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Legends in Concert
FOR IMMEDIATE RELEASE January 31, 2020 CONTACT: DeAnn Lubell-Ames – (760) 831-3090 Note: Photos available at http://mccallumtheatre.com/index.php/media Legends In Concert: The Divas Tributes To Barbra Streisand, Celine Dion, Whitney Houston And Aretha Franklin McCallum Theatre Thursday – February 27 – 3:00 Pm And 8:00pm Palm Desert, CA – Through the generosity of Harold Matzner, the McCallum Theatre presents Legends in Concert—The Divas, featuring tributes to Barbra Streisand, Celine Dion, Whitney Houston and Aretha Franklin, for two shows: at 3:00pm and 8:00pm, Thursday, Feb. 27. Legends in Concert is the longest-running show in Las Vegas history, and after 35 years is still voted the No. 1 tribute show in the city. The internationally acclaimed and award-winning production is known as the pioneer of live tribute shows, and possesses the greatest collection of live tribute artists in the world. These incredible artists have pitch-perfect live vocals, signature choreography, and stunningly similar appearances to the legends they portray. Jazmine (Whitney Houston) draws her musical inspiration from her Cuban heritage while speaking and singing in both English and Spanish. After deciding to pursue her music career on the European music scene, she earned immediate success. After signing a one-album deal with Finland's K-TEL Records, Jazmine's first single achieved international success: In January 1996, "Love Like Never Before" rose to No. 1 on the French dance chart, dropping Madonna to No. 2 and passing same-week entries from Michael Jackson, Bon Jovi and Whitney Houston. She has appeared on the WB television show Pop Stars and on several episodes of the Dick Clark Productions show Your Big Break. -
Kunstner Titel CDG # Danseorkestret Kom Tilbage Nu Danske Karaoke
Kunstner Titel CDG # Danseorkestret Kom Tilbage Nu Danske Karaoke Hits 1 1 Brixx Video Video Danske Karaoke Hits 1 3 Poul Krebs Sådan Nogle Som Os Danske Karaoke Hits 1 5 Birthe Kjær Den knaldrøde gummibåd Danske Karaoke Hits 1 6 Bamse I en lille båd der gynger Danske Karaoke Hits 1 7 Re-Sepp-Ten Vi er røde, vi er hvide Danske Karaoke Hits 1 2 Poul Krebs Kald Det kærlighed Danske Karaoke Hits 1 8 Dansk Hip hurra Danske Karaoke Hits 1 9 Teddy Edelmann Himmelhunden Danske Karaoke Hits 1 10 John Mogensen Så længe jeg lever Danske Karaoke Hits 1 11 Dansk Æblemand Danske Karaoke Hits 1 12 Jacob Haugaard Hammer Hammer fedt Danske Karaoke Hits 1 13 Det Brune Punktum Jeg vil i seng med de fleste Danske Karaoke Hits 1 14 Rollo & King Der står et billede af dig på mit bord Danske Karaoke Hits 1 15 Kim Larsen Om lidt Danske Karaoke Hits 1 16 Mc Einar Det jul det cool Danske Karaoke Hits 1 17 Thomas Helmig Jeg Tager Imod DK Hits 4 2 Østkyst Hustlers Så Hold Dog Kæft DK Hits 4 4 Østkyst Hustlers Står Her Endnu DK Hits 4 5 Humleridderne Humletid DK Hits 4 6 Clemens Hr. Betjent DK Hits 4 7 Gnags Danmark DK Hits 4 8 Kim Larsen Papirsklip DK Hits 4 9 Paul Krebs Sådan Nogen som Os DK Hits 4 10 Birthe Kjær Pas På Den Knaldrøde Gummibåd DK Hits 4 12 Souvenirs Susanne Susanne (Jeg Hader...) DK Hits 4 13 3 Doors Down Kryptonite SPC-01 1 Nine Days Absolutely (Story Of A Girl) SPC-01 2 Santana Smooth SPC-01 3 N Sync Bye Bye Bye SPC-01 4 Backstreet Boys Show Me The Meaning Of Being Lonely SPC-01 5 Sixpence None The Richer Kiss Me SPC-01 6 Creed Highe SPC-01 7 -
Control De Documentos
Sistema de Gestión Integrado SMCV Reglamento General de Tránsito de SMCV SSOre0004 R E G L A M E N T O G E N E R A L D E T R Á N S I T O D E S M C V Cambios realizados en este Documento El presente documento reemplaza al “SGIre0001 Reglamento General de Tránsito de SMCV (Versión 05) y entre los principales cambios se tienen: (Ene-15) - En el ítem 3.1 se indica que la varilla de la pértiga de seguridad debe tener una altura mínima de 4.6 metros desde el piso hasta el extremo superior de ésta. (Ene-15) - En el ítem 4.2.1.1 (B) se incluye al D.S. N° 055-2010-EM y a la Gerencia Mina. (Ene-15) - En el ítem 4.2.2.1 (D) se detallan las inspecciones técnicas que realizará SMCV a través de una empresa contratista. En el ítem 4.2.2.2 se incluye los incisos L, X, Y, Z y CC. (Ene-15) - En el ítem 4.2.3.1 se incluye que “…los operadores de vehículo de transporte con capacidad mayor a 16 pasajeros debe acreditar experiencia mayor a 2 años en la tarea, así mismo, debe de tener un refrescamiento anual en el curso de manejo defensivo; como requisito para renovación de licencia…” (Ene-15) - En el ítem 4.2.4.1 se incluye el inciso (C). (Ene-15) - En el ítem 4.2.7.1 (A) se modifica el inciso (a) indicando que (a) “…Sólo podrán ingresar al área mina, los conductores que cumplan con el procedimiento de autorización para conducir en operación mina…” - En el ítem 4.2.7.1 (B), (c) se indica que se debe cumplir con el Procedimiento de Autorización para Conducir en Operaciones Mina”. -
Top 100 Most Requested Latin Songs
Top 100 Most Requested Latin Songs Based on millions of requests played and tracked through the DJ Intelligence® music request system at weddings & parties throughout 201 9 RANK ARTIST SONG 1 Luis Fonsi & Daddy Yankee Feat. Justin Bieber Despacito 2 Pitbull Feat. John Ryan Fireball 3 Jennifer Lopez Feat. Pitbull On The Floor 4 Cardi B Feat. Bad Bunny & J Balvin I Like It 5 Pitbull Feat. Ne-Yo, Afrojack & Nayer Give Me Everything 6 Marc Anthony Vivir Mi Vida 7 Elvis Crespo Suavemente 8 Bad Bunny Feat. Drake Mia 9 Pitbull Feat. Ne-Yo Time Of Our Lives 10 DJ Snake Feat. Cardi B, Ozuna & Selena Gomez Taki Taki 11 Gente De Zona Feat. Marc Anthony La Gozadera 12 Daddy Yankee Gasolina 13 Prince Royce Corazon Sin Cara 14 Daddy Yankee Dura 15 Shakira Feat. Maluma Chantaje 16 Celia Cruz La Vida Es Un Carnaval 17 Prince Royce Stand By Me 18 Daddy Yankee Limbo 19 Nicky Jam & J Balvin X 20 Carlos Vives & Shakira La Bicicleta 21 Daddy Yankee & Katy Perry Feat. Snow Con Calma 22 Luis Fonsi & Demi Lovato Echame La Culpa 23 J Balvin Ginza 24 Becky G Feat. Bad Bunny Mayores 25 Ricky Martin Feat. Maluma Vente Pa' Ca 26 Nicky Jam Hasta El Amanecer 27 Prince Royce Darte Un Beso 28 Romeo Santos Feat. Usher Promise 29 Romeo Santos Propuesta Indecente 30 Pitbull Feat. Chris Brown International Love 31 Maluma Felices Los 4 32 Pitbull Feat. Christina Aguilera Feel This Moment 33 Alexandra Stan Mr. Saxobeat 34 Daddy Yankee Shaky Shaky 35 Marc Anthony Valio La Pena 36 Azul Azul La Bomba 37 Carlos Vives Volvi A Nacer 38 Maluma Feat. -
Karaoke Catalog Updated On: 20/12/2018 Sing Online on Entire Catalog
Karaoke catalog Updated on: 20/12/2018 Sing online on www.karafun.com Entire catalog TOP 50 Tennessee Whiskey - Chris Stapleton Perfect - Ed Sheeran Grandma Got Run Over By A Reindeer - Elmo & All I Want For Christmas Is You - Mariah Carey Summer Nights - Grease Crazy - Patsy Cline Bohemian Rhapsody - Queen Feliz Navidad - José Feliciano Have Yourself A Merry Little Christmas - Michael Sweet Caroline - Neil Diamond Folsom Prison Blues - Johnny Cash Killing me Softly - The Fugees Don't Stop Believing - Journey Ring Of Fire - Johnny Cash Zombie - The Cranberries Baby, It's Cold Outside - Dean Martin Dancing Queen - ABBA Fly Me To The Moon - Frank Sinatra Rockin' Around The Christmas Tree - Brenda Lee Girl Crush - Little Big Town Livin' On A Prayer - Bon Jovi White Christmas - Bing Crosby Piano Man - Billy Joel Jackson - Johnny Cash Jingle Bell Rock - Bobby Helms Can't Help Falling In Love - Elvis Presley Baby It's Cold Outside - Idina Menzel Friends In Low Places - Garth Brooks Let It Go - Idina Menzel I Wanna Dance With Somebody - Whitney Houston Last Christmas - Wham! Let It Snow! Let It Snow! Let It Snow! - Dean Martin You're A Mean One, Mr. Grinch - Thurl Ravenscroft Uptown Funk - Bruno Mars Africa - Toto Rudolph The Red-Nosed Reindeer - Alan Jackson Shallow - A Star is Born My Way - Frank Sinatra I Will Survive - Gloria Gaynor The Christmas Song - Nat King Cole Wannabe - Spice Girls It's Beginning To Look A Lot Like Christmas - Dean Take Me Home, Country Roads - John Denver Please Come Home For Christmas - The Eagles Wagon Wheel - -
Gloria Estefan and Miami Sound Machine 1-2-3 Mp3, Flac, Wma
Gloria Estefan And Miami Sound Machine 1-2-3 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: 1-2-3 Country: UK Released: 1988 Style: Synth-pop, Disco MP3 version RAR size: 1955 mb FLAC version RAR size: 1638 mb WMA version RAR size: 1957 mb Rating: 4.5 Votes: 169 Other Formats: AA DXD MP1 MIDI MMF MP2 AUD Tracklist Hide Credits 1-2-3 A Arranged By [Re-arranged] – Clay Ostwald, Emilio Estefan*, Jorge CasasMixed By [Remixed] 3:36 – Eric Schilling, John HaagWritten-By – E. Garcia*, G.M. Estefan* Surrender B 4:05 Mixed By [Remixed] – Humberto GaticaWritten-By – J. Galdo*, J. Dermer*, R. Vigil* Companies, etc. Copyright (c) – CBS Records Inc. Distributed By – CBS Records Distributed By – CBS Disques S.A. Phonographic Copyright (p) – CBS Records Inc. Published By – SBK Songs Ltd. Pressed By – CBS Pressing Plant, Aston Clinton Credits Management – Moress Nanas Entertainment Photography By – Randee St. Nicholas Producer – Emilio*, The Jerks Notes Similar to label variant 1-2-3 which has the word 'And' on the second line of the artist name, and slightly different positioning of the parent LP information. Made In England Taken from the LP/Cassette/CD "Let It Loose" EPC 450910 [Side B is a special version} Picture Sleeve Barcode and Other Identifiers Barcode (Scanned): 5099765295870 Barcode (UPC): 5 099765 295870 Label Code: LC 0199 Other (Distribution Code): CB 111 Matrix / Runout (Side A Label): 652958 7 A* Matrix / Runout (Side B Label): 652958 7 B* Matrix / Runout (Side A Runout, stamped): 652958-7 A1 > ( ) [cancelled GLORIA -
Bibliography
Bibliography Abdulhadi, Rabab. (2010). ‘Sexualities and the Social Order in Arab and Muslim Communities.’ Islam and Homosexuality. Ed. Samar Habib. Santa Barbara, CA: ABC-CLIO, LLC, 463–487. Abercrombie, Nicholas, and Brian Longhurst. (1998). Audiences: A Sociological Theory of Performance and Imagination. London: Sage. Abu-Lughod, Lila. (2002). ’Do Muslim Women Really Need Saving? Anthropolog- ical Reflections on Cultural Relativism and Its Others.’ American Anthropologist 104.3: 783–790. Adams, William Lee. (2010). ‘Jane Fonda, Warrior Princess.’ Time, 25 May, accessed 15 August 2012. http://www.time.com/time/specials/packages/article/ 0,28804,1990719_1990722_1990734,00.html. Addison, Paul. (2010). No Turning Back. The Peacetime Revolutions of Post-War Britain. Oxford: Oxford University Press. Ahmed, Sara. (2004). The Cultural Politics of Emotion. Edinburgh: Edinburgh University Press. Ahmed, Sara. (2010a). The Promise of Happiness. Durham, NC: Duke University Press. Ahmed, Sara. (2010b). ‘Killing Joy: Feminism and the History of Happiness.’ Signs: Journal of Women in Culture and Society 35.3: 571–594. Ahmed, Sara. (2011). ‘Problematic Proximities: Or Why Critiques of Gay Imperi- alism Matter.’ Feminist Legal Studies 19.2: 119–132. Alieva, Leila. (2006). ‘Azerbaijan’s Frustrating Elections.’ Journal of Democracy 17.2: 147–160. Alieva, Leila. (2009). ‘EU Policies and Sub-Regional Multilateralism in the Caspian Region.’ The International Spectator: Italian Journal of International Affairs 44.3: 43–58. Allatson, Paul. (2007). ‘ “Antes cursi que sencilla”: Eurovision Song Contests and the Kitsch-Drive to Euro-Unity.’ Culture, Theory & Critique 48: 1: 87–98. Alyosha. (2010). ‘Sweet People’, online video, accessed 15 April 2012. http:// www.youtube.com/watch?v=NT9GFoRbnfc. -
Music, Lyrics and Performance in Pop Song Translation
IPRPD International Journal of Arts, Humanities & Social Science Volume 01; Issue no 02: July 10, 2020 Music, lyrics and performance in pop song translation Barbara Delli Castelli1 1Assistant Professor, Department of Modern Languages, Literatures and Cultures, ‘Gabriele d’Annunzio’ University, Chieti-Pescara, Italy, Email- [email protected] Received: 04/06/2020 Accepted for Publication: 01/07/2020 Published: 10/07/2020 Abstract This paper focuses on song translation and on the task that the translator must accomplish when the verbal meaning is influenced and constrained by the simultaneous presence of multi-semiotic codes. I will outline a framework concerning the analysis of pop music translation based on various levels of equivalence between original songs and translated songs taking into account three main aspects: the music, the lyrics and the performance. The discussion will be based on a variety of German versions of evergreens of Italian pop music, thus providing a series of samples for a language pair not yet considered by researchers. Keywords: translation of multi semiotic texts; pop song translation; translation, adaptation 1. Introduction Among the several plurisemiotic text-types, such as films, theater plays, comic strips etc., whose meaning is determined by the interplay between different channels of communication and the combination of verbal and non-verbal codes, the translation of musical texts has only recently started to receive attention from translation researchers. One reason for this may be the methodological dares that this study implies, redrawing traditional boundaries such as those between translation, adaptation and rewriting and calling for a multidisciplinary approach (cf. Susam-Sarajeva 2008: 188- 9). -
08 Karaoké Italien2009fini Ok Film
KARAOKE ITALIEN Titres Interprètes Références Addio addio Various Artist It272-05 Adesso tu Eros Ramazotti It692-09 Adesso tu Eros Ramazzotti It685-08 Ahora Quien Marc Anthony It693-13 Al dila Various Artist It271-02 Amarti e l'immenso per me Eros Ramazzotti It685-09 Americano Tu Voi Fare L’américano It590-09 Amor bello Claudio Baglioni It682-01 Amore senza fine Pino Daniele It690-01 Andrea Fabrizio De Andre It589-08 Anima Ron It686-02 Antonello venditti Baccini It686-11 Arrivederci roma Claudia Villa It590-05 Arrivederci roma Renato Rascel It682-08 Arrivederci Roma Various Artist It272-14 Arrivederci Roma Various Artist It503-01 Azzurro Adriano Celentano It682-13 Banana e lampone Gianni Morandi It688-12 Bandiera gialla Gianni Pettenati It691-08 Bella ciao Various It687-01 Bella senz'anima Richard Cocciante It683-01 Bello e impossibile Gianna Nannini It590-10 Bollicine Vasco Rossi It685-05 Boys boys boys Sabrina It589-02 Brava Vasco Rossi It684-06 Buena domenica Antonello Venditti It685-04 Campi di pop corn Various It690-07 Canzone Lucio Dalla It689-02 Canzone per laura Vecchioni It687-10 Caruso Lucio Dalla It589-11 Caruso Lucio Dalla It688-05 Che cosa c'e Ornella Vanoni It688-03 Che sara Various Artist It272-03 Che serra Ricchi & Poveri It685-02 Ci sera Al Bano & Romina Power It590-03 Ci stiamo sbagliando Luca Carboni It684-14 Come prima Various Artist It271-07 Con te partiro Andrea Bocelli 087-03 Con le mani Zucherro It682-09 Con te partiro Andrea Bocelli 109-01 Contessa Ruggeri & Decibel It686-04 Core’ngrato-catari Various Artist It271-14 -
Sainte Victoire
CLARA LUCIANI SAINTE VICTOIRE PREMIER ALBUM - SORTIE LE 6 AVRIL 2018 Jeune. Brune. Voix grave et assurée. Auteure compositrice d'un premier album dont les dix chansons perforent le cœur comme autant de flèches embrasées. Elle a pleuré mais la vie continue. Désormais c'est elle qui mènera l'offensive et dansera jusqu'au bout de la nuit. Son premier EP Monstre d’Amour auréolé de tant de louanges était un indice. Ce premier album en est la preuve. Clara Luciani a un don pour l'écriture, celui de transposer le récit personnel en une valeur universelle. Une écriture qui possède la patine des chanteuses passionnelles avec lesquelles elle a grandi, de Françoise Hardy à Lana Del Rey en passant par Barbara, Blondie ou Nico. Tour à tour féline et passionnée (Eddy, Monstre d’Amour), introspective et insaisissable (Les Fleurs, Dors, On ne Meurt pas d’Amour), féminine et féministe (La Grenade, Drôle d’Époque), vindicative et véhémente (La Dernière Fois, Comme toi), cette jeune femme a du caractère. Derrière la madone se cache un animal, une créature multiple au balancement perpétuel, un monstre d'amour capable d'envier la beauté muette des fleurs comme de cacher en son sein une grenade. Comme lorsque à peine sortie du lycée elle décide de tout plaquer, la fac comme son Marseille natal, pour intégrer le groupe La Femme et enchainer les concerts pendant deux années. Elle écrit ensuite ses propres chansons et se fait remarquer en devenant la lauréate du dernier Festival inRocKs Lab. En travailleuse forcenée, Clara Luciani a multiplié les collaborations à un rythme effréné au cours de ces derniers mois. -
Festival Di San Remo, Ultima Fortezza Del Monopolio Della Musica!
Festival di San Remo, ultima fortezza del monopolio della Musica! Ma com’è possibile che ancor oggi continui ad esistere “il Festival della Canzone Italiana”, detto comunemente “Festival di Sanremo”? Una domanda che mi pongo da anni, dal lontano 1975! Lo storico britannico Eric J.E. Hobsbawm (1917-2012), nel suo celebre volume Age of extremes The short twentieth century, 1914- 1991 (1994) ha definito il secondo dopoguerra in Italia una nuova «età dell’oro», mettendo in evidenza che si trattò di anni di «straordinaria crescita economica e di trasformazione sociale, che probabilmente hanno modificato la società umana più profondamente di qualunque altro periodo di analoga brevità» (trad. it. Il secolo breve, 1995, p. 18). Straordinaria trasformazione sociale che ha favorito pure la nascita del Festival di Sanremo in cui la canzone italiana ha iniziato ad emergere dal sottosuolo e tutto questo è andato pure bene nel decennio 50-60 ma poi avrebbe dovuto arricchirsi, cambiare continuamente, sperimentare, veder crescere nuovi talenti ed invece? Nulla di tutto ciò! Non annoierò il lettore con la lista di presentatori, presentatrici e vallette di turno che si sono avvicendate nel corso delle edizioni del Festival di Sanremo (complici di aver permesso uno scempio artistico di dimensioni apocalittiche; n.d.a.) perché non potrei esimermi dall’avviare una personale controversia su MUSIC in merito a personaggi “limite” come Luciana Littizzetto, diavoletto antipatico, neanche troppo comico, intriso di sarcasmo elitario da “radical chic”; non ritengo infatti la nostra rubrica lo spazio appropriato. Non tedierò nemmeno con la striscia di vincitori del Festival dal 1951 al 2016 ma citerò alcuni artisti che hanno fatto la storia della “Canzonetta” italiana ed altri che risultano dei prodotti “in vitro” dell’industria discografica “mordi e fuggi”. -
Edizione Unica
Marzo 2020 EDIZIONE N. 1 - Anno I Da oggi comodamente UNICA gratis a casa tua! alEenigmistica Puoi annullare le distanze che ci separano SPIEGAZIONI TROVA LE PAROLE: tutto ciò che dovrete fare è trovare nel riquadro le parole nella in lista ad inizio pagina. LABIRINTO: riuscirai a trovare la via d'uscita? NUMERI: Riempi tutte le caselle bianche vuote in modo che tutte le operazioni presenti nel gioco siano corrette. SUDOKU: Lo scopo del gioco è quello di riempire le caselle bianche in ogni riquadro con numeri da 1 a 9 (Logo Fanclub), in modo che ogni riga e ogni colonna abbiano tutte le cifre da 1 a 9 (Logo Fanclub) senza alcuna ripetizione. CRUCIVERBA: una sorta di trivia quiz su Ale, le sapete veramente tutte?! TROVA LE DIFFERENZE: valuteremo anche la vostra vista! EMOJI REBUS: indovina i titoli di alcune delle canzoni di Ale con l'aiuto delle sole emoji. TROVA LE PAROLE ALESSANDRA / AMICI / AMORE PURO / BIG FAMILY / CARO DIARIO COMUNQUE ANDARE / DALLA TUA PARTE / DIECI / EMMA / ENTUSIASMO FORZA E CORAGGIO / GUACAMOLE / IMMOBILE / LA STESSA MARIA DE FILIPPI / NIENTE / SENZA NUVOLE / STUPIDA URLO E NON MI SENTI / VERDE / VIVERE A COLORI Livello: facile TROVA LE PAROLE ACIREALE / BARI / NAPOLI / EBOLI / ROMA / CAGLIARI / POTENZA ISERNIA / FIRENZE / PADOVA / TRENTO / TRIESTE / COURMAYEUR ROSETO DEGLI ABRUZZI / REGGIO CALABRIA / ANCONA / BOLOGNA GENOVA / PERUGIA / TORINO Livello: difficile IL LABIRINTO Livello: facile IL LABIRINTO Livello: medio IL LABIRINTO Livello: difficile numeri Per tutti: numeri Per i laureati in materie umanistiche: