Various the Gathering Mp3, Flac, Wma

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Various The Gathering mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: The Gathering Country: US Released: 1981 Style: Celtic, Folk MP3 version RAR size: 1518 mb FLAC version RAR size: 1111 mb WMA version RAR size: 1550 mb Rating: 4.7 Votes: 267 Other Formats: WAV WAV WMA VOX AUD APE MP2 Tracklist A1 –Paul Brady Heather On The Moor 4:13 A2 –Matt Molloy Slow Air, Crowley's Reel 4:28 A3 –Donal Lunny The Last Time 2:33 A4 –Tommy Potts Little Jennifer 2:26 A5 –Andy Irvine There's Sure To Be A Row 3:42 A6 –Peter Browne Hardiman The Fiddler 3:01 B1 –Donal Lunny Fairfield Mirage 2:10 B2 –Peter Browne Banish Misfortune 3:28 B3 –Paul Brady Paddy's Lamentation 5:46 B4 –Tommy Potts Spalpean A Ruin 3:38 B5 –Andy Irvine The Mall Of Lismore 4:28 Companies, etc. Recorded At – Keystone Studio Credits Bagpipes [Uilleann Pipes] – Peter Browne (tracks: A6, B2) Bouzouki – Donal Lunny (tracks: A2, A3, A5, B1) Coordinator – Anne Cox , Carroll O'Daly Drums – Paul McAteer (tracks: B3) Engineer – Andrew Boland Fiddle – Tommy Potts (tracks: A4, B4) Flute – Matt Molloy (tracks: A2) Guitar – Arti McGlynn* (tracks: B1), Donal Lunny (tracks: A5), Paul Brady (tracks: A1) Harmonica – Andy Irvine (tracks: A1, B5) Harpsichord – Triona Ni Dhomhaill* (tracks: B5) Mandolin – Paul Brady (tracks: A1) Piano – Paul Brady (tracks: B3) Producer, Coordinator – Diane Hamilton Synthesizer – Donal Lunny (tracks: A3, B1) Tin Whistle – Paul Brady (tracks: A1, A5, B3, ) Vocals – Andy Irvine (tracks: A5, B5), Paul Brady (tracks: A1, B3) Barcode and Other Identifiers Rights Society: MCPS Related Music albums to The Gathering by Various The Bothy Band - The Bothy Band 1975 Donal Lunny - Donal Lunny Indigo Girls - Rites Of Passage Andy M. Stewart, Manus Lunny - At It Again Christy Moore - Ordinary Man Dónal Lunny - Dúiseacht Altan - The Blue Idol Planxty - Cold Blow And The Rainy Night Various - Common Ground Christy Moore - This Is The Day.

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The Development of an Archive of Explicit Stylistic
CONCLUSIONS I trust I am offering to my countrymen an acceptable present: the gift has novelty, at least, to recommend it. Though Ireland has been long famed for its poetry and music, these subjects have never yet been treated of historically. I do not pretend to have done completely, what has lain so long undone: no doubt, many sources of information still remain unopened, and many documents unconsulted. However, I have marked out a path, which may facilitate the pursuit of those who shall hereafter follow me.1 It may be ironic to conclude this latest study of Irish traditional music with the words that Joseph Cooper Walker used to open what is regarded as the first book on the subject, yet the sentiment is shared. In many ways, the best of what both studies have achieved is to draw attention to the vastness of that which still remains unknown. Similarly to Walker, the focus of this study is not on comprehensiveness but on the investigation of a pathway that may be useful beyond the scope of this thesis. The fundamental objective of this research was to develop and refine a process through which an archive of explicit stylistic data could be constructed and then to determine what practical outcomes would emerge from working with explicit stylistic data in this way. One of the more interesting results of the project was that from conversations with other musicians and academics I found that the basic idea of codifying and using stylistic knowledge was not new. Kristiina Ilmonen, the former director of the Folk Music Department at the Sibelius Academy in Helsinki, told me that she uses the term ‘treasure box’, to describe the mental space where her musical knowledge is stored and from which she can select elements of it for use in performance.
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