Australian Research Council Centre of Excellence HISTORY OF EMOTIONS ANNUAL REPORT 2014 Contents

Overview 2 International Visitors 60 The Centre at a Glance 3 Spotlight: International Partner Investigator: Piroska Nagy 61 Governance 4 Professor Andrew Lynch 5 Arts Industries Partnerships 62 PHILIPPA MADDERN 24 AUGUST 1952–16 JUNE 2014 Director’s Review 6 Spotlight: Emotion, Ritual and (CHE Director 2011–2014) Power Collaboratory 65 Meet the Advisory Board 8 Meet the Chief Investigators 10 Academic Training and Development 66 “…CHE’s true Christmas gift to us all – Meet the Researchers 12 Selected Training and Development 66 the gift of new knowledge and new insights, Spotlight: Methods Collaboratory and Spotlight: Honours and Postgraduate the present of mind-stretching new Biennial Research Meeting 16 Students Workshop 69 approaches to our past, the opportunity Meet the Partner Investigators 17 Research Outreach 70 to understand better our range of Associate Investigators 18 Spotlight: Affective Habitus Collaboratory 75 emotional heritages. It’s the best kind Spotlight: Changing Hearts: Performing Jesuit Emotions Between Media Highlights 76 of gift – unbreakable, non-fattening, Europe, Asia and the Americas 21 Spotlight: The Voice and Histories of long-lasting, enriching. I wish you Organisational Structure 22 Emotion: 1500-1800 Collaboratory 79 all many such gifts.” Project Timelines 24 Events and Publications 80 Centre for the History of Emotions Newsletter Selected Centre Events 80 Meanings Program December 22, 2011 Selected Publications 82 Program Report 34 Spotlight: Empathy, Ethics, Aesthetics: List of Research Projects 36 Postgraduate Advanced Training Seminar 86 Spotlight: Languages of Emotion Collaboratory 38 Selected Awards and Research Grants 87 Change Program Selected Talks and Presentations 88 Program Report 40 Key Performance Indicators 92 © Matt Galligan List of Research Projects 42 Personnel 100 Performance Program Program Report 44 List of Research Projects 46 Spotlight: Kristin Linklater: The Voice, Emotion and Shakespeare 49

Shaping the Modern Program Program Report 50 List of Research Projects 52 Spotlight: Try Walking in my Shoes 54

Education and Outreach 56

Front Cover: Gerrit van Honthorst, Musical Group on the Balcony, 1622. © J. Paul Getty Museum, Los Angeles.

2 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 3 OVERVIEW The Centre at a Glance

Established in 2011, The ARC Centre of Excellence for The Centre works to the History of Emotions (CHE) has its headquarters at 1. Create and foster links between a team of The University of Western Australia, with nodes across pre-eminent Australian humanities researchers, the country at the Universities of Adelaide, Melbourne, a network of international experts and institutions, Queensland, and Sydney. The Centre has developed an and a set of industry partners (performing arts extensive range of collaborative links to international institutions, art galleries, media). institutions in Continental Europe, the UK, and North America, and has established partnerships with such 2. Develop innovative procedures and work spaces arts industries and community groups as the National for inter-relating different research methods Gallery of Victoria, the Australian Broadcasting (e.g. cultural historiography, literary analysis, Corporation, Musica Viva, the Zest Festival, The Dax visual arts interpretations, and performance Centre, West Australian Opera, and Victorian Opera. practice research), and to maximise fruitful Besides the research projects of its Chief Investigators, synergies between different disciplines and CHE hosts numerous Postdoctoral Fellows and methodologies. postgraduate students across its four research Programs, and welcomes many international visitors Our locations as collaborators each year through the Distinguished Our Centre is a national entity with a host site at International Visitor and Early Career Researcher The University of Western Australia, and nodes at Visitor schemes. The Centre also maintains a the Universities of Adelaide, Queensland, Melbourne, nation-wide program of performance, community and Sydney. outreach, and education events. Emotions shape our individual, community, Worldwide and national identities, and an overarching aim of the Queen Mary College, University of London (UK), Centre is to use historical knowledge to improve our contextual understanding of the emotional behaviour and Université de Fribourg (Switzerland), health of modern Australians. We recover the history of Freie Universität Berlin (Germany), emotions from Europe 1100-1800, and share it with the wider Australian public to enrich our personal lives, University of Newcastle (UK), revitalize our culture, and empower us to make good University of Umeå (Sweden). © Photo courtesy of VisitScotland/ScottishViewpoint political and social decisions for our future. Australians today show strong emotional attachment to their land, cultural heritage, and history. Our long-term European heritage remains one of our strongest cultural About Us influences, shaping the world we live in today. Umeå

Vision Aims Provide leadership in humanities research worldwide • To understand long-term changes in emotional into how societies experienced, expressed, and concepts, expressions, and regulation in Europe, Berlin understood emotions in Europe 1100-1800, and 1100-1800. how this long history continues to impact on • To investigate mass emotions and their social, present-day Australia. Newcastle political, and economic influences. • To analyse and demonstrate how emotions were Fundamental research questions performed in music, art, and drama. How do understandings, expression, and performance • To show how this history underpins modern of individual and mass emotions change over time? Australian emotional culture and heritage. How do we best understand the roles of nature and • To invigorate contemporary Australian performance culture in the formation of emotions, both individual practices through collaborative research findings. London and communal? Brisbane • To understand and communicate modern audience How do emotional understandings, expression, reactions to these performances. and performance affect political, social, and cultural developments (even up to present-day Australia)? • To raise public awareness of the role and importance of emotions in Australia’s social and cultural Perth (Host) Sydney well-being. Adelaide Fribourg • To work towards establishing emotions as a Melbourne widely-used framework for understanding past societies and cultures.

4 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 5 Professor Andrew Lynch are submitted to, and signed off by, Program Leaders, and form a basis for the development of Program Strategic Plans. All CIs, Postdoctoral Research Fellows, and Associate Investigators report biannually on the outcomes of their projects. Supervision of the Postdoctoral Research Fellows is undertaken locally Professor Andrew Lynch (UWA) was appointed as the Centre’s new by their relevant CIs; the Director takes national Director, in succession to his former colleague, the late Professor Philippa responsibility for their mentoring. Postgraduates are Maddern. Andrew has been involved in the planning and work of the Centre mentored by their local supervisors. CI Stephanie Trigg since its earliest days. In 2014 he became a Chief Investigator and Deputy (Melbourne) has national oversight of their welfare. Director in the Centre, and, after Professor Maddern’s death on 16 June, its Acting Director. His appointment as Director, which follows an extended Partner Investigators international search by The University of Western Australia (UWA), is a strong endorsement of the style of leadership he has displayed over recent The Centre has Partner Investigators (PIs) at five years and throughout the last few difficult months. Coming as it does in European universities: Queen Mary University of London, the wake of a highly commendatory mid-term report by the Australian UK; Newcastle University, UK; Freie Universität Berlin, Research Council on the Centre’s initial achievements under Philippa Germany; Université de Fribourg, Switzerland; and Umeå Maddern’s inspirational directorship, the appointment ensures continuing Universitet, Sweden. Partnerships with the University of stability within the Centre, and eases the way for further imaginative Western Ontario and Université du Québec à Montréal, growth and development of its programmes under its new Director up to, Governance Canada; Durham University and the University of and beyond, its current funding cycle which is due to end in 2017. Southampton, UK, are in the process of ratification. A graduate of Melbourne and Oxford Universities, Andrew Lynch was As can be seen from the Organisational Structure, appointed to a Lectureship in English at UWA in 1980. He has served as it is the particular responsibility of the Director to Chair of the Discipline of English, Chair also of the University’s programme The Centre’s administering organisation maintain and develop these research connections. is The University of Western Australia of Medieval and Early Modern Studies (MEMS), Associate Dean (Research) in Arts, and is a Professor in English and Cultural Studies. Out of MEMS (UWA). The Chief Investigators (CIs) are Arts Industries Partnerships and School emerged in 2008 UWA’s Centre for Medieval and Early Modern Studies – located at UWA, and at four other nodes: and Community Outreach: housing the long-running Perth Medieval and Renaissance Group. the Universities of Adelaide, Melbourne, CHE liaises and carries out research projects with Andrew served for eight years as Editor of the prestigious refereed Sydney, and Queensland. relevant industry partners, mostly in the area of journal of the Australian and New Zealand Association of Medieval and performing and visual arts. We have three established Early Modern Studies, Parergon. He was a proponent of the ARC Decision-making processes are highly consultative, Arts Industry Partners: the ABC, the National Gallery Network for Early European Research (NEER: 2004-09), and served as enabling all nodes to take part. At UWA, the Centre of Victoria, and West Australian Opera. We have also the Network’s initial Director. NEER received a grant of $1.6 million from Director reports to the Deputy Vice-Chancellor established major partnerships with Victorian Opera the Australian Research Council – a record at that time for funding in the (Research) and liaises with the Dean of the Faculty and Musica Viva for a project that will come to fruition humanities in Australia. The major success of this Network was a decisive of Arts. Executive direction of the Centre is undertaken in 2016. In 2014 we also built on existing collaborative factor in UWA’s subsequent bid for funding for the establishment of the by the Director (Professor Philippa Maddern until June partnerships, running events with the Australian even more ambitious venture, the Centre for the History of the Emotions. 2014) and Acting Director (Professor Andrew Lynch from Chamber Orchestra, Black Swan State Theatre Company, NEER had clearly demonstrated the range and strength of Medieval and June 2014) in conjunction with the Deputy Director Perth Baroque, the Zest Festival, the vocal ensemble Early Modern expertise across the disciplines at UWA. It had also proved (Professor Jane Davidson, Melbourne) and the Centre e21, The Badinerie Players, and Solomon’s Knot Baroque the University’s capacity for establishing linkages with like-minded Manager (Dr Tanya Tuffrey). Financial management Collective. Other new partnerships included UQ Art institutions across the academic world. is largely the responsibility of the Centre Manager, Museum in Queensland, Lawrence Wilson Art Gallery Andrew Lynch is best known academically for his work as an Arthurian in consultation with the Director and Deputy Director. at UWA, the Centre for Contemporary Photography in scholar. He is currently Vice-President of the International Arthurian Day-to-day operations are dealt with by the Centre Melbourne, and The Dax Centre, also in Melbourne. Society, and will become the Society’s President in 2017. His first book Manager, in consultation with the Centre Director, the CHE aspires to convey its research results as widely as was Malory’s Book of Arms: The Narrative of Combat in Le Morte Darthur Deputy Director, and administrative officers. Day-to-day possible to school and community audiences, and where (1997), and questions of war and peace, in and beyond the medieval world, Centre operations at the Adelaide, Melbourne, Sydney, possible to involve those audiences in Centre activities. have remained a dominant interest. He has written extensively also on and Queensland nodes are managed by the relevant node In 2014 we developed our arts education partnerships medievalism, and the reception and understanding of the medieval world directors, in conjunction with their administrative with schools in WA who participated in performance in later historical periods. But the study of the emotions, which lies at the officers, who report to the Centre Manager. projects that led to research-driven, historically heart of CHE’s work, has been throughout his career an absorbing and informed performance. The Deputy Director is As can be seen from the Organisational Structure, abiding interest. He has now either published, or contracted to publish, particularly responsible for maintaining and extending five books relevant to the history of the emotions; and is currently p. 22, Centre Research is overseen by the leaders relationships and collaborative activities with our Arts of the Centre’s four Research Programs: Professor co-editing with Susan Broomhall Volume 3 (Early Modern) of the Industry Partners. She also oversees the work of the six-volume Bloomsbury Cultural History of the Emotions. He is a highly Bob White (UWA, Meanings Program), Professor David School and Community Outreach officers at each node. Lemmings (Adelaide, Change Program), Professor regarded teacher and supervisor, and much admired public speaker. Jane Davidson (Melbourne, Performance Program), Andrew Lynch’s appointment as Director of the Centre for the History and Professor Stephanie Trigg (Melbourne, Shaping the Advisory Board of the Emotions will be widely celebrated and applauded throughout the Modern Program). The Centre Director is tasked with The Centre’s Advisory Board, p. 8, including top extensive network of institutions with which the Centre is now affiliated. general oversight of research direction. All CIs of the scholars in the field (and in other cognate fields), We congratulate him warmly, and wish him every success in this Centre meet regularly to discuss decisions relating to representatives of Arts Industry Partners, and new position. research and research direction. Research programs experienced public policy experts, met with the are tracked through submissions of Research Project Ian Donaldson Interim Director, Deputy Director, Chief Investigators, pro-formas by all CIs, Postdoctoral Research Fellows, Advisory Board and Centre Manager to review Centre progress, and Associate Investigators. These describe the nature, and provide high-level academic and strategic advice. aims, and expected outcomes of individual research CHE welcomed Professor Anna Haebich to the programs. The pro-formas, updated annually, Advisory Board in 2014. Unknown maker, Scenes from the Life of Absalom, c.1250. © The J.Paul Getty 6 Rembrandt Harmensz. van Rijn, The Wardens of the Amsterdam Drapers’ Guild, 1662. © Rijksmuseum Museum, Los Angeles. ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 7 Director’s View

2014 in Overview Another clear sign of CHE’s research impact is the a matter of community interest, emotions have contributions are now even more accessible. number, range, and quality of world academics attracted turned out to be a focus for intense intellectual Unique visits to our website and social media usage 2014 has seen the ARC Centre of Excellence for the by our Distinguished International Visitor and Early and personal energies. continue to increase. History of Emotions, Europe 1100-1800 (CHE) continue Career Researcher Visitor (ECR) schemes. Despite CHE’s original contribution to methodology and theory The relevance of emotions to contemporary life, to break new ground in research, grow in international increasing their number, the Centre received many more is also attracting world attention. Professor Stuart and the need for an informed historical perspective academic esteem, and better communicate the value of high-level applications for these than we could satisfy, Elden (Political Science and Geography, University of on current emotional issues, were blatantly on show our work to the wider Australian public. In June we from across many disciplines and institutions. Warwick, UK) writes that, along with several leading in Australia in 2014. CHE’s projects of enquiry deal suffered a great and deeply-felt loss in the death of Negotiations in 2014 to add several new Partner academic collectives in the USA, “the Australian directly with questions that preoccupy today’s society CHE’s inspiring inaugural Director, Philippa Maddern, Investigators (PIs) will add to our global collaborations Research Council’s Centre of Excellence for the and culture: emotions in marriage, home, and family; but the energy and insight with which Philippa led the in the future. The success of previous international History of Emotions (Europe: 1100-1800)” has emotions, religion, and ethnicity; emotions and political Centre remain evident everywhere in its ongoing partnerships is seen in many continuing collaborations “brought premodern subjects into vibrant contact change; emotions and environment; emotions and war. activities. Now at its half-way point, CHE has met and with former and recent visitors, such as PI Claudia with contemporary theory… both medieval and These and many other examples are covered by the exceeded its original goals, and has become a clearly- Jarzebowski (Freie Universität Berlin), Piroska Nagy early modern studies have led the field in taking CHE ‘Research Clusters’ established this year, focused, dynamic and collegial entity. Its achievements (Université du Québec à Montréal), ECRs Laura Kounine up some of the most exciting recent innovations in combining Chief Investigators, Postdoctoral Research were recognised in a highly favourable mid-term report (Max Planck Institute, Berlin) and Massimo Rospocher humanistic practice and thought”. In 2014, CI Stephanie Fellows, Postgraduates, Associate Investigators, by an ARC expert review panel in mid-year. They are (Leeds), and Postdoctoral Fellow François Soyer, who Trigg’s special edition of the journal Exemplaria on and other national and international colleagues. likewise evident in this Annual Report. will be continuing with the Centre as a PI (Southampton) ‘Pre-Modern Emotions’ and CI (now AI and Future from 2015. Another is our growing involvement with the Whether the Centre’s members are studying the long Throughout these pages, readers will find details of the Fellow) Susan Broomhall’s collection in progress Early Modern Conversions Project, a consortium of history of religious intolerance, the growth of romantic many publications, academic exchanges, performances, for Routledge, Early Modern Emotions: An Introduction, Canadian university researchers led from McGill love, the communal creation of moral panics, or the and educational and public events in CHE’s year. are only two examples of leadership in the field. They testify to the creation of a cohesive and thriving (Montréal), with whom much is planned for the future. reaction of early settlers to the Australian landscape, large-scale interdisciplinary research culture, with a Possibilities like these, generated within CHE’s life so CHE is proud to have drawn the public into discussion they are contributing vitally to understandings of how major national and international presence. Some of the far, have allowed us to develop exciting new research with us about the role of emotions in history, and emotions intersect with the concerns of living people, strongest indicators of our progress so far have come in initiatives not foreseeable when the Centre was first set up. consequently about the role of emotions in the present. and with the formation of attitudes, understandings Alongside continued successes like the Kalbarri (WA) and practices that affect us all. All are contributing to the form of comments from academics outside Australia. CHE’s growing status is also vouched for by greatly Zest Festival, 2014 saw outstanding research-based the environment in which CHE is fulfilling our core ARC A successful applicant for a Marie Curie Fellowship to increased publication in 2014 of books, book chapters, performance events such as The Knight of the Burning mission: “to build critical mass with new capacity for work with CHE stated that “The ARC Centre offers a and journal articles in traditional, innovative, and popular Pestle and Dido and Aeneas with school partners in Perth; interdisciplinary, collaborative approaches to address concentration of scholars and multidisciplinarity unlike venues. 2014 publications include monographs and the symposium on empathy and disability, 'Try Walking in the most challenging and significant research problems”. any other in the world”, and that in regard to “strategy edited collections in leading academic presses such as My Shoes', with The Dax Centre, The University of for public dissemination of research results through Cambridge, Chicago, and Palgrave; and special editions Melbourne; and exhibitions like the splendid Five public performance, exhibitions, and coherent policy … of journals across a disciplinary range including literary Centuries of Melancholia at The University of Queensland the ARC Centre is far ahead of any European initiative, theory, international politics, women’s history, history of Art Museum. Another major step forward in public either specific to the history of the emotions or generally ideas, and medievalism. Deputy Director Jane Davidson’s outreach was the enhancement of the CHE website applicable to the humanities across the board.” and Postdoctoral Fellow Sandra Garrido’s My Life as a under the direction of National Web Officer, Lucy It is pleasing to see the vitality of both our research Playlist was related to a widely popular public survey of Burnett. The range and depth of the Centre’s many and our community engagement recognised from emotions related to music, conducted through ABC a long distance. Classic FM. As both a major academic question and

8 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 9 Meet the Advisory Board The Advisory Board is composed of individuals selected for their breadth of knowledge of government, research, and business-related aspects of the Centre’s activities, both in Australia and world-wide. They provide the Centre with strategic counsel in conducting top-level research in the humanities and in making the results accessible to the Iain McCalman AO (Chair) was Ian Donaldson (Vice-Chair) is David Konstan is Professor of Carmen Lawrence is a former W. Gerrod Parrott is Professor wider community. In 2014, Chief born in Nyasaland, schooled in an Honorary Professorial Fellow Classics at New York University WA State Premier, Treasurer of Psychology at Georgetown Investigators (CIs) were invited Zimbabwe, and did his higher in the School of Culture and and Professor Emeritus at Brown and Minister for Education and University. His central research to attend the Advisory Board education in Australia. A Fellow Communication at The University University. His research focuses Aboriginal Affairs; former Federal interest is the nature of human meeting, which immediately of three learned academies and of Melbourne and an Emeritus on Greek and Roman comedy and Minister for Health and Human emotion, on which he has preceded the combined 2014 former President of the Australian Professor at The Australian the novel, Greek philosophy, and Services; and Minister assisting published over 75 scholarly Methods Collaboratory and Academy of the Humanities, he National University (ANU). the history of emotions and values. the Prime Minister on the Status chapters and articles and Biennial Research Meeting in is a Co-Director of the Sydney He was founding Director of He is a Fellow of the American of Women. She brings her four books. He was Editor of Brisbane, for which W. Gerrod Environment Institute. His current ANU’s Humanities Research Academy of Arts and Sciences and extensive political and academic Cognition and Emotion from Parrott was one of the plenary book, The Reef – A Passionate Centre and the University of Honorary Fellow of the Australian experience to the board. She is 1995-1999 and President of the speakers.Meet Members the and CIs History, was published in Cambridge’s Centre for Research Academy of the Humanities. He Chair of the Australian Heritage International Society for Research joined by videoconference and Australia, the USA, and UK in the Arts, Social Sciences, co-edits the series Emotions of the Council, Winthrop Professor in on Emotions from 2008-2013. Skypeadvisory from Brisbane, board in 2014. He is an Officer and the Humanities (CRASSH). Past (Oxford University Press). Psychology at The University of He is a Fellow of the Association Melbourne, Perth, Berlin, of the Order of Australia for He is a Fellow of the Australian Western Australia, and a member for Psychological Science. and New York. Professor Anna services to history and the Academy of the Humanities, of UWA Publishing’s Advisory Haebich (Curtin University humanities. the British Academy, and the Board. of Technology) accepted an Royal Society of Edinburgh. invitation to join the Board in late 2014.

German E. Berrios is Professor Amanda Duthie is Director and Anna Haebich is a John Curtin Lyndal Roper is Regius Professor Fiona Stanley AC FAA FASSA Claudia Ulbrich is Professor of of Psychiatry at Cambridge CEO of the Adelaide Film Festival, Distinguished Professor at of History at the University of is Founding Director and Patron Early Modern History and Gender University, UK. He has published an annual international 11-day Curtin University, researching Oxford, the first woman and the of the Telethon Kids Institute; History at the Freie Universität 14 books and over 450 papers festival; and of the AFF Investment Aboriginal performing arts in first Australian to hold the post. Distinguished Research Professor, Berlin. She is the author of on the clinical aspects of various Fund, which invests in distinctive Western Australia, past and She is a leading researcher in School of Paediatrics and Child Shulamit and Margarete. Power, neurological and psychiatric Australian screen projects. present. A multi-award winning early modern German history, Health at The University of Gender and Religion in a Rural disorders, psychopathology, Amanda sits on the Adelaide Australian author and historian, and a pioneer of gender history. Western Australia; and Vice Society in Eighteenth-Century and the epistemology of Festival, Committee for Adelaide, Anna is recognised for her She is a Fellow of both the Chancellor’s Fellow at The Europe, translated by Thomas psychiatry. His awards include and Festivals Adelaide Boards, research and work with Aboriginal Australian Academy of the University of Melbourne. Dunlap (Brill 2004). She is on the the Order of the Sun (Peruvian and the Ngeringa Arts Advisory communities, in particular the Humanities and the British She established the Australian advisory board of Egodocuments Government) and the Ramón y Board. Previously Head of Arts Noongar people. Her career Academy for the Humanities Research Alliance for Children and History Series (Brill) and on Cajal Award (International and Entertainment at ABC TV, combines academia, curatorship, and Social Sciences, and is and Youth in 2002, was Australian the editorial boards of L’HOMME: Neuropsychiatric Association), she was instrumental in setting creative writing, and the arts. Honorary Professor at The of the Year in 2003, and since European Journal of Feminist and he is an Honorary Fellow of up the Centre’s Arts Industry She is a Fellow of the Australian University of Melbourne. 2006 is the UNICEF Australia History, and Selbstzeugnisse der the Royal College of Psychiatrists Partnership with the ABC. Academy of Humanities and Ambassador for Early Neuzeit (Böhlau). of the UK. the Australian Academy of Childhood Development. Social Sciences. Image: Sam Proctor

10 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 11 Meet the Chief Investigators

†Professor Philippa Maddern Professor Andrew Lynch Professor Jane W. Davidson Professor Susan Broomhall Professor Yasmin Haskell Dr Juanita Feros Ruys 24 August 1952 – 16 June 2014 Deputy Director/Acting Director Deputy Director and The University of Western Australia The University of Western Australia The University of Sydney The University of Western Australia Performance Program Leader Director The University of Melbourne Susan Broomhall was a Chief Yasmin Haskell is working in Juanita Feros Ruys is the Director The University of Western Australia As Deputy Director, then Acting Investigator for part of 2014, the Meanings, Change, and of the Sydney node of CHE and her Director in 2014, Andrew Lynch’s Jane Davidson oversees industry working in The Shaping the Performance Programs. research projects contribute to the Philippa Maddern’s role was to role has been to support the partnerships, media and marketing, Modern Program. Her projects Yasmin’s project on Jesuit Meanings Program. Her project oversee and promote the whole Centre’s planning, partnerships education and outreach, and analysed medieval and early emotions explores the theory, on demonic emotions studies how research program of the Centre, and research collaborations, and matters relating to intellectual modern European colonialisms, experience, and performance emotions came to be attributed to and to represent the Centre to the mentoring of the postdoctoral property for CHE. She is also leader objects, and emotions. Later in of emotion in the early modern disembodied beings such as demons the public. In particular her tasks research fellows. Andrew's of the Performance Program. the year she became an Associate Society of Jesus, the most in the twelfth and thirteenth included liaison with international research contributes mainly to Her CHE research projects explore Investigator with the Centre, influential order of educators in centuries. In collaboration with research collaborators and Rebecca McNamara, Juanita is the Meanings Program. He studies how music was used historically having taken up an Australian Catholic Europe and its colonies partners. Philippa’s own CHE researching suicidal emotions in the emotions as represented in and is used today for emotional Research Council Future until the end of the eighteenth research projects explored how the middle ages, exploring how we the literature of war from the regulation, from personal activity Fellowship. Her new research century. Her project on passions emotions worked in later medieval might uncover the emotional states eighth to the fifteenth centuries, to collective ceremonies. project focuses on emotions and for learning opens up the English law, families, and religious at play in the act of self-murder. with a further interest in modern She researches how emotional power in the correspondence of emotional worlds of scholars, life; and how later medieval Juanita is also collaborating with medievalism’s reception and affect can be achieved through Catherine de Medici. scientists, teachers, and students people in north-western Europe Yasmin Haskell, on a project studying re-imagination of this material. historically informed opera from the middle ages through to interpreted the expression of the long history of academic production practices, employing the nineteenth century. emotions in faces, gestures emotions from the high middle reflective practice techniques. and behaviour. ages to the eighteenth century. Image: sundaysunset.images

Professor David Lemmings Professor Stephanie Trigg Professor Bob White Professor Jacqueline Van Gent Professor Charles Zika Professor Peter Holbrook Change Program Leader Shaping the Modern Meanings Program Leader The University of Western Australia The University of Melbourne The University of Queensland The University of Adelaide Program Leader The University of Western Australia The University of Melbourne Jacqueline Van Gent is working in Charles Zika's research projects Peter Holbrook is Director of David Lemmings is leader of the Bob White is leader of the the Shaping the Modern Program. explore the intersection of religion, the Queensland Node of CHE. Change Program and Director of Stephanie Trigg is leader of the Meanings Program. Bob’s Jacqueline’s projects investigate emotions, visual culture, and print Peter’s work contributes to the the Adelaide node of CHE. David’s Shaping the Modern Program and CHE research projects explore the role emotions play in shaping between the fifteenth and eighteenth Meanings Program. His projects CHE research projects include: Director of the Melbourne node emotions as they were described early modern and late colonial centuries. They focus on the focus on two related themes in Governing emotion: the affective of CHE. Stephanie’s CHE research in Shakespeare and how we encounters with indigenous people emotions that shaped pilgrimage English literature of the sixteenth family, the press, and the law in focuses on the expression of interpret those emotions and cultures. Her work explores: rituals and communal identity at and seventeenth centuries: early modern Britain; and Emotion emotion on the human face in today, and the ways in which emotions, conversions, and the Austrian shrine of Mariazell; self-control, and the conflict in the English Criminal Courts, poetic, dramatic, and narrative Shakespeare’s plays have been missions; affective strategies of emotions of exclusion associated between reason and the Passions. with witchcraft imagery and 1700-1830, which will consider English literary texts from Chaucer adapted and used in modern early modern Europeans in the demonisation in the seventeenth the emotional styles of English and Shakespeare, through to films (including Bollywood). acquisition, exchange, and display century; and emotions generated criminal trials during a period contemporary writers on autism Bob also has interests in of colonial objects; and the role of in response to natural disasters when the incursion of counsel and prosopagnosia such as Oliver eighteenth-century ideas of emotions in early ethnographic Sachs. A second project examines and apocalyptic anxiety in the transformed their culture. sympathy, as reflected in texts and collections. Jacqueline sixteenth century. Charles is also the relationship between emotions theories of natural rights, also oversees the Centre’s responsible for the collaborative and eco-materialism; this project Romantic writing, especially involvement in the Zest Festival. exhibition on art and emotions of compares and contrasts human Keats and Hazlitt, and love to be held at The National emotions in medieval, early modern, literature as an affective Gallery of Victoria in 2017. and modern affective responses vehicle for pacifist thought. to two phenomena: fire and stone. 12 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 13

Dr Raphaële Garrod Dr Stephanie Downes Dr Kimberley-Joy Knight Meet the The University of Western Australia The University of Melbourne The University of Sydney

Researchers Raphaële Garrod is researching Stephanie Downes is a graduate Kimberley-Joy Knight graduated Jesuit emotions with Professor of The University of Sydney, with a MA and MLitt (with In 2014 the Centre reached a Yasmin Haskell at UWA. She is and has been a British Academy distinction) in Medieval History from milestone when it farewelled investigating lexis and theories Visiting Scholar at Queen Mary, a the University of St Andrews and inaugural Postdoctoral Research of emotions as they were spelled Mayers Fellow at the Huntington received an Arts and Humanities Fellows who joined us in the out at the French Jesuit collège of Library, San Marino, and was the Research Council (AHRC) doctoral inception year of 2011. Pleasingly, La Flèche, where Descartes was 2014 Bloomfield Fellow in the fellowship for her PhD research. we have been able to maintain an educated, before focusing on their Department of English at Harvard Her thesis, entitled Blessed are those affiliation with the departing enactment or subversion in the University. She has published on who weep: Gratia lachrymarum in researchers through honorary pedagogical, and, ultimately, Anglo-French manuscript culture thirteenth-century hagiographies was fellowships. The Centre has also political practices of the French and the reception of Christine de completed in 2014. Kimberley’s CHE warmly welcomed a new group of Jesuits. Her sources consist of Pizan in England. With Andrew Lynch research explores the relationship postdoctoral researchers who textbooks in rhetoric, psychology, and Katrina O’Loughlin she is the between love, desire, sexuality, and commenced their three-year and theology, as well as treatises co-editor of War and Emotions: marriage in Medieval Norway and positions in 2014. Further of meditational practice and of Medieval to Romantic Literature Iceland (c.1100-1500). Kimberley is researchers will be joining moral edification, school plays, (forthcoming from Palgrave, 2015). currently coordinating a symposium the Centre in early 2015. and occasional literature (poetry, Since 2012, Stephanie's research entitled ‘Emotions in the Courtroom’ orations). This research is providing focus has been on manuscript which will bring together international her with some of the building exchange, bilingualism, and scholars with a shared interest in blocks of her current project, a emotional expression in English and the history of emotions, law, and Jusepe de Riberia,The Holy Family with Saints Anne and Catherine of Alexandria, 1648. history of prudence in early modern French writing during the Hundred literature. The symposium is © Metropolitan Museum of Art France, which will alter traditional Years War. In 2015, Stephanie will co-hosted by CHE and the Centre historiographical accounts of the start a new research fellowship with for Medieval and Early Modern French Grand Siècle by highlighting CHE at Melbourne examining Law and Literature at the University the importance of emotions in the representations of faces and facial of St Andrews. very fabric of the not-so-transparent expressions in pre-modern English (Postdoctoral Fellowship commenced subject of the Age of Reason. manuscript and print. November 2014) (Postdoctoral Fellowship completed September 2014)

Dr Danijela Kambasković Dr Diana Barnes Dr Gordon Raeburn The University of Western Australia The University of Queensland The University of Melbourne

Danijela Kambaskovic´ is a Research Diana Barnes is affiliated with Gordon Raeburn is researching

Associate in the Meanings Program, both the School of English, Media the effects of various early working on a book project concerned Studies and Art History, and CHE modern Scottish disasters, with the literary and cultural history at The University of Queensland. and the emotional responses Dr Katie Barclay Dr Sandra Garrido Dr Tom Bristow of love, The new life: love written in She is a graduate of The University they provoked, analysing how The University of Adelaide The University of Western Australia The University of Melbourne the first person and the European of Melbourne. Her interest in they affected the development Katie Barclay is working with Sandra Garrido is working with Tom Bristow’s research combines Renaissance. Her subsidiary research the emotions dates back to her of personal and communal David Lemmings and Claire Walker Professor Jane Davidson on a concepts from geography and philosophy concerns the cultural history of the doctorate which was a literary identities, as well as a national on how the eighteenth-century press project called ‘My Life as a Playlist’. to underline an ecocritical reading of senses, the nexus of religion and historical study of love and Scottish identity in the early shaped public opinion around law The project utilises an interactive place. His CHE research project connects poetry, the cultural history of love, friendship in early modern letters. modern period. and governance through acting on website created in collaboration with contemporary Australian literature with and the history of European doctrinal This interest has been further (Postdoctoral Fellowship commenced people’s emotional sensibilities, with the Australian Broadcasting late eighteenth-century British poetry. and medical writing. Danijela is developed through her involvement February 2014) a particular focus on how emotions Corporation to investigate the way Tom is engaged in broad humanities an award-winning poet with with CHE and in her work on drove social and legislative change. people use music to mark key events concerns, working as an editor on the work included in national and early modern women’s manuscript In addition, as a DECRA Fellow from in their lives such as weddings and journal PAN (Philosophy Activism international anthologies, and letters. In March 2014 she took June 2014, she is working on funerals. The website also explores Nature), and he is interested in her collection, Internal Monologues, up a James M. Osborne Fellowship emotions within the marriages of the response of modern listeners to developing relations with museums, came out in 2013 (Fremantle Press). in History and Literature at the the Scottish lower orders across music that was historically used to collecting institutions, and primary Beinecke Library at Yale University (Postdoctoral Fellowship commenced the long eighteenth century. mark such events. It thus traces the schools. to conduct archival research for a January 2014) trajectory of music use in significant new project on stoicism in early (Postdoctoral Fellowship completed in (Postdoctoral Fellowship commenced rituals from the medieval and early modern literature. June 2014) July 2014) modern period until the present day. 14 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 15

Dr Merridee Bailey Dr Brandon Chua Dr Una McIlvenna Dr François Soyer Dr Giovanni Tarantino Dr Katrina O’Loughlin The University of Adelaide The University of Queensland The University of Sydney The University of Adelaide The University of Melbourne The University of Western Australia

Merridee Bailey is a Senior Research Brandon Chua researches Una McIlvenna investigates François Soyer has completed A former Hans Kohn Member of Katrina O’Loughlin has research Fellow in the Change Program, seventeenth- and eighteenth- emotional responses to public an analysis, critical edition, the Institute for Advanced Study interests in English literary history, investigating emotional discourses century English literature, focusing execution in the early modern and translation of the Centinela in Princeton and a Balzan Research particularly eighteenth-century surrounding merchant practices in on the affective dimensions of the period, looking in particular at the contra Judios puesta en la torre de la Associate with Professor Carlo writing, cultural history, gender, London over the late medieval and public sphere and the emotional use of songs and verse in accounts Iglesia de Dios by Fray Francisco de Ginzburg at the Scuola Normale and cultural exchange. Working early modern period, c.1450-1650. constitution of political identities. of crime and execution across Torrejoncillo, first printed in 1674. of Pisa, Giovanni Tarantino is with Bob White in the Meanings Drawing on an array of archival He investigates representations of Europe. Crime reports were often The book appeared in print with researching the reception in Program, her project for CHE materials, from court records to private and public government in printed in huge numbers on cheap Brill in early 2014 with the title: England of a number of emotive explores the forging of intellectual popular printed didactic texts, literary responses to the English pamphlets and set to the tune of Popularizing Antisemitism in Early and personalised accounts of the and emotional bonds among women she is examining the central role of Civil Wars and the political well-known songs, enabling the Modern Spain and its Empire: The Catholic persecution of Waldenses in the long eighteenth century. emotions and morality in London experiments with non-monarchical reader to sing along to the account Centinela contra Judios of Fray in the seventeenth century. He is Drawing on manuscript letters, merchant activities and the ways in authority that followed. The project of the (often violent) crime and the Francisco de Torrejoncillo (1674). also exploring the methodological travel writing, and memoirs, this which moral emotions, vices, and focuses on representations of the public execution of the condemned. He is currently writing his fourth legitimacy of reading geographic research investigates the emotional emotional expressions of good passions, relating them to emerging Exploring how the emotional book on the ‘politics of fear’ and maps not merely in technical or structures of intellectual sociability economic conduct were represented. debates over public affection in the resonances of a familiar tune could the use of Antisemitic conspiracy geopolitical terms, but in a way that and women’s participation in the In addition, her research investigates constitution of political authority be transferred or subverted in the theories in the early modern he believes can justifiably be defined early modern Republic of Letters. the language of emotions in legal and the generation of consent. new version of the song, this project Iberian World. François is now a as ‘affective cartography’. In May In addition, Katrina is writing on war and literary texts. Her project revises His research emphasises how reveals how music, balladry, and Lecturer in History at the University 2014, he convened the international and emotion and eighteenth-century our ideas of medieval and early revised understandings of the performance played an integral role of Southhampton, and will become symposium ‘Feeling Exclusion satire, and completing a monograph modern merchants, showing that passions and their government in the public’s emotional perception a CHE Partner Investigator in 2015. in Early Modern Europe’ with on eighteenth-century travel writing. emotions and morality were at the in the late seventeenth century of crime and punishment. Una has CI Charles Zika. (Postdoctoral Fellowship completed core of economic activity. contribute to the political autonomy since taken up a position as Lecturer January 2015) and liberty which structure modern in Early Modern Literature at Queen political consciousness. Mary, University of London, UK. (Postdoctoral Fellowship completed August 2014)

Dr Sarah Randles Dr Grace Moore Dr Penelope Woods The University of Melbourne The University of Melbourne The University of Western Australia Dr Ross Knecht Dr Spencer Young Dr Rebecca McNamara The University of Queensland The University of Western Australia The University of Sydney Sarah Randles is conducting Grace Moore is a Senior Research Penelope Woods is working on a research project on emotions Fellow in the Shaping the Modern audience and emotion in early Ross Knecht is a scholar of early Spencer Young is a specialist Rebecca McNamara is exploring and sacred sites, focusing on the Program. Her primary research modern performance history, and modern English literature. His in the intellectual, educational, emotions related to the suicidal Cathedral of Notre Dame at project is an examination of the collaborating with UK and Australian research focuses on Shakespeare and religious history of medieval impulse in the medieval world. Chartres, a significant centre representation of bushfires in theatres on research into audience and his contemporaries, with Europe. His research interests Her project considers cases of suicide for medieval pilgrimage and an nineteenth-century settler literature, and emotion in theatre spectatorship additional interest in the early include the history of universities, and attempted suicide found in legal outstanding example of early gothic which will lead to a book, Arcady in today. Penelope also considers modern discourse of the passions, poverty and poor relief, and the records and chronicles in England architecture and art. The project Flames. Grace’s recent work intercultural performance and the the philosophy of language, and the social and cultural impact of the from c.1200-1500, focusing especially investigates emotions in relationship includes an essay on emotional international theatre tour both history of pedagogy. He is currently concept of the seven deadly sins. on the frames of reference in which to the material culture of this site, responses to arson in novels and now and historically. Penelope at work on a manuscript, tentatively His project analyses sermons, suicide was reported, such as sickness. in particular the emotional the periodical press, along with a collaborated with Shakespeare’s titled 'The Grammar Rules of theological treatises, and She is also analysing instances of responses of worshippers to the piece on Anthony Trollope and Globe and Queen Mary, University Affection: Language, Passion, and confessional literature in order the suicidal impulse in Middle English relics and other holy material dingo-hunting. Grace is also of London on a PhD project on Pedagogy in Early Modern English to understand how ideas about sin, literature, asking how writers employed housed in the cathedral, to its built developing a research interest in the spectatorship, reconstruction, Literature', on the intersections of penance, and conversion influenced the suicidal impulse to portray various environment and visual programs, environmental humanities and in and audiences. emotion, grammar, and schooling in the emotional life of European emotions and elicit emotional and to the objects that they brought 2014 co-convened the ‘Affective literary texts. Christians in the later middle ages. responses from their readers. as donations or took away as Habitus’ collaboratory in Canberra. souvenirs or contact relics. (Postdoctoral Fellowship completed (Postdoctoral Fellowship completed (Postdoctoral Fellowship completed December 2014) August 2014) September 2014). (Postdoctoral Fellowship completed November 2014)

16 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 17 SPOTLIGHT: METHODS COLLABORATORY AND BIENNIAL RESEARCH MEETING

Meet the Partner Investigators

Dr Thomas Dixon Her work within the Centre eighteenth centuries. Professor Queen Mary, University will contribute towards Claudia recently edited a Peter Reynolds of London tracing a history of the collection titled, Childhood Newcastle University, UK emotions precisely by and Emotion: Across Cultures Thomas Dixon is the Peter Reynolds is a examining mechanisms 1450-1800. Director of the Centre for Shakespearean scholar (such as laughter) that serve the History of the Emotions with an interest in to control the passions and at Queen Mary, University Professor Shakespeare in contemporary create a sense of emotional of London. He is a historian Jonas Liliequist performance, and practical, detachment. Indira’s current of philosophy, science, Umeå Universitet workshop-based research focuses on medicine, and religion, approaches to teaching Renaissance courtesy Jonas Liliequist is with particular expertise in Shakespeare. From 2001 literature and the strategies Professor of History at the history of emotions, and to 2006 he was the Creative of emotional manipulation Umeå University, Sweden. in Victorian intellectual and Director of the English that it shares with classical He is a founding member cultural history. Thomas is National Theatre’s award- rhetoric. Her interest lies and administrator of the the co-editor of the ‘Queen winning performance in tracing the way ideas International Network for Mary History of Emotions’ website ‘Stagework’. about the management the Cultural History of blog, and co-editor, with He is currently exploring of passions in courtesy Emotions in Premodernity Professor Ute Frevert, of early modern plays written manuals shaped early (CHEP), now integrated the Emotions in History for performance by boys/ modern drama, and into the Umeå Group for book series published by young adults. In 2012 he intersects closely with Premodern Studies (UGPS). Oxford University Press. directed a production of the work of CIs Bob White His role within CHE is in part His publications have Ben Jonson’s Epicene, or and Peter Holbrook. to provide a liaison point focused on the conceptual The Silent Woman, using between CHE and the histories of the terms a group of boy actors drawn work of UGPS. His research ‘passions’ and ‘emotions’, Junior. – Professor from three Perth schools. focuses on the relationship and the cultural histories Claudia Jarzebowski Peter has written about between gender, violence, of altruism, emotional Freie Universität Berlin how his cast negotiated the and emotion in early The 2014 Methods Collaboratory and the Andrea and CHE international visitors, Professors education, tears, and problematic emotional Prof. Claudia Jarzebowski modern Europe; and Michael Ann Holly and Keith Moxey, led an informative weeping. He has benefited landscape of Jonson’s 2014 Biennial Research Meeting were held is Assistant Professor of includes expressions of discussion at the exhibition opening. from scholarly exchanges play and how the audience concurrently in Brisbane from August 28-30. Early Modern History at anger, fear, and manliness on the latter topic with responded to it (www. In the first of two keynote Methods Collaboratory the Freie Universität Berlin. within different emotional It was an amazing showcase of CHE’s energy, members of CHE, including universitypublishingonline. presentations, Professor Holly gave a moving and She works in the fields of regimes; intimacy, integrity, diversity, and expertise. The packed event the late Philippa Maddern. org/cambridge/benjonson/). highly accessible talk on ‘The Art of Melancholy’ in social history, the history of and emotional ambivalence provided a wonderful chance for everyone to In 2013, the Queen Mary In November 2014, Peter which she spoke for the need to recognise emotion, emotions, and early modern in family and household Centre hosted an event directed a group of boys be informed about each other’s work, and to specifically the melancholy of loss, as an inescapable global history, pursuing relations; binding passions on early modern hatred, from Guildford Grammar extend and refine their own understandings factor in the apprehension of art from the past. In the questions of how emotions and the materiality of organised jointly with then School (GGS) in a production and methodologies. second, CHE Advisory Board member Professor W. and political power are love and friendship. He is CHE Postdoctoral Research of Beaumont’s The Knight Gerrod Parrott spoke about ‘Emotional Values across entwined with each other. currently editing a volume Ranging from medieval Chartres to Renaissance Fellow, and soon to become of the Burning Pestle. Cultures’. Professor Parrott invited and challenged us Her own CHE-related on Laughter, Humor and the Italy to colonial Australia, the short presentations Partner Investigator, The production was to consider the potential mutual benefits of bringing research projects explore: (Un)making of Gender – by Associate Investigators and Postdoctoral Research François Soyer. performed at GGS and at humanities and social sciences methodologies into how childhood and emotion Historical and Cultural Fellows illuminated the broad new terrain in emotions UWA in conjunction with a intellectual contact. The engaged replies of the are interrelated, from a Perspectives (Palgrave history which the Centre’s research is covering. CHE symposium, ‘Little formal respondents and the intense discussions that Professor Indira Ghose perspective based on Informative briefings from Program Leaders, Macmillan, May 2015). Eyases: Early Modern accompanied these offerings clearly showed their Université de Fribourg practices and agency rather the Education and Outreach Officers, and the Players: 1525-1642’. interest and value. than on normative thinking; Web Officer were well received, as were the Indira Ghose was appointed the history of love as the contributions made in poster sessions and Much of the two days was devoted to group discussions to the Chair of English history of political power; general discussion by the CHE Postgraduates. charting ways forward for CHE as it passes its half-way Literature at the Université In 2015 CHE is looking forward to welcoming the and how to conceptualise mark. The meeting began with a silent tribute to the de Fribourg, Switzerland, in following new International Partner Investigators: A highlight of the combined event was the emotions within a global and founding Director, Philippa Maddern, and it turned out to 2007. Indira’s research deals ‘Five Centuries of Melancholia’ exhibition at transcultural early modern Professor Louis Charland, The University of Western Ontario be very much the lively and engaging kind of event she with laughter and its diverse The University of Queensland Art Gallery, curated history. More recently she Professor Piroska Nagy, Université du Québec à Montréal always enjoyed. functions with regard to by CHE Associate Investigator, Dr Andrea Bubenik. has developed an interest in emotions – laughter as a Professor Andrea Noble, Durham University how global travelling tool of aggression, a coping Professor François Soyer, University of Southampton reverberated in emotional strategy in the face of fear and family practices in the and shame, and a mechanism late seventeenth and to reduce social tension.

18 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 19 It has been a true privilege to be part of the Centre as an AI in 2014. As a young scholar who works on interdisciplinary research and with performance-led research methods, the Centre has been instrumental in furthering my research by: providing me with funding for my research; facilitating networking with and feedback from more experienced and noted scholars in my field; and opening opportunities for me to present and publish research concerned with historical representation of emotions in early opera recitative, and its modern performance practice and audience reception.

Daniela Kaleva, University of South Australia

Associate Investigators Aert Pietersz and Pieter Pietersz, Rich Children, Poor Parents, 1599. © Rijksmuseum.

CHE’s flagship program for Australian The Associate Investigator scheme was championed Successful AI Applicants 2014 humanities scholars, the Associate by the late Philippa Maddern and it forms an important Investigator scheme, continued to expand part of the Centre’s collaborative approach to research. Han Baltussen, Adelaide Emma Hutchison, UQ Laura Prosperi, Adelaide Its success exemplifies what has been said of Professor in 2014, drawing ever more researchers into Maddern’s ability to "bring together disparate and A new study of Nicholaus of Modrus’ Disaster imagery and the history Seeking food paradises: the role the growing CHE network. The competitive individual humanities researchers to form a highly De Consolatione (1465-66) of humanitarian emotions of hunger in great geographical scheme provides Associate Investigators collaborative world-leading Centre". enterprises (Europe, 12th-16th Megan Cassidy-Welch, Monash David Irving, ANU centuries) (AIs) with $3000 to support research projects Sixty-seven applications were received for the 2014 that correlate with CHE’s research focus. Atrocity, emotion and the Reflexive cultural criticism and the scheme. After considerable deliberation, 25 scholars thirteenth-century crusades emotion of encounter in early modern John Scott, UWA were invited to become AIs (refer to the list below for AIs also contribute to CHE academic events, European music Terrestrial happiness, according full details). Pleasingly, eight of the new AIs were community outreach, and publications. Feedback from Jennifer Clement, UQ to Dante Alighieri (1265-1321) affiliated with institutions other than the five CHE AIs strongly suggests that their association with CHE Daniela Kaleva, South Australia node universities and spread across six states and The early modern English sermon has been beneficial to both their individual research Pam Sharpe, Tasmania one territory. The research projects of the selected A comparative audience reception projects and in developing further collaborative projects AIs cover a diverse range of disciplines, time periods, Denis Collins, UQ study of historically recreated opera Everyday obligations: households and and relationships. The program has many reciprocal and methodological approaches. Emotion and music in the with reference to Monteverdi’s economic change in the British Isles benefits for CHE, enriching its research focus and Counter-Reformation Lamento d’Arianna 1650-1850 expanding its collaborative networks. The application process for the 2015 Associate Investigator scheme has been completed, and 24 Tania Colwell, ANU Alan Maddox, Sydney Nicole Starbuck, Adelaide scholars have been offered AI status. This will bring Musical affect at the intersection Pacific passions: explorations the total number of AIs associated with CHE since the Beyond wonder: emotions of between the sacred and secular of humanity from the Age of scheme’s inception to 77. The Centre endeavours to encounter in Jean le Long’s realms Enlightenment to the French I have found the Associate Investigator maintain contact with AIs from previous years, Fleurs des histoires de l’Orient Revolution, 1766-1804 ensuring the benefits of collaboration are ongoing. program to be of immense value – in Peter Denney, Griffith Alicia Marchant, UWA Associate Investigators are able to use their involvement Jason Stoessel, New England The battle of the senses: politics, Antiquarians and emotions fact, this program has benefited my with the Centre as leverage when applying for grants emotions and the senses in Britain, in fifteenth-century Britain The emotional community of early or other funding. We would like to congratulate the research more than anything else over c.1760-1800 humanists at Padua: rhetoric and following AIs who were awarded national competitive Louise Marshall, Sydney music research grants in 2014: Denis Collins (AI 2013/2014) the last year. Not only has it enabled Daniel Derrin, Macquarie Emotions and the visual in early and Jason Stoessel (AI 2014), Discovery Project on modern Europe, in crisis and in health Anik Waldow, Sydney me to formulate and initiate a fruitful reconceptualising current understandings of musical Humours of the mind: comic The emotional construction of human composition from c.1330 to c.1530; Katrina O’Loughlin persuasion in early modern English new long-term research project, but Glen McGillivray, Sydney nature in 18th century philosophy (AI 2012 / 2014), Discovery Early Career Researcher literature it has put me in touch with a number Award to investigate a rare archive of letters and Gesture and affect in the 18th century manuscript materials to examine forms of literary John Gagné, Sydney English theatre of eighteenth-century scholars friendship between women in the eighteenth century; Rethinking fear and despair in the working on the history of emotions David Irving (AI 2014), Discovery Project on the history Italian wars (1494-1527) Katrina O’Loughlin, UWA For details on all of our Associate and practice of Malay music traditions; Penny Edmonds ‘The liberty of the press men’: the Investigators see our website: who have been an enormous source of (AI 2013), Discovery Project on the first transnational Ron Goodrich, Deakin emotional politics of sexual satire in www.historyofemotions.org.au/ encouragement and inspiration. analysis of intimacy and violence as key, intertwined Disorderly emotions: British the eighteenth century about-the-centre/who-we-are/ vectors in the development of settler societies across philosophical and medical debates, associate-investigators/meet-the- the colonial Anglophone Pacific Rim; Sarah Ferber Nicola Parsons, Sydney Peter Denney, Griffith University 1702-1788 associate-investigators.aspx (AI 2012), Discovery Project on the history of IVF. ‘A sort of spiritual romance’: Elizabeth Aleksondra Hultquist, Melbourne Singer Rowe and the complications of The amatory mode: amatory fiction form and its legacy, 1680-1760

20 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 21 INSIGHT

EMOTIONS AND SPOTLIGHT: EXCLUSION IN CHANGING HEARTS: PERFORMING SEVENTEENTH- JESUIT EMOTIONS BETWEEN CENTURY EUROPE, ASIA AND THE AMERICAS WITCHCRAFT IMAGES

It has long been a premise for scholars On 7-8 March, an international symposium at that strategies of exclusion are at the Trinity College, Cambridge, ‘Changing Hearts: heart of the phenomenon of the European Performing Jesuit Emotions Between Europe, witch-hunt. The witches of early modern Europe were generally understood to be Asia and the Americas’, was convened by Yasmin extremely malicious and aggressive Haskell (CI), Raphaële Garrod (Postdoctoral figures; for this reason, they had to Research Fellow), and Makoto Harris Takao be excluded from the benefits and (PhD candidate). The event was jointly hosted protections of church and state, if not by the Centre for the History of Emotions; Trinity wholly exterminated. They had to be made alien, to be created as ‘other’; College, Cambridge; and the Ludwig Boltzmann indeed, they had to appear alien and Institute of Neo-Latin Studies, Innsbruck other. Their ‘otherness’ was a projection, (Austria). and emotions were a key to whether Speakers and chairs included historians of literature, ideas, such projection was successful or not. art, religion, society, and music. They came from Australia, In exploring the visual strategies the United Kingdom, Canada, Austria, Italy, Belgium, France, used by artists to stimulate such and Finland. The topics were wide-ranging: Juan Luis emotions in those who viewed their González Garcia (Universidad Autónoma de Madrid) spoke works, I realised that the focus has on visual aids for preaching in the early modern Iberian rural been almost entirely on how their missions, where skulls, crucifixes, and macabre wax models behaviour differed from the requirements were employed to inspire dread and repentance; David Irving of Christian morality and order. (AI, Australian National University) showed how music, dance, and drama were used as more agreeable tools for conversion But what scholars have not realised is and communal devotion in the remote Mariana Islands. that the emotional attachments between Several papers explored performative poses in non-dramatic witches themselves, the emotions texts, such as Peter O’Brien’s (University of Dalhousie) on the encoded in their visualised behaviours verse letters of an exiled ‘New France’ writing home about the towards each other, are just as significant climatic and culture shocks of life on the Canadian missions as the aggression or malice they exhibit – the Jesuit author had never set foot outside of France. towards their victims. Those emotional The emotions of martyrdom ‘in real time’ were, of course, attachments, moreover, are most clearly carefully crafted and related in Jesuit missionary reports. represented in the group dancing that Tara Alberts (University of York) gave examples of young witches perform at their meetings or Vietnamese converts supposedly embracing death with the Sabbaths, another aspect of witches’ same uncanny good cheer as the early Christian martyrs. behaviour that has been almost totally Makoto Harris Takao (UWA) found parallels with accounts ignored in recent scholarship. Our routine of the fortitude of physically delicate female martyrs from privileging of individual emotions seems the Christian century in Japan. Such stories fed the to have blinded us to the power of imaginations of Jesuit poets and playwrights. collective emotions, especially when considering behaviour that is considered The climax of the symposium was a historically informed little more than psychological projection. performance of the musical elements of Mulier Fortis (‘Strong Woman’) (1698), a Viennese Jesuit play on the Charles Zika supposed Christian martyrdom of Gracia Hosokawa, a sixteenth-century Japanese convert. The sung roles of ‘Constancy’, ‘Rage’, ‘Restlessness’, and ‘Repentance’ gloss, precisely, the internal passion(s) of the outwardly inscrutable martyr. A curated exhibition of rare Jesuitica was held at Trinity College’s famous Renaissance Wren library in conjunction with the symposium.

Domenicus van Wijnen, Der Hexenmeister, c.1661-1690. 22 Courtesy of Wikimedia Commons. ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 23 ORGANISATIONAL STRUCTURE

Anonymous, The Saint Elizabeth’s Day Flood, Master of the St Elizabeth Panels, c.1490-1495. © Rijksmuseum.

Research related activity

Professional / Administrative related activity

Director Advisory Board

Program Chief Deputy Director Centre Leaders Investigators Manager

Associate Partner • Distinguished Investigators Investigators International ARC CENTRE OFEXCELLENCE HISTORY OFEMOTIONS ANNUAL REPORT 2014 Visitors • Early Career Research Visitors

National Postdoctoral Postgraduate National Arts Industry • National Administrative Mentor Research Students Mentor Partners Communication Officers Fellows Officer • Education and Outreach Officers • Web Officers

Shaping the Performance Change Meanings Modern

25 v Centre. inception ofthe funded since the all oftheprojects contains alist of The timeline 26 the Modern Shaping Performance Change Meanings

PROJECT TIMELINES

the thirteenth-century crusades historicising thepassions of thesoul body andmindfrom Plato to theEnlightenment war literaturewar English historical writing furies –constructing anemotion inlate-medieval Megan Cassidy-Welch | Helen | Dell Emotions andheritage BroomhallSusan andAliciaMarchant Paul James| Yasmin Haskell | Stephanie Trigg| Kambaskovic´Danijela | Stephen Knight| YoungSpencer | Shane McLeod | Laura Prosperi | Keagan Brewer | Juanita Feros | Ruys Hannah Kilpatrick | Constant Mews| Clare Monagle| Carol| Williams Alicia Marchant | Stephen Knight| Juanita Feros | Ruys Robert| White Andrew Lynch | Tahlia | Birnbaum Andrew Mellas| private values in medieval Arthurian literature Arthurian inmedieval values private romancemedieval enterprises (Europe, 12th-16thcenturies) The role of hungeringreat geographical Byzantine hymnography Knútr conquer England runestones dedicated whohelped to thewarriors the middle ages the middle ages modern emotions the Speculumdominarum(Mirror of Ladies) influenced withparticular traditions, reference to a global of theface history English chronicles in late religion medieval Singing death Figures of emotion: Victims of war Emotions in medieval musictheory Emotions inmedieval The emotions in medieval The emotions inmedieval Emotions inscholasticism: Seeking food paradises. food paradises. Seeking Enduring pride:thememorial Tears of compunction in Emotions, vices andconversion The emotion of amazement in Passions for learning Theorising emotion inmendicant Face publicand andheart: The role of emotions in Emotions inlate medieval Fire, rock, shaping affect: Shame inAnglo-Saxon England Angers, indignities,and The secret life of demons emotions in Suicidal Conjunctions of soul, Atrocity, emotion and |

400 400-1100

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1000 1100-2014 1100-2014 1100-2014 1100-1800 1100-1800 1100-1700 1100-1500 1100-1500 1100-1500 1100-1500 1100-1500 1100-1500 1100-1500 1100-1500 1100-1500 1100-1500 1100-1500 1100-1500 1100-1300

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1400 ARC CENTRE OFEXCELLENCE HISTORY OFEMOTIONS ANNUAL REPORT 2014

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2014 27 1000 1200 1400 1600 1800 2000 2014

Sarah Davis | Intimate enmity: an affective analysis of Christian perceptions of 'internal others' in the Medieval West c.1200-1330 1200-1330

Rebecca McNamara | Emotions and the suicidal impulse in the medieval world 1200-1450

Stephanie Downes | Feeling in French in late medieval and early modern England 1250-1600

Danijela Kambaskovic´ | The new life: love written in the first person and the European Renaissance 1250-1630

John Scott | Terrestrial happiness, according to Dante Alighieri (1265-1321) 1265-1321

Richard Read | The reversed cross in pseudo-Giotto's 'Crib at Greccio' as a booster of liturgical drama 1297-1300

Clare Monagle | Why Aquinas? 1300-1400

Louise Marshall | Emotions and the visual in early modern Europe, in crisis and in health 1300-1500

Philippa Maddern | Emotions at work: family, law and religious life in late-medieval England 1300-1500

PROJECT TIMELINES Tania Colwell | Beyond wonder: emotions of encounter in Jean le Long’s Fleurs des histoires de l’Orient 1300-1530

Raphaële Garrod | Jesuit emotions 1300-1700

Sarah Randles | Emotions and material culture at Chartres Cathedral in the middle ages 1300-1700

Yasmin Haskell | Jesuit emotion 1300-1700

Charles Zika | Emotions, sacred place and community: the shrine of Mariazell 1300-1750

Ann Brooks | Genealogies of emotion, intimacy and desire: theories of changes in emotional regimes from medieval society to late modernity 1300-2000

David Lemmings | Norbert Elias, emotions and historical change 1300-2012

Louise Marshall | Trouble in heaven: emotions and the plague in Renaissance Italy 1348-1550

Jason Stoessel | The emotional community of early humanists at Padua: rhetoric and music 1390-1430

Han Baltussen | A new study of Nicholaus of Modrus’ De Consolatione (1465-66) 1400-1500

Ross Knecht | The grammar rules of affection 1400-1600

Andrea Bubenik | The passions in early modern art theory 1400-1690

Stephanie Trigg | Speaking faces: describing the facial expression of emotion 1400-2012

Rob Conkie | Othello's ongoing affect 1400-2013

Danijela Kambaskovic´ | The sonnet sequence before early modern eyes: printing practices and notions of the genre in Italy 1450-1650 1450-1650

Merridee Bailey | Moral emotions in mercantilism in late medieval and early modern England, c.1450-1650 1450-1650

John Gagné | Rethinking fear and despair in the Italian wars (1494-1527) 1494-1527

Merridee Bailey | Emotions and feelings between young people and adults in London, 1500-1600 1500-1600

Alicia Marchant | Antiquaries and emotions in late medieval and early modern Britain 1500-1650

Bronwyn Reddan | The problem of love in early modern contes de fées 1500-1700

Catherine Kovesi | Claws of desire: women, lust and sacred space in early modern Italy 1500-1700 Meanings Ciara Rawnsley | ‘An ancient tale new told’: Shakespeare’s use of folk– and fairy tales as sources for his plays 1500-1700 Change Claire Walker | Governing emotion: the affective family, the press and the law in early modern Britain 1500-1700 Performance Daniel Derrin | Humours of the mind: comic persuasion in early modern English literature 1500-1700 Shaping the Modern Han Baltussen | The early modern reception of Cicero's 'Consolation to Himself' 1500-1700

28 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 29 1000 1200 1400 1600 1800 2000 2014

Heather Dalton | Emotional support, knowledge transfer and dynastic ambition; among 16th C trans-Atlantic trading networks 1500-1700

Heather Kerr | Architectures of debate 1500-1700

Jennifer Spinks | Violent emotions and religious polemic: southern Indian religious cultures in the 16th C northern European imagination 1500-1700

Makoto Harris Takao | Glocal emotion: performative practices of Jesuit conversion in early modern Japan 1500-1700

Marina Bollinger | The sex of Adam in early modern Europe 1500-1700

Nicholas Eckstein | Getting the joke: anger, envy, violence and contempt in the community life of Renaissance Italy 1500-1700

Ursula Potter | Interpreting adolescent fears in early modern daughters 1500-1700

Heather Kerr | Varieties of melancholy 1500-1750

François Soyer | Cultivating fear and hatred of the ‘other': the development of officially sanctioned anti-Semitic and Islamophobic sentiment in Catholic Southern Europe (1500-1800) 1500-1800 PROJECT TIMELINES Peter Holbrook | A literary history of self-government 1500-1800

David Irving | Reflexive cultural criticism and the emotion of intercultural encounters in early modern European music 1500-1800

Una McIlvenna | Singing the news of death: song in early modern European execution (1500-1900) 1500-1900

Louise D'Arcens | Medievalist laughter: emotion and transformation 1500-2014

Andrea Bubenik | Five centuries of melancholia 1500-2014

Denis Collins | Emotion and music in the Counter-Reformation 1525-1594

Sarah Ferber | Worlds behind the world: the politics of the imagination in early modern witchcraft, demonic possession and spirituality 1550-1650

Bríd Phillips | Stirring the emotions with colour: an examination of the affective role of colour use in the drama of William Shakespeare 1550-1650

Gordon Raeburn | Natural disasters and apocalyptic anxiety: the Wick collection 1560-1588

Diana Barnes | The politics of civility: historicising genres of community, 1580-1665 1580-1665

Alison Scott | Passionate readers: literary responses to stoicism and the development of an emotional ethics of reading, 1600-1700 1600-1700

Brandon Chua | The passions and political obligation in later Stuart England 1600-1700

Charlotte-Rose Millar | The devil is on the pamphlets: witchcraft and emotion in seventeenth-century England 1600-1700

Jasmin Parasiers | Miscreant youth in early modern England 1600-1700

Sing d'Arcy | Space, music and emotion: architecture and the organ in the Spanish Baroque 1600-1700

Charles Zika | Emotions and exclusion: witchcraft imagery of the seventeenth and early eighteenth century 1600-1750

Samantha Owens | The use of instrumentation to represent emotions in theatrical music of the German Baroque (1600-1750) 1600-1750

Colin Yeo | Poetic antecedents of the Gothic mode 1600-1800

Richard Yeo | The passions of the expert: the ethos of specialisation in Western science, 1600-1900 1600-1900 Meanings Jacqueline Van Gent | Colonial encounters and cross-cultural emotions in the early modern world and in late colonial Australia 1600-1900 Change Jane Davidson | Rhythm, text, action: exploring emotional meaning and communication in sacred and Performance theatrical musical performance settings, working through a reflective historically informed performance- practice approach 1600-2012 Shaping the Modern Kate Gregory | Emotions of encounter in North West colonial heritage 1600-2013

30 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 31 1000 1200 1400 1600 1800 2000 2014

Penelope Woods | Feelings in the room: theatre audiences and their emotions 1600-2014

Andrew Lawrence-King | Rhythm, text, action: exploring emotional meaning and communication in sacred and theatrical musical performance settings working through a reflective historically informed performance-practice approach 1600-2014

Robert White | Shakespeare in our world 1600-2014

Daniela Kaleva | A comparative audience reception study of historically recreated opera with reference to Monteverdi’s 'Lamento d’Arianna' 1600-current

Emma Hutchison | Disaster imagery and the history of humanitarian emotions 1600-current

Jennifer Clement | Passions and preaching: the early modern English sermon, 1603-1660 1603-1660

Dolly MacKinnon | Emotional landscapes: English and Scottish battlefield memorials 1638-1936 1638-1936

Robert Phiddian | Saeva indignatio – Swift as emotional outrider in the early 18th century literary regulation of 'the rage of party' 1650-1750

PROJECT TIMELINES Robert Phiddian | Spectacular opposition: suppression, deflection, satire and the public emotions 1650-1750

Pam Sharpe | Everyday obligations: households and economic change in the British Isles 1650-1850 1650-1850

Giovanni Tarantino | Digging out some emotional roots of British anti-Catholicism 1655-1791

Elsa Reuter | Treason, passion and power in England, 1660 – 1685 1660-1685

Patricia Alessi | Expressing the emotions of opera's first ‘bitches, witches and women in britches': the modern-day mezzo-soprano sings early English opera's repertoire, 1660-1737 1660-1737

Aleksondra Hultquist | Love and desire, stage and page: the love story in fiction and drama in Britain (1660-1750) 1660-1750

David Lemmings | Governing emotions: the affective family, the press and the law in eighteenth-century Britain 1660-1800

Katie Barclay | Governing emotions: the affective family, the press and the law in eighteenth-century Britain 1660-1800

Aleksondra Hultquist | The amatory mode: amatory fiction and its legacy, 1680-1760 1680-1760

Alan Maddox | The performance of affect in early modern opera 1690-1750

Alan Maddox | Musical affect at the intersection between the sacred and secular realms 1700-1750

Katrina O'Loughlin | An Irish jig: the friendship of Princess Dashkova and Martha Wilmot 1700-1800

Anik Waldow | The emotional construction of human nature in 18th century philosophy 1700-1800

Ann Brooks | Emotions in transmigration: transformation, movement and identity 1700-1800

Ann Brooks | Emotions and social change: historical and sociological perspectives 1700-1800

Glen McGillivray | Gesture and affect in the 18th century English theatre 1700-1800

Joanne McEwan | Emotion and emotional attachment in 18th C infanticide narratives in London and Edinburgh 1700-1800

Katrina O'Loughlin | ‘The liberty of the press men’: the emotional politics of sexual satire in the eighteenth century 1700-1800

Lisa Hill | Emotions in the social thought and political economy of the Scottish Enlightenment 1700-1800

Lisa O'Connell | Sentiment, secularity and the eighteenth-century British novel 1700-1800

Lisa O'Connell | Love and cruelty: the personae, styles and affects of libertinism 1700-1800

Meanings Mark Neuendorf | Madness in England in the 'Age of Sensibility' 1700-1800 Neil Ramsey | The Orientalist emotions of modern war: imperial conflict in eighteenth-century travel writing Change 1700-1800 Nicola Parsons | Feeling influence: friendship and patronage in early eighteenth-century women’s writing 1700-1800 Performance Stephen Gaukroger | Sensibility in the eighteenth century 1700-1800 Shaping the Modern David Lemmings | Emotions in the English criminal courts, 1700-1830 1700-1830

32 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 33 1000 1200 1400 1600 1800 2000 2014

Alan Maddox | Musical emotion in the sacred sphere 1700-1880

Susan Broomhall | Early modern encounters, objects and emotions, 2011-2014 1700-2014

Katrina O'Loughlin | A certain correspondence: intellectual sociability and emotional community in the eighteenth century 1700-current

Ron Goodrich | Disorderly emotions: British philosophical and medical debates, 1700-1798 1702-1788

Janice Stockigt | The role of music for Lent and Eastertide in the Dresden Catholic Court Church (1710-1742) 1710-1742

Heather Kerr | Melancholy sympathies: scaling up 'Beachy Head' (Charlotte Turner Smith 1749-1806) 1750-1806

Anik Waldow | The importance of sensibility in the shaping of enlightenment values (1750-1800) 1750-1800

Deirdre Coleman | The family diaries of Katherine Plymley (1758-1829) 1758-1829

Peter Denney | The battle of the senses: politics, emotions and the senses in Britain, c.1760-1800 1760-1800

Nicole Starbuck | Pacific passions: explorations of humanity from the Age of Enlightenment to the PROJECT TIMELINES French Revolution, 1766-1804 1766-1804

Jordan Lavers | Gender, emotion and kinship in the letters of Karoline von Günderrode 1780-1806

Penny Edmonds | Conciliation, trust and violence: empire's humanitarian handshake and the anatomy of a transcolonial idea, 1788-1901 1788-1901

Stephanie Trigg | Victorian bluestone: an affective cultural history 1788-2014

Grace Moore | Arcady in flames: representations of bushfires in nineteenth-century settler culture 1800-1900

Alison Inglis | The celebration of grief: the case of Lady Franklin and mourning practices in colonial Australia 1800-2012

Catherine Czerw | Journey of emotion: Julie Dowling's Stations of the Cross 1800-2012 Meanings Jacqueline Van Gent | Medieval and early modern emotions and modern exhibition spaces 1800-2014 Change Tom Bristow | Decolonised pastoral: a comparative study of emotional variants in Australian literature (1925-2015) 1800-2015 Performance Jane Davidson | My life as a playlist (In partnership with the ABC) current Shaping the Modern Sandra Garrido | My life as a playlist (In partnership with the ABC) current

INSIGHT

HAPPINESS HAS NOT ALWAYS BEEN THE SAME Our modern vocabulary of words describing emotions is shared with medieval, early modern, and Romantic writers, but it is often wrongly assumed that, because the word is the same, the feeling being described is also the same. Analysis of this phenomenon can tell us as much about our own society's preoccupations and priorities as about the emotional material in, for example, Shakespeare's works. Bob White

34 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 35 MEANINGS PROGRAM

PROGRAM REPORT In March, an international in October; distinguished Changed?’), and Charles Zika symposium at Trinity College, public lectures; and ‘Histories of (‘Memento Mori – Remembering The Meanings Program is the most populated and Cambridge, ‘Changing Hearts: Melancholia’, a panel discussion Death or the Community of Death in arguably most diverse of our Programs, and it is hard to Performing Jesuit Emotions held in collaboration with the Early Modern Europe?’). Meanwhile, generalise about its very wide-ranging activities, except Between Europe, Asia and the Brisbane Writers Festival. Yasmin Haskell and Makoto Harris Americas’, convened by Yasmin Takao introduced discussion on a to say that they all illuminate the subject of emotions, A concern which is proving Haskell (CI), Raphaële Garrod series of dramatic, artistic, and 1100-1800. Meanings also has considerable overlap with suggestive and central to a lot of (Postdoctoral Research Fellow), musical works in the seventeenth our other Programs, which is fully consistent with our our work in diverse areas is the and Makoto Harris Takao (PhD and eighteenth centuries by aim of interdisciplinary and collaborative research. question of empathy, considered in a candidate), was jointly hosted by the members of the Society of Jesus. Visitors during 2014 have immeasurably enriched historical context. In October 2014, Centre for the History of Emotions; Their central concern was living scholarly thinking on a range of historical accounts of Juanita Ruys organized ‘The Ethics Trinity College, Cambridge; and dying well – and sometimes emotions, and since the eventual outputs will often be of Empathy’ Symposium at the State and the Ludwig Boltzmann painfully. Over two lunch-time unified, thematically arranged book collections, we are Library of NSW, which examined Institute of Neo-Latin Studies, events, Bob White introduced CHE laying the groundwork for numerous future publications, the long history of notions of Innsbruck (Austria). Postdoctoral Research Fellows, some of which are already in preparation. These will human fellow-feeling with others. Penelope Woods (‘Death and often stem from collaboratories and symposia, and bear The major ‘Meanings’ Collaboratory The lectures, some of which can be Laughter on the Elizabethan Stage’), witness to researchers teaming together to reflect on an for the year was in June at UWA, watched on our website, illustrate and Danijela Kambaskovic´ (‘To be area relevant to the History of Emotions. ‘Languages of Emotion: Translations the Centre’s intellectual range, or not to be, Forever?’). One collection which appeared in 2014 with contributions and Transformations’, with plenary involving as they do philosophy, from many CHE members is Conjunctions of Mind, speakers Anna Wierzbicka (ANU), film theory, medievalism, humour A recent initiative which expands Soul and Body from Plato to the Enlightenment (Springer, Naama Cohen-Hanegbi (Tel Aviv), studies, literature, and the history the range, depth, and research History of the Philosophy of Mind series, 2014), edited and Javier E. Díaz Vera (Castille-La of gender performance. This event intensity of our activities is the by Danijela Kambaskovic´. In addition, the following Mancha). Given that the speakers was followed up with a Postgraduate creation of CHE Research Clusters. monographs were published by researchers within the were respectively a linguist, an Advanced Training Seminar (PATS) Those created so far all hold a Meanings Program: Brandon Chua, Ravishment of expert on medieval medicine, and a day on ‘Empathy, Ethics, Aesthetics’, substantial ‘Meanings’ component Reason: Governance and the Heroic Idioms of the Late medieval philologist, the discussions also at Sydney. as well as reaching out to other were fully interdisciplinary and Programs. To date they include: Stuart Stage, 1660-1690 (Bucknell University Press: Later in the year, one of our fascinating in their interrelationships. ‘War and Emotions’; ‘Colonial Lewisburg, 2014); Alicia Marchant, The Revolt of Owain numerous visitors was Piroska Nagy, ^ A second event held in June at UWA Encounters – Empires and Glyndwr in Medieval English Chronicles (York Medieval a professor of medieval history at was ‘In Form of War: Emotions and Emotions’; ‘Emotions and the Press: Boydell and Brewer, 2014); Juanita Feros Ruys, Université du Québec à Montréal Warfare in Writing 1300-1820’, in Environment’;‘Languages’; ‘Religion The Repentant Abelard: Family, Gender, and Ethics in (UQAM), who gave public lectures which invited speakers included and Emotions’; ‘Space, Cities, and Peter Abelard’s Carmen ad Astralabium and Planctus and research seminars on medieval Craig Taylor (York), Catherine Nall Emotion’; ‘Medievalist Emotions’; (New York: Palgrave, 2014); Richard Yeo, Notebooks, emotions at UWA, Sydney, and (Royal Holloway, London), Neil ‘Emotions and Material Culture’; English Virtuosi, and Early Modern Science (Chicago: Melbourne. Piroska will become a Ramsey (University of NSW), and and ‘Love’. Their existence augurs University of Chicago Press, 2014); Spencer E. Young, CHE Partner Investigator from 2015, Diana Barnes (UQ). Papers from this well for the future, expanding Scholarly Community at the Early University of Paris: and is planning future collaboration symposium are being collected for influence of the work generated Theologians, Education and Society, 1215-1248 with several CHE members (Cambridge: Cambridge University Press, 2014). publication under the editorship of in the Australian Research Council These books are complemented by many articles Andrew Lynch, Stephanie Downes, At UWA in November 2014, Centre of Excellence for the mentioned elsewhere in this Report. The impressive and Katrina O’Loughlin. the Centre contributed to the History of Emotions 1100-1800. powerful and moving art exhibition yield of publications for 2014 sheds new light on The year 2014 marked the Bob White entitled ‘Memento Mori’, with many different aspects of emotional meanings, 500th anniversary of Albrecht Meanings Program Leader Campus Partner the Lawrence and they bode well for the future. Dürer’s engraving Melencolia I. Wilson Art Gallery. Once again To commemorate this occasion, January and February 2014 were especially busy there was a strong basis in The University of Queensland Art with visitors and events under the Meanings Program. ‘Meanings’ driving the various Museum, in collaboration with Professor Richard Strier from the University of Chicago papers, though as with all our work the Centre, hosted a remarkable lectured on various plays by Shakespeare at our there were crossovers with other exhibition curated by Andrea Melbourne, Sydney, Adelaide, and Queensland nodes. Programs. Different disciplines of Bubenik, ‘Five Centuries of In February, Tracy Adams, a CHE Distinguished history, literature, art history, music, Melancholia’, running from International Visitor from the University of Auckland, and theatre history intersected, with August to November. Taking its lectured on subjects relating to marriage, passion, mutually illuminating results. A very cue from Dürer’s engraving, the and love in early modern France, from her ‘home base’ well attended public symposium exhibition and the accompanying at UWA. Matthew Grenby from Newcastle University included papers by Andrew Lynch catalogue presented a unique visual (UK), spoke at UWA about friendship and affection in (‘Medieval Modes of Death and their exploration of melancholy in art. eighteenth-century children’s literature, and in Adelaide Afterlives’), Richard Read (‘Death, There were several associated about emotions in anti-Jacobin literature 1790-1805. the Common Unshareable: Has the events: a symposium entitled Meaning of Memento Mori Imagery ‘The Persistence of Melancholia’

36 Fra Filippo Lippi, Portrait of a Woman with a Man at a Casement, c.1440. © Metropolitan Museum of Art. ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 37 Unknown maker, Battle Before a Walled City, c.1450. © The J.Paul Getty Museum, Los Angeles.

Deirdre Coleman Danijela Kambaskovic´ Andrew Mellas Bronwyn Reddan Stephanie Trigg List of Research (Duration AI), Melbourne (Postdoctoral Research Fellow), UWA (PhD candidate P/T), Sydney (PhD candidate), Melbourne (CI), Melbourne Projects The family diaries of Katherine Plymley Conjunctions of soul, body and mind Tears of compunction in The problem of love in early modern Speaking faces: describing the facial (1758-1829) from Plato to the Enlightenment Byzantine hymnography contes de fées expression of emotion The Meanings Program incorporates the following Tania Colwell Danijela Kambaskovic´ Constant Mews Elsa Reuter Anik Waldow research projects which were (AI 2014), ANU (Postdoctoral Research Fellow), UWA (AI 2012-2015), Monash (Graduated PhD, 2014), Adelaide (AI 2013, 2014), Sydney funded in 2014: Beyond wonder: emotions of The new life: love written in the first Theorising emotion in mendicant Treason, passion and power in The emotional construction of human encounter in Jean le Long’s person and the European Renaissance influenced traditions, with particular England, 1660 – 1685 nature in 18th century philosophy Fleurs des histoires de l’Orient reference to the Speculum Merridee Bailey Heather Kerr dominarum (Mirror of Ladies) Sarah Davis Claire Walker (Research Fellow, AI 2012), Adelaide Peter Denney (Duration AI), Adelaide (PhD candidate), UWA (Duration AI), Adelaide Moral emotions in mercantilism in late (AI 2014), Griffith Architectures of debate Clare Monagle Intimate enmity: an affective analysis Governing emotion: the affective medieval and early modern England, The battle of the senses: politics, (AI 2012-2015), Macquarie of Christian perceptions of 'internal family, the press and the law in early c.1450-1650 emotions and the senses in Britain, Heather Kerr Why Aquinas? others' in the Medieval West modern Britain c.1760-1800 (Duration AI), Adelaide c.1200-1330 Han Baltussen Varieties of melancholy Lisa O'Connell Robert White (AI 2012, 2014-2016), Adelaide Daniel Derrin (Duration AI), UQ Juanita Feros Ruys (CI), UWA A new study of Nicholaus of Modrus’ (AI 2013, 2014), Macquarie Hannah Kilpatrick Sentiment, secularity and the (CI), Sydney Shakespeare in our world De Consolatione (1465-66) Humours of the mind: comic (PhD candidate), Melbourne eighteenth-century British novel Suicidal emotions in the middle ages persuasion in early modern Angers, indignities, and furies— Robert White Tahlia Birnbaum English literature constructing an emotion in late- Lisa O'Connell Juanita Feros Ruys (CI),UWA (PhD candidate), Sydney medieval English historical writing (Duration AI), UQ (CI), Sydney Victims of war Shame in Anglo-Saxon England Stephanie Downes Love and cruelty: the personae, The secret life of demons (Postdoctoral Research Fellow), Ross Knecht styles and affects of libertinism Colin Yeo Marina Bollinger Melbourne (Postdoctoral Research Fellow), UQ Alison Scott (PhD candidate), UWA (Duration AI), Independent scholar Feeling in French in late medieval The grammar rules of affection Katrina O'Loughlin (Duration AI), UQ Poetic antecedents of the Gothic mode The sex of Adam in early modern and early modern England (Postdoctoral Research Fellow, AI Passionate readers: literary responses Europe Andrew Lynch 2012, 2014), UWA to stoicism and the development of an Spencer Young John Gagné (CI), UWA A certain correspondence: intellectual emotional ethics of reading, 1600-1700 (Postdoctoral Research Fellow), UWA Keagan Brewer (AI 2014), Sydney The emotions in medieval war sociability and emotional community in Emotions, vices and conversion in late (PhD candidate), Sydney Rethinking fear and despair in the literature the eighteenth century John Scott medieval religion The emotion of amazement in Italian wars (1494-1527) (AI 2014), UWA the middle ages Rebecca McNamara Nicola Parsons Terrestrial happiness, according to Charles Zika Yasmin Haskell (Postdoctoral Research Fellow), (AI 2014), Sydney Dante Alighieri (1265-1321) (CI), Melbourne Andrea Bubenik (CI), UWA Sydney Feeling influence: friendship and Emotions, sacred place and (Duration AI), UQ Passions for learning Emotions and the suicidal impulse in patronage in early eighteenth-century Pam Sharpe community: the shrine of Mariazell Five centuries of melancholia the medieval world women’s writing (AI 2014), Independent scholar Lisa Hill Everyday obligations: households and Megan Cassidy-Welch (Duration AI), Adelaide Philippa Maddern Bríd Phillips economic change in the British Isles (AI 2014-2016), Monash Emotions in the social thought and (CI), UWA (PhD candidate), UWA 1650-1850 Atrocity, emotion and the political economy of the Scottish Emotions at work: family, law and Stirring the emotions with colour: an thirteenth-century crusades Enlightenment religious life in late-medieval England examination of the affective role of Makoto Harris Takao colour use in the drama of William (PhD candidate), UWA Brandon Chua Peter Holbrook Alicia Marchant Shakespeare Glocal emotion: performative practices (Postdoctoral Research Fellow), UQ (CI), UQ (AI 2013, 2014), UWA of Jesuit conversion in early modern The passions and political obligation A literary history of self-government Antiquaries and emotions in late Richard Read Japan in later Stuart England medieval and early modern Britain (Duration AI), UWA Aleksondra Hultquist The reversed cross in pseudo-Giotto's Stephanie Trigg Jennifer Clement (AI 2012, 2014), Melbourne Louise Marshall 'Crib at Greccio' as a booster of (CI), Melbourne (AI 2014), UQ The amatory mode: amatory fiction (AI 2012, 2014), Sydney liturgical drama Fire, rock, affect: shaping modern Passions and preaching: the early and its legacy, 1680-1760 Emotions and the visual in early emotions modern English sermon, 1603-1660 modern Europe, in crisis and in health

38 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 39 INSIGHTS

MY LIFE AS A PLAYLIST: MUSIC SURROUNDING KEY LIFE EVENTS FROM THE MEDIEVAL PERIOD TO TODAY In our project, a collaboration with the ABC, we have been combining data obtained from surveys of modern day music listeners with information about historical uses of music surrounding key life events. This has produced interesting insights into changing emotional perspectives on a variety of topics from birth to death, love, and gender. For example, in many non-Western cultures as well as in the medieval practice of ‘churching’, music has played a central role in creating a sense of the sacred around childbirth and in cementing female bonds of solidarity; women in Western countries, however, often face giving birth in a clinical, male-dominated environment. Our research suggests that the increasing popularity of music-use during childbirth in modern times reflects a desire to return to these more ‘tribal’ and inherently feminine SPOTLIGHT: MEANINGS PROGRAM birth settings. Similarly, while funeral music in Western countries LANGUAGES OF EMOTION COLLABORATORY has traditionally been dominated by expressions of faith, modern-day choices reveal a focus on the desire Our second ‘Languages of Emotion’ Linguist Anna Wierzbicka (ANU) Javier E. Díaz-Vera (Castilla-La for expressions of the individual, collaboratory, with the theme of threw down the gauntlet with Mancha), led a postgraduate whether in a religious or non- ‘Translations and Transformations’, her lively opening address, masterclass drawing on linguistic, religious setting. Our findings took place in Perth during an ‘Exploring human emotions visual and architectural data to build on these topics and several studies event-filled week for the Centre, from non-Anglocentric and up a finer-grained picture of the Old investigating the response of with senior investigators, non-chronocentric perspectives’. English concept of ‘awe’ than would modern-day audiences to music postdoctoral researchers, advisory Wierzbicka, inventor of ‘Natural have been possible through textual of historical significance have led board members, and administrative Semantic Metalanguage’, argued sources alone. us to propose a contextual model of staff converging from all quarters passionately that we should music and emotion that incorporates To continue conversations begun at for the Centre’s mid-term review. apply this instrument to historical historical and cultural influences these collaboratories, a Languages The previous collaboratory, emotions, by recognising and alongside modern day psychological and Emotion research cluster has ‘Concepts, Codes, Communities’, replacing our English folk- theories about emotional response been established with nearly twenty had explored the emotional psychological terms with cross- to music. members – linguists, literary investment of writers in particular culturally intelligible descriptions scholars, historians, musicologists, Sandra Garrido and Jane Davidson languages, languages defining based on universal ‘semantic and even psychiatrists – from both emotional communities, and the primes’. Naama Cohen-Hanegbi within and beyond CHE. We feel emotional nuances conveyed by (Tel Aviv), plotted shifts in the especially honoured to have EMOTIONS IN multilingual writers through the vocabulary and taxonomies of the encouragement and input of operations of code-switching. In this emotion terms in medical works Professor Nicholas Evans, Director MEDIEVAL MUSIC second collaboratory, we sought to written in Italy and Spain between of the newly established ARC Centre come to terms with the cultural 1200 and 1500 to reveal key THEORY of Excellence for the Dynamic of variation and historical evolution of moments in the transmission of We have discovered how different Language based at The Australian the terminologies of emotion in ideas between different fields of types of medieval plainchant National University. pre-modern Europe. knowledge. Cognitive linguist, melodies were perceived as having different emotional effects on the soul through the sense of hearing in the early fourteenth century.

40 Constant Mews and Carol Williams ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 41 CHANGE PROGRAM consider ways in which groups of New research clusters Other conferences organized people appeared to cleave to a sense under the auspices of the Change of identity based on their shared In addition to individual projects, Program in 2014 included ‘Relics emotional judgements around the Change Program is associated and Emotions’, a symposium at The behaviour and social values. Thus with two newly-founded research University of Melbourne convened Tahlia Birnbaum of The University ‘clusters’ of researchers. ‘Space, in March by Charles Zika and Sarah of Sydney argues that early Christian Cities, and Emotions’ is convened by Randles; and ‘Feeling Exclusion in preachers taught the Anglo-Saxons Merridee Bailey (Adelaide) and Ann Early Modern Europe’, held at The how to feel shame according to God’s Brooks (Bournemouth University); University of Melbourne in May, judgement; while Charles Zika and and ‘Religion and Emotions’ is led by convened by Giovanni Tarantino Gordon Raeburn (Melbourne) are Claire Walker (Adelaide) and Charles and Charles Zika. studying emotional representations Zika (Melbourne). of natural disasters by protestant ‘Space, Cities, and Emotions’ focuses clergy during the European Recent and forthcoming on emotions relating to space, cities, publications Reformation. Several projects show and identities, and includes research that communities also encouraged on rural as well as urban space. In 2014 Katie Barclay’s Love social coherence by emotionally The concept of ‘space’ is already an Intimacy and Power (University of ‘othering’ or demonising outsiders important one in social and cultural Manchester Press), was republished who were depicted as deviants: theory linked to the emotions and in paperback; François Soyer Jasmin Parasiers (Adelaide), has been developed by feminist and published Popularizing Anti-Semitism for example, is exploring social other scholars around the concepts in Early Modern Spain and its Empire. fears about ‘miscreant youth’ in of nation, territory, and belonging. Francisco de Torrejoncillo and the early modern England. In addition, ideas around cities are Centinela contra Judíos (1674); and The complex roles of emotional hugely important for the framing David Lemmings and Ann Brooks expressions in the context of large of historical, sociological, and produced an edited volume: Emotions pan-European movements – such aesthetic discourses. Two members and Social Change: Historical and as the rise of nation-states, the of the cluster (Ann Brooks and Sociological Perspectives (Routledge). Renaissance, the Reformation, the David Lemmings) have submitted Several proposals for collections of Enlightenment, Revolutions, and a proposal for a symposium essays arising from Change Program Romanticism – are the focus of a presentation on ‘Emotions, Dangers, events are forthcoming in 2015, number of projects. Nicole Starbuck and Crises in the Metropolis’ at the including Passions, Sympathy and (Adelaide), for example, considers 2015 Conference of the International Print Culture: Public Opinion and changing narratives about Society of Research on Emotion Emotional Authenticity in Eighteenth- humankind around the time of the (Geneva, July, 2015). Century Britain, edited by Heather Kerr, David Lemmings, and Robert French Revolution through studies The ‘Religion and Emotion’ cluster Phiddian (Palgrave-Macmillan); and of ethnographies based on French builds upon several religion-themed Disaster, Death and Emotions in the voyages to the Pacific. She concludes research projects and various Shadow of the Apocalypse, edited by that emotional interpretations of successful CHE Collaboratories and Jennifer Spinks and Charles Zika. cross-cultural encounters helped to symposia exploring emotion and inform ‘scientific’ theories about religion in the medieval and early race. In addition, Dolly MacKinnon modern periods. Members of this Education and outreach (Queensland) looks at nation building cluster have organised three and the contested emotional panels for the forthcoming biennial As one of many activities, Carly patriotism associated with the conference of the Australian Osborn (Education and Outreach memorialisation of battlefields and New Zealand Association Officer) delivered a ‘History of after the Civil Wars in seventeenth- for Medieval and Early Modern Emotions’ intensive program with a century England. She draws Studies (Brisbane, July, 2015). Change focus to Year 10 students at Jean Froissart, Richard II meeting with the rebels of the Peasants’ Revolt of 1381, c.1401-1500. Courtesy of Wikimedia Commons. attention to the ways in which Cedar College, Adelaide. Students changing emotional evaluations investigated the notion that of the past continue to inform Collaboratories/Conferences ‘emotions make history’ and that historical change can be better of anger, fear, love, shame, identifying ‘economies’ of emotion, narratives of unity and disunity in The Change Program Collaboratory, understood when emotions are Program Report or hate (to name just a few whereby narratives of love and hate the British Isles. ‘Emotion, Ritual and Power in taken into account. Students common emotions) drive change, were constructed around objects Europe: 1200 to the Present’, was Finally, many projects concentrate researched and presented a and patterns of collective emotion of affection (e.g. God, the People, convened by Merridee Bailey and Overview of Program: on the performative aspects of major essay on the topic. research directions themselves evolve, as individuals the British Constitution); and emotions. Jennifer Clement (UQ) Katie Barclay at The University of and groups challenge and break the the expression of emotions as and discoveries considers seventeenth-century Adelaide in February. Keynote David Lemmings ‘feeling rules’ previously in place. ‘performances’, conforming or sermons as rhetorical texts speakers from the UK and the Change Program Leader subverting power and thereby The mission of the Change Change research projects manifest constructed to appeal to their US talked about rituals as social enacting emotional politics. Program is to study mass or at least four overlapping approaches readers’ emotions, and a team of glue binding people together, communal emotions, especially to the study of emotions and Overall there are more than 30 researchers led by Yasmin Haskell at the transforming affect of rituals those that had lasting political historical change, investigating: research projects which contribute The University of Western Australia associated with Italian medieval and and social implications and the constitution and disintegration either fully or partly to the Change focuses on the performance of early modern miracles, and ritual consequences. The implication of emotional communities; the use Program. Almost all utilise the emotions in the work and writings humiliation (which goes to the heart is that ‘emotions make history’, of emotions as cultural interventions concept of emotional communities, of the Society of Jesus. of who is allowed to show – and in so far as collective expressions to exclude or unify the group; at least in the sense that they perhaps even feel – emotion).

42 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 43 Unknown Maker, Heraldic Panel with the Arms of the Eberler Family, c.1490. © The J.Paul Getty Museum, Los Angeles.

Lisa Hill Laura Prosperi List of Research (Duration AI), Adelaide (AI 2014), Adelaide Projects Emotions in the social thought and Seeking food paradises. The role political economy of the Scottish of hunger in great geographical The Change Program Enlightenment enterprises (Europe, 12th-16th centuries) incorporates the following David Lemmings research projects which (CI), Adelaide Gordon Raeburn were funded in 2014: Governing emotions: the affective (Postdoctoral Research Fellow), family, the press and the law in Melbourne Merridee Bailey eighteenth-century Britain Natural disasters and apocalyptic (Senior Research Fellow, AI 2012), anxiety: the Wick collection Adelaide Moral emotions in David Lemmings mercantilism in late medieval (CI), Adelaide Sarah Randles and early modern England, Emotions in the English criminal (Postdoctoral Research Fellow), c.1450-1650 courts, 1700-1830 Melbourne Emotions and material culture at Katie Barclay Una McIlvenna Chartres Cathedral in the middle ages (Postdoctoral Research Fellow), (Postdoctoral Research Fellow), Adelaide Sydney Elsa Reuter Governing emotions: the affective Singing the news of death: song in (Graduated PhD, 2014), Adelaide family, the press and the law in early modern European execution Treason, passion and power in eighteenth-century Britain (1500-1900) England, 1660 – 1685 Tahlia Birnbaum Philippa Maddern François Soyer (PhD candidate), Sydney (CI), UWA (Postdoctoral Research Fellow), Shame in Anglo-Saxon England Emotions at work: family, law and Adelaide religious life in late medieval England Cultivating fear and hatred of the Ann Brooks ‘other': the development of officially (International Investigator), Charlotte Rose Millar sanctioned anti-Semitic and Bournemouth University (PhD candidate), Melbourne Islamophobic sentiment in Catholic Genealogies of emotion, intimacy The devil is on the pamphlets: Southern Europe (1500-1800) and desire: theories of changes in witchcraft and emotion in emotional regimes from medieval seventeenth-century England Nicole Starbuck society to late modernity (AI 2013, 2014), Adelaide Mark Neuendorf Pacific passions: explorations Ann Brooks (PhD candidate), Adelaide of humanity from the Age of (International Investigator), Madness in England in the Enlightenment to the French Bournemouth University 'Age of Sensibility' Revolution, 1766-1804 Emotions and social change: historical and sociological perspectives Lisa O'Connell Giovanni Tarantino (Duration AI), UQ (Postdoctoral Research Fellow), Megan Cassidy-Welch Sentiment, secularity and the Melbourne (AI 2014-2016), Monash eighteenth-century British novel Digging out some emotional roots Atrocity, emotion and the of British anti-Catholicism thirteenth-century crusades Lisa O'Connell (Duration AI), UQ Stephanie Trigg Jennifer Clement Love and cruelty: the personae, (CI), Melbourne (AI 2014), UQ styles and affects of libertinism Fire, rock, affect: shaping modern Passions and preaching: The early emotions modern English sermon, 1603-1660 Katrina O'Loughlin (Postdoctoral Research Fellow, AI Claire Walker John Gagné 2012, 2014), UWA (Duration AI), Adelaide (AI 2014), Sydney ‘The liberty of the press men’: the Governing emotion: the affective Rethinking fear and despair in the emotional politics of sexual satire in family, the press and the law in Italian wars (1494-1527) the eighteenth century early modern Britain Raphaële Garrod Katrina O'Loughlin Charles Zika (Postdoctoral Research Fellow), UWA (Postdoctoral Research Fellow, AI (CI), Melbourne Jesuit emotions 2012, 2014), UWA Emotions, sacred place and A certain correspondence: intellectual community: the shrine of Mariazell Ron Goodrich sociability and emotional community in (AI 2014), Deakin the eighteenth century Charles Zika Disorderly emotions: British (CI), Melbourne philosophical and medical debates, Jasmin Parasiers Emotions and exclusion: witchcraft 1700-1798 (PhD candidate P/T), Adelaide imagery of the seventeenth and early Miscreant youth in early modern eighteenth century Yasmin Haskell England (CI), UWA Jesuit emotions 44 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 45 PERFORMANCE PROGRAM scholarly events. Associate artists Over the year, reflective performance • ‘Five Centuries of Melancholia’, Program Report Jonathan Sells, Stephen Grant, research projects included a a major scholarly and practical The Performance Program of the and Georg Corall gave input to production of Henry Purcell’s cross-arts event celebrating the Centre for the History of Emotions performances in Cambridge, Dido and Aeneas, directed by Jane 500th anniversary of Albrecht has developed a range of projects Perth, and Melbourne respectively. Davidson, who worked with associate Dürer’s engraving Melencolia I, investigating how emotions were These researchers cover a range of artist Georg Corall and arts was held at The University thought, felt, understood, displayed, disciplines from history, literature, education partners the Methodist of Queensland Art Museum, transferred, and constructed through theatre, musicology, the performing Ladies’ College and Christ Church curated by Andrea Bubenik performance and the visual arts. arts and performance studies, Grammar School, both in Claremont, (AI, UQ). Besides focus on the ‘Performance’ has always been psychology, and art theory. WA. This project offered the art works exhibited at the broadly conceived by the Centre, While the projects sit well within opportunity to work with students of museum, the project included and includes work on enactments Performance, there is a strong ages similar to those of the very first musical performances on the of social and cultural rituals as well and inevitable connection with production in 1688, performed at theme of melancholy. the other research Programs. Josias Priest’s School for Girls in as staged theatrical and musical • The Melbourne Bach Forum Chelsea. Francis Beaumont’s play events. Artistic spaces like the Chronologically, the largest honoured Harvard’s Professor The Knight of the Burning Pestle replica New Fortune Theatre, UWA, concentration of projects focuses Dr Christoph Wolff, the esteemed (1607) was also produced, similarly recreated Globe Theatres (London on the period 1600-1800, but there Bach and Mozart scholar, in a using a full boy cast made up of and Gdan´sk) and the Inns of Court are a number of studies of Medieval two-day study and performance students from arts education partner (London) have been places of and Renaissance music and art. event. Representing CHE was an Guildford Grammar School, also in enquiry. Other research has focused There is also a preponderance of exciting program of music given WA. Partner Investigator Peter on the early modern classroom and research on Southern Europe by e21 under the direction of Reynolds from Newcastle University, domestic or religious activities that (especially Italy), although Germany associate artist Stephen Grant. (UK), researched and directed often took place in private, intimate and Britain feature strongly, with one the production and hosted an Post-doctoral fellow Penelope settings. Sites and contexts have project - ‘My Life as a Playlist’ - accompanying study event on Woods organised a series of been as varied as the St Thomas having very strong resonances for early modern plays and boy players exploratory workshops and panel Chapel in Leipzig where J.S. Bach modern Australians, thus interfacing (1525-1642). In Adelaide, AI Daniela discussions on theatre-focused worked and the ships of the Dutch with the Shaping the Modern Kaleva researched and delivered two research questions, including East India Trading Company, whose Program. Details of each project contrasting performances of Claudio emotional contagion by Early Career crews performed shanties and can be found on the CHE website. nostalgic songs. In response to Monteverdi’s Lamento d’Arianna, Visitor to CHE, Dr Fiona Ritchie these different performances and Three major events formed the using lavish period costumes and (McGill, Canada), and laughter, participants, both modern and backbone to the Performance modern sound design. This was cruelty, and theatrical excess, with historical, the Program’s research Program calendar in 2014. The first situated historically in a discourse the participation by Bridget Escolme output has included reflective was in February, and featured a entitled ‘Grief in Greek Myth: (Queen Mary University London). practice alongside more traditional roundtable discussion on the Revisiting the Ariadne Story’ by A diverse range of additional written evaluation of historical theatrical use of emotion in voice. Han Baltussen (AI, The University activities included a symposium accounts. Also, and crucially, It emerged from a two-week of Adelaide). exploring new questions and residency at UWA by acting voice contexts for the study of the history this Program has been central Overseas activities included the coach, Shakespeare director, and of performance which featured to the development of CHE’s arts ‘Changing Hearts Symposium, Natural Voice Method creator, Shakespeare studies as well as the partnerships, with mutually- Performing Jesuit Emotions’, held Kristin Linklater. The second was a theatrical and cultural history of developed projects coming to fruition at the University of Cambridge, with Research Approaches Study Day Ireland, Australia, and Britain. on the stage, through the written presentations ranging from work held in Sydney in July that brought Emotions topics included theatre word, and in conferences and on the performance of emotion in together performance studies riots, the affect of ‘dark’ theatres, collaboratories which have garnered the Jesuit classroom (CI, Yasmin academics and practitioners to touring, and Shakespeare’s much international interest. Haskell) to a production of Jesuit consider the challenges of writing The Tempest. There was a lecture music drama of Johann Baptist In 2014, the Performance Program histories of performance and recital on emotions, symbols, and Adolph’s and Johann Bernhardt has included 17 active projects, emotion. It explored the strategies performance in Baroque music; Laudt’s Mulier Fortis, performed including two led by Chief and approaches that informed past another talk on street singers in by associate artist Jonathan Sells Investigators (Jane Davidson performances of emotions and their Italy; and a study event including and the UK-based Solomon’s and Bob White), and three led by potential relation to modern workshop performances on ‘Iago: Knot Baroque Collective. Postdoctoral Research Fellows performances. The third, and The Man, The Devil and Emotion’. (Una McIlvenna, Penelope Woods, culminating, event was September/ A series of marker events were also As the Centre develops and the Raphäele Garrod), with the October’s Performance Collaboratory, undertaken in partnership with other Performance Program increases its remaining work being developed ‘The Voice and Histories of Emotion: organisations: traction, its achievements become in collaboration with a Postdoctoral 1500 -1800’, also held in Sydney. • The fiftieth anniversary celebration testament to the fact that it has Research Fellow (Sandra Garrido), The importance of this event was of The University of Western produced outputs that unite many our Associate Investigators (Andrea summarized by keynote speaker Australia’s replica New Fortune scholars across the world in their Bubenik, Denis Collins, Daniela Richard Wistreich of London’s Royal Theatre. understanding of the performance Kaleva, Alan Maddox, Glen College of Music, who believes that of emotions in history. McGillivray, Samantha Owens, the emotional quality of voice needs • The Second New Fortune Louise Marshall, Richard Read, much more careful consideration Lecture-Performance given by the Jane Davidson and Jason Stoessel), and two from singers, actors, and cultural celebrated director Aarne Neeme Performance Program Leader PhD candidates (Patricia Alessi historians alike: "Voice has a (the inaugural lecture was given in and Makoto Harris Takao). function in every society and culture association with CHE by John Bell Honorary Visiting Fellow, Andrew and it’s used in every aspect of life in December 2012). Lawrence-King, participated in in terms of human interaction a number of Program-related and engagement."

46 Antoine Watteau, Mezzetin, c.1718-20. © Metropolitan Museum of Art. ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 47 Thomas de Keyser, A Musician and His Daughter, 1629. © Metropolitan Museum of Art.

Daniela Kaleva List of Research (AI 2014), South Australia Projects A comparative audience reception study of historically recreated opera with The Performance Program reference to Monteverdi’s Lamento incorporates the following d’Arianna research projects which were funded in 2014: Glen McGillivray (AI 2014), Sydney Gesture and affect in the 18th century Patricia Alessi English theatre (PhD candidate), UWA Expressing the emotions of opera's first Una McIlvenna ‘bitches, witches and women in (Postdoctoral Research Fellow), britches': the modern-day mezzo- Sydney soprano sings early English opera's Singing the news of death: song in early repertoire, 1660-1737 modern European execution (1500-1900) Andrea Bubenik Alan Maddox (Duration AI), UQ (AI 2012, 2013, 2014), Sydney The passions in early modern Musical affect at the intersection art theory between the sacred and secular realms Andrea Bubenik Samantha Owens (Duration AI), UQ (Duration AI), UQ Five centuries of melancholia The use of instrumentation to represent emotions in theatrical music of the Denis Collins German Baroque (1600-1750) (AI 2013-2017), UQ Emotion and music in the Richard Read Counter-Reformation (Duration AI), UWA The reversed cross in pseudo-Giotto's Jane Davidson 'Crib at Greccio' as a booster of (CI), Melbourne liturgical drama My life as a playlist (In partnership with the ABC) Jason Stoessel (AI 2014), New England Sandra Garrido The emotional community of early (Postdoctoral Research Fellow), UWA humanists at Padua: rhetoric and music My life as a playlist (In partnership with the ABC) Makoto Harris Takao (PhD candidate), UWA Yasmin Haskell Glocal emotion: performative (CI), UWA practices of Jesuit conversion in Jesuit emotions early modern Japan David Irving Robert White (AI 2014/2015), Australian National (CI), UWA University Shakespeare in our world Reflexive cultural criticism and the emotion of intercultural encounters in Penelope Woods early modern European music (Postdoctoral Research Fellow), UWA Feelings in the room: theatre audiences and their emotions

48 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 49 SPOTLIGHT: INSIGHTS KRISTIN LINKLATER: THE VOICE, EMOTION AND SHAKESPEARE

BEYOND WONDER: EMOTIONS OF ENCOUNTER IN JEAN LE LONG’S FLEURS DES HISTOIRES DE L’ORIENT My research examines the emotions of encounter in Jean le Long’s Fleurs des histoires de l’Orient, a mid-fourteenth century compilation of ethnographies and travel narratives. European visitors experienced a broad range of emotions in their dealings with peoples and places of far-off lands, with equally diverse emotions ascribed to On 14 November I took to the people they encountered. This suggests that the stage in the New Fortune the travellers in the Fleurs approached new cultures with a degree of open-mindedness towards lecture performance given by non-Christian peoples as fellow humans equally capable of experiencing complex Aarne Neeme. I am no actor but feelings and emotions. testing out Aarne’s ideas about Extant manuscripts and early editions transmitting Shakespearean theatre in practice the travel accounts to premodern audiences have revealed that, while the language used to gave me a unique perspective on signify emotions was fairly consistent over time, the illustrations in three different volumes offer the potential of the early modern divergent visual representations of the emotions stage that I will carry forward in expressed in the text. Tania M. Colwell my teaching and research. I think it would be great to see the New Fortune used more for practice- THE EMOTIONS OF WAR IN based emotions research. MEDIEVAL LITERATURE In researching English war narratives from In addition to the specific Anglo-Saxon times to 1300, I have found that courage and fear are primarily ethical concerns, collaborations I’ve mentioned, the based on promise-keeping and communal feeling. big take away from the fellowship Characters who are brave in battle but otherwise Through an arts partnership with the A highlight of Kristin’s visit was a public evening treacherous, cause in the long run, all the bad for me has been the opportunity Black Swan State Theatre Company, seminar exploring the emotional character of Iago and effects of battle cowardice because both treachery CHE brought renowned voice-coach Kristin his emotional relationship with Othello. This scholarly to nuance my thinking about the and practical event explored the ways in which drama and cowardice are seen as selfish states without Linklater to Perth for a series of events love or loyalty, and unable to produce good role of emotions in history by and opera arouse emotion and depict character, and outcomes. Cowardice is not treated simply as on the voice, emotion and Shakespeare. how these are translated over time. This event was failure to control fear. Courage is portrayed as a working with scholars who are at Kristin’s highly successful fifty-year career supported by another arts partner, West Australian Opera. Key speakers and performers included WAO socially-oriented concern to benefit a wider group. the cutting edge of research on includes theatre, academia, public speaking, My findings contest a prevalent critical tendency and the founding of Shakespeare & Company, Artistic Director Joseph Colaneri and CI Bob White along with baritone James Clayton and actors Humphrey to interpret this literature by a narrower standard this issue. Furthermore, it has a prominent USA-based theatre company. of ‘heroic’ masculinity. Bower and Kenneth Ransom. The seminar was chaired also been really inspiring to see a Kristin’s visit to Perth began with an intensive, by Performance Program Leader, Jane Davidson. Andrew Lynch large-scale collaborative research four-day workshop on Shakespeare’s Othello, with Kristin’s visit concluded with two events held in one of a group of actors from Black Swan. The workshops, Black Swan’s rehearsal rooms. The first was a workshop project in action and to see that documented and recorded by the Centre, took the in which an audience comprising theatre students and actors through a practical series of exercises intended scholarship across disciplines, CHE researchers watched as Kristin demonstrated her to awaken the voice/body’s full potential, allowing approach to the voice. This rare, behind-the-scenes view geographical locations, historical them to express the range of their emotions, and to was followed with a question time, allowing the audience articulate thoughts, impulses, and ideas more effectively. the unique chance to interrogate Kristin’s methods. time periods and contemporary It was a gruelling four days, but all the actors reported The final session was a roundtable discussion, where feeling more attuned to the nuances of the voice and time zones can work so well. panellists from The University of Western Australia, its capacity to express potent and varied emotions in The University of Sydney, and the Western Australian Shakespeare’s text. Academy of Performing Arts joined Kristin to share their ECR Fiona Ritchie, views on the voice, emotion, and meaning, and to engage McGill University Canada in an exciting, interdisciplinary discussion.

50 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 51 SHAPING THE Dena, Life Imitating Art, 2014. © abeautifuljourney.blog.com MODERN PROGRAM

Stephanie Trigg finished an essay on Samuel Pepys’ Program Report account of the great fire of London, which analyses As the research program of our Centre that extends the relationship between private and public emotion, beyond 1800, Shaping the Modern finds it relatively and looks at several modern emotional responses to easy to address contemporary concerns, and to make Pepys and his account of these very traumatic days connections between CHE’s work in the medieval and in London. The essay will be published in Disaster, early modern period and later centuries, particularly Death and the Emotions in the Shadow of the Apocalypse, in Australia. 1400-1700, eds Jennifer Spinks and Charles Zika, in Palgrave’s Studies in the History of Emotions series. This is especially the case in one of our major themes She also initiated a project in which Helen Hickey, in 2014: emotional responses to the environment. Research Assistant, is developing a comprehensive The field of environmental humanities is a rapidly archive of the affective resonance of bluestone in growing one, as literary scholars, historians, Victoria and Melbourne. Stephanie will write this philosophers, artists, and writers explore the illustrated ‘general interest’ book in 2015. relationships between humans, non-humans, and the world around them. CHE researchers are exploring Thomas Bristow is working on the transformations in continuities and ruptures in emotional responses to pastoral: from genre to mode, in England, in the late nature and the environment, and particularly in eighteenth century. His research asks whether the colonial and post-colonial contexts. More recently, contemporary Australian mode of pastoral literature in what is now named as the anthropocene era — in might be seen as a kind of afterlife of the pastoral genre, recognition of the impact of human development on and considers the extent to which this might register the environment —our traditional emotional responses emotional attitudes to land use, and the ideas of to nature and our sense of our own agency within it are belonging to, or identification with, country. He is undergoing dramatic change. working on contemporary Australian poet-critics to develop and define a 'post-pastoral' poetic. This year’s collaboratory addressed these and other concerns. ‘Affective Habitus’, co-convened by Grace Thomas is also working with CHE’s Education and Moore and Thomas Bristow, was held at ANU in Outreach officers on a children’s book that deals with Canberra in June 19-21, co-hosted with The Association emotions and the environment, with a particular focus on for the Study of Literature, Environment and Culture, empathy. This book has been contracted with Penguin. Australia and New Zealand (ASLEC-ANZ), along with Jacqueline Van Gent has given a series of papers in support from the Human Rights Animal Ethics Network Sweden and Norway in May and June this year, (HRAE), the University of New England, and Minding developing her work on material culture, gender, Animals Australia. Keynote speakers included Tim colonialism, and the emotions. She has published an Collins, Reiko Goto-Collins, Eileen Joy, Tom Griffiths, article on identity, letters, and emotions in the early Michael Marder (remote participant), John Plotz, Ariel modern Atlantic world in the Journal of Religious History; Salleh, Will Steffen (remote participant), Wendy Wheeler, and with Susan Broomhall, an essay on 'family status Linda Williams, and Gillen D’Arcy Wood. In addition, after religious conversion in the Nassau dynasty' in the plenary panelists included Philip Armstrong, John Miller, Journal of Social History. Kate Rigby, Libby Robin, Deborah Bird Rose, and Kirsten Wehner. Within the collaboratory, CHE sponsored a In other research areas, scholars in the Shaping workshop on ‘Green Pedagogy and Emotions’ by Sasha the Modern program have continued their association Mathewman of The University of Auckland. CHE with the Zest festival in Kalbarri, Western Australia; participants included Heather Kerr (whose paper was and in Melbourne, with The Dax Centre, the Centre for delivered in absentia) and Penelope Woods, along with Contemporary Photography, the Melbourne Museum, well over one hundred ASLEC-ANZ members. A number and recently, with the Immigration Museum. of talks from the collaboratory are available online: www. Sometimes our research strikes a remarkably historyofemotions.org.au/events/affective-habitus.aspx. modern chord. The emotional return of Kevin Vickers, The conference was preceded by a small workshop for the Canadian Sgt at Arms, into the lower house of the artists and other creative practitioners, ‘The Canadian Parliament, the day after shooting an Anthroposcene’, and both events drew important intruder, inspired Stephanie Trigg to write an essay connections between emotional responses to the for The Conversation about the survival of medieval environment and channeling those reactions into action. practices in modern Parliamentary tradition, and In other projects, Grace Moore is exploring the significance the relationship between ritual practice and of Brian Massumi’s work on the ontology of threat to emotion: www.theconversation.com/rituals-of-the-mace- discuss historical bushfires. She is editing one essay limits-of-the-handgun-in-defence-of-ritual-33406. collection based on the ‘Fire Stories’ conference held at These events demonstrated the powerful link between Melbourne in 2013, and a second based on another private and public emotion, even in heavily regulated conference on the Victorian Environment. She is also ritual practice. writing and thinking about dingoes, following some work Stephanie Trigg on Trollope and ecology earlier in the year and will, in Shaping the Modern Program Leader 2015, work on an outreach book project, Fire: An Emotional Journey, with Carly Osborn of the Adelaide node (proposal is presently under consideration at UWA Publishing). 52 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 53 Thegreatnugget, Bas Relief at the base of the Monument to the Great Fire of London, 2011. Courtesy of Wikimedia Commons.

Katrina O'Loughlin List of Research (Postdoctoral Research Fellow, Projects AI 2012, 2014), UWA A certain correspondence: intellectual The Shaping the Modern sociability and emotional community in Program incorporates the the eighteenth century following research projects which were funded in 2014: Heather Kerr (Duration AI), Adelaide Varieties of melancholy Tom Bristow (Postdoctoral Research Fellow), Jordan Lavers Melbourne (PhD candidate), UWA Decolonised pastoral: a comparative Gender, emotion and kinship in the study of emotional variants in letters of Karoline von Günderrode Australian literature (1925-2015) Louise Marshall Susan Broomhall (AI 2012, 2014), Sydney (CI and AI 2014), UWA Emotions and the visual in early Early modern encounters, modern Europe, in crisis and in health objects and emotions Grace Moore Susan Broomhall and Alicia Marchant (Research Fellow), Melbourne (CI, AI 2014), UWA Arcady in flames: representations Emotions and heritage of bushfires in nineteenth-century settler culture Deirdre Coleman (Duration AI), Melbourne Stephanie Trigg The family diaries of Katherine Plymley (CI), Melbourne (1758-1829) Fire, rock, affect: shaping modern emotions Louise D'Arcens (AI 2012-2016), Wollongong Stephanie Trigg Medievalist laughter: emotion and (CI), Melbourne transformation Speaking faces: describing the facial expression of emotion Jane Davidson (CI), Melbourne Stephanie Trigg My life as a playlist (CI), Melbourne (In partnership with the ABC) Victorian bluestone: an affective cultural history Sandra Garrido (Postdoctoral Research Fellow), UWA Jacqueline Van Gent My life as a playlist (CI, formerly duration AI), UWA (In partnership with the ABC) Colonial encounters and cross- cultural emotions in the early modern Raphaële Garrod world and in late colonial Australia (Postdoctoral Research Fellow), UWA Jesuit emotions Jacqueline Van Gent (CI, formerly duration AI), UWA Ron Goodrich Medieval and early modern emotions (AI 2014), Deakin and modern exhibition spaces Disorderly emotions: British philosophical and medical debates, Robert White 1700-1798 (CI), UWA Shakespeare in our world Yasmin Haskell (CI), UWA Penelope Woods Jesuit emotions (Postdoctoral Research Fellow), UWA Emma Hutchison Feelings in the room: theatre (AI 2014), UQ audiences and their emotions Disaster imagery and the history of humanitarian emotions

54 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 55 Rembrandt Harmensz. van Rijn, Rembrandt’s Son Titus in a Monk’s Habit, 1660. © Rijksmusem. SPOTLIGHT: 'TRY WALKING IN MY SHOES'

The emotion of empathy was the focus The ‘Try Walking in My Shoes’ topic had broad of a symposium entitled ‘Try Walking in community interest and impact, as evidenced by the My Shoes’, held at The Dax Centre at support of the Human Rights & Animal Ethics Research Network (HRAE), Arenamedia, and the SANE Media The University of Melbourne on 13 -14 Centre. The event received wide media exposure on February 2014. This topical event drew local, national, and international radio; and in local and more than a hundred people, including national print media, reaching an estimated 1.13 million several from interstate. people (based on audience/readership figures). A diverse group of academics, filmmakers, mental Fincina Hopgood (AI 2015) was a co-convenor of the health professionals, and consumers gathered to symposium, along with Patricia Di Risio and Victoria share their perspectives on the ways in which viewers’ Ducket. In their welcoming address the convenors noted: empathy is elicited (or not) by portrayals of mental “In examining the ways in which the viewer’s empathy illness on screen. A wide range of portrayals were is elicited (or not) by these screen portrayals of mental discussed – from feature films and documentaries to illness, as well as the benefits and limitations of an TV programs and short films – across a broad time empathetic relationship between viewer and character, frame; e.g. from early silent films and Hollywood the symposium will contribute to the broader discussion studio pictures, to current TV shows like Homeland initiated by the ARC Centre of Excellence for the History INSIGHT and Hannibal. Keynote lectures were given by of Emotions about the ways in which emotions shape Raimond Gaita and Barbara Creed (both from individual, community, and national identities”. The University of Melbourne) and Jane Stadler The symposium was sponsored by CHE in conjunction (The University of Queensland). with the School of Culture and Communication and REDISCOVERING THE EMOTIONAL DIMENSION OF THE ANTI-SEMITIC Highlights of the symposium included film screenings The Dax Centre at The University of Melbourne. CONSPIRACY THEORIES IN THE EARLY MODERN IBERIAN WORLD with the opportunity for discussion afterwards, often with the filmmaker present. This included a screening During the past three years, I have discovered through emotional reaction that surpasses any rational response of Richard Roxburgh’s acclaimed adaptation of Raimond my research on the early modern Iberian world that by those individuals who espouse conspiracy theories. Gaita’s memoir, Romulus, My Father. This proved to anti-Semitic conspiracy theories and the fears that they My research has also found that the emotional be a very moving experience, with Gaita attending the provoke rarely emerge and develop in a vacuum. Rather, dimension of conspiracy theories was readily understood screening and participating in the panel discussion in their success lies partly in the fact that they merge a and exploited by authorities seeking to cause moral which he openly and generously shared his feelings hatred and fear of Jews with other deep-seated anxieties panics and forge a sense of collective identity through about seeing his childhood and his family’s experience and fears (such as the fear of doctors and medical the exclusion of groups of individuals presented as with mental illness represented on screen. treatment, economic or military decline, and even social threatening the community through their 'secret plots'. change) to such an extent that it is difficult to disentangle them. At the heart of such conspiracism lies an François Soyer

56 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 57 EDUCATION AND OUTREACH

Public Events In Victoria, CHE partnered with the Centre for Contemporary Photography to present one of the premier visual arts events at this year’s Melbourne Festival, ‘Crossing Paths with Vivian Maier’. EOO at The University of Melbourne, Penelope Lee, used the exhibition as a springboard to connect audiences with CHE’s Shaping the Modern Program. The result was two public lectures. The first, ‘How the selfie performs across time and place’, explored the history of self-portraiture in relation to the contemporary ‘selfie’. The second, ‘Lost and Found: Ethics, subjecthood, and contemporary art’ explored how one’s life is understood and made sense of by others once it has passed, taking into consideration not just how one has lived, but how one's life has been recorded and documented by the things one has left behind. At The University of Queensland, EOO Penny Boys played an integral role in the co-ordination of outreach events associated with the ‘Five Centuries of Melancholia’ exhibition, curated by CHE Associate Investigator Dr Andrea Bubenik, and presented by CHE in partnership with The University of Queensland Art Museum. Penny, along with Gillian Ridsdale, Curator of Public Programs at UQ Art Museum, organised multiple outreach events alongside the exhibition. These included an early music concert performed by The Badinerie Players on period instruments, and a performance by four young composers from UQ, each of whom had written interpretive pieces especially for the ‘Five Centuries of Melancholia’ exhibition. As well as this, a number of public lectures and a symposium gave the academic and broader community an opportunity to explore various themes around melancholia in art history, literature, music, and film. In Western Australia, CHE continued its partnership with the ‘Zest Festival’ in Kalbarri. This year’s theme was ‘The Colour of Ritual, The Spice of Life’, a celebration of Indonesian, Indian, and Sri Lankan heritage in WA. These communities each share a mutual heritage through WA’s relationship with the Dutch East India Company and this year the festival focused on the emotional importance of the rituals surrounding birth, death, marriage, and coming of age.

Professional Development Professional Development has been a core part of the Education and Outreach program. In June at The University of Queensland node, Professor Jonathan CHE Education and Outreach Officers (EOO) Participation in Education and Outreach events reached Gil Harris (Ashoka University, India, formerly George Washington University) work to allow school children, the general record levels in 2014. Over 3000 visitors attended the and Dr Jennifer Clement (AI, UQ) contributed to a ‘Continuing Professional public, and researchers outside the annual ‘Zest Festival’ in Kalbarri, Western Australia. Development’ seminar for secondary school teachers of English and Drama, More than 150 secondary school teachers participated entitled ‘Listening to Shakespeare’s Foreigners’. In July, the UQ node humanities to engage with the History in professional development workshops, and over 1300 sponsored the visit of Professor Linda Pollock (Tulane University), who of Emotions. In 2014, EOOs brought school students were introduced to History of Emotions lectured to history teachers on the topic of ‘Parents and children in early long-term projects to fruition, furthered topics. In addition, over 12000 members of the public modern England'. In August over 60 teachers and pre-service education important strategic partnerships, and encountered CHE research through the ‘Melancholia’ students attended a seminar entitled ‘The Melancholic Imagination’, developed exciting new opportunities. and ‘Lost and Found’ exhibitions held in partnership held to mark the opening of the ‘Five Centuries of Melancholia’ exhibition. with The University of Queensland Art Museum and The year also saw a shift in the emphasis the Centre for Contemporary Photography respectively. The Education and Outreach program at The University of Sydney continued of the Education and Outreach Program, Each of these events was the result of strategic to focus on engaging researchers from outside the Humanities with CHE with EOOs becoming increasingly focused collaborations, and the annual increase in participant research. In October, Sydney EOO Gabriel Watts organised a Postgraduate on how to ensure CHE’s research numbers to CHE outreach events is a testament to Advanced Training Seminar (PATS) titled ‘Empathy, Ethics, Aesthetics’ which ran alongside the Meanings Program’s ‘Ethics of Empathy’ Symposium. has a lasting impact. the reputation of the Education and Outreach Program for providing high-quality public engagement. This PATS attracted postgraduate students from a range of disciplines, including nursing and medicine. Meanwhile, EOO at The University of Across the life of the Centre, a key challenge for Adelaide, Carly Osborn, took CHE outreach to international audiences, EOOs has been to develop a portfolio of workshops and delivering ‘History of Emotions 101’ workshops to postgraduates and events that are accessible to a broad range of the public. general academic audiences in Innsbruck and Munich, and planning At each node, EOOs meet this challenge by presenting outreach collaborations with CHE International Partner, Queen Mary a range of events targeting a variety of audiences. University of London.

58 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 59 Mask-painting at the 2014 Zest Festival. Courtesy of photographer Samille Mitchell.

Youth and Schools Collective Projects As in past years, EOOs continued to provide high-quality In addition to developing projects in their different nodes, workshops and events engaging school students and EOOs have also embarked upon a number of collective young people with History of Emotions research. At The projects. The first has been a concerted effort to amplify University of Western Australia, EOO Melissa Kirkham the work of CHE researchers by making many of our supported a number of School Arts Partnerships that lectures and events digitally accessible. EOOs at all resulted in two historically informed research nodes worked with visiting and local researchers to performances. In March, Deputy Director Professor Jane live-stream over 70 lectures for colleagues and Davidson directed Methodist Ladies’ College and Christ interested viewers around the world. The streamed Church Grammar School students in Purcell’s Dido and lectures have already garnered around 4000 views, and Aeneas. Outcomes included historical performance this resource will continue to offer valuable access to research, audience emotional response surveys, and a history of emotions research for years to come. Of rare opera learning experience for secondary students. special note are the videos from the ‘Ethics of Empathy’ Then in November, Professor Peter Reynolds (PI), from symposium, and ‘The Melancholic Imagination’ Newcastle University (UK), directed Francis Beaumont’s professional development seminar. Both of these The Knight of the Burning Pestle with Guildford Grammar full-day events offer a wealth of information from which School students, coinciding with the ‘Little Eyases: teachers, students, and scholars can continue to learn. Early Modern Players: 1525-1642’ symposium. Lastly, CHE’s EOOs team has begun developing Meanwhile, the Education and Outreach program at on an online, interactive game with the working title: The University of Melbourne drew upon the work of ‘Adventures in the History of Emotions’. As a CI Stephanie Trigg’s FACE project and partnered with collaborative project with the South Australian Australian Indigenous artist Bindi Cole to deliver Department of Education, the game is designed to photographic workshops to marginalised young people, involve primary school age children in the history of exploring issues of self, identity, mood, and emotions. emotions by presenting CHE research in an interactive Supported by the City of Yarra, the workshops drew format. The project is currently in the proof of concept participants from the Artful Dodgers, Headspace, phase and will be developed further in 2015. and Collingwood College. Alongside this, the Sydney node’s ‘Pride and Poetry’ workshops for Indigenous secondary students continued into a second year. A developing collaboration with Indigenous poet Lorna Munro, these workshops use poetry to investigate what it means to be proud, pride being an emotion with a rich European heritage but also one that plays a key role in framing discussions about self-esteem for young Indigenous people. In 2014, the Adelaide node become a major provider of activities through the Children’s University holiday programs, presented a series of five workshops with a Year 11 history class as part of an intensive pilot program at Cedar College, and developed an ongoing partnership with the ‘Careers on Campus’ program, delivering workshops for prospective tertiary students from local high schools in Adelaide.

60 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 61 INTERNATIONAL VISITORS

In 2014, CHE’s collaborations Project: ‘Anne of France’s School for Project: ‘Playing to the Crowd: street with international scholars Ladies: Emotional communities and singers, war reporting and the continued to expand and early modern female diplomacy’ manipulation of emotions in early modern Italy’ strengthen. Carolyn Dinshaw, a scholar of For further details on our DIVs and English and Western European ECRs visit our webpage: Partner Investigators (PI) medieval literature; and social PI Peter Reynolds (Newcastle and cultural analysis www.historyofemotions.org.au/ University, UK) returned to the (New York University). about-the-centre/research-roles/ UWA node in November to work distinguished-visitors.aspx Project: ‘The Green Man: with teenage boys from Guildford eco-criticism and emotions’ Grammar School in a production International Invited Speakers of Francis Beaumont’s satire, Matthew Grenby, a specialist in Numerous international guests were The Knight of the Burning Pestle. children’s literature and eighteenth- invited as keynote speakers to CHE Peter also convened a symposium century culture. (Newcastle funded events during the year, ‘Little Eyases: Early Modern Plays University, UK). including the following: and Boy Players 1525-1642’, which provided an opportunity to reflect Project: ‘Educating the Emotions: ‘Languages of Emotion: Translations on some of the complex issues William Godwin, children’s books and Transformations’ collaboratory surrounding boys’ plays in the early and the teaching of emotional modern theatre. The project made literacy, c.1800’ Naama Cohen-Hanegbi (Tel Aviv) a significant contribution to both Javier E. Díaz Vera (Castille-La academic scholarship and the Richard Strier, a literary scholar Mancha) Centre’s education and community of the intellectual history of the outreach activities. early modern period (University of ‘Emotion, Ritual and Power in Chicago). In October we welcomed future Europe: 1200 to the Present’ PI Piroska Nagy (Université du Project: ‘The status of emotions in collaboratory SPOTLIGHT: Québec à Montréal). Piroska spent a Shakespeare’s tragedies’ Harvey Whitehouse (University of month with CHE, visiting three nodes Oxford) INTERNATIONAL PARTNER INVESTIGATOR: PIROSKA NAGY and delivering seven papers. For a Early Career International full report on Piroska’s visit see the Research Fellowships Helen Hills (University of York) Spotlight feature on opposite page. Laura Kounine, a historian of gender Carol Lansing (University of As part of its International Partner in which she used a famous case from medieval religious and witchcraft in early modern California, Santa Barbara) history – that of Saint Francis of Assisi, who orchestrated Distinguished International Visitors Investigators scheme, which aims at Europe (Max-Planck Institute for the first Christmas nativity scene in 1223 – to explore the (DIV) and Early Career International fostering international collaboration between Human Development). ‘The Voice and Histories of Emotions hypothesis that shared emotional events can induce the Research Fellowships (ECR) 1500-1800’ collaboratory researchers studying the history of emotions, Project: ‘Representations of formation of an emotional or affective community. CHE also welcomed eminent emotions in witchcraft images Richard Wistreich (Royal College of CHE brought renowned scholar of medieval scholars arriving as part of the Reflecting on her visit, Piroska noted how stimulating in Germany, 1500-1750’ Music, London) history, Piroska Nagy, from the Université and rewarding it was to discuss her projects with CHE competitive DIV and ECR schemes. du Québec à Montréal to Australia in Successful applicants are funded to William West (Northwestern researchers and students, adding that such interactions Fiona Ritchie, a scholar of spend four to eight weeks in University, Illinois) October 2014. Piroska will become a were hugely beneficial in helping her to enlarge the scope Shakespeare, restoration, and Australia, visiting various CHE Partner Investigator in 2015, and will of her projects, and to sharpen her view of certain eighteenth-century theatre; and nodes. This extended time period ‘Methods Collaboratory’ continue to work with the Centre until 2017. questions. She remarked, too, that her unique European gender and theatre history (McGill allows visitors to take part in approach to the history of emotions, which is strongly University). Michael Ann Holly (Clark Art several Centre events, to meet with Piroska spent the majority of her visit in Melbourne, marked both by French historiography and by historical Institute, Massachusetts) where she worked with CI Charles Zika and AI Constant researchers across the Centre, and Project: ‘The gendering of emotion anthropology, seemed to be appreciated by CHE Mews. She also spent time working with researchers at to establish strong and enduring on the eighteenth-century English W. Gerrod Parrott (Georgetown audiences, as it brought a different and perhaps Centre nodes in Perth and Sydney. During her month-long research collaborations. stage’ University) unanticipated perspective to discussions. stay, Piroska gave seven presentations, each of which In 2014, our nodes hosted extended touched on different aspects of her current research, A number of important collaborations have arisen from Massimo Rospocher, a scholar in ‘In Form of War: Emotions and research visits to the following: which focuses on the relation between collective religious Piroska’s time at the Centre, with CHE researchers such the political and cultural history Warfare in Writing 1300-1820’ emotions in the medieval West and historical change. as Susan Broomhall, Andrew Lynch, and Penelope Woods of early modern Europe; and symposium Distinguished International Visitors A highlight of her visit was a public lecture at all keen to work with Piroska on current and future oral circulation of literary texts projects. “It was", Piroska observed, "a very pleasant Tracy Adams, a scholar of medieval Craig Taylor (York) The University of Western Australia on 27 October, (University of Leeds). and uplifting experience of human sharing." and early-modern French literature Catherine Nall (Royal Holloway, (The University of Auckland). London) Tracy Adams (Auckland)

62 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014  63 ARTS INDUSTRIES PARTNERSHIPS One of the Centre’s goals West Australian Opera is one of the Melancholia’ exhibition and is to research in depth the nation’s providers of international associated events. Lawrence Wilson Art Gallery range of emotions that calibre live music and theatre. In at UWA also continued 2014, the company came together its association with us as we were, and are, represented with CHE and the Black Swan delivered a series of talks in and communicated in the State Theatre Company of Western response to the ‘Memento Mori’ performing and visual Australia to offer a unique exhibition held there in the arts. We partner with arts opportunity for the public, ‘Iago: latter part of the year. The Man, The Devil and Emotion’. industries in practical Our major community partnership The event put the spotlight on the remains the Zest Festival, in projects to share knowledge character of Iago, central to both Western Australia. This will culminate and skill in order to develop Shakespeare’s Othello and Verdi/ in the 400th anniversary of the insight and outcomes in Boito’s opera ‘Otello’. Iago’s role was landing of Dutch explorer Dirk analysed through scholarly and artistic production. Hartog, who arrived safely in the practical exploration of the changing Kalbarri/Shark Bay area in 1616. We have partnerships with ways in which drama (through CHE partnership in the Festival major national companies whose spoken language) and opera makes a real difference in the lives commitment offers the potential for (through sung text and music) of country West Australians by major impact and the dissemination arouse emotion and depict character. providing them with a glimpse of a of research outcomes. Key presenters were: West significant collision between two Australian Opera’s Artistic Director The Australian Broadcasting worlds and igniting a new Joseph Colaneri, Professors Kristin Corporation is the flagship provider interpretation of history as well as Linklater and Bob White (CI, CHE), of media and communications in a new look at the town’s heritage. with baritone James Clayton and Australia. ABC TV and Radio In 2014 the Festival theme was actors Humphrey Bower and National engaged with us in an ‘The Colour of Ritual, The Spice of Kenneth Ransom. Deputy Director exciting website project entitled Life’. CHE worked with Peter Hadley of CHE, Professor Jane Davidson, ‘My Life As a Playlist’ which was from Methodist Ladies’ College to chaired the event. launched in the second half of 2013. bring a weeklong series of music Combining historical information Black Swan State Theatre Company workshops to the Kalbarri District with contemporary example, this site partnered with CHE to bring High School, culminating in a engaged the public in crucial distinguished voice coach and Gamelan performance with questions about how and why we use Shakespeare director, Professor Sofari Hidayat from the Indonesian music as a means of emotion and Kristin Linklater, formerly of Consulate. CHE also provided mood regulation. During 2014 the Columbia University, New York, historical content for the festival researchers on the project, CI Jane to Western Australia. She exhibition on ‘Faith, Fervour and Davidson and Postdoctoral Research workshopped vocal techniques Feeling’, and produced a 60-page Fellow Sandra Garrido, published a with the actors to prepare them for teacher resource pack. book on the topic, My Life as a Playlist a series of forthcoming Artistic Associates for the year (Crawley: UWA Publishing, 2014), Shakespeare performances. featuring results of the website included: Davide Monti; Georg study. The Australian Chamber Orchestra Corall and Perth Baroque; Stephen also continued its association with Grant and e21; Jonathan Sells and The National Gallery of Victoria is CHE. Its program ‘Timeline – Life Solomon’s Knot Baroque Collective. one of the nation’s major galleries, Flashes Before Your Ears’ was the After the success of Pepusch’s Venus possessing over 65,000 artworks that focus of pre-concert talks delivered and Adonis in 2013, the Brisbane- span thousands of years. A good deal by Performance Program Leader, based baroque ensemble, The of the work represented in the Jane Davidson. The talks were Badinerie Players, joined us again in gallery covers the research period of delivered at the Melbourne Arts a program of music on the theme of CHE: 1100-1800. The NGV is to Centre and explored the role of melancholy. partner with CHE to produce a major music in emotional regulation and CHE deepened its Arts Education exhibition of artworks from this human behaviour over 42,000 years. partnerships with Methodist Ladies’ period to explore how individual and The role of emotion in the virtuosic College and Guildford Grammar communal emotions were depicted outpourings of the Baroque and School, both in Western Australia. and how these impacted on Classical periods was of particular Two productions – Dido and Aeneas contemporary audiences. We have relevance to the Centre’s research and The Knight of the Burning Pestle been undertaking small projects that program. include the NGV since CHE began. – occurred as a consequence of In 2014, Charles Zika and Stephanie The Dax Centre (The University of these alliances. They delivered high Trigg (both CIs based at the Melbourne) continued links with us quality artistic and educational Melbourne node) contributed to a through a series of education and experiences for the students and series of talks reflecting on the outreach events including the ‘Try excellent research opportunities for gallery’s major international Walking in My Shoes’ symposium, as the CI and PI involved, Jane Davidson exhibition: ‘Italian Masterpieces from did The Centre for Contemporary and Peter Reynolds. Spain’s Royal Court, Museo del Photography, Melbourne, hosting Prado’. Such projects are set to build a collaborative panel discussion. momentum as we move towards a The University of Queensland Art major collaboration through an Museum continued its work with exhibition and associated series us on the ‘Five Centuries of of academic events in 2017. 64 Performers in Jose Limon's 'The Moor's Pavane' 2012. Courtesy of Photographer Rob Shomler. ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 65 SPOTLIGHT: CHANGE PROGRAM INSIGHT EMOTION, RITUAL AND POWER COLLABORATORY

LITERARY TEXTS CAN The value to me of the fellowship The Change Program’s One of CHE’s strengths has been to categorisations, such as ‘domestic’, at the CHE was substantial. collaboratory, entitled ‘Emotion, bring together scholars working in ‘political’, or ‘religious’. They MAKE POWERFUL Ritual and Power’, was held in a range of fields. At this particular merge and blur boundaries in CONTRIBUTIONS TO A period of time to devote to Adelaide from 10-12 February 2014, collaboratory, keynote addresses ways that suggest their complex convened by Senior Research Fellow were delivered by anthropologist contributions to social experience. THE STUDY OF THE new research (on children’s Merridee Bailey and Postdoctoral Harvey Whitehouse (University of Because they merge different areas HISTORY OF EMOTIONS friendships in particular) was Research Fellow Katie Barclay. Oxford), art historian Helen Hills of social life and are implicated The collaboratory brought together (University of York), and medieval in the formation of emotion in While emotions are often foregrounded very precious. So too was the academics and practising artists historian Carol Lansing (University participants, rituals are effective in literary texts, their status as evidence to investigate how the history of of California, Santa Barbara). devices for enabling social change, for the history of emotions is sometimes opportunity to use the resources emotions perspective can be used to Themes included the transforming emotionally investing people in a called into question. Literature often of, in particular, the UWA library. ask new questions about rituals and affect of the rituals associated with range of power structures and their works, for example, not by naming power, and to consider emotion not Italian medieval and early modern operation. Whilst rituals are often emotions precisely, but by showing them Above all, my research benefited only as a part of human experience miracles, and ritual humiliation, associated with stasis, they can also at work. Literary narratives and dramas, but as a driver of social change. closely linked to the question act as spaces to explore new ideas moreover, often show characters in very much from the advice of of who is allowed to show (and and emotions, and to tie these into “Investigating our emotional extreme situations, or working through perhaps even to feel) emotion older structures, enabling their CHE colleagues in both Perth engagement and reaction to rituals excessive passions or emotions. But in specific circumstances. Other continuation over time. At the same can help us to better understand our literature can also be regarded as a and Adelaide. Workshopping my papers from scholars and practising time, some rituals clearly have life past”, Merridee Bailey said. “This privileged place where emotions can be artists focused on emotion, ritual, spans and a decline in emotional ideas, especially as I developed my was an opportunity to gather leading worked through in unembarrassed detail, and power in medieval Germany, investment in such rituals can signal scholars, early career researchers, for author, characters, and readers alike. seventeenth-century France, and that a moment of transition has thinking on the place of emotions and postgraduates in a collegial Literary texts provide important witnesses twentieth-century England. occurred.” to the changing ways people process in children’s lives (both in reality, atmosphere to share thoughts about emotions over time, even if they do not the emotional power rituals have for Merridee Bailey concluded: “Over A selection of essays based on always name them directly. and through the literature written us across time and cultures.” the course of the three days, we papers from this event is forthcoming came to realise that rituals defy easy as a refereed edited collection. One way of charting these changes is to for them), was extremely useful. trace the history of a common trope in But so too were the insights into literary texts, by which a character’s face seems to speak, “as if to say…”. Chaucer the new work being conducted at uses this device in his fourteenth-century Troilus and Criseyde to show how the the CHE that I was able to gain lovers’ faces reveal their characters to the from attending seminars and public gaze. In the novels of Jane Austen, by contrast, facial syntax is used between presentations at UWA. Perhaps sympathetic characters to communicate silently across complex social spaces. even more than this, it was Alliances between lovers and siblings, in assistance and ideas gained from particular, are confirmed by the readiness with which the face can speak and be casual conversations with CHE understood. Conversely, unsympathetic or insensitive characters can neither express staff and students that enabled emotion on their face nor understand me to develop a new area of my another’s silent facial discourse. research so quickly. It seems to Stephanie Trigg me that this is exactly this kind of ‘knowledge exchange’ that a fellowship should enable.

I am very grateful for the chance to pursue my research at the CHE. Thank you for the wonderful opportunity to collaborate.

DIV Matthew Grenby, Newcastle University (UK)

66 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 67 ACADEMIC TRAINING AND Selected Training DEVELOPMENT and Development Since its inception, the Centre has provided many opportunities for academic training and development for its postdoctoral research fellows and postgraduates. Training days, masterclasses, and study days, offered by senior Centre researchers and visiting international academics, provide advanced and in-depth training on techniques, methodologies, and theories. A full list of 2014 training events is provided in the table below. The Centre also encourages postdoctoral researchers It was a great program, focused tightly around a productive theme, and postgraduates to organise collaboratories, and the care that the organisers put into it showed in every detail. symposia, and conferences, and to participate in education and outreach activities. Postdoctoral Louise D’Arcens research fellows can apply for financial support through the CHE Symposium Funding Scheme to organise Centre-related events. For example, Stephanie Downes (Melbourne) and Katrina O’Loughlin (UWA) were provided with funding to assist in organising the ‘In Form of War’ symposium in June, 2014. 13-14 February 2014 Masterclass: ‘Tragedy and Emotion’ with Professor Richard Strier, convened by CHE has given postdoctoral research fellows Brandon Chua, Peter Holbrook, and Ross Knecht, at The University of opportunities which are not ordinarily available to Queensland (UQ). early career scholars, such as undertaking collaborative editorial projects. In 2014, Rebecca 20 February 2014 Workshop: ‘Voice and Emotion Workshop’, with Kristin Linklater, Heath Ledger McNamara (Sydney) and Una McIlvenna (Sydney) State Theatre, Rehearsal Rooms, Perth. co-edited the Parergon special issue: ‘Medieval and Early Modern Emotional Responses to Death and 21 March 2014 Study Day: ‘Relics and Emotions’, with keynote Alexandra Walsham (Cambridge), Dying’, Dec. 2014. at The University of Melbourne (UMelb).

Senior postdoctoral researchers are beginning to take 25 March 2014 Invited Presentation: ‘How to get Promoted’, by Katie Barclay for the Academic on research leadership positions. They deputise when Women’s Promotions Forum, The University of Adelaide (UAdel). senior researchers are absent, and participate on selection committees for our Associate Investigator, 24 June 2014 Masterclass: ‘Weird Reading’, by Eileen Joy (Director, Punctum Books), at UMelb. DIV, and ECR visitor schemes. 26 June 2014 Postdoctoral research fellows have been given the Masterclass: ‘Chivalry’, by Dr Craig Taylor (University of York, UK) and opportunity to supervise Honours students writing Dr Catherine Nall (Royal Holloway, London, UK), at The University of dissertations, to co-supervise PhD candidates, and Western Australia (UWA). to teach graduate students. For example, Penelope 7 July 2014 Masterclass: ‘Emotions in History: Interpreting early modern affect’, by Linda Woods, with Bob White and Steve Chinna (UWA), Pollock (Tulane University, USA), in conjunction with the 2014 Australian taught an honours course on ‘Fortune Theatres Old Historical Association Conference, at UQ. and New’ in which Merridee Bailey (Adelaide) participated as a distinguished visitor. At The 29 July 2014 Study Day: ‘Research Approaches: Performance History and the History of University of Melbourne, Giovanni Tarantino and Emotions’, with Bridget Escolme, convened by Penelope Woods in conjunction Grace Moore offered a graduate elective class for with the Department of Performance Studies, The University of Sydney, (USyd). PhD by coursework students on cartography and the environment. 19 August 2014 Invited Masterclass: ‘Turning to the Emotions in 16th and 17th Century Europe’, CHE research fellows have been awarded national by Stephanie Trigg (UMelb) for the Melbourne Masterclasses: Italian competitive grants. For example, Katie Barclay Masterpieces from Spain’s Royal Court at The National Gallery of Victoria. (Adelaide) commenced her ARC DECRA in June 2014, and Katrina O’Loughlin (UWA) will start her ARC 19 September 2014 Middle English Study Day: ‘Discourses of Passion, Politics, Nurture, and Feeling: DECRA in June 2015. Emotions in Middle English Literature III’, at UMelb.

In 2014, we also had the first graduations of our PhD 23 October 2014 Postgraduate Advanced Training Seminar: ‘Empathy, Ethics, Aesthetics’, with candidates, with Ciara Rawnsley graduating at UWA in instructors Yasmin Haskell (UWA CHE), Robert Sinnerbrink (Macquarie), Jay Johnson March and Elsa Reuter at Adelaide in August. (Sydney), and Helen Hay (Central Lancashire) at USyd. Please see p. 86 for the spotlight on the ‘Empathy, Ethics, Aesthetics’ Postgraduate Advanced Training 13 November 2014 Study Day/Workshop: ‘Emotions Work in the Historical Past’, with Piroska Nagy Seminar, p. 69 for the spotlight on the National (Université du Québec à Montréal (UQAM)) at UMelb. Workshop for Prospective Honours and Postgraduate Students in the History of Emotions, and p. 16 for the 4-5 December 2014 National Workshop for Prospective Honours and Postgraduate Students in the Methods Collaboratory. For the full list of Academic History of Emotions, convened by Stephanie Trigg, Charles Zika at UMelb. Training and Development, please see www.historyofemotions.org.au/publications-resources/ general-publications.aspx 68 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 69 INSIGHT

MUSICAL AFFECT AT THE INTERSECTION BETWEEN THE SACRED AND SECULAR REALMS In 2014, I followed up on my previous CHE investigations into the affective expression of Italian sacred music in the eighteenth century, showing how an unusual ‘micro-genre’ of sacred motets for bass voice drew on the well-established theatrical storm- at-sea topos, inviting listeners to identify directly with the affect powerfully projected by the music and text. Alan Maddox

SPOTLIGHT: HONOURS AND POSTGRADUATE STUDENTS WORKSHOP

One of CHE’s core research commitments is The event began with welcoming addresses from CI to provide high-quality training environments Stephanie Trigg in Melbourne, and from Acting Director for the next generation of researchers. A vital Andrew Lynch, speaking live by videolink from UWA. There were presentations outlining the four research part of our brief is to attract top students Programs and five nodes of CHE, and reflections from undertaking PhD, Masters, and Honours current postdoctoral and postgraduate members. degrees; to have them share in the benefits A highlight of the workshop was a panel discussion on of a long-term, dedicated national and recent developments in emotions history, led by Senior international research enterprise; and to give Research Fellows Grace Moore and Merridee Bailey, CI Charles Zika, and PhD candidate Bronwyn Reddan. the Centre and the Australian community the The workshop concluded with small group discussions benefit of their work, now and in the future. about potential research topics. As part of that commitment, the Melbourne node of Students’ responses indicated that they found the CHE hosted a national Postgraduate and Honours workshop ‘welcoming’, ‘inspiring’, and ‘motivating’. Workshop on 4-5 December. Thirty-three students They appreciated the opportunity to hear humanities from a range of Australian universities were selected to academics talking about their cross-disciplinary attend. Their research interests varied widely, reflecting collaborations. Several of the students have already CHE’s multi-disciplinary nature. There were students expressed interest in joining CHE as honours students or from history, literature, classics, art, performance, doctoral candidates. Given the success of this workshop, creative writing, cinema, media studies, music, religion, a further workshop is planned for 2015. philosophy, and psychology. Their research time periods ranged from the medieval to the contemporary, and across the spectrum of knowledge, theory, and creative activity, but the students all shared a common interest in human emotions.

70 Albert van Ouwater, The Raising of Lazarus, 1555. Courtesy of Wikimedia Commons. ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 71 Escolme, Bridget Public Lecture: ‘Laughter, Cruelty and Emotional Excess in Early Modern Drama (Queen Mary, University and its Contemporary Revisions’, USyd, 30 July 2014. of London, UK) *

Frevert, Ute Public Lecture: ‘Emotional Politics in International Relations: A Historical (Max Planck Institute for Perspective’, at the Emotions and International Relations Conference, UMelb, Human Development, Berlin) * 15 December 2014.

Garrido, Sandra Invited Panel facilitation for public film screening: ‘This May Be The Last Time’, at Human Rights Arts and Film Festival, Australian Centre for Moving Image RESEARCH OUTREACH (ACMI) Cinemas, Melbourne, 19 May 2014.

Grenby, Matthew Public Lecture: ‘Delight in Friendship: The Proprieties of Affection in Early Selected Research Outreach 2014 (Newcastle University, UK) British Children’s Literature’, UWA, 12 February 2014. *** * CHE Invited Speaker Public Lecture: ‘Feeling Anti-Jacobinism: Enlisting the Emotions in the Fiction of ** CHE Early Career International Research Fellow the British “War of Ideas”, 1790-1805’, The University of Adelaide (UAdel), 21 February 2014. *** CHE Distinguished International Visiting Fellow Guest, Harriet Public Lecture: ‘The Violence of Affection in Pride and Prejudice’, at the Ship Inn, Adams, Tracy Public Lecture & Roundtable: ‘Passion, Marriage, Love: Gendered Emotions (University of York, UK) * South Bank, Brisbane, 17 July 2014 (co-sponsored by CHE and Griffith (The University of Auckland, and Power in Early Modern France’, The University of Sydney (USyd), University). NZ) *** 4 February 2014. Haskell, Yasmin Invited Public Lecture: ‘Playing with the Emotions in Jesuit Latin Poetry’, Public Lecture/Seminar: ‘Marriage, Passion and Love’, The University of Western Durham University, UK, 19 March 2014. Australia (UWA), 10 February 2014; The University of Melbourne (UMelb), 17 February 2014. Haskell, Yasmin; Illustrated Public Talk: ‘Not Suitable for Children? Memento Mori and Martyrdom Takao, Makoto Harris in Jesuit poetry, drama, art and music’, for Memento Mori program, Lawrence Baltussen, Johannes Presentation: ‘Grief in Greek Myth: Revisiting the Ariadne Story ’, at L’Arianna Wilson Art Gallery, UWA, 4 December 2014. (Han) Abandonnata (Italian baroque performance directed by Associate Investigator Daniela Kaleva), State Library of South Australia, 25 November 2014. Hills, Helen Public Lecture: ‘Miraculous Affects: Inventing Corpses in Baroque Italy’, UAdel, (University of York, UK) * 10 February 2014. Bubenik, Andrea Curatorial floor talk (pre-opening): ‘Five Centuries of Melancholia’ Exhibition, with Andrea Bubenik, Michael Ann Holly (Clark Art Institute, USA), and Keith Holbrook, Peter Public Presentation: ‘Shakespeare and Melancholy’, for Continuing Professional Moxey (Columbia, USA), The University of Queensland (UQ) Art Museum, Development Seminar: ‘The Melancholic Imagination’, co-sponsored by UQ CHE 29 August 2014. and the UQ Art Museum, 30 August 2014.

Davidson, Jane Public Lecture and Book Launch: ‘My Life as a Playlist’, Melbourne Holderness, Graham Public Lecture: ‘The Arab Shakespeare Trilogy’, at the Early Modern Literature Conservatorium of Music, UMelb, 20 May 2014. (University of Hertfordshire, Forum, UQ, 7 October 2014. UK) * Daniel, Drew Public Lecture: ‘Between the Angel and the Dog: Dürer’s Melancholy (John Hopkins University, Community’, UQ Art Museum, 25 November 2014. Holly, Michael Ann Exhibition Opening: ‘Five Centuries of Melancholia’, UQ Art Museum, USA) * (Clark Art Institute, USA) * 29 August 2014.

Depnering, Johannes Public Lecture: ‘Painful Love in a Dominican Nun’s Autograph’, UQ, 2 July 2014. Johnson, Laurie Public Lecture: ‘Caesar at Elsinore: Topicality and the History of Hamlet’, (University of Oxford, UK) * (University of Southern UQ, 27 June 2014. Queensland) * Dinshaw, Carolyn Public Lecture: ‘I’ve Got You under My Skin: The Green Man, Trans-Species (New York University, USA) Bodies, and Queer Worldmaking’, UMelb, 6 August 2014; UWA, 14 August 2014; Kaleva, Daniela; Public Performance: ‘L’Arianna abbandonata e gloriosa: Presenting Historically *** USyd, 19 August 2014. Baltussen, Han Informed Italian Baroque Performance in a Contemplation on Grief and its Transformational Properties’, State Library of SA, 25 November 2014.

Public Lecture: ‘Paradise Lost, Regained, Refracted: Saint Brendan’s Isle and Kambaskovic´, Danijela Public Lecture: ‘Cultural History of Love from Plato to the Enlightenment’, the Temporalities and Optics of Desire’, USyd, 18 August 2014. at the Student Cultural Centre, Belgrade, Serbia, 2 June 2014.

Dixon, Laurinda Public Lecture: History of Emotions Annual Lecture, ‘A Privileged Profession: Public Lecture: ‘The ARC Centre for the History of Emotions 1100-1800’, School (Syracuse University, USA) * Artists and Melancholia’, UQ, 22 October 2014. of English, Faculty of Philology, University of Belgrade, Serbia, 7 June 2014.

Downes, Stephanie Public Lecture: ‘Vagueness and Manque de Sens: Emotion, Translation, and the Public Lecture: ‘The Migrant Poet and Politics of Being Apolitical’, The Writers’ Late Medieval Lyric Sequence’, UMelb, 15 October 2014. Club, Belgrade, Serbia, 10 June 2014.

72 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 73 Knecht, Ross Public Lecture: ‘Rule and Life in the “Mirror for Magistrates"’, UQ, Ritchie, Fiona Public Lecture: ‘“Accompanied in our tears”: Women, Shakespeare and sentiment 5 September 2014. (McGill University, Canada) in the eighteenth-century theatre’, UWA, 19 November 2014. ** Lawrence-King, Andrew Pre-Concert Lectures: ‘The Harmony of the World’, preceding Johann Sebastian Bach, The Six Brandenburg Concertos concerts, Kotka Concert Hall, Finland, Rospocher, Massimo Public Lecture: ‘Street Singers and Emotions in Early Modern Italy’, USyd, 23 January 2014; Kuusankoski House, Finland, 24 January 2014. (University of Leeds, UK) ** 17 April 2014.

Lynch, Andrew Invited Public Symposium Paper: 'Medieval modes of death and their afterlives', Simons, Pat Lecture: ‘The Rocco Erotics of Disguise and Innocence: Revisiting the issue of at the Memento Mori Symposium, Lawrence Wilson Art Gallery, UWA, (University of Michigan, Ann viewing pleasure in the ancient regime’, UMelb, 4 December 2014. 24 November 2014. Arbor, USA) *

McIlvenna, Una Seminar and Round Table: ‘The Globe Theatre Study Day on The Comedy of Smith, Nigel Public Lecture: ‘Milton and Hope: The Structure of a Feeling in the English Errors’, The Globe Theatre, London, UK. Explorative Seminar on ‘Comedy and (Princeton University, USA) * Revolution’, UMelb, 14 August 2014. Performance’ and Round Table, 30 August 2014. Soyer, Francois Public Lecture: ‘Anti-Semitic Conspiracy Theories and the Politics of Fear in the McNamara, Rebecca Public Lecture: ‘Wearing Your Heart on Your Face: Reading Lovesickness and the Early Modern Iberian World’, UAdel, 19 September 2014. Suicidal Impulse in Chaucer’, UAdel, 5 September 2014. Stockigt, Janice Invited Public Presentation: ‘Transformation from Baroque Ensemble to Classical Maddox, Alan Public Lecture: ‘The Rhetoric of Bach’s St Matthew Passion: Text and Orchestra: A Te Deum performance by members of the Dresden Court Orchestra, Performance’, Sydney Ideas: Key Texts series, USyd, 15 September 2014. May 1733’, at the collaboratory ‘Carl Philipp Emanuel Bach between Saxony and Prussia’, School of Music, UQ, 8-9 May 2014. Millar, Rebecca; Van Gent, Opening Ceremony Address: ‘Zest Festival 2014: The Colour of Ritual, the Spice Jacqueline of Life; Faith, Fervour, and Feeling’, Kalbarri, WA, 20 September 2014. Invited Public Presentation: ‘“The effect was of sorrow mixed with holy delight”: Music for Holy Week in the Dresden Catholic court church 1710–1732’ at CHE Monti, Davide * Public Lecture: ‘Emotion, Symbols, Performance in the Baroque Period’, collaboratory ‘The Voice and Histories of Emotion: 1500–1800’, Department of Early Music Studio, UMelb, 26 May 2014. Performance Studies, USyd, 29 September – 1 October 2014.

Nagy, Piroska Public Lecture: ‘Birth of Emotional Communities, or the Power of Emotional Strier, Richard Public Lecture: ‘Mind, Nature, Heterodoxy, and Iconoclasm in The Winter’s Tale’, (Université du Québec à Communion in the Medieval West’, UWA, 27 October 2014. (The University of Chicago, UMelb, 24 January 2014; USyd, 4 February 2014. Montréal, Canada) USA) *** Public Lecture: ‘Making an Emotional Body: Christmas in Greccio according to the Vita Prima of Francis of Assisi by Thomas of Celano’, UMelb, 11 November Takao, Makoto Harris Public Lecture: ‘Sounding the Orient in Renaissance Europe: Musical and 2014. Dramaturgical Discoveries from Japan’s Christian Century’, School of Music, UWA, 6 May 2014. Public Lecture: ‘A Woman of Passion, or the Powerful Emotions of Lukardis of Oberweimar (d.1309)', USyd, 18 November 2014. Public Lecture: ‘Mediating Performative Iconography and the Jesuit Stage: Franz Lang’s Dissertatio de Actione Scenica (1727) and the Embodiment of Textual Meaning’, UWA School of Music Study Day (Colloquium on Image and Music), Neeme, Aarne * Public Lecture/Performance: The Second New Fortune Lecture-Performance: UWA, 13 September 2014. ‘Fortune Tellers: Shakespeare and Dorothy Hewett’, The New Fortune Theatre, UWA, 29 January 2014. Tarantino, Giovanni Public Lecture: ‘Burning Emotions: Concepts, challenges, cases for the History of Emotions’, Museo Italiano, Carlton, Victoria, 25 September 2014. Osborn, Carly Invited Response to Public Lecture by Dr Florian Schaffenrath: ‘Sophocles’ Antigone – Historicising Emotions’, Stift Wilten Monastery, supported by the University of Innsbruck, Austria, 17 July 2014. Taylor, Craig Public Lecture: ‘The Trials of Joan of Arc’, UWA, 26 June 2014. (University of York, UK) * Phillips, Bríd Public Lecture: ‘Stirring the Emotions with Colour: an Examination of the Affective Role of Colour Use in the Drama of William Shakespeare’, to the Trigg, Stephanie Chair: Public Panels: ‘How the “selfie” performs across time and place’, 15 Colour Society of Australia - WA, The Grove Library, Peppermint Grove, WA, October 2014; and ‘Lost and Found: Ethics, subjecthood and contemporary art’, 23 August 2014. 22 October 2014 (in collaboration with the Centre for Contemporary Photography, to accompany Melbourne Festival exhibition, ‘Crossing Paths with Vivian Maier’). Pollock, Linda Public Lecture: ‘Parents and Children in Early Modern England’, UQ, 7 July 2014. (Tulane University, USA) * Invited Exhibition launch: ‘Raw Emotion: Contemporary and Historic Works from The Cunningham Dax Collection’,The Dax Centre, UMelb, 12 November 2014. Raeburn, Gordon Public Lecture: ‘“At Newburn Foord, Where Brave Scots Past the Tine”; Emotions, Literature, and the Battle of Newburn’, UAdel, 15 August 2014. Van Gent, Jacqueline Invited Public Lecture: ‘Body, Magic and the Self in Eighteenth-Century Sweden’, Lund University, Sweden, 19 November 2014. Read, Richard Invited Talk: Before and after viewing of Wally Pfister's movie 'Tim's Vermeer', delivered to Friends of the Art Gallery of Western Australia, Cinema Paradiso, Invited Public Lecture: ‘Emotions, Colonialism and Material Culture’, Northbridge, Perth, 29 June 2014. Lund University, Sweden, 20 November 2014.

Read, Richard Invited Public Symposium Paper: 'Death, the Common Unshareable: Has the Meaning of Memento Mori Imagery Changed?', Memento Mori Symposium, Lawrence Wilson Art Gallery, UWA, 24 November 2014.

74 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 75 © Photo by Kate Clark

West, Will Public Lecture and Recital: ‘“Squeaking and Gibbering in Every Degree”: (Northwestern University, Extraordinary Voices in the Shakespearean’, USyd, 30 September 2014. USA) *

White, Bob Public Presentation: ‘Verdi’s Iago’, at ‘Iago: the Man, the Devil and Emotion’, UWA, 10 February 2014.

Wistreich, Richard Public Lecture: ‘Early Modern Vocal Identity’, Melbourne Conservatorium of (Royal College of Music, Music, UMelb, 26 September 2014. London, UK) * Public Lecture: ‘The Anatomy and Physiognomy of Early Modern Vocal Identity’, USyd, 29 September 2014.

Woods, Penelope Public Lecture: ‘Death and Laughter on the Elizabethan Stage’, for Memento Mori Exhibition, Lawrence Wilson Art Gallery, UWA, 21 November 2014.

Young, Spencer Invited Public Lecture: ‘For Wisdom or Satan’s Pomps? The Early University of Paris and Its Critics, c.1215-1260’, Brigham Young University, Utah, USA, 1 April 2014.

Zable, Arnold Public Lecture: ‘The Cry of the Excluded: A Writer’s Perspective’, in association (UMelb) * with ‘Feeling Exclusion: Emotional Strategies and Burdens of Religious Discrimination and Displacement in Early Modern Europe’ symposium, UMelb, 29 May 2014.

Zika, Charles Invited Public Lecture: ‘Celebrating the Nuremberg Carnival: a Unique Insight into Late Medieval Festivity and Fashion in the Schembart Book’, to the Friends of the Baillieu Library, UMelb, 17 May 2014.

Invited Public Lecture: ‘Johann Gutenberg and his Bible: achievement, significance, impact’, at The Ten Great Books series, Faculty of Arts, UMelb, 24 July 2014.

Invited Public Lecture and panel discussion: ‘Turning to the Emotions in the 16th/ 17th Centuries: The Historical Context’, at UMelb Masterclass ‘Italian SPOTLIGHT: SHAPING THE MODERN PROGRAM Masterpieces from Spain’s Royal Court, Museo del Prado’, National Gallery of AFFECTIVE HABITUS COLLABORATORY Victoria, 19 August 2014.

Invited Public Lecture: ‘Lucas Cranach’s Melancholy series and the Delusion of Witchcraft’, at the Professional Development Seminar ‘The Melancholic Affective Habitus: New Environmental Keynote speakers included Will Steffen (former Imagination’, UQ Art Museum, 30 August 2014. Histories of Botany, Zoology and Emotions executive director of the ANU Climate Change Institute), Tom Griffiths (ANU), John Plotz (Brandeis University), ‘Affective Habitus’ was a partnership event, combining Gillen D’Arcy Wood (University of Illinois, Urbana Invited Public Lecture: ‘The Beginnings of Print and the Emotional Power of New CHE’s Shaping the Modern collaboratory with the Fifth Champaign), Linda Williams (RMIT), Elspeth Probyn Media’,The Probus Club of Malvern, Melbourne, 23 September 2014. Biennial Conference of the Association for the Study of (Sydney), Wendy Wheeler (London Metropolitan Literature, Environment and Culture, Australia and University), Michael Marder (University of the Basque Invited Public Symposium Paper: ‘Memento Mori – Remembering Death or the New Zealand (ASLEC-ANZ). The conference was hosted Country), Eileen Joy (Director, Punctum Books), Suzanne Community of the Dead in Early Modern Europe?’ , at the Memento Mori by the Humanities Research Centre at The Australian Davies (RMIT), and Ariel Salleh (Sydney/ Friedrich Symposium, Lawrence Wilson Art Gallery, UWA, 24 November 2014. National University, 19-21 June 2014. The organising Schiller University Jena). The conference closed with a committee included Tom Bristow (Postdoctoral Research remote presentation from environmental philosopher Fellow commenced July 2014), Senior Research Fellow Freya Mathews (Monash). Grace Moore, and incoming Associate Investigator Linda Williams. ‘Affective Habitus’ ran for three days and involved well over one hundred participants. Related events included a The event brought together scholars working in the workshop for artists, ‘The Anthroposcene’, organised by fields of emotions and the environmental humanities. Josh Wodak (CoFA/UNSW) and facilitated by artists Tim It encouraged cross-disciplinary conversations about the Collins and Reiko Goto, as well as a colloquium on seeds emerging relationships between animal and plant funded and facilitated by the University of New England. studies, environmental history, and affect theory. CHE’s developing interest in applying emotions theory to environmental questions is the focus of the research cluster ‘Emotions and Environment’. The cluster will convene a symposium, ‘Into The Woods,’ in June 2015.

76 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 77 Also appeared in Collie Mail; Augusta Margaret River 14 February 2014: 720 ABC Perth Drive Program, Mail; Mandurah Mail; Lakes Mail; Bay Post; The Macleay presented by John McGlue. Radio interview with D. Argus; Wollondilly Advertiser; Blue Mountains Gazette; Kambaskovic´, ‘The Kiss in Marriage’. Wingham Chronicle; The Maitland Mercury; Blacktown 25 February 2014: The Advertiser NEWS, Adelaide. Sun; Lithgow Mercury; Campbelltown Macarthur ‘Latest health faddism is related to wind turbines but it’s Advertiser; Wauchope Gazette; Bayside Bulletin; The an old complaint – hypochondria’, by Tory Shepherd, Scone Advocate; Bellingen Shire Courier-Sun; Western quoting Y. Haskell. Advocate; Stawell Times-News; Southern Cross; Cowra www.adelaidenow.com.au/news/opinion/tory-shepherd- Guardian; The Wimmera Mail-Times; The Singleton latest-health-faddism-is-related-to-wind-turbines-but-its- Argus; Blayney Chronicle; Walcha News; St Marys-Mt an-old-complaint-hypochondria/story- Druitt Star; Cooma-Monaro Express; Kiama fni6unxq-1226837538479 Independent; Manning River Times; Liverpool City Champion; Western Magazine; Bombala Times; Yass 25 February 2014: The West Australian. ‘Manuscripts Tribune; South Coast Register; Crookwell Gazette; The a glimpse into lost world’, by Malcolm Quekett – MEDIA HIGHLIGHTS Standard; Southern Highland News; The Observer; Bega Newspaper article, concerning book by C. Zika and Zest Festival 2014. Courtesy of photographer Samille Mitchell. District News; Wellington Times; Southern Weekly; South M. Manion, Celebrating Word and Image, 1250-1600. West Advertiser; Cootamundra Herald; Merimbula News www.au.news.yahoo.com/thewest/a/21683045/manuscripts- Weekly; Rouse Hill-Stanhope Gardens News; The a-glimpse-into-lost-world/ Riverina Leader; Bendigo Advertiser; The Young Witness; 1 April 2014: BBC Radio Four, ‘Five Hundred Years of West Coast Sentinel; Roxby Downs Sun; Katherine Friendship’ presented by T. Dixon. Episode ‘Education of Times; Whyalla News; Coastal Leader; The Northern the Heart – ‘The dangers of friendship as conveyed to The ARC Centre of Excellence for the History of Emotions 22 September 2014: Commentary article, ‘”Medieval” Times; Moree Champion; The Advocate – Hepburn; children in the 18th and 19th centuries’, interviewing was well represented across all media platforms during makes a comeback in modern politics: what’s going on?’, Braidwood Times; Inverell Times; Oberon Review; Parkes DIV M. Grenby (Newcastle University, UK). podcast: 2014. Our focus on academic dissemination through by L. D’Arcens and C. Monagle. Champion-Post; Canowindra News; The Islander; www.bbc.co.uk/programmes/b03yzn9h). Twitter and Facebook saw the Centre’s following grow www.theconversation.com/medieval-makes-a-comeback- Mudgee Guardian; Goulburn Post; Myall Coast Nota; from 580 to 1400 on Twitter and from 624 to 1141 likes on in-modern-politics-whats-going-on-31780 Guardian News; Town & Country Magazine; The 8 April 2014: BBC Radio Scotland. ‘Women with a Past’, Facebook. Total visits on the website recorded by Google 27 October 2014: ‘Rituals of the Mace, limits of the Transcontinental; Boorowa News; Glen Innes Examiner; expert for recorded radio broadcast, K. Barclay. analytics were 48,127; Ustream total views were 4,498 by The Queanbeyan Age; Namoi Valley Independent; Nyngan handgun: in defence of ritual’, by S.Trigg. 8 April 2014: Illawarra Mercury, article on ‘UOW the end of 2014. Observer; Hills; The Guyra; The Naracoorte Herald; www.theconversation.com/rituals-of-the-mace-limits-of- academic puts balance in euthanasia, abortion,’ Central Midland & Coastal Advocate; The Flinders News; Please see selected media highlights below: the-handgun-in-defence-of-ritual-33406 D.S. Ferber quoted. Barossa Herald; Northern Argus; Fairfield City www.illawarramercury.com.au/story/2206386/uow- 28 October 2014: ‘A breastplate reveals the story of an Champion; Hunter Valley News; Dungog Chronicle; academic-puts-balance-in-euthanasia-abortion/ Links Australian frontier massacre’, by P. Edmonds. Grenfell Record; Summit Sun; Narromine News; Camden www.theconversation. Facebook Haven Courier; Goondiwindi Argus; Forbes Advocate; The 9 April 2014: News Limited, ‘The Real Human com/a-breastplate-reveals-the-story-of-an-australian- www.facebook.com/ThinkEmotions Wagin Argus; Border Chronicle; The Rural; Camden- History Behind Game of Thrones’, by Jamie Siedel, frontier-massacre-32620 Narellan Advertiser; The Courier; The Ridge News; The interviewing K. Barclay. Twitter 5 November 2014: ‘So hot right now: the Middle Ages Armidale Express; Cessnock Advertiser; Narooma News; www.news.com.au/world/the-real-human-history-behind- www.twitter.com/ThinkEmotions in the climate change debate’, by L. D’Arcens with Latrobe Valley Express; Penrith City Gazette; Tenterfield game-of-thrones/story-fndir2ev-1226879236503 Star; Eastern Riverina Chronicle; The Times - On The Vimeo C. Monagle. 9 May 2014: 7.30 WA, ABC Television, ‘Perth composer Coast; Muswellbrook Chronicle; Ararat Advertiser; History of Emotions www.theconversation.com/so-hot-right-now-the-middle- creates musical link to WA history’, about G. Savall. Illawarra Mercury; Newcastle Herald; The Border Mail; www.vimeo.com/user16393044 ages-in-the-climate-change-debate-32601 www.abc.net.au/news/2014-05-09/perth-composer- The Avon Valley Advocate; Daily Liberal; The Area News; creates-musical-link-to-wa-history/5443860?section=wa YouTube The Northern Daily Leader; Port Stephens Examiner; ARC History of Emotions Channel Television, Radio, and Print Media The Recorder; Eyre Peninsula Tribune; The Murray Valley 19 May 2014: ABC 774 Breakfast Radio, Melbourne, with www.youtube.com/user/historyofemotions Standard; St George & Sutherland Shire Leader; Central 4 February 2014: The New Daily, Mental illness on Red Symons. Interview with J.W. Davidson on ‘My Life as Western Daily; Magnet; The Advocate; Sunraysia Daily; Flickr screen – a new world of hopes and aspirations by a Playlist’, how we use music to accompany us through Busselton-Dunsborough Mail; Gloucester Advocate; History of Emotions’ photostream F. Hopgood, on ‘Try Walking in My Shoes’ symposium. our lives. Hawkesbury Gazette; The Irrigator; North West Star; www.flickr.com/photos/89150570@NO2/ www.thenewdaily.com.au/entertainment/2014/02/04/ 19 May 2014: SBS Radio (Sydney), interview with Milton Ulladulla Times; Port Lincoln Times; Bunbury mental-illness-screen-new-world-hopes-aspirations/ G. Tarantino, introducing the ‘Feeling Exclusion’ Mail; Parramatta Sun; The Daily Advertiser; Port Symposium. The Conversation 6 February 2014: Triple R - Melbourne Independent Macquarie News; The Star; Harden Murrumburrah Radio - 102.7FM , F. Hopgood talks of the portrayal of Express; The Moyne Gazette; Murray Mail; Merredin 19 May 2014: ABC Radio National Drive, ‘Monday Muse: 4 February 2014: ‘Mental illness on screen – a new mental illness on screen on Multi-Storied. Wheatbelt Mercury; Great Lakes Advocate; WA Today; Nature vs Nurture’, interview with J.W. Davidson. world of hopes and aspirations’, by F. Hopgood. www.rrr.org.au/whats-going-on/news/dr-fincina-hopgood- Brisbane Times; The Age; The Sydney Morning Herald; www.abc.net.au/radionational/programs/drive/monday- www.theconversation.com/mental-illness-on-screen-a- talks-of-the-portrayal-of-mental-illness-on-screen-on- The Esperance Express; Donnybrook-Bridgetown Mail; muse3a-nature-vs-nuture/5462520 new-world-of-hopes-and-aspirations-22304 multi-storied/ The Canberra Times; Daily Life; Auckland Now; Waikato 20 May 2014: ABC Radio Australia, ‘Mornings with Phil 19 May 2014: ‘Music is the soundtrack to your life - Times; The Southland Times; Stuff.co.nz; Taranaki Daily 6 February 2014: ‘REMEDIAEVAL: Proposal for a New Kafcaloudes’. Interview with J.W. Davidson on ‘My Life as what’s on your playlist?’, by J.W. Davidson and News; Example at: Minigraph Book Series’, by Eileen Joy and Karl Steel, a Playlist’, how we use music to accompany us through S. Garrido. www.theconversation.com/music-is-the- www.stuff.co.nz/auckland/whats-on/ In the Middle. our lives. entertainment/9704147/A-new-perspective-on-mental- soundtrack-to-your-life-whats-on-your-playlist-26893 www.inthemedievalmiddle.com/2014/02/remediaeval- illness 20 May 2014: 2SER107.3 Real Radio (ABC Community), 20 August 2014: ‘Snowplow, helicopter – medieval? proposal-for-new-minigraph.html Sydney. Interview with S. Garrido about her piece in the Parenting advice for the ages’, by J.F. Ruys. 12 February 2014: Courier Mail, ‘Game of Thrones Looks 9 & 10 February 2014: Syndicated (in rural and Conversation on 19 May, ‘Music is the soundtrack to your www.theconversation.com/snowplow-helicopter-medieval- Like a Sideshow Next to These Real Historic Events’, metropolitan Australia and New Zealand) article by Jill life – what’s on your playlist?’. by Jamie Siedel, interviewing K. Barclay. parenting-advice-for-the-ages-29850 Stark, variously titled Mental illness on the screen under 21 May 2014: scrutiny, Changing the way we see mental illness on screen ABC Triple J ‘Breakfast with Matt & Alex’. and A new perspective on mental illness about the Try Interview with J.W. Davidson on ‘My Life as a Playlist’, Walking in My Shoes symposium. how we use music to accompany us through our lives.

78 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 79 23 May 2014: ABC 720 Drive, Perth, with John McGlue. 18 July 2014: Illawarra Mercury, article on ‘Saving your 20 November 2014: ‘Old School or Interview with S. Garrido on the longevity of particular soul: Wollongong experts on the act of exorcism.’ Modern Remix? Measuring the songs. Interview with D.S. Ferber. Appeal of Opera on 25 November at www.illawarramercury.com.au/story/2426489/saving-your- the University of South Australia 1 June 2014: ABC Radio National Sunday Extra. soul-wollongong-experts-on-the-act-of-exorcism/ with Lamento d'Arianna’, about Interview with C. Zika by Jonathan Green on ‘Intolerance D. Kaleva’s Associate Investigator through the Ages’, related to symposium, Feeling 13 August 2014: ABC Radio National Drive, interview research. Exclusion. with A. Bubenik, ‘Historyonics: The art of melancholy', www.broadwayworld.com/adelaide/ www.abc.net.au/radionational/programs/sundayextra/845- by Waleed Aly, about the UQ Art Museum exhibition Five article/Old-School-or-Modern-Remix- segment/5487316 Centuries of Melancholia exhibition, UQ Art Museum. Measuring-the-Appeal-of-Opera-on- www.abc.net.au/radionational/programs/drive/ 8 June 2014: Politika (major Belgrade daily), article on D. 25-November-at-the-University-of- historyonics3a-500-years-of-positive-spin-on- Kambaskovic´’s visits to Belgrade, and the work of CHE. South-Australia-with-Lamento- melancholy/5669146 dArianna-20141120# 9 June 2014: The Age Online & The Voice Online. 16 August 2014: ABC Radio National Encounter, ‘On the Interview with C. Zika ‘From Manchester to Melbourne: a 21 November 2014: ABC 720 Perth, SPOTLIGHT: PERFORMANCE PROGRAM flip side of fear and hatred’, as part of ‘Texts and Traditions’ rare treat for book lovers’, concerning Gutenberg Bible by Afternoons, with Gillian THE VOICE AND HISTORIES OF program, featuring Prof. Nicholas Terpstra’s talk at the O’Shaughnessy. Interview with Gabrielle Murphy, The Voice, vol. 10: 6, 9 June 2014, p. 9. CHE ‘Feeling Exclusion’ conference, by Margaret Coffey, A. Lynch on Memento Mori. EMOTION: 1500-1800 COLLABORATORY ABC. Whole program or Terpstra section at: The Age Online version: www.abc.net.au/radionational/programs/encounter/ 23 November 2014: 101.5fm Radio www.theage.com.au/national/education/voice/from- texts-and-traditions/5629418 Adelaide Digital, with Ewart Shaw. manchester-to-melbourne-a-rare-treat-for-book-lovers- Interview with J.W. Davidson on The ‘Voice and Histories of Emotion: 1500-1800’ 20140602-39eej.html 17 August 2014: 101.5 Radio Adelaide Digital. Interview ‘The History of Emotion’. collaboratory was hosted at The University of Sydney with G. Raeburn, ‘Newburn Ford’, by Ewart Shaw. The Voice Online version: www.radio.adelaide.edu.au/newburn-ford/ 24 November 2014: ABC Radio node from 29 September – 1 October. The organising www.voice.unimelb.edu.au/volume-10/number-6/ National, Books and Arts Daily with committee comprised CHE’s Jane Davidson and 27 August 2014: manchester-melbourne-rare-treat-book-lovers ABC Radio National ‘Book and Arts Michael Cathcart. Interview with Penelope Woods and The University of Sydney’s Ian Daily’. Interview with A. Bubenik and Michael Ann Holly 10 June 2014: The Age, ‘How Environmental Issues are J.W. Davidson on ‘Getting an by Michael Cathcart on ‘Five Centuries of Melancholia’. Maxwell, Alan Maddox (AI), and Glen McGillivray (AI). Springing from the Page’ by L. Soderlind, interviewing affective musical education’. www.abc.net.au/radionational/programs/booksandartsdaily/ The voice is a principal instrument of human communication G. Moore. 3 December 2014: ABC Radio durer27s-melancolia-engraving/5700242 and expression, and is thus a crucial aspect of the Performance www.theage.com.au/national/education/voice/how- National, Talking Point with Trevor Program’s investigations. Spoken, thundered, squeaked, environmental-issues-are-springing-from-the-page- September 2014: The Monthly, magazine article by Chappell. Interview with J.W. screamed, coughed, sung in solo or in chorus, on stage or in 20140602-39ecb.html Ceridwen Dovey titled ‘Intent Unknown’. Medieval Davidson ‘On the emotional value of records show that attitudes to suicide have changed the street, the voice invites critical consideration of the historical 16 June 2014: Sunday Times (Perth). Interview with music in schools’. little. (Dovey interviewed R.McNamara for this article.) circumstances and circulations of its performance as captured S.Garrido by Kaitlyn Offer “West Australians thinking www.themonthly.com.au/issue/2014/ 5 December 2014: Five AA Radio in archives, texts, and images. This collaboratory afforded the outside the box for funeral celebrations”. september/1409493600/ceridwen-dovey/intent-unknown Adelaide, Afternoons with Will opportunity to interrogate the historical evidence of the ‘voice’– 20 June 2014: The Australian Newspaper, Higher Gooding. Interview with K. Barclay its validation processes and the problems it presents – and to 13 September 2014: SBS Radio, the Dutch program, Education. Opinion piece on the study of Latin by about Richard III and questions of explore new theoretical and methodological approaches to with Marc van Dinther. Interview with R. Millar about the Y. Haskell, ‘Pyne’s Latin plan not ancient history’. inheritance. ‘voice’ and the histories of emotion in which it operates. Zest Festival and the history of the Zuytdorp and the www.theaustralian.com.au/higher-education/opinion/ community response to emotional heritage. 26 December 2014: SBS Radio, Topics among the 26 presentations included: hidden discourses pynes-latin-plan-not-ancient-history/story-e6frgcko- Serbian Language, Melbourne. behind voice; approaches to recuperating the musical voice; 1226961393900?nk=eca0950c44df3c8b8e571af62ffa8302 14 September 2014: The Globe and Mail (Canada), 'What Interview with D. Kambaskovic´, silent voices; forms of non-verbal vocalisation, such as hissing; if anorexia wasn't a disorder, but a passion?’ by Adriana 4 July 2014: ABC South West Radio on the WA Regional Conjunctions: Body and Mind from and the many ways in which voice featured on stage and in music, Barton, referring to journal article by L. Charland Drive program, interview with D.S. Sarah Ferber by Barry Plato to the Enlightenment and CHE. including rhetorical devices. The event featured keynote speakers (www.muse.jhu.edu/journals/philosophy_psychiatry_and_ Nicholls on ‘Exorcism’. Professor Richard Wistreich from the Royal College of Music, psychology/v020/20.4.charland.html). London, and Associate Professor William West of Northwestern 4 July 2014: ABC Regional Radio, Queensland, interview www.theglobeandmail.com/life/health-and-fitness/health/ University, Illinois. with D.S. Ferber by Rebecca McLaren on ‘Exorcism’. anorexia-a-new-passion-may-help-people-recover/ www.abc.net.au/southqld/programs/southern_queensland_ article20584523/ Wistreich examined how the spoken and sung voice was conceived afternoons; in period theory on human anatomy and physiognomy. West was 22 September 2014: ABC Radio MidWest & Wheatbelt joined by accomplished actors, Briony Williams and Dean Vince, to 12 July 2014: Courier Mail and Perth Now, interview WA, with Glen Barndon. Interview with R. Millar about deliver examples of Shakespeare’s texts where the performer is with S. Garrido ‘West Australians thinking outside the the success of the Zest Festival. required to roar, squeak, howl and use great voices and little ones. box for funeral celebrations’ by Kaitlyn Offer re: My Life 29 September 2014: ABC Radio National, Life Matters, The impact of these skilled performances exemplified the as a Playlist. ‘The Science and Benefits of Boredom’. Interview with extraordinary variation of voices practised by early modern players. www.perthnow.com.au/news/western-australia/west- J.F. Ruys. australians-thinking-outside-the-box-for-funeral- Recitals also captivated participants, with singer/scholar Michael www.abc.net.au/radionational/programs/lifematters/ celebrations/story-fnhocxo3-1226986809486 Halliwell performing works by Schubert to explore the emotional the-science-and-benefits-of-boredom/5763830 practices adopted in German Lieder. The sounds of the nightingale www.couriermail.com.au/news/national/west-australians- 27 October 2014: SBS News, 'Rituals of the Mace, were presented by harpsichordist Rosalind Halton and singers thinking-outside-the-box-for-funeral-celebrations/ limits of the handgun: in defence of ritual’, by S. Trigg. Anna Sandström and Nicole Smeulders, illustrating Scarlatti’s story-fnii5thq-1226986809486 www.sbs.com.au/news/article/2014/10/27/rituals-mace- desire to stir the emotions of listeners by drawing on the sounds of limits-handgun-defence-ritual a non-human voice. Overall, delegates found a newly invigorated appreciation of the historical voice through the wide-ranging research they encountered in this collaboratory.

80 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 81 EVENTS AND PUBLICATIONS Title: ‘Fairies, Angels, and the Land of Title: ‘Mulier Fortis: A Jesuit Title: ‘Public Gamelan Workshops’, the Dead: Robert Kirk’s Lychnobious School Musical Drama’ Zest Festival 2014 conducted by People’. Seminar, Date: 7-8 March 2014 Dr Peter Hadley (Methodist Ladies by Lizanne Henderson (Glasgow) Venue: Trinity College, Cambridge, UK College), Sofari Hidayat (Consulate Date: 4 June 2014 Convened by: Raphaële Garrod with for the Republic of Indonesia), Venue: UMelb Jonathan Sells (Solomon’s knot Jacqueline Van Gent. Kalbarri, WA Convened by: Charles Zika, baroque collective) Date: 22 September 2014 Charlotte-Rose Millar, Julie Robarts, Participants: 40 Venue: Kalbarri District High School, WA Selected Centre Events Catherine Kovesi, Andrea Rizzi Co-ordinated by: Jane Davidson and Title: ‘Dido and Aeneas’ Opera Participants: 15 Melissa Kirkham. Workshop Production Participants: 90 Title: ‘Where’ve All the Good People Date: 28 March 2014 Title: ‘The Voice and Histories of Title: ‘The Persistence of Conferences Gone? Modes and Motivations of Venue: Methodist Ladies College, Title: ‘The Zest Festival 2014: The Emotion: 1500-1800’ Melancholia: Melancholy and the Fairy Vanishing’. Seminar by Hadley Hall, Claremont WA Colour of Ritual, The Spice of Life: Title: ‘Literature and Affect’ AAL Date: 29 September-1 October 2014 Arts, 1514-2014’ Michael Ostling (Griffith) Convened by: Jane Davidson Faith, Fervour and Feeling’. Conference (*co-sponsored by CHE) Venue: Department of Performance Date: 23-24 October 2014 Date: 16 June 2014 Participants: 450 Date: 20-21 September 2014 Date: 2-4 July 2014 Studies, The University of Sydney Venue: The University of Queensland Venue: UMelb Venue: UMelb Venue: Kalbarri Foreshore, WA (USyd) (UQ) Art Museum Title: Performance: C.P.E. Bach: Convened by: Australasian Convened by: Charles Zika, Convened by: Jacqueline Van Gent; Convened by: Jane Davidson, Convened by: Andrea Bubenik, Oratorio, ‘The Resurrection and Association for Literature (AAL) Charlotte-Rose Millar, Julie Robarts, Rebecca Millar Alan Maddox, Ian Maxwell, Glen Penny Boys Ascension of Jesus’ (co-sponsored by Catherine Kovesi, Andrea Rizzi Participants: 2000 Title: ‘Emotions in International McGillivray, Penelope Woods Participants: 25 CHE with UQ School of Music) Participants: 15 Participants: 65 Date: 4 May 2014 Title: ‘Melancholia: John Dowland’s History’ Conference (*co-sponsored Title: ‘Little Eyases: Early Modern Title: ‘Performance History and Venue: St John’s Cathedral, Brisbane Seven Lachrimae Pavans – Music by CHE) Plays and Boy Players: 1525-1642’ History of Emotions’ Workshop Convened by: Michael O’Loghlin from the time of Dürer’ Date: 15-17 December 2014 Symposia Date: 14 November 2014 Date: 30 July 2014 Participants: 75 Date: 28 September 2014 Venue: UMelb Venue: UWA Convened by: Barbara Keys and Title: ‘Try Walking in My Shoes: Venue: Department of Performance Venue: UQ Art Museum Convened by: Bob White, Title: Performance: C.P.E. Bach: Jessica Gienow-Hecht Empathy and Portrayals of Mental Studies, USyd Convened by: Penny Boys; Michael Peter Reynolds Chamber Music (co-sponsored by Illness on Screen’ (* co-sponsored Convened by: Penelope Woods O’Loghlin (Badinerie Players) Participants: 15 CHE with UQ School of Music) by CHE) Participants: 22 Participants: 80 Date: 8 May 2014 Collaboratories Date: 13-14 February 2014 Title: ‘Memento Mori’ Symposium Title: ‘Histories of Melancholia’ Venue: UQ School of Music Title: ‘Melancholia: Contemporary Venue: The Dax Centre, The (*co-sponsored by CHE) Title: ‘Emotion, Ritual, and Power in Discussion Panel, in conjunction Convened by: Michael O’Loghlin Music’ Performance University of Melbourne (UMelb) Date: 24 November 2014 Europe: 1200 to the Present’ with the exhibition ‘Five Centuries of Participants: 50 Date: 19 October 2014 Convened by: Fincina Hopgood, Venue: Lawrence Wilson Art Gallery Date: 10-12 February 2014 Melancholia’ and Brisbane Writers Venue: UQ Art Museum Patricia di Risio and Victoria Duckett. (LWAG), UWA Title: ‘From Mourning to Joy: Venue: The National Wine Centre, Festival, with Andrea Bubenik, Convened by: Penny Boys; Robert Participants: 110 Convened by: LWAG Exclusion and Redemption’, Choral Adelaide Lisa O’Connell, Peter Holbrook Davidson (UQ Music), UQ Composers Participants: 55 Concert, E21 and Stephen Grant Convened by: Merridee Bailey, Title: ‘Changing Hearts: Performing and Rex Butler Participants: 80 Date: 30 May 2014 Katie Barclay Jesuit Emotions Between Europe, Title: ‘The Passions of Cultural Date: 4 September 2014 Venue: UMelb Title: ‘The Knight of the Burning Participants: 45 Asia and The Americas’ Identity: A Symposium’ Venue: UQ Art Museum Convened by: Charles Zika Pestle’, stage production Date: 7-8 March 2014 Date: 28 November 2014 Convened by: Peter Holbrook Title: ‘Languages of Emotion: Participants: 50 Date: 12 and 13 November 2014 Venue: Trinity College, Cambridge, UK Venue: UQ Participants: 80 Translations and Transformations’ Venue: Guildford Grammar School Convened by: Yasmin Haskell, Convened by: Brandon Chua Title: ‘Five Centuries of Melancholia’ Date: 10-12 June 2014 Title: ‘Emotional Contagion’ (GGS) & Bradley Studio, UWA. Raphaële Garrod Participants: 16 Exhibition Venue: Trinity College and the Roundtable Directed by: Peter Reynolds Participants: 35 Date: 28 August-30 November 2014 University Club, The University of Title: ‘Global Theatricalities/Global Date: 9 December 2014 (Newcastle, UK), with boy actors from Venue: UQ Art Museum Western Australia (UWA). Title: ‘Feeling Exclusion: Emotional Shakespeare: Australia, Ireland, Venue: USyd. GGS Convened by: Andrea Bubenik Convened by: Yasmin Haskell, Strategies and Burdens of Religious Britain’ (*co-sponsored by CHE) Convened by: Penelope Woods and Audience: 50 each night (Guildford); Participants: 12,264 Philippa Maddern Discrimination and Displacement in Date: 5 December 2014 Fiona Ritchie, supported by 40 (Bradley) Participants: 38 Early Modern Europe’ Venue: UMelb Juanita Ruys Title: ‘The Taming of the Shrew - Date: 29-31 May 2014 Convened by: Gillian Russell Participants: 12 A Korean Adaptation’ Theatre Title: ‘Affective Habitus: New Teacher Continuing Environmental Histories of Botany, Venue: Graduate House, UMelb Participants: 20 Presentation (visiting group from Convened by: Giovanni Tarantino, South Korea, Professor Hyonu Lee, Professional Development Zoology and Emotions’ Public Exhibitions/ Date: 19-21 June 2014 Charles Zika director) (*co-sponsored by School of (CPD) Seminars/Workshops Workshops/Seminars/ Festivals/Outreach Events/ Venue: Australian National Participants: 38 Languages and Comparative Cultural Title: ‘Listening to Shakespeare’s Roundtables Performances Studies) University Title: ‘In Form of War: Emotions Foreigners’ – Workshop for Date: 12 September 2014 Convened by: Grace Moore, and Warfare in Writing 1300-1820’, Title: ‘Tragedy and Emotion’ Seminar Title: ‘The New Fortune Theatre Secondary School English & Drama Venue: UQ, Geoffrey Rush Drama Tom Bristow CHE/CMEMS Symposium with Professor Richard Strier (Chicago) 50th Anniversary’ Teachers. Studio Participants: 160 Date: 27-28 June 2014 Date: 13-14 February 2014 Date: 29 January 2014 Date: 12 June 2014 Venue: UQ Convened by: Professor Hyonu Lee Title: Combined 2014 Methods Venue: UWA Venue: The New Fortune Theatre, UWA Venue: UQ Convened by: Peter Holbrook, (Soon Chun Hyang University, Collaboratory/Biennial Research Convened by: Stephanie Downes, Convened by: Bob White, Faculty of Speakers: Jonathan Gil Harris, Ross Knecht, Brandon Chua South Korea) Meeting Andrew Lynch, Katrina O’Loughlin Arts, UWA Cultural Precinct, Jennifer Clement Participants: 20 Participants: 80 Date: 28-30 August 2014 Participants: 35 The Graduate Dramatic Society. Participants: 28 Participants: 300 Venue: Mercure Hotel, Brisbane Title: ‘Ethics of Empathy’ Title: ‘Voice and Emotion’ Roundtable Title: ‘The Melancholic Imagination’ Convened by: Andrew Lynch, Date: 22 October 2014 with Kristin Linklater Title: ‘Iago: The Man, The Devil and – CPD Seminar Philippa Maddern. Venue: Dixson Room, Date: 21 February 2014 Emotion’ – A scholarly and practical Date: 30 August 2014 Participants: 80 State Library of NSW, Sydney Venue: Heath Ledger State Theatre, performance. Venue: UQ Art Museum Convened by: Juanita Feros Ruys Rehearsal Rooms, Perth Date: 10 February 2014 Convened by: Penny Boys, Participants: 60 Convened by: Jane Davidson, Venue: UWA School of Music Andrea Bubenik, Peter Holbrook, Penelope Woods Convened by: Jane Davidson Gillian Risdale Participants: 14 Participants: 65 Participants: 70 Photographer Albert Qiu 82 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 83 Derrin, D. ‘Subtle Persuasions: The Memory of Bodily Maddern, P. ‘How Children were Supposed to Feel: Experience as a Rhetorical Device in Francis Bacon’s How Children Felt: England 1350-1530’. In Childhood Parliamentary Speeches’. In Conjunctions of Mind, Soul and Emotion Across Cultures 1450-1800, edited by and Body from Plato to the Enlightenment, edited by D. C. 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84 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 85 Zika, C. ‘Visual Signs of Imminent Disaster in the D’Arcens, L. ‘Medievalist Laughter’. postmedieval 5.2 Lynch, A. ‘“simply to amuse the reader”: the Humor Stoessel, J. ‘Howling like Wolves, Bleating like Lambs: Sixteenth-Century Zurich Archive of Johann Jakob Wick’. (2014): 116-125. of Walter Scott's Reformation’. postmedieval: ‘Comic Singers and the Discourse of Animality in the Late Middle In Disaster as Image: Iconographies and Media Strategies Medievalism’ 5.2 (2014): 169-183. Ages’. Viator 45.2 (2014): 201–236. D’Arcens, L. ‘You had to be there: Anachronism and the across Europe and Asia, edited by M. Juneja and G. J. Limits of Laughing at the Middle Ages’. postmedieval 5.2 Marchant, A. ‘Narratives of Death and Emotional Affect Tarantino, G. ‘Shaking Enlightenment: The Early Modern Schenk, pp. 43–53, 217-20. Regensburg: Schnell und (2014): 140-153. in Late Medieval Chronicles’. Parergon 31.2 (2014): 81-98. 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Bailey, M. ‘Old Age and Economic Practices: Court of Shakespeare’s A Midsummer Night's Dream’. Shakespeare Bubenik, A. Five Centuries of Melancholia. Brisbane: UQ Chancery Cases Involving Richard Pynson, King's 10 (2014): 1-21. Phillips, B. ‘Chaucer’s Reworking of the Ovidian Locus Art Museum, 2014. Includes ‘Foreword’ by P. Holbrook. Printer’. Journal of the Early Book Society 17 (2014): Amoenus’. Limina: ‘Receptions: Medieval and Early Goodrich, R. A. ‘Diagnosing the Diagnostic and Statistical 307-15. Modern Cultural Appropriations’ 19.2 (2014): 1-18. Manual of Mental Disorders’. Metapsychology 18.46 Barclay, K. ‘Sounds of Sedition: Music and Emotion in (2014): 1-4. Ruys, J. F. ‘Dying 101: Emotion, Experience, and Learning Ireland, 1780-1845’. Cultural History 3.1 (2014): 54-80. How to Die in the Late Medieval artes moriendi’. Parergon Goodrich, R. A. ‘Mindshaping: A New Framework for 31.2 (2014): 55-79. Barclay, K. ‘Singing and Lower-Class Masculinity in the Understanding Human Social Cognition’. Metapsychology Dublin Magistrate’s Court, 1800–1845’. Journal of Social 18.20 (2014): 1-4. Soyer, F. ‘The Inquisitorial Trial of a Cross-dressing History 47.3 (2014): 746-68. Lesbian: Reactions and Responses to Female Haskell, Y. ‘In the Vineyard of Verse: The State of Homosexuality in 18th-century Portugal’. Journal Bristow, T. ‘Memory (Living Lexicon for the Scholarship on Latin Poetry of the Old Society of Jesus’. of Homosexuality 61 (2014): 1529-57. Environmental Humanities)’. Environmental Humanities Journal of Jesuit Studies 1 (2014): 26-46. 5 (2014): 307-11. Soyer, F. ‘Manuel I of Portugal and the End of the Hutchison, E. ‘A Global Politics of Pity? Disaster Imagery Toleration of Islam in Castile: Marriage Diplomacy, Broomhall, S. ‘Emotional Encounters: Indigenous and the Emotional Construction of Solidary after the 2004 Propaganda, and Portuguese Imperialism in Renaissance Peoples in the Dutch East India Company's Interactions Asian Tsunami’. International Political Sociology 8.1 (2014): Europe, 1495-1505’. Journal of Early Modern History 18.4 with the South Lands’. Australian Historical Studies 45.3 1-19. (2014): 350-67. (2014): 331-56. Hutchison, E., R. Bleiker, and D. Campbell. ‘Visual Spinks, J. ‘The Southern Indian “Devil in Calicut” in ‘Early Broomhall, S., and J. Van Gent. ‘Converted Cultures of Inhospitality’. Peace Review 26.2 (2014): Modern Northern Europe: Images, Texts and Objects in Relationships: Re-negotiating Family Status after 192-200. Religious Conversion in the Nassau Dynasty’. Journal of Motion’. Journal of Early Modern History: ‘The Global Social History 47.3 (2014): 647-72. Hutchison, E. and R. Bleiker. ‘Theorizing Emotions in Dimensions of European Knowledge’ 18.1-2 (2014): World Politics’. International Theory 6.3 (2014): 490-594. 15-48. Chua, B. ‘The Purposes of Playing on the Post Civil War Stage: The Politics of Affection in William Davenant’s Kaleva, D. ‘Performative Research: A Performance-led Dramatic Theory’. Exemplaria 26 (2014): 39-57. Study of Lamento d’Arianna with Historically Informed Rhetorical Gesture’. Musicology Australia 36.2 (2014): 209-234.

86 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 87 Johannes Vermeer, Woman Reading a Letter, c.1663. © Rijksmuseum

SPOTLIGHT: Awards and Grants EMPATHY, ETHICS, AESTHETICS: POSTGRADUATE ADVANCED TRAINING SEMINAR Selected Awards and Grants 2014

Collins, D. and Stoessel, J. ARC DP (AUD117,000, What is the difference between empathy and The PATS attracted 15 students from seven disciplines, 2015-17). ‘Reconceptualising current understandings sympathy? What role does putting oneself in including nursing, medicine, philosophy, and religious of musical composition from circa 1330 to circa 1530’. Awarded 2014. another’s shoes play in our thinking about studies. The four presenters set the students advance readings, ranging from articles in contemporary ethics? Are there limits to empathy? And how philosophy of emotion and accounts of Jesuit missions Irving, D. ARC DP (AUD212,429). ‘The history and can art, films, and literature help us address in China to Andy Goldsworthy’s 1998 installation 'Crow practice of Malay music traditions’. Awarded 2014. such puzzling issues? These questions and Stone', and excerpts from the young adult novel more were up for discussion at the ‘Empathy, Wonder by R.J. Palacio. Mews, C. J. Honorary Award. Elected Corresponding Ethics, Aesthetics’ Postgraduate Advanced The workshop began with a conceptual investigation Fellow of Medieval Academy of America. Elected 2014. Training Seminar (PATS) hosted by the into the nature of emotion and empathy led by Robert Sydney node of CHE in late October 2014. Sinnerbrink (Macquarie). Jay Johnston (Sydney) then explored the uses and limits of empathetic engagement O’Loughlin, K. ARC Discovery Early Career Researcher with texts, focusing especially on cases where Award (DECRA) (AUD334,746: 2015-18). ‘The republic of empathetic attempts to understand a text break down. feeling: Literary friendship between women 1750-1830’. CI Yasmin Haskell (UWA) asked how contemporary Awarded 2014. understandings of empathy can provide insights into the past by exploring the extent to which early modern Tarantino, G. Jesuits evinced ‘transcultural empathy’ for the non- Abilitazione Scientifica Nazionale (National European peoples they encountered. Helen Day (Central Scientific Qualification as Assoc. Prof.). ANVUR (Agenzia Lancashire) concluded the workshop by examining the Nazionale di Valutazione del Sistema Universitario difficult issue of empathy for persons with a disability, e della Ricerca), Italy. Awarded 2014. INSIGHT asking whether the incapacity to empathize with another’s disability is morally blameworthy. Tarantino, G. Elected Fellow of the Royal Historical Students reported that sharing interdisciplinary Society (FRHistS). Notified February 2014. perspectives was one of the most rewarding aspects THE BATTLE OF THE SENSES: of the day. Chantelle Saville (Auckland), wrote: “I was Van Gent, J. ARC DP (AUD270,000: 2015-2019). POLITICS, EMOTIONS, AND thrilled to be introduced to scholars treating topics ‘Early modern missions: understanding local and time-periods close to my own, each working with responses to global challenges’. Awarded 2014. THE SENSES IN BRITAIN, very different materials and having very different c.1760-1800 research backgrounds”. For George Ioannides (Sydney): “the opportunity to engage and discuss our ideas with White, R. S. ARC DP (AUD91,900: 2015-16). ‘Keats’s My examination into the politics of the senses in such a variety of scholars and students allowed many of Anatomy of Melancholy: Poems (1820) as a unified Britain in the 1790s has revealed, among other things, us to test our research findings against recent scholarly volume’. Awarded 2014. that the complex relationship between the senses and consensus on these topics, and to also make contacts the emotions was a frequent subject in eighteenth- with fellow researchers as active members of the wider century satirical prints as both phenomena became academic community”. highly politicised during the debate over the French Revolution. The students had previously been invited to participate in two days of focused discussion at the CHE ‘Ethics of Peter Denney Empathy’ symposium.

88 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 89 Colwell, Tania Monthly workshop: Co-convenor with Dr Rebecca Jones of ‘Emotions in Research’, a monthly interdisciplinary workshop and readings group at the Australian National University (ANU), the first Wednesday of the month, between February and November 2014. D’Arcens, Invited Paper Presentation: ‘Feeling Medieval: Transhistorical Emotions’, at 49th International Louise Congress on Medieval Studies, Western Michigan University, Kalamazoo, USA, 9 May 2014. Davidson, Pre-Concert Talks: ‘Timeline: The History of Music and Emotion’, for Australian Chamber Jane W. Orchestra, Melbourne Arts Centre, 1 & 2 June 2014. Invited Keynote Address: ‘Performing Emotions: Researching Meanings and Methods for Musical Engagement’, at the Australian Music Therapy Association Annual Conference, Brisbane, 30 August 2014. Selected Talks Davis (Russell), Invited Paper Presentation: ‘Mobilising Enmity: Emotions and the Deviantisation of Heretics and Presentations Sarah during the Albigensian Crusade’, for the Centre for Medieval Studies Research Seminar, Exeter University, UK, 5 March 2014. Derrin, Daniel Conference Paper: ‘Rhetoric, Ethos, and the Antic-Vice: Persuasive Humour in Two Shakespearean Scenes’, at the Reading Early Modern Studies Conference, University of Reading, United Kingdom, 7-9 July 2014. Downes, Invited Paper Presentation: ‘Alone am Y: Christine’s English Lyric’, at Medieval Studies Congress, 2014 Selected Talks and Presentations Stephanie Kalamazoo, Michigan, USA, 9 May 2014. Escolme, Seminar: ‘Laughter, Cruelty and Emotional Excess in Early Modern Drama and its Contemporary * CHE Invited Speaker Bridget (Queen Revisions’, at the Early Modern Literature Forum, UQ, 1 August 2014. ** CHE Early Career International Research Fellow Mary University of London, *** CHE Distinguished International Visiting Fellow UK) * Bailey, Conference Paper: ‘Emotional, Economic and Social identities: How Urban Spaces and Institutions Garrido, Sandra Conference Presentation: ‘Music and Mourning: The Psychological Functions of Music in Coping Merridee Shaped London’s Merchants’, for Early Modern Conversions Project/Centre for Reformation and with Bereavement’, for Australian Grief and Bereavement Conference 2014, Bayview Eden, Renaissance Studies, ‘Theatres of Conversion’ workshop, University of Toronto, Canada, Melbourne, 27 March 2014. 25 October 2014. Garrod, Conference Paper: '"Before your Eyes": Hypotyposes, Prosopopeia, and the Reconfiguration of Baltussen, Invited Public Lecture: ‘Is Self-Consolation Possible? Cicero’s De Luctu Minuendo’, Leiden Raphaële Affects in the Rhetorical and Dramatic works of Nicolas Caussin, S.J.', at the ‘Changing Hearts: Johannes (Han) University, The Netherlands, 15 May 2014. Performing Jesuit Emotions Between Europe, Asia and the Americas’ symposium, Trinity College, Barbu, Daniel Presentation: ‘Emotions and Identity in Jewish–Christian Polemics: On the Jewish “Life of Jesus” University of Cambridge, UK, 7-8 March 2014. (University (Toledoth Yeshu) and its Reception in Early-Modern Europe’, at the CHE symposium ‘Feeling Haskell, Yasmin Conference Paper: ‘Playing with the Emotions in the Jesuit Classroom: Two Eighteenth-Century of Bern, Exclusion: Emotional Strategies and Burdens of Religious Discrimination and Displacement in Poems on Special Friendships’, for ‘Changing Hearts: Performing Jesuit Emotions Between Switzerland) * Early Modern Europe’, The University of Melbourne (UMelb), 29-31 May 2014. Europe, Asia and the Americas’ symposium, Trinity College, Cambridge, UK, 7 March 2014. Barclay, Katie Workshop Paper: ‘Illicit Intimacies: the Many Families of Gilbert Innes of Stow (1751-1832)’, Conference Paper: ‘Affectus and its Cognates in Medieval Latin and Early Modern Jesuit Discourse at the Colloquium ‘Gender & History: Men at Home: Authority, Domesticity, Sexuality, and (with Juanita Ruys)’, at the CHE collaboratory ‘Languages of Emotions: Translations and Household Production’, University of Urbino, Italy, 11-12 April 2014. Transformations’, The University of Western Australia, 12 June 2014. Barnes, Diana Invited Paper Presentation: ‘Emotional Debris in Early Modern Letters’, at ‘New Directions in Early Holbrook, Peter Invited Keynote Lecture: ‘The Rose and the Axe: E. M. Cioran and Shakespeare’, at ‘“A Journey of Modern Women’s Letters’ a WEMLO (Women’s Early Modern Letters Online) Symposium, 450 Years”: 2014 International Shakespeare Workshop’, National Tsing Hua University, Taiwan, University of Oxford, 14 August 2014. 14 May 2014. Bristow, Invited Paper Presentation: ‘Creaturely Emotions and Ataraxia: Post-Pastoral and European Myth Invited Keynote Lecture: ‘The Idea of Motion in Shakespeare’, at the Conference of the Asian Thomas in Anne Carson’s Red Doc>’, to the members of the Western Literature Association, The University Shakespeare Association, National Taiwan University, Taipei, 16 May 2014. of British Columbia & University of Victoria, The Fairmont Empress Hotel, Victoria, B.C., Canada, Hultquist, Paper: ‘Haywood’s Novels and an Ethics of the Passions’, at the American Society of Eighteenth 5-8 November 2014. Aleksondra Century Studies, Williamsburg, Virginia, USA, 22 March 2014. Brooks, Ann Invited Seminar Presentation: ‘Organizational Image and the Emotional Labour of Organizations: Hutchison, Conference Panel: ‘Emotional Global Politics’, at the Oceanic Conference on International Studies Intimacy, Identity, and the Politics of Privacy in Organizations’, at the Institute of Health and Emma (OCIS), UMelb, 9-11 July 2014. Community (IHC) Seminar, Plymouth University, UK, 19 November 2014. Irving, David Invited Paper: ‘Flight of the Archangel: Corelli and the Construction of Global Fame’, at the Broomhall, Paper Presentation: ‘Huguenot Charity in Sixteenth-Century France and England’, at the Tenth Cambridge Italian Research Network Symposium 2014 ‘Global Italy’, Gonville and Caius College, Susan European Social Science History conference, Vienna, Austria, 26 April 2014. Cambridge, 23 May 2014. Bubenik, Paper: ‘The Shape of Things to Come: The Polyhedren in Melencolia I’, at ‘The Persistence of Knecht, Ross Seminar Paper Presentation: ‘“Action all of Precept”: Normativity and Early Modern Pedagogy’, Andrea Melancholia’ symposium, The University of Queensland (UQ) Art Museum, 23-24 October 2014. at Shakespeare Association of America Annual Meeting, St Louis, USA, 14 April 2014. Chua, Brandon Presentation: ‘Roman Restoration and Carthaginian Hospitality: The Poetics of Tolerance in Kounine, Seminar Presentation: ‘Emotions on Trial: Reading for Emotions in 17th-Century German Dryden’s The Hind and the Panther’, at the David Nicol Smith Seminar in Eighteenth-Century Laura (Max Witch-trials’, UMelb, 17 March 2014. Studies XV ‘Ideas and Enlightenment: the Long Eighteenth Century’, The University of Sydney, Planck Institute 10 December 2014. for Human Clement, Panel Presentation: ‘Humility, False and True: Perception and Performance in Eastward Ho!’, Development, Jennifer in CHE-sponsored panel at the 12th Biennial Conference of the Australian and New Zealand Berlin, Shakespeare Association (ANZSA), USQ, Toowoomba, 2-4 October 2014. Germany) **

90 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 91 Lynch, Andrew Presentation: ‘“Poetry is passion”: Arthurian Emotion and Literary Form’, in the ‘Positive Ruys, Juanita Invited Keynote: ‘Love and Trauma: The Emotional Classroom from Late Antiquity to the High Emotions’ panel, International Arthurian Society, Congress, Bucharest, July 2014. Feros Middle Ages’, at the Australian Early Medieval Association Conference (AEMA 10): ‘From MacKinnon, Invited Presentation: ‘“Ringing of the bells by four white spirits”: Two Seventeenth-Century Byzantium to Clontarf: Emotional, Intellectual and Spiritual Perceptions in the Construction Dolly English Earwitness Accounts of the Supernatural in Print culture’, at The John Rylands Seminar and Reception of the Early Medieval Past’, Macquarie University, 7-8 February 2014. on Print Culture and Materiality in the Early Modern World, University of Manchester, UK, Invited Keynote: ‘Premodern Emotional Intelligence: Advice from Medieval Parents to their 22 January 2014. Children and the Emotional Classroom of the Middle Ages’, Australian Children’s Literature McIlvenna, Una Conference Paper: ‘Songs, Memory, and the Performance of News in Early Modern Europe’, Association for Research Conference (ACLAR): ‘Emotional Control: Affect, Emotion, and Ideology at the Renaissance Society of America Annual Meeting, New York, USA, 28 March 2014. in Children’s Texts’, Geelong Waterfront Campus, Deakin University, 30 June-2 July 2014. McNamara, Invited Conference Paper Presentation: ‘Pain and Self-Killing: Making Sense of the Trauma of Soyer, François Invited Conference Paper: ‘Fear of Ambiguous Gender and the Spectre of Demonic Intervention in Rebecca Suicide in Medieval England’, at the Modern Language Association Annual Convention, Chicago, Early Modern Iberia: Contrasting Elite and Popular Responses’, at the Berkshire Conference on USA, 11 January 2014. the History of Women, ‘Histories on the Edge’, University of Toronto, Canada, 25 May 2014. Invited Conference Paper Presentation: ‘Weapons of Self-Destruction: Materiality and Suicide in Starbuck, Invited Paper: ‘Enlightened Powers and “Nature’s Children”: A French Colonial Encounter in the the Middle Ages’, at the International Congress on Medieval Studies, Western Michigan University, Nicole Time of Bonaparte’, at the ‘Enlightened Powers: American, French and British Interactions in Kalamazoo, USA, 8 May 2014. Botany Bay, 1789-1800’ symposium, Martin-Luther-University Halle-Wittenberg, Germany, 27 September 2014. Maddox, Alan Conference Paper: ‘Musical Affect at the Intersection between the Sacred and Secular Realms: The “Storm” Topos in Two Solo Bass Motets by Nicola Porpora’, at the 16th International Stoessel, Jason Invited Paper: ‘French-­texted Songs at the Council of Constance: Influences, Paths of Conference on Baroque Music, Mozarteum University, Salzburg, Austria, 11 July 2014. Transmission, and Trends’, at Europaische Musikkultur im Kontext des Konstanzer Konzils, Internationales und interdisziplinares wissenschaftliches Symposion, Ehemaliges Kloster Marchant, Alicia Paper: ‘Heritage and Affectivity in Antiquarian Narratives of Medieval and Early Modern England’, Petershausen/ Musikschule Konstanz, Constance, Germany, 19-22 June 2014. at the Association for Critical Heritage Conference, ANU, Canberra, 3 December 2014. Tarantino, Lecture: ‘Early Modern “Eastern” and “Western” Emotional Responses to Fires and Associated Marshall, Paper Presentation: ‘Explaining the Plague in Fourteenth-Century Lucca: Giovanni Sercambi’s Giovanni Memories’, as part of an exchange teaching program on ‘History and Memory’ between the History Louise Illustrated Chronicle’, to 60th Annual Meeting of The Renaissance Society of America, New York, Departments at Nanjing University and UMelb, Nanjing University, China, 13 November 2014. USA, 28 March 2014. Trigg, Invited Plenary: ‘Portal Medievalism’, at the Symposium on Medieval Temporalities, Millar, Paper Presentation: ‘The Vengeance of Witches: Diabolical Justice in Early Modern England’, at Stephanie Freie Universität, Berlin, Germany, 30 June 2014. Charlotte-Rose the Reading Early Modern Studies Conference, University of Reading, UK, 11 July 2014. Paper: ‘“As she that…”: Displaced Affect in Troilus and Criseyde’, at New Chaucer Society Moore, Grace Paper: ‘“So Wild and Beautiful a World About Him”: Trollope Hunts a Dingo’, at the Literature and Congress, University of Iceland, Reykjavik, Iceland, 17 July 2014. Affect Australasian Association for Literature (AAL) Conference 2014, UMelb, 3 July 2014. Van Gent, Invited Seminar Paper: ‘Congruent Colonialisms- Questions of Methodology and Potential O’Loughlin, Invited Conference Paper: ‘Lady Elizabeth Craven: Sexual Transgression and Social Satire’ for Jacqueline for International Collaboration’, at the Centre for the Study of Congruent Colonialism, Katrina ‘Laughter and Satire in Europe 1500-1800’, The University of Warwick, Venice, Italy, 26-27 May Linne University Växjö, Sweden, 14 May 2014. 2014. Workshop Paper (and workshop co-convenor): ‘Linnaeus’ Tea Cup: Swedish Colonialism and Invited Conference Paper: ‘“Your Russian Mother”: Friendship and Global Relations in the Masculinities’ at international workshop on ‘Asian Goods and Consumption Culture in Dashkova Archive’, for NASSR Tokyo Romantic Connections, The University of Tokyo, 13-15 June Scandinavia’, Stockholm University, Sweden, 22-23 May 2014. 2014. Waldow, Anik Invited Presentation: ‘Hume on the Sympathetic Evolution of Human Nature’, at a workshop of the Osborn, Carly Invited Masterclass Workshop Presentation: ‘Violence and War: Reading Emotions’, at academic Interdisciplinary Network on Sympathy, Empathy and Imagination, University of Oxford, UK, conference ‘Battling to the End 1914-2014’, Catholic University of Eichstätt-Ingolstadt, Freising, 15 December 2014. Germany, 22 July 2014. Walker, Claire Invited Seminar Presentation: ‘Uncovering St Justin’s Relics: Religious Ritual and Political Identity Owens, Paper Presentation: ‘“A Fierce and Impure Voice”: Vocal Training at the Württemberg Court, in the English Augustinian Convent in Paris, 1688-1720’, at the Cambridge Early Modern British Samantha 1680–1730’, at the CHE collaboratory ‘The Voice & Histories of Emotion: 1500–1800’, USyd, and Irish History Seminar Series, University of Cambridge, UK, 12 November 2014. 2 October 2014. Walsham, Presentation: ‘The Pope’s Merchandise and the Jesuits’ Trumpery: Catholic Relics and Parsons, Nicola Conference Paper: ‘“a sort of SPRITUAL ROMANCE”: Elizabeth Rowe, John Dunton, and the Alexandra Protestant Polemic in Early Modern England’, at the CHE Relics and Emotions Study Day, Complications of Form’, at the ‘Romance and its Transformations, 1550-1750’ Conference, (University of UMelb, 21 March 2014. co-hosted by the University of Southampton UK and the University of Minnesota (Morris), Cambridge, at Chawton, United Kingdom, 30 June-1 July 2014. UK) * Raeburn, Conference paper: ‘The Plague, Death, and Communal Identity in Early Modern Scotland’, White, Robert Conference Paper: ‘Elijah Moshinsky’s Cymbeline’, at the Société Française Shakespeare Gordon at the Sixteenth Century Society Conference, New Orleans, USA, 17 October 2014. (Bob) ‘Shakespeare 450’ conference, The Sorbonne, Paris, France, 25 April 2014. Read, Richard Invited Seminar: ‘Backs of Paintings in Studios’ with funded guests at King’s College, Woods, Invited Workshop Presentation: ‘How Early Modern Plays Changed the Emotional State of their Cambridge, UK, 3 April 2014. Penelope Audiences - A Workshop’, at the Early Modern Conversions Project/Centre for Reformation and Reddan, Paper: ‘Emotion Scripts: An Attempt to Reconcile Practice, Language and Performance’, at Renaissance Studies ‘Theatres of Conversion: Early Modern Cities, Courts, and Playhouses’ Bronwyn summer school ‘Concepts, Language and Beyond’ jointly organised by Concepta and IMPRS Moral workshop, University of Toronto, Canada, 24-25 October 2014. Economies of Modern Societies, Max Planck Institute for Human Development, Berlin, Young, Spencer Paper: ‘The Medieval Prosperity Gospel: Tracing a History of Ideas about the Hundredfold Reward’, 22-27 September 2014. at the 49th International Congress on Medieval Studies, Western Michigan University, USA, Rospocher, Lecture: ‘Playing to the Crowd: Street Singers and the Manipulation of Emotions in Early Modern 8-11 May 2014. Massimo Italy’, UMelb, 14 April 2014. Zika, Charles Conference Paper: ‘Transforming Disgust into Ridicule in the Early 18th Century: Jean Crépy’s (University of Print of Laurent Bordelon’s "Monsieur Oufle at the Sabbath"’, at the CHE collaboratory ‘Emotion, Leeds, UK) ** Ritual and Power’, The University of Adelaide, 10 February 2014. Invited Conference Paper: ‘Emotions Research and Pilgrimage Studies: the Case of the Austrian Shrine of Mariazell’, at the ‘Assessing Pilgrimage Studies Today’ conference, Centre for Pilgrimage Studies, University of York, UK, 5 July 2014.

92 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 93 Research Training and Professional Education

Performance Measure Outcome 2011 Outcome 2012 Outcome 2013 Target Outcome 2014 2014 Number of attended professional 6 Collabs 6 Collabs 4 Collabs 5 5 Collabs training courses for staff and 6 Masterclasses 5 Masterclasses 2 PATS 1 PATS postgraduate students (include collaboratories and PATS) 5 Study Days/ 8 Masterclasses 9 Masterclasses Workshops/ 10 Study Days/ 17 Study Days/ Research Workshops/ Workshops/ Meetings Research Research Meetings Meetings/ Symposia

Number of Centre attendees at all >35 >40 >50 32 >125 professional training courses Number of new postgraduate 3 3 continuing, 7 3 12 continuing, Claude Lorrain, A Seaport at Sunrise, 1674. Courtesy of Wikimedia Commons. students working on core Centre 2 commenced 3 new research and supervised by Centre in 2012 staff ( including PhD, Masters and KEY PERFORMANCE INDICATORS Masters by coursework) Number of new postdoctoral 5 started plus 5 continuing, 14 continuing, 0 15 continuing, researchers recruited to the 6 appointed to 8 commenced 2 commenced in 4 commenced in Centre working on core Centre start in 2012 in 2012 2013 2014 research (one senior Research Findings 3 appointed in 7 appointed in research 2013 to start in 2014 to start in fellow) Performance Measure Outcome 2011 Outcome 2012 Outcome 2013 Target 2014 Outcome 2014 2014 2015 Books (published) 1 7 7 1 10 2 appointed in 2012 to start in Edited books 1 6 2 1 5 2013 Book chapters 8 24 19 20 43 Number of new Honours students 2 7 1 14 0 Journal articles 10 16 30 20 58 working on core Centre research Other (Refereed conference 1 4 5 8 7 including 5 supervised by Centre staff proceedings or papers) edited books Number of postgraduate 0 0 1 0 Major performance practice 7 28 34 0 8 completions and completion research event times by students working on core Centre research and supervised by 2 Number of invited talks/papers/ 7 keynote plus 10 international 6 international 12 6 International Centre staff keynote lectures given at major 44 at keynote plus keynote plus keynote plus international meetings international 75 papers at 69 papers at 30 papers at Number of Early Career 5 13 14 16 15 meetings international international international Researchers (within 5 years of meetings meetings. meetings completing PhD) working on core Centre research Number and nature of Outcome 2011 Outcome 2012 Outcome 2013 Target 2014 Outcome 2014 commentaries about the Centre’s Number of students mentored achievements Centre postgraduate students 3 5 11 8 15 Media releases 13 8 3 Media 3 16 Media Centre Honours students 2 7 1 14 0 Releases Releases Postgraduates not supervised 60 25 36 12 50 Articles 11 30 8 print articles 4 158 print within the Centre but receiving articles mentoring through attendance at 11 website PATS and collaboratories articles 16 website articles Number of mentoring programs 6 6 Collabs 4 Collabs 5 5 Collabs 20 radio/ (collaboratories plus PATS) television 26 radio/ 2 PATS 1 PATS articles/ television programs articles/ programs

94 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 95 International, national and regional links and networks

Performance Measure Outcome Outcome Outcome Target Outcome Number of Outcome 2011 Target 2012 Outcome 2012 Outcome 2013 Target 2014 Outcome 2014 2011 2012 2013 2014 2014 website hits Number of international and visiting fellows 22 28 76 11 47 (3 websites will be monitored) Number of national and international workshops held/ organised by the Centre (collaboratories plus major 7 15 13 5 14 CHE website 31,000 page 2,000 page From Oct to 116,110 page 3000 page 146,992 page Conference) views, approx. views, approx. Dec on new views (35,896 views (approx. views (48,127 8,353 visits 1000 visits website 21,000 visits with 1500 visits) visits with Number of visits to overseas scholarly departments, page views, 19,432 new 27,687 new centres and archives. Note: Many of these were co- 30 94 112 23 approx. 6,200 visits in 2013) visits in 2014) funded or host-funded, and multiple institutions visited 114 visits in one trip. Confluence (CHE - 12,000 page - - 15,000 page In 2014 this Examples of relevant interdisciplinary research members networking views views (approx. came into supported by the Centre site) 5,000 visits) regular use as Collaboratories 6 6 4 4 5 a platform to It was decided share policy Industry interns - - 0 2 0 that this site was and information unnecessary documents because visits to with members the CHE website across the have exceeded the Centre End-user links targets set for the two websites together Performance Outcome 2011 Target 2012 Outcome 2012 Outcome 2013 Target 2014 Outcome 2014 CHE-built wiki site In process of 200 page views In process of It is anticipated 1000 page The objective Measure being set up being set up that this target views (approx. of this tool has Number of >10 4 (Advisory >10 31 (Advisory 6 (Advisory 28 (1 Advisory has been 500 visits) changed – now government, industry, Board; 2 State Board; Board; 2 State Board; 2 State exceeded. being targeted and business Culture and 3 Culture and Culture and Culture and At the end of as a school community briefings Heritage Heritage Heritage Heritage 2013, there resource. bodies; 1 State bodies ; bodies; bodies; were 147 Work has now Theatre/Opera 1 State 9 Dance/ entries, which 16 Arts commenced Company) Theatre / Theatre/ Opera have been Industries; on setting up Opera companies; promoted via an online 5 Teacher PD companies; 9 State email, Facebook bibliography days; 7 State 2 State Education 7 and Twitter, Education) Education media and have Departments) developers) been viewed Number and nature Outcome 2011 Target 2012 Outcome 2012 Outcome 2013 Target 2014 Outcome 2014 multiple times. of public awareness Number of public 3 12 40 27 15 45 programs talks given by Centre Public lectures 7 3 54 50 3 74 staff School outreach 11 5 96 41 5 86 events (WA, SA, Vic, NSW, Qld) Currency of Established Updated Updated Updated Updated Updated information on Updated weekly weekly weekly weekly weekly Centre’s website weekly

INSIGHT

TERRESTRIAL HAPPINESS, ACCORDING TO DANTE ALIGHIERI (1265-1321) During 2014, I worked on the concept of avarice as one of the mortal vices, its origins and its manifestations in medieval thought. My article ‘Avarice in Dante and His Age’ has been accepted for publication in the refereed journal, Dante Studies (USA). It includes a case study of Enrico Scrovegni, the Paduan ‘banker’ responsible for the Scrovegni Chapel, and its world-famous frescoes by Giotto. While Dante’s condemnation of usury and avarice is traditional for his age, Scrovegni begins to prepare the way for the wealthy patrons of the Italian Renaissance, whose frequently ill-gotten gains have enriched our cultural heritage. John Scott

96 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 97 Organisational support National benefits

Performance Measure Institution Outcome Outcome Outcome Target Outcome Contribution to the National Outcome 2014 2011 2012 2013 2014 2014 Research Priorities and the Annual cash contributions from UWA $462,985 $437,352 $464,230 $369,091 $396,730 National Innovation Priorities Collaborating Organisations U Adelaide $130,000 $130,000 $130,000 $130,000 $133,343.87 Research outputs enhance Books and papers published, conference papers delivered, academic events and understanding of social emotions community engagements in 2014 have widely circulated new insights into the role of U Melbourne $175,852 $229,310 $216,112 $233,179 $279,657 emotions in both European and Australian cultures and societies. As examples: 12,264 UQ 90,226 $364,215 $347,090 $86,173 $400,854 people viewed the ‘Five Centuries of Melancholia’ exhibition (with catalogue) at the University of Queensland Art Museum, which related Australian and contemporary art to USydney $91,695 $45,113 $135,339 $90,226 $90,226 the European Renaissance tradition. 160 scholars and community members shared Umeå $2,095 0 0 $2,234 $0 – Prof leading cross-disciplinary research findings on emotions and the environment at Liliequist ‘Affective Habitus: New Environmental Histories of Botany, Zoology and Emotions’, travel is Australian National University. planned for Nov 2015 Queen Mary $0 $0 $2,300 $0 $0 Engagement in policy discussion School and Community Outreach Officers continue to compile curriculum materials University of for deployment in Australian schools. In 2014, Carly Osborn (EOO Adelaide) provided London a number of activities through the Children’s University holiday programs. A media developer has been contracted and has begun work on an online game involving Annual in-kind contributions from UWA $341,290 $194,977 $206,763 $208,763 $209,000 emotions and objects for the Children’s University. ‘Try Walking in My Shoes: Collaborating Organisations U Adelaide $43,690 $43,690 $43,690 $43,690 $43,690 Empathy and Portrayals of Mental Illness on Screen’ engaged over 110 academics, U Melbourne $69,876 $69,876 $125,085 $69,876 $110,085 health professionals, and members of the public in discussion of emotions surrounding disability. UQ $45,170 $45,170 $45,170 $45,170 $45,170 New postdoctoral appointments In 2014, the Centre hosted 21 Postdoctoral and Senior Research Fellows, distributed U of Sydney $9,000 $49,019 $49,019 $49,019 $49,019 enhance base of skilled across the five participating Centre universities. The outstanding quality of these Annual in-kind contributions from Umea $21,369 $21,369 $21,369 $21,369 $21,369 researchers researchers (nationally and internationally recognised) is evident from awards granted to, Partner Organisations Freie $25,000 $25,000 $25,000 $25,000 $25,000 for instance, Dr Giovanni Tarantino, elected Fellow of the Royal Historical Society, FRHistS, and awarded a Visiting Senior Fellowship by the Institute of Historical Newcastle $45,072 $45,072 $46,264 $47,420 $47,420 Research by the University of London, UK; and Katrina O’Loughlin, awarded a DECRA. Fribourg $29,527 $29,527 $29,527 $29,527 $29,527 Collaboratories and overseas In addition to our five collaboratories, CHE’s research visitor programs (ECR and DIV) Queen Mary, $20,276 $20,276 $20,276 $15,300 $15,300 visits enhance collaboration enhance collaboration. Laura Kounine (ECR 2014), Charles Zika (CI), and Charlotte-Rose U London Millar (CHE PhD student) have formed a panel on witchcraft and emotions at the Renaissance Society of America’s Berlin conference in March. Continuing collaboration Other research income Outcome Outcome Outcome Target Outcome with the Early Modern Conversions Project, Canada (EMC) in 2014 has led to a major joint secured by Centre Staff 2011 2012 2013 2014 2014 conference on ‘Emotion and Cognition’ in March 2016, involving CHE, EMC and the ARC ARC DP $725,487 S893,474 $913,000 $500,000 $854,311 Centre for Cognition and its Disorders (Macquarie). ARC DECRA 0 0 $122,824 0 242,870 Industry interns enhance Final negotiations are underway with the NGV and Victorian Opera on major projects with researcher-industry ARC Future Fellowship 0 $81,024 $163,502 0 $377,693 these two partners. It is anticipated that the first interns will start in 2015. collaborations ARC Linkage Project 0 0 0 0 $76,030 Collaborative publication with During 2014, CI Jane Davidson and Postdoctoral Research Fellow, Sandra Garrido, ARC QEII $118,313 $0 0 0 0 industry partners published My Life as a Playlist (Crawley: UWA Publishing, 2014), which features results of Gottingen Visiting Fellowship $16,000 $0 0 0 0 the website project of the same name which was run in partnership with the Australian ANZ Bank/Wicking Trust $36,000 $36,000 0 0 0 Broadcasting Corporation. Research Grant Humanities in Europe Area €333,000 €333,000 This grant 0 0 (HERA) grant was with E.Welch who was a PI at the time of award, but has subsequently left the QMUL, and a new PI has been appointed. Number of new organisations 0 6 3 3 3 collaborating with, or involved in, the Centre

98 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 99 Cover, J.S. Borlase, Ned Kelly the Ironclad Australian Bushranger. London: Alfred J. Isaacs & Sons, 1881. From the collection at the State Library of Victoria, RARELT 819.93 N283K. Financial Statement

Income 2011 2012 2013 2014 ARC Centre Grant $3,809,063 $3,955,617 $3,998,263 $4,062,667 Host Institutions $950,798 $1,205,990 $1,264,021 $1,344,378 cash support

Expenditure

Expenditure 2011 2012 2013 2014 (from 17 July 2011) Salaries $456,824 $1,774,962 $2,532,354 $2,846,062 Equipment $2,344 $38 $2,907 $0 Travel $177,832 $513,175 $769,188 $732,210 Scholarships $21,161 $39,882 $39,621 $69,918 Other $106,711 $279,688 $242,805 $357,962 Total $772,597 $2,607,745 $3,586,875 $4,006,151

INSIGHTS

THE CONFLICT BETWEEN THE FIERY OUTLAW: REASONS AND THE PASSIONS INCENDIARISM AND My work for the Centre has continued to explore THE TARNISHING OF A the complex relation between the passions and BUSHRANGING FOLK HERO freedom (political, psychological, poetic) in a Thinking about emotions helped me number of studies of Renaissance drama, I am continuing my research on nineteenth- including but not restricted to Shakespeare. century bushfire narratives. Recent finds include to read old sources with new eyes. My key finding is how central the tension J.S. Borlase’s controversial serial, Ned Kelly, the between reason and the passions are to Ironclad Australian Bushranger (1891). This work ECR Massimo Rospocher, University of Leeds, UK Renaissance literature generally, and also represents Kelly as a bushfire-lighter, in an how often the writing of the period can be seen apparent attempt to undermine a widespread view to challenge the cultural prestige and putative of him and his gang members as chivalric Robin value of rational self-government as an ethical Hood folk-heroes. Borlase draws upon a tradition ideal. I have also become increasingly interested of Irish political incendiarism in which fire is in the ways in which Renaissance texts depict deployed as a punitive weapon. Given Kelly’s problems having to do with self-determination, Irish heritage and the rise of Fenian activity in freedom versus necessity, and so on. mainland Britain in the 1880s, Borlase’s Peter Holbrook alignment of Kelly with Irish arsonists is a clear political statement, designed to counter more positive emotional connections of the outlaw to Australia and its countryside. Grace Moore

100 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 101 Anita Fairney Claudia Jarzebowski Shane McLeod Research Assistant International Partner Investigator Honorary Associate Investigator (2013) Sarah Ferber Daniela Kaleva Honorary Associate Investigator Associate Investigator Rebecca McNamara (2012) Postdoctoral Research Fellow Danijela Kambaskovic´ Sarah Finn Postdoctoral Research Fellow Philippa Maddern Research Officer Director; Chief Investigator Susan Karant-Nunn John Gagné International Investigator Alan Maddox Associate Investigator Associate Investigator Heather Kerr Sandra Garrido Associate Investigator (Full term) Alicia Marchant Postdoctoral Research Fellow Associate Investigator/ Hannah Kilpatrick Research Associate Raphaële Garrod PhD Candidate Postdoctoral Research Fellow Louise Marshall Melissa Kirkham Associate Investigator Stephen Gaukroger Education and Outreach Officer Honorary Associate Investigator Andrew Mellas Ross Knecht (2012) PhD Candidate Postdoctoral Research Fellow Marina Gerzic Constant Mews Kimberley Knight Research Officer Associate Investigator PERSONNEL Postdoctoral Research Fellow Indira Ghose Charlotte-Rose Millar Stephen Knight International Partner Investigator PhD Candidate Honorary Associate Investigator Patricia Alessi Susan Broomhall Joy Damousi Ron (R.A.) Goodrich (2012-2013) Rebecca Millar PhD Candidate Chief Investigator Senior Honorary Research Fellow Associate Investigator Zest Festival Project Officer Catherine Kovesi Xanthe Ashburner Andrea Bubenik Louise D’Arcens Kate Gregory Honorary Associate Investigator Clare Monagle Research Assistant Associate Investigator (Full term) Associate Investigator Honorary Associate Investigator (2012) Associate Investigator Merridee Bailey Lucy Burnett Sing d’Arcy (2013) Jordan Lavers Grace Moore Senior Research Fellow Web Officer Honorary Associate Investigator Stephen Grant PhD Candidate Senior Research Fellow (2013) Han Baltussen Hamish Carr Associate Artist Andrew Lawrence-King Mark Neuendorf Associate Investigator Event Co-ordinator Jane Davidson Janet Hart Honorary Research Fellow PhD Candidate Deputy Director; Program Leader – Katie Barclay Megan Cassidy-Welch Program Administrator/PA Performance; Chief Investigator Penelope Lee Lesley O’Brien Postdoctoral Research Fellow/ Associate Investigator Yasmin Haskell Education and Outreach Officer Research Officer DECRA from June 2014 Sarah Davis (Russell) Cassandra Charlton Chief Investigator PhD Candidate David Lemmings Lisa O'Connell Diana Barnes Education and Outreach Officer Helen Hickey Program Leader – Change; Chief Associate Investigator (Full term) Postdoctoral Research Fellow Helen Dell Brandon Chua Research Assistant Investigator Honorary Associate Investigator Katrina O’Loughlin Rebecca Bayliss Postdoctoral Research Fellow (2013) Lisa Hill Jonas Liliequist Postdoctoral Research Fellow/ Administrative Officer Jennifer Clement Associate Investigator (Full term) International Partner Investigator Associate Investigator Peter Denney Peta Beasley Associate Investigator Associate Investigator Peter Holbrook Andrew Lynch Carly Osborn Research Officer Deirdre Coleman Chief Investigator Director; Deputy Director; Chief Education and Outreach Officer Daniel Derrin Jacquie Bennett Associate Investigator (Full term) Investigator Associate Investigator Nicola Holman Samantha Owens Administrative Officer Denis Collins National Communications Officer Craig Lyons Associate Investigator (Full term) Thomas Dixon Tahlia Birnbaum Associate Investigator Administrative Officer International Partner Investigator Aleksondra Hultquist Jasmin Parasiers PhD Candidate Tania Colwell Associate Investigator Joanne McEwan PhD Candidate Stephanie Downes Marina Bollinger Associate Investigator Honorary Associate Investigator Postdoctoral Research Fellow Leanne Hunt Nicola Parsons Associate Investigator (Full term) (2012)/Research Officer Rob Conkie Administrative Officer Associate Investigator Nicholas Eckstein Pam Bond Honorary Associate Investigator Glen McGillivray Honorary Associate Investigator Emma Hutchison Robert Phiddian Administrative Officer (2013) Associate Investigator (2012) Associate Investigator Honorary Associate Investigator Penny Boys Georg Corall Claire McIlroy (2012) Penny Edmonds Alison Scott Inglis Education and Outreach Officer Honorary Research Fellow/Associate International Research Liaison Honorary Associate Investigator Honorary Associate Investigator Bríd Phillips Artist Officer Keagan Brewer (2013) (2013) PhD Candidate PhD Candidate Catherine Czerw Una McIlvenna Lisa Elliott David Irving Ursula Potter Honorary Associate Investigator Postdoctoral Research Fellow Thomas Bristow Research Assistant Associate Investigator Honorary Associate Investigator (2012-2013) Postdoctoral Research Fellow Dolly MacKinnon (2012-13) Paul James Heather Dalton Honorary Associate Investigator Ann Brooks Honorary Associate Investigator Rebekah Prince Honorary Associate Investigator (2012) International Investigator (Full term) (2012) Research Officer (2012)

102 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014  103 Georges de La Tour, The Fortune Teller, c.1630s. © The Metropolitan Museum of Art.

Laura Prosperi Jacqueline Van Gent Associate Investigator Chief Investigator Gordon Raeburn Erika von Kaschke Postdoctoral Research Fellow National Communications Officer Neil Ramsey Anik Waldow Honorary Associate Investigator Associate Investigator (2013) Claire Walker Sarah Randles Associate Investigator (Full term) Postdoctoral Research Fellow Gabriel Watts Adrian Randolph Education and Outreach Officer International Investigator Robert (Bob) White Ciara Rawnsley Program Leader - Meanings; WIKI/Bibliography Website Officer Chief Investigator Richard Read Carol Williams Associate Investigator (Full term) Honorary Associate Investigator (2012) Bronwyn Reddan PhD Candidate Penelope Woods Postdoctoral Research Fellow Elsa Reuter PhD Candidate Colin Yeo PhD Candidate Peter Reynolds International Partner Investigator Richard Yeo Honorary Associate Investigator Juanita Feros Ruys (2012) Chief Investigator Spencer Young Alison Scott Postdoctoral Research Fellow Associate Investigator (Full term) Charles Zika Jessica Scott Chief Investigator Administrative Officer John Scott Associate Investigator Pam Sharpe Associate Investigator François Soyer Postdoctoral Research Fellow Jennifer Spinks Honorary Associate Investigator (2012) Nicole Starbuck Associate Investigator Janice Stockigt Honorary Associate Investigator (2012) Jason Stoessel Associate Investigator Makoto Harris Takao PhD Candidate Katrina Tap National Administrative Officer Giovanni Tarantino Postdoctoral Research Fellow Stephanie Trigg Program Leader – Shaping the Modern; Chief Investigator Tanya Tuffrey Centre Manager

104 ARC CENTRE OF EXCELLENCE HISTORY OF EMOTIONS ANNUAL REPORT 2014 105 Whether the Centre’s members are studying the long history of religious intolerance, the growth of romantic love, the communal creation of moral panics, or the reaction of early settlers to the Australian landscape, they are contributing vitally to understandings of how emotions intersect with the concerns of living people, and with the formation of attitudes, understandings, and practices that affect us all today.

Andrew Lynch Director

The Master of the Dresden Prayer Book, The Annunciation to the Shepherds, c. 1480-1485. © J. Paul Getty Museum, Los Angeles. 106