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												Kirkus Best Books of 2020
Featuring 328 Industry-First Reviews of Fiction, Nonfiction, Children'sand YA books KIRKUSVOL. LXXXVIII, NO. 23 | 1 DECEMBER 2020 REVIEWS THE BEST BOOKS OF 2020 SPECIAL ISSUE BONUS: Kirkus & Rolling Stone’s Top Music Books of 2020 The 100 Best Nonfiction and 100 Best YA Books of the Year + Our Regular December 1 Issue from the editor’s desk: Books That Deserved More Buzz Chairman HERBERT SIMON President & Publisher BY TOM BEER MARC WINKELMAN # Chief Executive Officer MEG LABORDE KUEHN [email protected] John Paraskevas Editor-in-Chief Every December, I look back on the year past and give a shoutout to those TOM BEER books that deserved more buzz—more reviews, more word-of-mouth [email protected] Vice President of Marketing promotion, more book-club love, more Twitter excitement. It’s a subjec- SARAH KALINA tive assessment—how exactly do you measure buzz? And how much is not [email protected] Managing/Nonfiction Editor enough?—but I relish the exercise because it lets me revisit some titles ERIC LIEBETRAU that merit a second look. [email protected] Fiction Editor Of course, in 2020 every book deserved more buzz. Between the pan- LAURIE MUCHNICK demic and the presidential election, it was hard for many titles, deprived [email protected] Young Readers’ Editor of their traditional publicity campaigns, to get the attention they needed. VICKY SMITH A few lucky titles came out early in the year, disappeared when coronavi- [email protected] Tom Beer Young Readers’ Editor rus turned our world upside down, and then managed to rebound; Douglas LAURA SIMEON [email protected] Stuart’s Shuggie Bain (Grove, Feb. - 
												
												Marxman Mary Jane Girls Mary Mary Carolyne Mas
Key - $ = US Number One (1959-date), ✮ UK Million Seller, ➜ Still in Top 75 at this time. A line in red 12 Dec 98 Take Me There (Blackstreet & Mya featuring Mase & Blinky Blink) 7 9 indicates a Number 1, a line in blue indicate a Top 10 hit. 10 Jul 99 Get Ready 32 4 20 Nov 04 Welcome Back/Breathe Stretch Shake 29 2 MARXMAN Total Hits : 8 Total Weeks : 45 Anglo-Irish male rap/vocal/DJ group - Stephen Brown, Hollis Byrne, Oisin Lunny and DJ K One 06 Mar 93 All About Eve 28 4 MASH American male session vocal group - John Bahler, Tom Bahler, Ian Freebairn-Smith and Ron Hicklin 01 May 93 Ship Ahoy 64 1 10 May 80 Theme From M*A*S*H (Suicide Is Painless) 1 12 Total Hits : 2 Total Weeks : 5 Total Hits : 1 Total Weeks : 12 MARY JANE GIRLS American female vocal group, protégées of Rick James, made up of Cheryl Ann Bailey, Candice Ghant, MASH! Joanne McDuffie, Yvette Marine & Kimberley Wuletich although McDuffie was the only singer who Anglo-American male/female vocal group appeared on the records 21 May 94 U Don't Have To Say U Love Me 37 2 21 May 83 Candy Man 60 4 04 Feb 95 Let's Spend The Night Together 66 1 25 Jun 83 All Night Long 13 9 Total Hits : 2 Total Weeks : 3 08 Oct 83 Boys 74 1 18 Feb 95 All Night Long (Remix) 51 1 MASON Dutch male DJ/producer Iason Chronis, born 17/1/80 Total Hits : 4 Total Weeks : 15 27 Jan 07 Perfect (Exceeder) (Mason vs Princess Superstar) 3 16 MARY MARY Total Hits : 1 Total Weeks : 16 American female vocal duo - sisters Erica (born 29/4/72) & Trecina (born 1/5/74) Atkins-Campbell 10 Jun 00 Shackles (Praise You) - 
												
												Native American Music from Wounded Knee to the Billboard Charts: a Document Based Exploration OVERVIEW
Native American Music from Wounded Knee to the Billboard Charts: A Document Based Exploration OVERVIEW ESSENTIAL QUESTION In what ways did the music of Native Americans mark them as outsiders from the developing narratives of “American- ness” in the late 19th and early 20th centuries, and how did the federal government attempt to use music as a tool to force assimilation? OVERVIEW In this lesson, students are introduced first to Pat Vegas and Redbone by way of interviews and music from RUMBLE. They then look back to the late 19th century to consider the significance of Redbone’s success. Students will use clips from the film, as well as a set of seven source documents to assess the U.S. government’s attempt to control Native American populations by way of culture, particularly music. The documents, which include letters, acts of Congress, testimony, and newspaper articles, introduce students to legislation and the Federal Indian Boarding School system from the perspectives of both government agents and Native Americans. Additionally, students analyze three poems that speak to the trauma Native Americans have experienced due to such governmental policies. To a present-day listener with no additional context, Redbone’s single “Come and Get Your Love” may just sound like a classic mid-70s Rock tune. The song, which many might recognize from the opening sequence of the film Guardians of the Galaxy, is marked by a tight and funky drumbeat, as were many in that post-James Brown and Sly and the Family Stone moment. It’s harmony is punctuated by a punchy, dry bass line that contrasts with lush, rather deep-in-the- mix string overdubs. - 
												
												Native American Music from Wounded Knee to the Billboard Charts: a Document Based Exploration OVERVIEW
Native American Music from Wounded Knee to the Billboard Charts: A Document Based Exploration OVERVIEW ESSENTIAL QUESTION In what ways did the music of Native Americans mark them as outsiders from the developing narratives of “American- ness” in the late 19th and early 20th centuries, and how did the federal government attempt to use music as a tool to force assimilation? OVERVIEW To a present-day listener with no additional context, Redbone’s single “Come and Get Your Love” may just sound like a classic mid-70s Rock tune. The song, which many might recognize from the opening sequence of the film Guardians of the Galaxy, is marked by a tight and funky drumbeat, as were many in that post-James Brown and Sly and the Family Stone moment. It’s harmony is punctuated by a punchy, dry bass line that contrasts with lush, rather deep-in-the- mix string overdubs. The sparse, repeated lyrics are not what many would call “deep.” “Come and Get Your Love,” however, is in many ways a breakthrough track. When “Come and Get Your Love” broke the Billboard Top 5 singles in 1974, and when the track went “Gold,” meaning it sold a half million copies, it marked the first time an outwardly Native American ensemble had reached such heights. Pat and Lolly Vegas, the Yaqui, Shoshone, and Mexican American brothers who founded Redbone in 1969, hadn’t always been “outwardly” Native American in performance. In the early 1960s, the brothers began their professional careers playing “Surf” music in Los Angeles. They recognized that their family surname, “Vasquez,” would mark them as Mexican-American and limit their potential. - 
												
												a Feature Documentary Film About the Native American Contribution to Popular Music History
. A feature documentary film about the Native American contribution to popular music history. Produced by Rezolution Pictures Directed by Catherine Bainbridge (Reel Injun) Co-director Alfonso Maiorana Executive produced by Stevie Salas and Tim Johnson & Catherine Bainbridge, Christina Fon, Linda Ludwick, Jan Rofekamp Canada • 2017 • 102 Minutes (incl.credits) WORLD PREMIERE - SUNDANCE FILM FESTIVAL 2017 RUMBLE press notes 20170320.docx CONTENTS SOCIAL MEDIA AND WEB ........................................................................................................... 4 SELECT PRESS ........................................................................................................................... 4 CONTACT INFO ........................................................................................................................... 5 LONGER SYNOPSIS .................................................................................................................... 6 RUMBLE BACKSTORY ................................................................................................................ 7 REZOLUTION PICTURES AND RUMBLE ................................................................................... 7 DIRECTORS’ STATEMENT ......................................................................................................... 8 MEET THE DIRECTORS .............................................................................................................. 9 EXECUTIVE PRODUCER STATEMENT: STEVIE SALAS ...................................................... - 
												
												Study Materials for Movie
A Film Produced by the 222 New York Street Rapid City, SD 57701 • https://www.journeymuseum.org Through a Grant from the With Funds from the National Endowment for the Humanities Filmed on Location in the Journey Museum © The Journey Museum and Dakota Daughters (Geraldine Goes in Center, Joyce Jefferson, and Lillian Witt.) All Rights Reserved. Study materials compiled by Anna Marie Thatcher. “America is an old house. We can never declare the work over. Wind, flood, wrought, and human upheavals batter a structure that is already fighting whatever flaws were left unattended in the original foundation. When you live in an old house, you may not want to go into the basement after a storm to see what the rains have wrought. Choose not to look, however, at your own peril. The owner of an old house knows that whatever you are ignoring will never go away. Whatever is lurking will fester whether you choose to look or not. Ignorance is no protection from the consequences of inaction. Whatever you are wishing away will gnaw at you until you gather the courage to face what you would rather not see.” Isabel Wilkerson CASTE: The Origins of Our Discontents 2 REFLECTIONS ON THE MASSACRE AT WOUNDED KNEE Three Women, Three Stories, Three Cultures Written and Presented by Dakota Daughters with Geraldine Goes in Center as Kimimila (Sitting Bull’s Daughter) Lillian Witt as Sadie Babcock (a Rancher’s Wife) Joyce Jefferson as Mattie Elmira Richardson (Engaged to a Buffalo Soldier) Each performer researched and wrote her part of this historical interpretation of the events leading up to the massacre at Wounded Knee Creek in 1890. - 
												
												Indigenous Pop: Native American Music from Jazz to Hip
INDIGENOUS POP EDITED BY JEFF BERGLUND JAN JOHNSON KIMBERLI LEE INDIGENOUS POP Native American Music from Jazz to Hip Hop TUCSON The University of Arizona Press www.uapress.arizona.edu © 2016 The Arizona Board of Regents All rights reserved. Published 2016 Printed in the United States of America 21 20 19 18 17 16 6 5 4 3 2 1 ISBN-13: 978-0-8165-0944-7 (paper) Cover design by Leigh McDonald Cover art by Steven Paul Judd Publication of this book is made possible in part by the proceeds of a permanent endowment created with the assistance of a Challenge Grant from the National Endowment for the Humanities, a federal agency. Library of Congress Cataloging-in-Publication Data Names: Berglund, Jeff, editor. | Johnson, Jan (Janis), editor. | Lee, Kimberli A., 1959– editor. Title: Indigenous pop : Native American music from jazz to hip hop / edited by Jeff Berglund, Jan Johnson, And Kimberli Lee. Description: Tucson : The University of Arizona Press, 2016. | Includes bibliographical references and index. Identifiers: LCCN 2015034492 | ISBN 9780816509447 (pbk. : alk. paper) Subjects: LCSH: Indians of North America—Music—History and criticism. | Popular music— United States—History and criticism. Classification: LCC ML3557 .I63 2016 | DDC 781.64089/97073—dc23 LC record available at http:// lccn.loc.gov/2015034492 This paper meets the requirements of ANSI/NISO Z39.48-1992 (Permanence of Paper). WHAT IS THE SOUND OF AMERICA? After Silas Whitman & Ron Welburn Did Chief Joseph hear the Dixieland jazz, the ragtime jubilees and house parties, the evangelists bands playing Pentecostal hymns on hot, summer nights? Was he there for the do-wop, the creek river rallies, the syncopation, that grind and gyration of hips and spines on a hard-wood floor? Did he hear, wow the crowd on a quarter-acre of heartbreak? Did Chief Joseph ask: Are you a musician or an entertainer? Their hymnals transposed to bell and drum, from the old ledgers, from the King James Bible. - 
												
												Jackson Browne
2015-16 whatzup Dining Club Cards on Sale Now NOVEMBER 12-18, 2015 Playing from the Heart Blues Guitarist Tinsley Ellis Story on Page 2 Also Inside Jackson Browne Great White Jesus Christ Superstar A Christmas Story - The Musical God’s Ear The Just So Stories Art & Entertainment Calendars WWW.WHATZUP.COM FACEBOOK.COM/WHATZUPFORTWAYNE FACEBOOK.COM/WHATZUPFORTWAYNE WWW.WHATZUP.COM Music, Movie, Theater & Book Reviews ---------------------Cover Story • Tinsley Ellis ------------------ Burgers • Bands • Bourbon Playing from the Heart By Mark Hunter poured it all out on stage. So yeah, sometimes I get so worked up down in my basement writing and singing A few years ago the rock/blues guitarist Tinsley that I just get exhausted. And I’m a morning person, so Join Us for All Ellis was going through some old music files on his I may go down there at six in the morning and by noon computer. The songs were mostly demos spanning his I’m just like done for the day. Have to take a little nap Komets Home Games 35-year career, things he’d played live, cover tunes and regroup.” and originals. Just for fun he collected the instrumen- Ellis is not your typical blues musician. He has a tals into a file and found that he had 20 or 30. He’d degree in history from Emory University in Atlanta, THURSDAYS always wanted to release an album of instrumentals, where he lives. He approaches the blues and his music so he got a band together and recorded Get It. The with the eye of a historian. - 
												
