .