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Midnight Special Songlist
west coast music Midnight Special Please find attached the Midnight Special song list for your review. SPECIAL DANCES for Weddings: Please note that we will need your special dance requests, (I.E. First Dance, Father/Daughter Dance, Mother/Son Dance etc) FOUR WEEKS in advance prior to your event so that we can confirm that the band will be able to perform the song(s) and that we are able to locate sheet music. In some cases where sheet music is not available or an arrangement for the full band is need- ed, this gives us the time needed to properly prepare the music and learn the material. Clients are not obligated to send in a list of general song requests. Many of our clients ask that the band just react to whatever their guests are responding to on the dance floor. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs they want played and avoided. Recently, we’ve noticed in increase in cli- ents customizing what the band plays and doesn’t play with very specific detail. If you de- sire the highest degree of control (allowing the band to only play within the margin of songs requested), we ask for a minimum of 100 requests. We want you to keep in mind that the band is quite good at reading the room and choosing songs that best connect with your guests. The more specific/selective you are, know that there is greater chance of losing certain song medleys, mashups, or newly released material the band has. -
Mapping the Body-Politic of the Raped Woman and the Nation in Bangladesh
gendered embodiments: mapping the body-politic of the raped woman and the nation in Bangladesh Mookherjee, Nayanika . Feminist Review, suppl. War 88 (Apr 2008): 36-53. Turn on hit highlighting for speaking browsers Turn off hit highlighting Other formats: Citation/Abstract Full text - PDF (206 KB) Abstract (summary) Translate There has been much academic work outlining the complex links between women and the nation. Women provide legitimacy to the political projects of the nation in particular social and historical contexts. This article focuses on the gendered symbolization of the nation through the rhetoric of the 'motherland' and the manipulation of this rhetoric in the context of national struggle in Bangladesh. I show the ways in which the visual representation of this 'motherland' as fertile countryside, and its idealization primarily through rural landscapes has enabled a crystallization of essentialist gender roles for women. This article is particularly interested in how these images had to be reconciled with the subjectivities of women raped during the Bangladesh Liberation War (Muktijuddho) and the role of the aestheticizing sensibilities of Bangladesh's middle class in that process. [PUBLICATION ABSTRACT] Show less Full Text Translate Turn on search term navigation introduction There has been much academic work outlining the complex links between women and the nation (Yuval-Davis and Anthias, 1989; Yuval-Davis, 1997; Yuval-Davis and Werbner, 1999). Women provide legitimacy to the political projects of the nation in particular social and historical contexts (Kandiyoti, 1991; Chatterjee, 1994). This article focuses on the gendered symbolization of the nation through the rhetoric of the 'motherland' and the manipulation of this rhetoric in the context of national struggle in Bangladesh. -
CENTERS AROUND the WORLD Founder-Acarya: His Divine Grace A
The International Society for Krishna Consciousness CENTERS AROUND THE WORLD Founder-Acarya: His Divine Grace A. C. Bhaktivedanta Swami Prabhupada Madurai, TN — 37 Maninagaram Main Road, 625 001/ Tel. (452) 274-6472 ASIA Mangalore, Karnataka — ISKCON Sri Jagannath Mandir, near Hotel Woodlands, Bunts Hostel Rd., INDIA 575 003/ Tel. (824) 2423326 or 2442756, or 9844325616 Agartala, Tripura — Radha Govinda Temple, Matchowmohani, 799 001/ Tel. (381) 2327053 ◆ Mayapur, WB — ISKCON, Shree Mayapur Chandrodaya Mandir, Mayapur Dham, Dist. Nadia, 741313/ or 9436167045/ [email protected] Tel. (3472) 245620, 245240 or 245355/ [email protected] Ahmedabad, Gujarat — Satellite Rd., Sarkhej Gandhinagar Highway, Bopal Crossing, 380 059/ Moirang, Manipur — Nongban Enkhol, Tidim Rd./ Tel. (3879) 795133 Tel. (79) 2686-1945, -1644, or -2350/ [email protected] ◆ Mumbai, Maharashtra — Hare Krishna Land, Juhu 400 049/ Tel. (22) 26206860/ [email protected]; (Guesthouse: [email protected]) [email protected] Allahabad, UP — Hare Krishna Dham, 161 Kashi Raj Nagar, Baluaghat 211 003/ ◆ Mumbai, Maharashtra — 7 K. M. Munshi Marg, Chowpatty 400 007/ Tel. (22) 23665500/ [email protected] Tel. (532) 2416718/ [email protected] Mumbai, Maharashtra — Bhaktivedanta Swami Marg, Hare Krishna Dham, Shristi, Sector 1, Near Royal College, Amravati, Maharashtra — Saraswati Colony, Rathi Nagar 444 603/ Tel. (721) 2666849 Mira Rd. (East), Thane 401 107/ Tel. (22) 28453562 or 9223183023/ [email protected] or 9421805105/ [email protected] Mysore, Karnataka — #31, 18th Cross, Jayanagar, 570 014/ Tel. (821) 2500582 or 6567333/ [email protected] Amritsar, Punjab — Chowk Moni Bazar, Laxmansar, 143 001/ Tel. (183) 2540177 Nagpur, Maharashtra — Bharatwada Road, Near Golmohar Nagar, Ramanuja Nagar, Kalamana Market, Aravade, Maharashtra — Hare Krishna Gram, Tal. -
Krishna-Avanti: History in the Making
June - July 2008 Dedicated to His Divine Grace A.C. Bhaktivedanta Swami Prabhupada, Founder-Acharya of the International Society for Krishna Consciousness Krishna-Avanti: History in the Making Srila Prabhupada: “Increasing one's love for God is a gradual process, and the first ingredient is faith. Without faith, there is no question of progress Hailing the Krishna-Avanti school as At the site, politicians, community a milestone in British history and an leaders and project donors joined in Krishna consciousness. That asset to Harrow, council leader David priests from Bhaktivedanta Manor. Led faith is created after reading Ashton participated in a landmark by His Holiness Atmanivedana Swami, Bhagavad-gita carefully and ceremony on Saturday 7th June. The the priests, assisted by community actually understanding it as it William Ellis playing fields, soon to be children, poured offerings of clarified home to the country’s first state-funded butter into a large sacred fire. is.... One must have faith in the Hindu school, hosted a traditional The Krishna-Avanti Primary School is words of Krishna, particularly ‘Bhumi Puja’ ceremony prior to the result of years of careful planning when Krishna says, ‘Abandon all commencement of building works. and discussion with the local authority dharmas and surrender to Me. I Christine Gilbert, Her Majesty's Chief and government. It will be UK’s first will give you all protection.’” Inspector of Ofsted was chief guest Hindu Voluntary Aided state school, at the Bhumi Puja. “I look forward and as such will not charge fees. It to the Krishna Avanti School being will open in September 2008 with a Teachings of Lord Kapila, 15.36, a centre of excellence and a very Reception class, and intake of pupils purport positive contribution to the Harrow will increase one year at a time. -
JUST ONE LOOK-Doris Troy/Gregory Carroll 4/4 1...2...1234
JUST ONE LOOK-Doris Troy/Gregory Carroll 4/4 1...2...1234 Intro: | | | | | Just one look and I fell so hard, in love with you, oh-oh, oh-oh. I found out, how good it feels, to have your love, oh-oh, oh-oh. Say you will, will be mine, for-ever and al-ways, oh-oh, oh-oh. Just one look, and I knew, that you were my only one, oh oh-oh oh. I thought I was dreamin', but I was wrong, yeah, yeah, yeah. Oh, but-a, I'm gonna keep on schemin', till I can make you, make you my own. So you see, I really care, with-out you I'm nothin', oh-oh, oh-oh. Just one look and I know, I'll get you some-day, oh-oh, oh-oh. Just one look, that's all it took, just one look, that's all it took. Just one look, that's all it took for me! JUST ONE LOOK-Doris Troy/Gregory Carroll 4/4 1...2...1234 Intro: | A | D | A | E7 | A F#m D E7 Just one look and I fell so hard, in love with you, oh-oh, oh-oh. A F#m D E7 I found out, how good it feels, to have your love, oh-oh, oh-oh. A F#m D E7 Say you will, will be mine, for-ever and al-ways, oh-oh, oh-oh. A F#m D E7 A A7 Just one look, and I knew, that you were my only one, oh oh-oh oh. -
Visit a Krsna Temple Near
The International Society for Krishna Consciousness CENTERS AROUND THE WORLD Founder-Acarya: His Divine Grace A. C. Bhaktivedanta Swami Prabhupada Patna, Bihar — Arya Kumar Rd., Rajendra Nagar, 800 016/ Tel. (0612) 687637 or 685081/ Fax: (0612) ASIA 687635/ E-mail: [email protected] INDIA Pune, Maharashtra — 4 Tarapoor Rd., Camp, 411 001/ Tel. (020) 633-2328 or 636-1855/ Agartala, Tripura — Assam-Agartala Rd., Banamalipur, 799 001/ Tel. (0381) 227053/ E-mail: [email protected] Fax: (0381) 224780/ E-mail: [email protected] Puri, Orissa — Bhakti Kuti, Swargadwar, 752 001/ Tel. (06752) 31440 Ahmedabad, Gujarat — Satellite Rd., Gandhinagar Highway Crossing, 380 054/ Puri, Orissa — ISKCON, Bhaktivedanta Ashram, Sipasirubuli, 752 001/ Tel. (06752) 30494 Tel. (079) 686-1945, 1645, or -2350/ E-mail: [email protected] Raipur, Chhattisgarh — Hare Krishna Land, opp. Mahrshi School, Alopi Nagar, Tatibandh/ Tel. (0771) Allahabad, UP — Hare Krishna Dham, 161 Kashi Raj Nagar, Baluaghat 211 003/ 637555/ E-mail: [email protected] Tel. (0532) 405294 Secunderabad, AP — 27 St. John’s Rd., 500 026/ Tel. (040) 780-5232/ Fax: (040) 814021 Bangalore, Karnataka — Hare Krishna Hill, 1 ‘R’ Block, Chord Rd., Rajaji Nagar 560 010/ Silchar, Assam — Ambikapatti, Silchar, Dist. Cachar, 788 004/ Tel. (03842) 34615 Tel. (080) 332-1956/ Fax: (080) 332-4818/ E-mail: [email protected] Siliguri, WB — ISKCON Road, Gitalpara, 734 406/ Tel. (0353) 426619 or 539046 or 539082/ Bangalore, Karnataka — ISKCON Sri Jagannath Mandir, No.5 Sripuram, 1st cross, Fax: (0353) 526130 Sheshadripuram, Bangalore 560 020/ Tel. (080) 353-6867 or 226-2024 or 353-0102 Sri Rangam, TN — 93 Anna Mandapam Rd., A-1 Caitanya Apartments, 620 006/ Tel. -
The Great Gig in the Sky
ABOUT THE GREAT GIG IN THE SKY “The Great Gig in the Sky” is the fifth track on The Dark Side of the Moon, the 1973 album by the English rock band Pink Floyd. It features vocals by Clare Torry. The song talks to the pressure of mortality on life, with the “Great Gig in the Sky” being a reference to heaven or an afterlife What have the artists said about the song? Almost everyone involved in this song with the exception of drummer Nick Mason has commented about the production, offering different inputs and insights about how the song was created. Great Gig in the Sky? It was just me playing in the studio, playing some chords, and probably Dave or Roger saying “Hmm… that sounds nice. Maybe we could use that for this part of the album.” And then, me going away and trying to develop it. So then I wrote the music for that, and then there was a middle bit, with Clare Torry singing, that fantastic voice. We wanted something for that bit, and she came in and sang on it. Richard Wright, taken from 1984 interview with Charlie Kendall It was something that Rick had already written. It’s a great chord sequence. “The Great Gig in the Sky” and the piano part on “Us and Them,” in my view, are the best things that Rick did – they’re both really beautiful. And Alan [Parsons] suggested Clare Torry. I’ve no idea whose idea it was to have someone wailing on it. Clare came into the studio one day, and we said, “There’s no lyrics. -
Vrindaban Days
Vrindaban Days Memories of an Indian Holy Town By Hayagriva Swami Table of Contents: Acknowledgements! 4 CHAPTER 1. Indraprastha! 5 CHAPTER 2. Road to Mathura! 10 CHAPTER 3. A Brief History! 16 CHAPTER 4. Road to Vrindaban! 22 CHAPTER 5. Srila Prabhupada at Radha Damodar! 27 CHAPTER 6. Darshan! 38 CHAPTER 7. On the Rooftop! 42 CHAPTER 8. Vrindaban Morn! 46 CHAPTER 9. Madana Mohana and Govindaji! 53 CHAPTER 10. Radha Damodar Pastimes! 62 CHAPTER 11. Raman Reti! 71 CHAPTER 12. The Kesi Ghat Palace! 78 CHAPTER 13. The Rasa-Lila Grounds! 84 CHAPTER 14. The Dance! 90 CHAPTER 15. The Parikrama! 95 CHAPTER 16. Touring Vrindaban’s Temples! 102 CHAPTER 17. A Pilgrimage of Braja Mandala! 111 CHAPTER 18. Radha Kund! 125 CHAPTER 19. Mathura Pilgrimage! 131 CHAPTER 20. Govardhan Puja! 140 CHAPTER 21. The Silver Swing! 146 CHAPTER 22. The Siege! 153 CHAPTER 23. Reconciliation! 157 CHAPTER 24. Last Days! 164 CHAPTER 25. Departure! 169 More Free Downloads at: www.krishnapath.org This transcendental land of Vrindaban is populated by goddesses of fortune, who manifest as milkmaids and love Krishna above everything. The trees here fulfill all desires, and the waters of immortality flow through land made of philosopher’s stone. Here, all speech is song, all walking is dancing and the flute is the Lord’s constant companion. Cows flood the land with abundant milk, and everything is self-luminous, like the sun. Since every moment in Vrindaban is spent in loving service to Krishna, there is no past, present, or future. —Brahma Samhita Acknowledgements Thanks go to Dr. -
ICTM Abstracts Final2
ABSTRACTS FOR THE 45th ICTM WORLD CONFERENCE BANGKOK, 11–17 JULY 2019 THURSDAY, 11 JULY 2019 IA KEYNOTE ADDRESS Jarernchai Chonpairot (Mahasarakham UnIversIty). Transborder TheorIes and ParadIgms In EthnomusIcological StudIes of Folk MusIc: VIsIons for Mo Lam in Mainland Southeast Asia ThIs talk explores the nature and IdentIty of tradItIonal musIc, prIncIpally khaen musIc and lam performIng arts In northeastern ThaIland (Isan) and Laos. Mo lam refers to an expert of lam singIng who Is routInely accompanIed by a mo khaen, a skIlled player of the bamboo panpIpe. DurIng 1972 and 1973, Dr. ChonpaIrot conducted fIeld studIes on Mo lam in northeast Thailand and Laos with Dr. Terry E. Miller. For many generatIons, LaotIan and Thai villagers have crossed the natIonal border constItuted by the Mekong RIver to visit relatIves and to partIcipate In regular festivals. However, ChonpaIrot and Miller’s fieldwork took place durIng the fInal stages of the VIetnam War which had begun more than a decade earlIer. DurIng theIr fIeldwork they collected cassette recordings of lam singIng from LaotIan radIo statIons In VIentIane and Savannakhet. ChonpaIrot also conducted fieldwork among Laotian artists living in Thai refugee camps. After the VIetnam War ended, many more Laotians who had worked for the AmerIcans fled to ThaI refugee camps. ChonpaIrot delIneated Mo lam regIonal melodIes coupled to specIfic IdentItIes In each locality of the music’s origin. He chose Lam Khon Savan from southern Laos for hIs dIssertation topIc, and also collected data from senIor Laotian mo lam tradItion-bearers then resIdent In the United States and France. These became his main informants. -
Malda Training Diary
Page 1 of 1 ATI Monograph 13/2006 For restricted circulation only A Probationer’s Training Diary COVER PAGE P. Bhattacharya Learning to Serve Administrative Training Institute Page 2 of 2 Government of West Bengal Page 3 of 3 ATI Monograph 13/2006 For restricted circulation A Probationer’s Training Diary TITLE PAGE P. Bhattacharya Learning to Serve Administrative Training Institute Government of West Bengal Page 4 of 4 Block FC, Bidhannagar (Salt Lake) Kolkata-700106 Page 5 of 5 PREFACE New entrants to the Indian Administrative Service and the West Bengal Civil Service (Executive) have to maintain a Training Diary as part of their district training. While supervising their work in the districts, the ATI faculty has found that in the majority of cases the probationers do not maintain their diaries properly, although these are intended to be records of the details of the training they undergo so that superior officers can check whether they have assimilated the proper lessons from the exposure in the field. During interactions with their Counsellors in the ATI, the trainees have complained that they are handicapped by not having an example to follow. A similar handicap has been reported regarding writing reports of enquiries assigned to probationers in the district. In view of this feedback, the ATI is publishing the diary I maintained in detail as probationer in Malda in 1972, trusting that it will provide civil service probationers with an example of how a training diary can be maintained. We were supposed to send the National Academy of Administration an official training diary and also maintain a personal one. -
"Chant and Be Happy": Music, Beauty, and Celebration in a Utah Hare Krishna Community Sara Black
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 "Chant and Be Happy": Music, Beauty, and Celebration in a Utah Hare Krishna Community Sara Black Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC “CHANT AND BE HAPPY”: MUSIC, BEAUTY, AND CELEBRATION IN A UTAH HARE KRISHNA COMMUNITY By SARA BLACK A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music The members of the Committee approve the Thesis of Sara Black defended on October 31, 2008. __________________________ Benjamin Koen Professor Directing Thesis __________________________ Frank Gunderson Committee Member __________________________ Michael Uzendoski Committee Member Approved: ___________________________________________________________ Douglass Seaton, Chair, Musicology ___________________________________________________________ Seth Beckman, Dean, College of Music The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Figures iv List of Photographs v Abstract vi INTRODUCTION: ENCOUNTERING KRISHNA 1 1. FAITH, AESTHETICS, AND CULTURE OF KRISHNA CONSCIOUSNESS 15 2. EXPERIENCE AND MEANING 33 3. OF KRISHNAS AND CHRISTIANS: SHARING CHANT 67 APPENDIX A: IRB APPROVAL 92 BIBLIOGRAPHY 93 BIOGRAPHICAL SKETCH 99 iii LIST OF FIGURES Figure 1. Cymbal rhythm 41 Figure 2. “Mekala” beat and “Prabhupada” beat 42 Figure 3. Melodies for Maha Mantra 43-44 Figure 4. “Jaya Radha Madhava” 45 Figure 5. “Nama Om Vishnu Padaya” 47 Figure 6. “Jaya Radha Madhava” opening line 53 Figure 7. “Jaya Radha Madhava” with rhythmic pattern 53 Figure 8. “Jaya Radha Madhava” opening section 54 Figure 9. -
US Apple LP Releases
Apple by the Numbers U.S. album releases From the collection of Andre Gardner of NY, NY SWBO‐101 The Beatles The Beatles Released: 22 Nov. 1968 (nicknamed "The White Album") In stark contrast to the cover to Sgt. Pepper's LHCB, the cover to this two record set was plain white, with writing only on the spine and in the upper right hand corner of the back cover (indicating that the album was in stereo). This was the first Beatles US album release which was not available in mono. The mono mix, available in the UK, Australia, and several other countries, sounds quite different from the stereo mix. The album title was embossed on the front cover. Inserts included a poster and four glossy pictures (one of each Beatle). The pictures were smaller in size than those issued with the UK album. A tissue paper separator was placed between the pictures and the record. Finally, as in every EMI country, the albums were numbered. In the USA, approximately 3,200,000 copies of the album were numbered. These albums were numbered at the different Capitol factories, and there are differences in the precise nature of the stamping used on the covers. Allegedly, twelve copies with east‐coast covers were made that number "A 0000001". SI = 2 ST 3350 Wonderwall Music George Harrison Released: 03 Dec. 1968 issued with an insert bearing a large Apple on one side. Normal Copy: SI = 2 "Left opening" US copy or copy with Capitol logo: SI = 7 T‐5001 Two Virgins John Lennon & Yoko Ono Released: January, 1969 (a.k.a.