Jim Crow and the Great Migration
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“A Tremor in the Middle of the Iceberg”: the Student Nonviolent Coordinating Committee and Local Voting Rights Activism in Mccomb, Mississippi, 1928-1964
“A Tremor in the Middle of the Iceberg”: The Student Nonviolent Coordinating Committee and Local Voting Rights Activism in McComb, Mississippi, 1928-1964 Alec Ramsay-Smith A thesis submitted in partial fulfillment of the requirements for the degree of BACHELOR OF ARTS WITH HONORS DEPARTMENT OF HISTORY UNIVERSITY OF MICHIGAN April 1, 2016 Advised by Professor Howard Brick For Dana Lynn Ramsay, I would not be here without your love and wisdom, And I miss you more every day. TABLE OF CONTENTS Acknowledgements ......................................................................................................... ii Introduction ...................................................................................................................... 1 Chapter One: McComb and the Beginnings of Voter Registration .......................... 10 Chapter Two: SNCC and the 1961 McComb Voter Registration Drive .................. 45 Chapter Three: The Aftermath of the McComb Registration Drive ........................ 78 Conclusion .................................................................................................................... 102 Bibliography ................................................................................................................. 119 ACKNOWLEDGEMENTS I could not have done this without my twin sister Hunter Ramsay-Smith, who has been a constant source of support and would listen to me rant for hours about documents I would find or things I would learn in the course of my research for the McComb registration -
“America” on Nineteenth-Century Stages; Or, Jonathan in England and Jonathan at Home
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by D-Scholarship@Pitt PLAYING “AMERICA” ON NINETEENTH-CENTURY STAGES; OR, JONATHAN IN ENGLAND AND JONATHAN AT HOME by Maura L. Jortner BA, Franciscan University, 1993 MA, Xavier University, 1998 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2005 UNIVERSITY OF PITTSBURGH ARTS AND SCIENCES This dissertation was presented by It was defended on December 6, 2005 and approved by Heather Nathans, Ph.D., University of Maryland Kathleen George, Ph.D., Theatre Arts Attilio Favorini, Ph.D., Theatre Arts Dissertation Advisor: Bruce McConachie, Ph.D., Theatre Arts ii Copyright © by Maura L. Jortner 2005 iii PLAYING “AMERICA” ON NINETEENTH-CENTURY STAGES; OR, JONATHAN IN ENGLAND AND JONATHAN AT HOME Maura L. Jortner, PhD University of Pittsburgh, 2005 This dissertation, prepared towards the completion of a Ph.D. in Theatre and Performance Studies at the University of Pittsburgh, examines “Yankee Theatre” in America and London through a post-colonial lens from 1787 to 1855. Actors under consideration include: Charles Mathews, James Hackett, George Hill, Danforth Marble and Joshua Silsbee. These actors were selected due to their status as iconic performers in “Yankee Theatre.” The Post-Revolutionary period in America was filled with questions of national identity. Much of American culture came directly from England. American citizens read English books, studied English texts in school, and watched English theatre. They were inundated with English culture and unsure of what their own civilization might look like. -
Twin Cities Public Television, Slavery by Another Name
Narrative Section of a Successful Application The attached document contains the grant narrative and selected portions of a previously funded grant application. It is not intended to serve as a model, but to give you a sense of how a successful application may be crafted. Every successful application is different, and each applicant is urged to prepare a proposal that reflects its unique project and aspirations. Prospective applicants should consult the Public Programs application guidelines at http://www.neh.gov/grants/public/americas-media-makers-production-grants for instructions. Applicants are also strongly encouraged to consult with the NEH Division of Public Programs staff well before a grant deadline. Note: The attachment only contains the grant narrative and selected portions, not the entire funded application. In addition, certain portions may have been redacted to protect the privacy interests of an individual and/or to protect confidential commercial and financial information and/or to protect copyrighted materials. Project Title: Slavery By Another Name Institution: Twin Cities Public Television, Inc. Project Director: Catherine Allan Grant Program: America’s Media Makers: Production Grants 1100 Pennsylvania Ave., N.W., Rm. 426, Washington, D.C. 20506 P 202.606.8269 F 202.606.8557 E [email protected] www.neh.gov SLAVERY BY ANOTHER NAME NARRATIVE A. PROGRAM DESCRIPTION Twin Cities Public Television requests a production grant from the National Endowment for the Humanities (NEH) for a multi-platform initiative entitled Slavery by Another Name based upon the 2008 Pulitzer Prize-winning book written by Wall Street Journal reporter Douglas Blackmon. Slavery by Another Name recounts how in the years following the Civil War, insidious new forms of forced labor emerged in the American South, keeping hundreds of thousands of African Americans in bondage, trapping them in a brutal system that would persist until the onset of World War II. -
Slavery by Another Name History Background
Slavery by Another Name History Background By Nancy O’Brien Wagner, Bluestem Heritage Group Introduction For more than seventy-five years after the Emancipation Proclamation and the end of the Civil War, thousands of blacks were systematically forced to work against their will. While the methods of forced labor took on many forms over those eight decades — peonage, sharecropping, convict leasing, and chain gangs — the end result was a system that deprived thousands of citizens of their happiness, health, and liberty, and sometimes even their lives. Though forced labor occurred across the nation, its greatest concentration was in the South, and its victims were disproportionately black and poor. Ostensibly developed in response to penal, economic, or labor problems, forced labor was tightly bound to political, cultural, and social systems of racial oppression. Setting the Stage: The South after the Civil War After the Civil War, the South’s economy, infrastructure, politics, and society were left completely destroyed. Years of warfare had crippled the South’s economy, and the abolishment of slavery completely destroyed what was left. The South’s currency was worthless and its financial system was in ruins. For employers, workers, and merchants, this created many complex problems. With the abolishment of slavery, much of Southern planters’ wealth had disappeared. Accustomed to the unpaid labor of slaves, they were now faced with the need to pay their workers — but there was little cash available. In this environment, intricate systems of forced labor, which guaranteed cheap labor and ensured white control of that labor, flourished. For a brief period after the conclusion of fighting in the spring of 1865, Southern whites maintained control of the political system. -
The Cruelty of Jim Crow Segregation
Elementary School | Grades 3–5 THE CRUELTY OF JIM CROW SEGREGATION ESSENTIAL QUESTION What was Jim Crow and what was life under it like for Black Americans? OBJECTIVES Students will: → Define stereotype and explain the negative effects of stereotypes on individuals and society. → Examine the origins of Jim Crow and associated anti-Black stereotypes. → Analyze primary sources demonstrating ways in which Black people were segregated during the Jim Crow era. → Discuss ways in which Black people resisted discrimination and worked to end Jim Crow segregation. → Compose a written reflection on the impact of those who struggled to end segregation. LEARNING STANDARDS See the standards alignment chart to learn how this lesson supports New Jersey State Standards. TIME NEEDED 60 minutes MATERIALS → Who Was Jim Crow? handout (one copy to project) → Jim Crow Gallery handout (one copy per small group) → Where Did Jim Crow Segregation Take Place? handout (one copy to project) VOCABULARY activist generalization segregate/ sit-in segregation blackface Jim Crow stereotype “separate but civil rights minstrel show equal” 4 Procedures 3 NOTE While Jim Crow was most prevalent and deeply rooted in the South, segregation was a national problem. Segregation actually existed earlier in the North than in the South, for example on the Massachusetts Eastern Railroad in the 1830s. In the 20th century, federal and local policies led to segregation in public housing and schools throughout the country, and “whites only” policies were enforced in many northern shops, theaters, hotels and restaurants. "Sundown towns'' were common in both the North and South, excluding Black people through discriminatory laws, intimidation and signposts literally requiring "colored people" to leave by sundown. -
A Guide to the African American Heritage of Arlington County, Virginia
A GUIDE TO THE AFRICAN AMERICAN HERITAGE OF ARLINGTON COUNTY, VIRGINIA DEPARTMENT OF COMMUNITY PLANNING, HOUSING AND DEVELOPMENT HISTORIC PRESERVATION PROGRAM SECOND EDITION 2016 Front and back covers: Waud, Alfred R. "Freedman's Village, Greene Heights, Arlington, Virginia." Drawn in April 1864. Published in Harper's Weekly on May 7, 1864. Library of Congress, Prints and Photographs Division. Table of Contents Discover Arlington's African American Heritage .......................... iii Lomax A.M.E. Zion Church & Cemetery .......................... 29 Mount Zion Baptist Church ................................................ 30 Boundary Markers of the District of Columbia ............................ 1 Macedonia Baptist Church ................................................. 31 Benjamin Banneker ............................................................. 1 Our Lady, Queen of Peace Catholic Church .................... 31 Banneker Boundary Stone ................................................. 1 Establishment of the Kemper School ............................... 32 Principal Ella M. Boston ...................................................... 33 Arlington House .................................................................................. 2 Kemper Annex and Drew Elementary School ................. 33 George Washington Parke Custis ...................................... 2 Integration of the Drew School .......................................... 33 Custis Family and Slavery ................................................... 2 Head -
UNIVERSITY of CALIFORNIA, SAN DIEGO the Penitentiary at Richmond
UNIVERSITY OF CALIFORNIA, SAN DIEGO The Penitentiary at Richmond: Slavery, State Building, and Labor in the South’s First State Prison A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Hilary Louise Coulson Committee in charge: Professor Rebecca Jo Plant, Chair Professor Stephen D. Cox Professor Mark Hanna Professor Mark Hendrickson Professor Rachel Klein 2016 Copyright Hilary Louise Coulson, 2016 All Rights Reserved The Dissertation of Hilary Louise Coulson is approved, and it is acceptable in quality and form for publication on microfilm and electronically: _____________________________________________________________________ _____________________________________________________________________ _____________________________________________________________________ _____________________________________________________________________ _____________________________________________________________________ Chair University of California, San Diego 2016 iii DEDICATION For my parents, Richard and Laura Coulson who always believed I could, and for my husband, Frank Fernandez, who helped me prove it. iv EPIGRAPH “You know we don’t have our prisons like yours of the North, like grand palaces with flower-yards.” –Keeper of the Virginia Penitentiary, c. 1866 v TABLE OF CONTENTS Signature Page ............................................................................................... iii Dedication ...................................................................................................... -
Download from Anywhere in the World
Volume 11 / Number 2 FROM THE PRESIDENT CARNEGIE CONVERSATION Fall 2019 02 10 Power Houses Vartan Gregorian pays tribute to Reassessing U.S.-China Relations Competition American libraries. But do we deserve them? … confrontation … or collision course? An Asia Society Can we keep them? Andrew Carnegie’s visionary report proposes a strategy of “smart competition.” philanthropy points the way. Chief Communications and FEATURE FEATURE Digital Strategies Officer Julia Weede 18 32 Executive Director of Communications The Boundless Library Technology has brought to Saving the Bits Richard Ovenden, Bodley’s Librarian and Content Strategy much of the world a true “digital commons,” creating at the University of Oxford, warns that libraries must Robert Nolan a virtual public square. rise to the challenge of the digital era. Editor/Writer Kenneth Benson Assistant Editor CARNEGIE RESULTS CENTER POINT Anita Jain Principal Design Director 38 46 Daniel Kitae Um The Kids Are Alright At a time of heightened Librarians? What’s not to love? A colorful port- Researcher tensions between the United States and Russia, the PIR folio of portraits by artist Sean Qualls celebrates 10 of Ronald Sexton Center is “keeping the conversation going.” the most downright inspirational librarians in America — winners of the 2018 I Love My Librarian Award. Carnegie Corporation of New York is a philan- thropic foundation created by Andrew Carnegie in 1911 to promote the advancement and diffusion CARNEGIE ON THE GROUND of knowledge and understanding among the people of the United States. Subsequently, its charter was amended to permit the use of funds 54 for the same purposes in certain countries that There’s Hope Could social-emotional learning (SEL) are or have been members of the British Overseas foster the “soft skills” needed to direct students toward Commonwealth. -
Ashton Patriotic Sublime.5.Pdf (9.823Mb)
commercial spaces like theaters, and to performances spanning the gamut from the solemn, to the joyous. This diversity encompassed celebrations outside the expected calendar of national days. Patriotic sentiment was even a key feature of events celebrating the economic and commercial expansion of the new nation. The commemorative celebration for the laying of the foundation-stone of the Baltimore & Ohio Railroad, the “great national work which is intended and calculated to cement more strongly the union of the Eastern and the Western States,” took place on July 4, 1828.1 It beautifully illustrated the musical ties that bound different spaces together – in this case a parade route, a temporary outdoor civic space, and the permanent space of the Holliday Street Theatre. Organizers chose July Fourth for the event, wishing to signal civic pride and affective patriotism. Baltimore filled with visitors in the days before the celebration, so that on the morning of the Fourth the “immense throng of spectators…filled every window in Baltimore-street, and the pavement below….fifty thousand spectators, at least, must have been present.” The parade was massive and incorporated a great diversity of groups, including “bands of music, trades, and other bodies.” One focal point was a huge model, “completely rigged,” of a naval vessel, the “Union,” complete with uniformed sailors. Bands playing patriotic tunes were interspersed amongst the nationalist imagery on display: militia uniforms, banners emblazoned with patriotic verse, national flags, eagle figures, shields, and more. Charles Carrollton, one of the last surviving signers of the Declaration of Independence, gave the main public address at the site, accompanied by a march composed for the occasion, the “Carrollton March” (see Figure 2.4). -
Apartheid and Jim Crow: Drawing Lessons from South Africa╎s
Journal of Dispute Resolution Volume 2019 Issue 1 Article 16 2019 Apartheid and Jim Crow: Drawing Lessons from South Africa’s Truth and Reconciliation Benjamin Zinkel Follow this and additional works at: https://scholarship.law.missouri.edu/jdr Part of the Dispute Resolution and Arbitration Commons Recommended Citation Benjamin Zinkel, Apartheid and Jim Crow: Drawing Lessons from South Africa’s Truth and Reconciliation, 2019 J. Disp. Resol. (2019) Available at: https://scholarship.law.missouri.edu/jdr/vol2019/iss1/16 This Comment is brought to you for free and open access by the Law Journals at University of Missouri School of Law Scholarship Repository. It has been accepted for inclusion in Journal of Dispute Resolution by an authorized editor of University of Missouri School of Law Scholarship Repository. For more information, please contact [email protected]. Zinkel: Apartheid and Jim Crow: Drawing Lessons from South Africa’s Truth Apartheid and Jim Crow: Drawing Lessons from South Africa’s Truth and Reconciliation Benjamin Zinkel* I. INTRODUCTION South Africa and the United States are separated geographically, ethnically, and culturally. On the surface, these two nations appear very different. Both na- tions are separated by nearly 9,000 miles1, South Africa is a new democracy, while the United States was established over two hundred years2 ago, the two nations have very different climates, and the United States is much larger both in population and geography.3 However, South Africa and the United States share similar origins and histories. Both nations have culturally and ethnically diverse populations. Both South Africa and the United States were founded by colonists, and both nations instituted slavery.4 In the twentieth century, both nations discriminated against non- white citizens. -
A Narrative of Augusta Baker's Early Life and Her Work As a Children's Librarian Within the New York Public Library System B
A NARRATIVE OF AUGUSTA BAKER’S EARLY LIFE AND HER WORK AS A CHILDREN’S LIBRARIAN WITHIN THE NEW YORK PUBLIC LIBRARY SYSTEM BY REGINA SIERRA CARTER DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Educational Policy Studies in the Graduate College of the University of Illinois at Urbana-Champaign, 2016 Urbana, Illinois Doctoral Committee: Professor James Anderson, Chair Professor Anne Dyson Professor Violet Harris Associate Professor Yoon Pak ABSTRACT Augusta Braxston Baker (1911-1998) was a Black American librarian whose tenure within the New York Public Library (NYPL) system lasted for more than thirty years. This study seeks to shed light upon Baker’s educational trajectory, her career as a children’s librarian at NYPL’s 135th Street Branch, her work with Black children’s literature, and her enduring legacy. Baker’s narrative is constructed through the use of primary source materials, secondary source materials, and oral history interviews. The research questions which guide this study include: 1) How did Baker use what Yosso described as “community cultural wealth” throughout her educational trajectory and time within the NYPL system? 2) Why was Baker’s bibliography on Black children’s books significant? and 3) What is her lasting legacy? This study uses historical research to elucidate how Baker successfully navigated within the predominantly White world of librarianship and established criteria for identifying non-stereotypical children’s literature about Blacks and Black experiences. ii ACKNOWLEDGEMENTS Philippians 4:13 New Living Translation (NLT) ”For I can do everything through Christ,[a] who gives me strength.” I thank GOD who is my Everything. -
Lynched for Drinking from a White Man's Well
This site uses cookies. By continuing to browse this site you are agreeing to our use of cookies.× (More Information) Back to article page Back to article page Lynched for Drinking from a White Man’s Well Thomas Laqueur This April, the Equal Justice Initiative, a non-profit law firm in Montgomery, Alabama, opened a new museum and a memorial in the city, with the intention, as the Montgomery Advertiser put it, of encouraging people to remember ‘the sordid history of slavery and lynching and try to reconcile the horrors of our past’. The Legacy Museum documents the history of slavery, while the National Memorial for Peace and Justice commemorates the black victims of lynching in the American South between 1877 and 1950. For almost two decades the EJI and its executive director, Bryan Stevenson, have been fighting against the racial inequities of the American criminal justice system, and their legal trench warfare has met with considerable success in the Supreme Court. This legal work continues. But in 2012 the organisation decided to devote resources to a new strategy, hoping to change the cultural narratives that sustain the injustices it had been fighting. In 2013 it published a report called Slavery in America: The Montgomery Slave Trade, followed two years later by the first of three reports under the title Lynching in America, which between them detailed eight hundred cases that had never been documented before. The United States sometimes seems to be committed to amnesia, to forgetting its great national sin of chattel slavery and the violence, repression, endless injustices and humiliations that have sustained racial hierarchies since emancipation.