DOCSLIB.ORG

THE 1F ALBU CHART COMMENTARY Fronted By

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
THE 1F ALBU CHART COMMENTARY Fronted By THE 1F ALBU ALBUM FACTFILE Fronted by Scotswoman Shirley ThusStupid far, Cirl, the and only peahed single atlifted number from su CHART sceneManson, in Garbage1995, and exploded bave sold onto nearly the debuted/peakedVersion 2.0 is Push at It,number which mne a 500,000 copies1 theof their UK self-titled COMMENTARY début album in the UK ^oJoniyte date. Thei a Garbàgesfortnight ago. all-American Aside from line-up Manson, is secona aioum,, Versionwciaiv/.. 2.0, sold only a GarbagSteve Marker, Doug 'Duke'iDuke, EriksonEr.((son little(31,500 over to 5%be ofprécisé) that total but thatlast was and Butch Vig, of whom the latter is énôûih'for it to début at number one. the best-known., ■..a;na snnic Vigjiroduced Youth, the several hitGarbage singles, houses including a fôrnîîaable Queer and array of Smashing Pumfik and N recent Cendedatatonia's its own International 14 week wattVelvet and album its ATMARKET A GLANCE WEEKLY REPORT MARKET SHARES -strong The Best97 place Of Frank rise Sith label's 14 year wait for a number one TOP 10 COMPANIES TOP CORPORATE GROUPS 133-36 after selling over 3,500 copies o thislast week,week bybut Garbage, is instantly though overwbelmed the margin announcementFriday and Saturday, of Frank following Sinatra the s death. of2.0 Garbage's selling 31,500 victory copies is slim, while with Version Whileamount. that don't may forget not sound this islike stock a huge that toInternational carry the latterVelvet album's sold 29,000 overail - tallyenough wasalbum already peaked sitting at number in the shops.13 when The overGarbage 200,000. apart. the chart's highest new released last year, and has sold over entry is, perhaps surprisingly, Sketches 120,000The first copies Madonna to date. album to spend songFor My collection Sweetheart of previously The Drunk, unreleased a 2CD 21 more than 10 consécutive weeks in the SALES UPDATE Topin 1990, 10 since Ray TheOf Light Immaculate " Collection Jeffwho Buckley,drowned thelast risingyear. Buckley's_ . only copies to date, and ht previous album, his highly trackon its slipsllth 8-12week on in thethe singleschart. Thechart title bu The1994 majority début Grâce,of the material. on Sketches oan be expected to bounce back into th For My Sweetheart The Drunk are Buckley gle,Top 10featuring next week previously as the unreleased second CD mixsir aoriginals, rare Genesis though cover, in the form of Back of Ray Of Light, is issued today (18). COMPILATIONS Showing great stamina even for th Meanwhile, Global Televislon's The AT A GLANCE WEEKLY MARKET SHARES Whatindefatigable I Call Musicl Now! sériés39 enjoys Now its Tl atBest a comparatively Dance Album lowlyOf The number Year, 13,débuts , TOP 10 COMPANIES TOP CORPORATE GROUPS compilationstraight week et at "the top1 ' of the tracksdespite it itsfeatures boastful are, title. however, Among many the 36 of k, enough to keep it theSaints' year's Never biggest Ever, hits Run-DMC's including It's Ali Like Volumeahead of 1, Top which Of Thewas Popsfancied 1998 to replace- That,like Junkster's as well as Slide, more the oultish Vapourheadz's favourites itsit at own the salessummit decrease but unexpectedly slightly week-on- saw clubDon't favourites Play Dead It's and Tricky yet-to-be-released by Run-DMC, weekTwelve from weeks 24,400 after to 23,600.the release of AnytimeFight For by Your Nu-Birth. Right by NYCC and Columbia,Fantastic SO's! a second was avolume number of oneeighties hit for by Jamesfar and Horner's away the Titanic biggest-selling soundtrack movie is SALES UPDATE hits débuts at number four. The first titlesteep of décliné the year, now. but Its it's sold sales 8,000 are 'in month ago. ts tally a THE YEAR SB FAR... VIRGIN RADIO CHART TOP 20 AlBOmS THE VERVE 1 INTERNATIONAL VELVET Cat UGHTHOUSE FAMILY B LEFT OF THE MIDDLE Natalis Imb WH1TE MAGIC FOR LOVERS Dmasioro En13 RETURNFROM TOTHE THE CHOIRGIRLIAST CHANCE SALOON HOTEL TU SGTMELTING PEPPERS10NEIY POT The HEARTS Charlatans CLUB BAND Ttt E MOTOWN/POLYGRAM TV MUSIC WEEK 23 MAYIi .
Load more

Recommended publications
  • Reeperbahn Festival Conference MAG / SEPT 2017
    CONFERENCE 20 – 23 SEPT 2017 MAG Branded PartnershipsBranded Algorithms and on Hackney Camille Licensing and Sync Time for Diversity for Time Equality and Vanessa Reed on Keychange – Photo: Bonaparte © Musik Bewegt / Henning Heide Henning / Bewegt Musik © Bonaparte Photo: Raise Your Voice Voice Raise Your year´s This Conference Focus Music on and Politics mobile apps for your festival proudly presents the official app Available on the App Store and Google Play Meet us in Hamburg in September! Contact Scandinavia - Esben Christensen Contact GAS - Sarah Schwaab [email protected] [email protected] _ INDEX EDITORIAL 4 mobile apps for your festival RAISE YOUR VOICE The International Music World Is Turning Up 7 Its Political Volume SHIRLEY MANSON Early Days In Madison 15 DAVE ALLEN proudly presents Streaming and Music Culture 21 LIVE FOR (RE)SALE A Sort of Darknet for Tickets 25 VANESSA REED Closing the Gender Gap 31 TERRY MCBRIDE Understanding the Value of Music and 36 How to Effectively Monetize It UNSIGNED VS SIGNED Do Artists Benefit from Blockchain? 39 CAMILLE HACKNEY On Music, Brands, Data and Storytelling 45 MUSIC IN IRAN A Personal Experience 49 HARTWIG MASUCH 10 Songs that Helped Create the New BMG 55 PROGRAMME REGISTER SESSIONS 59 SHOWCASES 65 the AWARDS 68 official app MEETINGS 68 Available on the App Store and Google Play NETWORKING 69 IMPRINT 76 PARTNERS 78 Meet us in Hamburg in September! Coverphoto: Camille Hackney, speaker at „Sync Faster – Sync Different and board member of ANCHOR 2017. © Grayson Dansic Contact Scandinavia - Esben Christensen Contact GAS - Sarah Schwaab [email protected] [email protected] 3 _ EDITORIAL DEAR CONFERENCE ATTENDEES, DEAR FRIENDS, we‘re delighted you have made it back to Hamburg once again this year for what is now the 12th edition of the Reeperbahn Festival.
    [Show full text]
  • Sydney Film Festival Returns to Dendy Newtown
    MEDIA RELEASE SYDNEY FILM FESTIVAL RETURNS TO DENDY NEWTOWN The 63rd Sydney Film Festival announces its return to Dendy Cinemas Newtown, with 24 screenings taking place during the Festival from 8-19 June. The Festival has selected titles from Freak Me Out horror, cult and extreme arthouse cinema selections; Animation After Dark, animated shorts for adults; Sounds on Screen, films about important music and musicians; as well as American Epic Parts 1 and 2, and The American Epic Sessions, a epic journey into the roots of American music. “The Festival has programmed some fantastic new Australian films including the world premiere of Australian thriller Red Christmas; young Australian director Abe Forsythe’s new black comedy set in the aftermath of the Cronulla Riots Down Under; and Craig Boreham’s powerful queer drama, four years in the making, Teenage Kicks, with a brilliant line-up of young Australian talent. There are also some incredible films about defining musicians and much more to thrill and send shivers up your spine in the Festival’s Freak Me Out selection,” said Sydney Film Festival Director Nashen Moodley. “Dendy is, once again, excited to be hosting the Sydney Film Festival at both our Sydney locations,” said Claire Gandy, Dendy Cinemas National Film, Content and Programming Manager. “We are looking forward to welcoming festivalgoers to Dendy Newtown for a second year, with an interesting, thought-provoking and hugely entertaining selection of titles.” Local restaurant Bloodwood will offer a special menu for Festival audiences for the second time. It is one of 16 Dining Delights experiences offered exclusively during the Festival.
    [Show full text]
  • Kauffman Center for the Performing Arts Announces Rock Show Double-Header to Kick Off Kauffman Center Presents 2017-2018 Season
    NEWS RELEASE Contact: FOR IMMEDIATE RELEASE Bess Wallerstein Huff, Director of Marketing Monday, February, 13, 2017 Kauffman Center for the Performing Arts (816) 994-7229 | [email protected] KAUFFMAN CENTER FOR THE PERFORMING ARTS ANNOUNCES ROCK SHOW DOUBLE-HEADER TO KICK OFF KAUFFMAN CENTER PRESENTS 2017-2018 SEASON Blondie & Garbage: The Rage and Rapture Tour to stop at Muriel Kauffman Theatre on July 18 Kansas City, MO – The first announced show of its 2017-18 Kauffman Center Presents season will feature two quintessential rock ‘n’ roll acts. Blondie & Garbage: The Rage and Rapture Tour will perform for one night in Muriel Kauffman Theatre on Tuesday, July 18. Tickets for the show range from $79 to $149, and go on sale to the public at 10 a.m. Friday, February 24. Tickets will be available through the Kauffman Center Box Office at (816) 994-7222, via the Kauffman Center mobile app, or online at www.kauffmancenter.org. ABOUT BLONDIE Singer-songwriter Debbie Harry, guitarist and co-writer Chris Stein, powerhouse drummer Clem Burke and their band- mates in the punk/new wave band Blondie are undeniable pop icons, their sound and sensibility as fresh as when they first topped the charts in the late 1970s. Since their groundbreaking 1978 album Parallel Lines, the members of Blondie have always been a forward-thinking – and forward-moving – group. Their brand of cross-genre rock has spawned hits including “Call Me,” “Rapture,” and “Heart of Glass,” bringing underground sounds into the mainstream. Blondie’s 11th studio album, Po11inator, is out in May. ABOUT GARBAGE Hailing from Madison, WI, Garbage is guitarist Duke Erikson, drummer Butch Vig, guitarist Steve Marker and lead singer Shirley Manson.
    [Show full text]
  • Anglophone Music As Poetry
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Croatian Digital Thesis Repository University of Rijeka Faculty of Humanities and Social Sciences in Rijeka Department of English Matea Lacmanović: Anglophone Music as Poetry Mentor: Lovorka Gruić Grmuša, PhD Rijeka, July 2015 1 Abstract Literature as a whole is usually divided into poetry, prose and drama (Solar 2006: 154) with fairly clear boundaries between them. When it comes to their subdivision and definition of specific literature and art type, the boundaries become unclear and many questions arise. One of the most difficult questions to answer is what poetry is and which criteria must be met in order for some work to be classified as poetry. It is known that authors such as Shakespeare, Byron, Cummings or Angelou are poets and their work is interpreted as poetry. However, can the circle of poetry and art be expanded to similar forms such as contemporary music? That is the topic of this thesis – analysis, explanation and specific examples of modern song lyrics which can be viewed as poetry and something more valuable in the art context than it actually is due to the commercialization of music. With songs performed by Tupac, Garbage, Leonard Cohen, Bill Withers and various artists who belong to different music genres and eras, poetry is broadened and upgraded to the 21st century level. Key words: Anglophone music, music, poetry, lyrics, analysis, literature, art, contemporary, modern, intermediation, authorship 2 Table of Contents Abstract
    [Show full text]
  • Behind the Music