												JIM FORD LYRICS Compiled by Robin Dunn & Chrissie Van Varik
JIM FORD LYRICS Compiled by Robin Dunn & Chrissie van Varik Jim Ford was born 23 rd August 1941 in Paintsville, Johnson County, Kentucky, USA. His music is a blend of country, folk, funk and soul; Jim called himself ‘country funky’ – which is about right! He was found dead early in the evening of Sunday 18 th November 2007 in his trailer home by the Mendocino County Sheriff’s department . Only two albums were released during his lifetime: Harlan County (1969) and The Sounds Of Our Time (2007). In between he recorded numerous home demos as well as doing official recording sessions for Capitol and Paramount but none of the tracks laid down were ever issued at the time. In 2006, Swedish journalist L-P Anderson tracked Jim down and discovered a wealth of reel-to-reel tapes piled high on the floor of Jim’s trailer home. The Sounds Of Our Time (2007) contains Jim’s 1969 debut album, complemented with tracks from those reels. Plans were made to release more and even to record again but sadly Jim died before any of this could take place. However, several albums have been issued since, including the two albums Jim recorded in the early 1970s for Capitol and Paramount but were kept in the can. Below is a list of Jim Ford releases. • Harlan County (1969) • The Sounds Of Our Time (2007) • Point Of No Return (2008) • Big Mouth USA – The Unissued Paramount Album (2009) • The Unissued Capitol Album (2009) • Demolition Expert – Rare Acoustic Demos (2011) Included in our Lyric List are songs composed by Jim but recorded by other artists. - 
											
Groundbreaking Ceremony for New El Reno Indian Health Center Aug. 27 (EL RENO, OK) El Reno Indian Health Center Will Take a Long Awaited Step Forward on Aug
Follow us on Twitter #CATribalTribune CheyenneandArapaho-nsn.gov Aug. 15, 2020 -Vol. 16, Issue 16 Groundbreaking Ceremony for New El Reno Indian Health Center Aug. 27 (EL RENO, OK) El Reno Indian Health Center will take a long awaited step forward on Aug. 27, 2020 with the ground breaking for the new El Reno Indian Health Center at 11 a.m. Social distancing measures and masks will be required for all who attend this event. The 16,000 square-foot fa- cility will provide much need- ed space to expand health care services to include dental, op- tometry, podiatry, audiology, general radiology, and physi- cal therapy. The new facility will allow for existing services of primary care, pediatrics, pharmacy, laboratory, wound care, health information man- agement, benefit coordination, integrated behavioral health, public health nursing, pur- chased/referred care, nutrition, the facility to accommodate not only the existing services, but May 2013. Prior to the clinic’s closure, the facility had over and administration to be expanded. Construction is expected house new services as well. This will eliminate the travel to 18,000 visits a year. to be completed in October of 2021. The new facility will Clinton and surrounding clinics for dental services and other Clinton Service Unit, working with the Cheyenne and be located directly to the east of the current facility at 1801 new services provided by Indian Health Services,” Cheyenne Arapaho Tribes, reestablished limited medical services to the Parkview Drive. and Arapaho Tribes’ Gov. Reggie Wassana said. El Reno Indian Health Center on May 31, 2014. The current “The groundbreaking marks the start of bringing a new El Reno Indian Health Center was closed for approxi- 4,458 square-foot space is physically smaller than the previ- Indian Health facility to El Reno. - 
												
												Press Notes 20181111
The Sundance, Hot Docs, and Canadian Screen award-winning feature documentary film about a missing part of popular music history: the Indigenous influence. PRODUCED BY REZOLUTION PICTURES Directed by Catherine Bainbridge (Reel Injun), Co-director Alfonso Maiorana Executive produced / produced by Stevie Salas, Tim Johnson, Catherine Bainbridge, Christina Fon, Linda Ludwick, Ernest Webb, Lisa M. Roth, Jan Rofekamp, Diana Holtzberg, Ray Halbritter Canada • 2017 • 102 Minutes World Premiere: January 22, 2017 (Sundance) US Theatrical Premiere: July 26, 2017 (New York) Canadian Theatrical Premiere: July 28, 2017 (Toronto) Canadian Broadcast Premiere: Nov. 5, 2017 The Movie Network / HBO Canada French Theatrical Premiere: Nov. 7, 2018 U.S. Broadcast Premiere on PBS: Jan. 21, 2019 Available on Amazon, iTunes, Google Play, and DVD. Website: https://www.rumblethemovie.com/ Facebook: https://www.facebook.com/RumbleTheFilm Twitter: https://twitter.com/RumbleFilm YouTube: http://bit.ly/2rw1DvU RUMBLE press notes 20181111 CONTENTS CONTACTS ................................................................................................................................... 3 VIDEO & SOCIAL MEDIA LINKS .................................................................................................. 4 AWARDS & NOMINATIONS ......................................................................................................... 5 LOGLINE & SHORT SYNOPSIS .................................................................................................. 7 LONGER