Fort Worth Symphony Orchestra PROGRAM BOOK September 2021
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2018-19 Chronological Calendar
2018-19 (119TH SEASON) Chronological Calendar (as of January 31, 2018) OPENING NIGHT September 13 at 7:00 PM–Thursday evening—Verizon Hall at the Kimmel Center for the Performing Arts The Philadelphia Orchestra Yannick Nézet-Séguin Conductor André Watts Piano Rossini Overture to William Tell Strauss Don Juan Join us as we kick off The Philadelphia Orchestra’s 119th season in high style. The Opening Night Concert and Gala for the 2018-19 season promises to be a highlight of the cultural year. Yannick, internationally renowned pianist André Watts (who made his debut with the Orchestra in 1957, at the age of 10), and the Fabulous Philadelphians are planning a special celebratory program that features musical masterworks and audience favorites, including Rossini’s famous Overture to William Tell and Strauss’s Don Juan. Opening Night Co-Chairs Alison Avery Lerman and Lexa Edsall, Volunteer Association President Lisa Yakulis, Board Chairman Richard Worley, and the Opening Night Gala committee look forward to welcoming you to this special evening, featuring great music, high couture and black tie, and delicious food and champagne with Philadelphia’s cultural leaders and arts patrons. Contact Dorothy Byrne in the Volunteer Relations office at 215.893.3124 or via e-mail at [email protected] to make sure you are on the invitation list. Concert-only tickets for the evening are also available—simply add them to your subscription. January 31, 2018—All programs and artists subject to change. PAGE 2 The Philadelphia Orchestra 2018-19 Chronological -
Northeastern Coyote/Coywolf Taxonomy and Admixture: a Meta-Analysis
Way and Lynn Northeastern coyote taxonomy Copyright © 2016 by the IUCN/SSC Canid Specialist Group. ISSN 1478-2677 Synthesis Northeastern coyote/coywolf taxonomy and admixture: A meta-analysis Jonathan G. Way1* and William S. Lynn2 1 Eastern Coyote Research, 89 Ebenezer Road, Osterville, MA 02655, USA. Email [email protected] 2 Marsh Institute, Clark University, Worcester, MA 01610, USA. Email [email protected] * Correspondence author Keywords: Canis latrans, Canis lycaon, Canis lupus, Canis oriens, cladogamy, coyote, coywolf, eastern coyote, eastern wolf, hybridisation, meta-analysis, northeastern coyote, wolf. Abstract A flurry of recent papers have attempted to taxonomically characterise eastern canids, mainly grey wolves Canis lupus, eastern wolves Canis lycaon or Canis lupus lycaon and northeastern coyotes or coywolves Canis latrans, Canis latrans var. or Canis latrans x C. lycaon, in northeastern North America. In this paper, we performed a meta-analysis on northeastern coyote taxonomy by comparing results across studies to synthesise what is known about genetic admixture and taxonomy of this animal. Hybridisation or cladogamy (the crossing between any given clades) be- tween coyotes, wolves and domestic dogs created the northeastern coyote, but the animal now has little genetic in- put from its parental species across the majority of its northeastern North American (e.g. the New England states) range except in areas where they overlap, such as southeastern Canada, Ohio and Pennsylvania, and the mid- Atlantic area. The northeastern coyote has roughly 60% genetic influence from coyote, 30% wolf and 10% domestic dog Canis lupus familiaris or Canis familiaris. There is still disagreement about the amount of eastern wolf versus grey wolf in its genome, and additional SNP genotyping needs to sample known eastern wolves from Algonquin Pro- vincial Park, Ontario to verify this. -
Annual Report and Accounts 2004/2005
THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to -
The University of Chicago Looking at Cartoons
THE UNIVERSITY OF CHICAGO LOOKING AT CARTOONS: THE ART, LABOR, AND TECHNOLOGY OF AMERICAN CEL ANIMATION A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF CINEMA AND MEDIA STUDIES BY HANNAH MAITLAND FRANK CHICAGO, ILLINOIS AUGUST 2016 FOR MY FAMILY IN MEMORY OF MY FATHER Apparently he had examined them patiently picture by picture and imagined that they would be screened in the same way, failing at that time to grasp the principle of the cinematograph. —Flann O’Brien CONTENTS LIST OF FIGURES...............................................................................................................................v ABSTRACT.......................................................................................................................................vii ACKNOWLEDGMENTS....................................................................................................................viii INTRODUCTION LOOKING AT LABOR......................................................................................1 CHAPTER 1 ANIMATION AND MONTAGE; or, Photographic Records of Documents...................................................22 CHAPTER 2 A VIEW OF THE WORLD Toward a Photographic Theory of Cel Animation ...................................72 CHAPTER 3 PARS PRO TOTO Character Animation and the Work of the Anonymous Artist................121 CHAPTER 4 THE MULTIPLICATION OF TRACES Xerographic Reproduction and One Hundred and One Dalmatians.......174 -
Spirit of Ame Rica Chee Rle a D E Rs
*schedule subject to change SATURDAY SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY MORNING MORNING MORNING MORNING MORNING MORNING MORNING Arrive at New York Hilton 7 am 8 am 6 am 8 am 5:30 am Shuttle Service Midtown for Event Check-in Coupon Breakfast Coupon Breakfast TODAY Show Coupon Breakfast Uniform Check Assemble/Depart Final Run Through Rhinelander 10 am–5 pm 8–11 am 9 am 8:30 am 9 am Grand Ballroom Gallery Luggage Drop-off Rehearsal Spectators and Performers Check out with Dress Rehearsal Rhinelander Gallery America’s Hall I Assemble/Check-out Spectator America’s Hall I 6 am America’s Hall I America’s Hall I Depart Hilton for Parade Event Check-in Spectators Return to hotel by 10:30 am America’s Hall I 8 am • Statue of Liberty Room Check. Move to Grand Ballroom 9 am–12 pm Assemble in • Harbor Cruise 92nd Macy’s Thanksgiving • Orientation Rhinelander Gallery for • 9/11 Memorial 9 am Spectators Day Parade!® • Packet Pick-up Big Apple Tour • One World Observatory Coupon Breakfast 10:30 am • Hotel Check-in Tour ends in Times Square View from 4th Floor Balcony 10 am–12 pm at 11 am 12:30 pm • Times Square Check out with • Central Park Spectator Return to hotel by Room Check. AFTERNOON AFTERNOON AFTERNOON AFTERNOON AFTERNOON AFTERNOON 10 am–5 pm 11:30 am Coupon Lunch 12 pm 1 pm 12 pm • If rooms are not available, Coupon Lunch Coupon Lunch Coupon Lunch Coupon Lunch Continue Activities Have a you may wait in safe America’s Hall II 1 pm 2 pm 2-6 pm TBD Aladdin journey Radio City Music Hall Macy’s / Empire State Building Check out with • Report to our New Amsterdam Theatre Christmas Spectacular Spectator home! Information Desk 214 W. -
Esther Nelson, Stanford Calderwood General
ESTHER NELSON, STANFORD CALDERWOOD GENERAL & ARTISTIC DIRECTOR | DAVID ANGUS, MUSIC DIRECTOR | JOHN CONKLIN, ARTISTIC ADVISOR THE MISSION OF BOSTON LYRIC OPERA IS TO BUILD CURIOSITY, ENTHUSIASM AND SUPPORT FOR OPERA BY CREATING MUSICALLY AND THEATRICALLY COMPELLING PRODUCTIONS, EVENTS, AND EDUCATIONAL RESOURCES FOR THE BOSTON COMMUNITY AND BEYOND. B | BOSTON LYRIC OPERA OVERVIEW: ANNUAL REPORT 2017 WELCOME Dear Patrons, Art is often inspired by the idea of a journey. Boston Lyric Opera’s 40TH Anniversary Season was a journey from Season opener to Season closer, with surprising and enlightening stories along the way, lessons learned, and strengths found. Together with you, we embraced the unexpected, and our organization was left stronger as a result. Our first year of producing works in multiple theaters was thrilling and eye-opening. REPORT Operas were staged in several of Boston’s best houses and uniformly received blockbuster reviews. We made an asset of being nimble, seizing upon the opportunity CONTENTS of our Anniversary Season to create and celebrate opera across our community. Best of all, our journey brought us closer than ever to our audiences. Welcome 1 It’s no coincidence that the 2016/17 Season opened with Calixto Bieito’s renowned 2016/17 Season: By the Numbers 2 staging of Carmen, in co-production with San Francisco Opera. The strong-willed gypsy Leadership & Staff 3 woman and the itinerant community she adopted was a perfect metaphor for our first production on the road. Bringing opera back to the Boston Opera House was an iconic 40TH Anniversary Kickoff 4 moment. Not only did Carmen become the Company’s biggest-selling show ever, it also Carmen 6 ignited a buzz around the community that drew a younger, more diverse audience. -
A Sex Worker Rights and Anti-Trafficking Initiative
ANTI-TRAFFICKING REVIEW 12 (2019): 140-154 The ‘Prioritizing Safety for Sex Workers Policy’: A sex worker rights and anti-trafficking initiative Alexandra Lutnick Abstract This article presents a case study of how sex worker and anti-trafficking organisations and activists in San Francisco, California, worked together to develop and pass the ‘Prioritizing Safety for Sex Workers Policy’. This policy, as enacted by the San Francisco District Attorney’s Office and the San Francisco Police Department, creates a legal environment where people can come forward and report to law enforcement when they are a victim of or witness to an array of violent crimes while engaged in sex work, and not be arrested or prosecuted for their involvement in that criminalised behaviour or for any misdemeanour drug offences. The article details how the groups came together and the challenges they faced while developing the policy. The work was fuelled by the recognition that no one wants people in the sex industry to experience violence. That is true whether selling sex is their choice, influenced by their life circumstances, or something they are being forced or coerced to do. The Prioritizing Safety for Sex Workers Policy is a unique example of the way in which sex workers, people who have experienced trafficking, service providers, activists, women’s rights policymakers, the police department, and the District Attorney’s office came together around a common goal. Keywords: sex work, human trafficking, policy, coalitions, violence, crime victim Suggested citation: A Lutnick, ‘The “Prioritizing Safety for Sex Workers Policy”: A sex worker rights and anti-trafficking initiative’, Anti-Trafficking Review, issue 12, 2019, pp. -
Promised Land Sean O’Loughlin
FULL SCORE CARL FISCHER First Plus Band SERIES Grade 1.5 Promised Land Sean O’Loughlin FPS81 CARL FISCHER INSTRUMENTATION Full Score . .1 Flute . .8 Oboe (opt. Flute 2) . .2 Clarinet 1 in B≤ . .4 SERIES Clarinet 2 in B≤ . .4 Bass Clarinet in B≤. .2 Alto Saxophone in E≤ . .5 Tenor Saxophone in B≤ . .2 Baritone Saxophone in E≤. .2 P Trumpet 1 in B≤ . .4 Trumpet 2 in B≤ . .4 Horn in F . .4 Trombone, Euphonium B.C., Bassoon . .6 Euphonium T.C. in B≤ . .2 Tuba . .3 Mallet Percussion . .1 Chimes Timpani . .1 Percussion 1 . .2 Snare Drum, Bass Drum Percussion 2 . .6 Tam-tam, Suspended Cymbal, Crash Cymbals, SERIES Triangle, Brake Drum, Tom-toms Performance Performance Series Series Performance Series Performance Series Performance Series 2 Program Notes Promised Land is an energetic piece for the developing concert band that was commissioned by the Oneida City School District Music Department for the 2010 All-City Elementary Band, Marjorie and David Hawthorne, directors. The title has its roots in the ideals of John Humphrey Noyes, who founded the Oneida community in the late 1840s. He built a thriving agricultural and spiritual community that became his “promised land.” The music depicts the struggles and triumph of those first settlers in the area. They worked the land and fought for their ideals through much persecution. The opening statement in the brass previews the melody to come later on. It is a plaintive statement to mirror the journey of the people of Oneida. The fast section at m. 12 provides some good rhythm teaching opportunities. -
2015 in the Penal Colony Program
ESTHER NELSON, STANFORD CALDERWOOD GENERAL & ARTISTIC DIRECTOR DAVID ANGUS, MUSIC DIRECTOR | JOHN CONKLIN, ARTISTIC ADVISOR Rodolfo (Jesus Garcia) and Mimi (Kelly Kaduce) in Boston Lyric Opera’s 2015 production of La Bohème. This holiday season, share your love of opera with the ones you love. BLO off ers packages and gift certifi cates CHARLES ERICKSON T. to make your holiday shopping simple! T. CHARLES ERICKSON T. WELCOME TO THE SEVENTH IN OUR OPERA ANNEX SERIES, which is increasingly attracting national and international attention. Installing opera in non-conventional spaces has sparked a curiosity in the art. The challenges of these spaces are many and due to opera’s inherent demands: natural acoustics (since we do not amplify), adequate performance and production space, audience comfort and social space, location accessibility, parking, safety, and especially important in New England, adequate heat. Our In the Penal Colony comes amid questions and debate on the performance spaces and theatrical environment in Boston. For us, the questions include … why is Boston the only one of the top ten U.S. cities without a home suitable for opera? What are sustainable models to support new performance venues and/or preserve historic theaters? As you may have heard, BLO decided not to renew its agreement with the JesusJJesus GarciaGGarcia as RRoRodolfodldolffo Shubert Theatre after this Season. The reasons are many and complex, but suffi ce in La Bohème it to say that we made an important business and artistic decision. BLO is dedicated to spending signifi cantly more of our budget on direct artistic and production expenses and providing our patrons with a new level of service and comfort. -
Broadway Green Alliance
Written and Edited by Michael Crow[ey BROADWAY green#alliance5 r tl a g w a v a r a © n € a rm ffi®img Wateries§ Water-Saving Technology Learn how theaters on Broadway and across the country are playing their part to conserve water. .i.. ``-I Theatre Manager Joseph Leads Way Find out how MTC is saving energy (and money) by using energy efficient HVAC and lighting technology. ffiGAm M©m©ify' B©aifdi Check Out Pies From Recent Events "wi;ife;#;7:nrtoe:d:ea;t%erre:=S£:[£°c::dw::he 44ot/c.. Cor4¢.72 B/ce! . a/ In The Heights See the back page of The Greer} Sheet for and Mj3redith Viein are joined by members photos of the BGA Times Square E-Waste of B;Wa!y Kids Care cnd Caap Broadray Event and BGA activities at Kids' Night. two recent winter events the BGA atKids'NightonBroatoay2olo. is continuing to educate and engage the Broadway community about reducing Beloev: Am E-:Waste Eueut cowection fiile, our industry's impact on the courtesy of evem s|]oin5orTmeRecycle! environment. ifefe trfuifegivefroe~" The BGA was on hand at Kids' Night on Broadway 2olo. Kids performing in Broadway shows and young patrons created "eco-art" displaying why they feel FOLLOW THE BGA ON: the BGA is so important. Similarly, the Broadway community braved the cold on Above: Dorothy Marring and George, December 16th to join us for our Times AND I faceb®ok^ I AkramfromL,VJest§ideStorysbaretbeir Square E-Waste Collection Event. sbowl eco-tips at the BGA E-Waste Eueut. -
Ethan De Seife
Ethan de Seife • Assistant Professor of Film Studies • RTVF Department ethandeseife.wordpress.com My recent book, Tashlinesque, investigates the career of Frank Tashlin, an important and overlooked director of very funny and visually inventive American film comedies. I have also written a book on the great film This Is Spinal Tashlin made Looney Tunes cartoons as well as live-action Tap. features with such performers as Bob Hope, Jerry Lewis, and Jayne Mansfield. I like to think that this book goes to 11. All previous studies of Tashlin’s work operate under the assumption that, because he worked in both animation and live-action, Tashlin made cartoons that “anticipate” his live- action features, and that his live-action features are somehow “cartoony.” My book disputes this claim as too simplistic, taking a historical/aesthetic approach to understanding Tashlin’s films. I use several new contexts instead: • Vaudeville history and aesthetics • Economic and censorship policies of the film industry • Performative styles in mid-century Hollywood • Sexual comedy and social satire Within the last 18 months, I have also published articles and delivered talks on a wide range of subjects within film and media studies. The aesthetics of Methocel, the odd (and The peculiar narrative patterns in the The star persona of Neil Young’s The directorial chemically bizarre) ooze used to “play” slime martial-arts films of Hong Kong director rapper/actor Ice Cube. fascinating multi- style of famed in the Ghostbusters films and the oil in There Chang Cheh. media Greendale exploitation Will Be Blood. project. filmmaker William Castle. . -
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æŸ¥å…‹Â·ç¼ æ–¯ 电影 串行 (大全) Duck Amuck https://zh.listvote.com/lists/film/movies/duck-amuck-546029/actors Angel Puss https://zh.listvote.com/lists/film/movies/angel-puss-4762251/actors 8 Ball Bunny https://zh.listvote.com/lists/film/movies/8-ball-bunny-2443495/actors Daffy Duck and the Dinosaur https://zh.listvote.com/lists/film/movies/daffy-duck-and-the-dinosaur-5208334/actors A Feather in His Hare https://zh.listvote.com/lists/film/movies/a-feather-in-his-hare-4656704/actors Jumpin' Jupiter https://zh.listvote.com/lists/film/movies/jumpin%27-jupiter-6311257/actors Bear Feat https://zh.listvote.com/lists/film/movies/bear-feat-386103/actors Hook, Line and Stinker https://zh.listvote.com/lists/film/movies/hook%2C-line-and-stinker-16201884/actors Rabbit Rampage https://zh.listvote.com/lists/film/movies/rabbit-rampage-7278609/actors Gee Whiz-z-z-z-z-z-z https://zh.listvote.com/lists/film/movies/gee-whiz-z-z-z-z-z-z-5529764/actors The Hypo-Chondri-Cat https://zh.listvote.com/lists/film/movies/the-hypo-chondri-cat-7741215/actors Tom Turk and Daffy https://zh.listvote.com/lists/film/movies/tom-turk-and-daffy-30348980/actors The Little Lion Hunter https://zh.listvote.com/lists/film/movies/the-little-lion-hunter-24904694/actors Good Night, Elmer https://zh.listvote.com/lists/film/movies/good-night%2C-elmer-5582847/actors Wild About Hurry https://zh.listvote.com/lists/film/movies/wild-about-hurry-8000478/actors Often an Orphan https://zh.listvote.com/lists/film/movies/often-an-orphan-7079779/actors Zoom and Bored https://zh.listvote.com/lists/film/movies/zoom-and-bored-8074164/actors