    Q&A BEHIND THE MUSIC It’s crazy to think that this year marks the 20th Anniversary of Kurt Cobain’s passing – a true game-changer in our industry, and a man who, in many ways, revolutionised music, inadvertently spawning a whole new scene. Nevermind is a seminal record, and its success was the catalyst for record labels’ mission impossible, the search for ‘the next Nirvana’. Although he might not have known it at the time, those 16 days recording Nevermind would change Butch Vig’s career forever. It paved the way for a remarkable musical journey, the production of a string of hit records for supergroups such as The Smashing Pumpkins, The Foo Fighters, and many more... Not to mention Garbage, Vig’s own band, which has enjoyed more than 17 million record sales over the last two decades. This legend of the game reveals some of his trade secrets, and shares some fond, unforgettable memories... Your career speaks for itself, but first up, how did it all begin for you? Well, I played in bands in high school in a small town in Wisconsin, and then I went to University in Madison. I started getting into the local music scene, and joined a band, which was sort of a power pop, new wave band called Spooner; and Duke [Erikson] from Garbage was the guitarist and lead singer at the time. I also got a degree in film, and ended up doing a lot of music for film; a lot of synth, and abstract music, and that’s where I kind of got the recording bug.
    [Show full text]
  • Garbage & the Temper Trap Join for Next Winery Series!
    Media Release – Thursday July 28 GARBAGE & THE TEMPER TRAP JOIN FOR NEXT WINERY SERIES! With the Preatures, Tash Sultana and Adalita a day on the green has assembled an epic line-up for its next series of winery concerts. Alt-rock pioneers Garbage and Australia’s own multi-platinum chart toppers The Temper Trap will come together as part of their respective national tours for five outdoor events through November/December. The concerts will feature a stellar under-card with special guests The Preatures, Tash Sultana and Adalita. The five band bill kicks off at Victoria’s Rochford Wines on Saturday November 26. These will be the Garbage’s first Australian shows since 2013 and celebrate their acclaimed sixth studio album Strange Little Birds (out now via Liberator Music). To create Strange Little Birds, their first album in four years, Garbage (Shirley Manson, Steve Marker, Duke Erikson and Butch Vig) drew on a variety of influences including the albums they loved growing up. Upon its June release, the album debuted at #9 on the ARIA Album Chart and picked up widespread acclaim: ‘20-plus years after forming, each band member is still fired up to mine new sounds and approaches for inspiration. That willingness to be uncomfortable and look beneath the surface makes Strange Little Birds a rousing success.’ – The A.V. Club ‘The electronic rockers return with a sixth studio album as cool and caustic as their 1995 debut’ – NME ‘Garbage haven’t released an album this immediate, melodically strong and thematically interesting since their self-titled 1995 debut.’ – Mojo In support of the album’s release, Garbage performed a powerful two-song performance on Jimmy Kimmel Live! – watch ‘Empty’ here and ‘Push It’ here.
    [Show full text]
  • Smells Like Teen Spirit Appears in Rock & Pop 2018
    ACCESS ALL AREAS... SMELLS LIKE TEEN SPIRIT APPEARS IN ROCK & POP 2018 Released: 1991 Album: Nevermind Label: DGC Records ABOUT THE SONG Nirvana’s Kurt Cobain was attempting to write the ‘ultimate pop song’ when he came up with the guitar riff that would become ‘Smells Like Teen Spirit’. He WITH THE LIGHTS OUT, wanted to write a song in the style of The Pixies, telling Rolling Stone in 1994: ‘I was basically trying to rip off The Pixies. I have to admit it.’ The title came IT’S LESS DANGEROUS after Kathleen Hanna, lead singer of Bikini Kill, spray- painted ‘Kurt smells like Teen Spirit’ on his bedroom “ wall. Teen Spirit was actually a brand of deodorant. HERE WE ARE NOW, The first single from Nirvana’s second album Nevermind, ‘Smells Like Teen Spirit’ was a surprise hit. The label had anticipated that ‘Come As You Are’, the follow-up single, would be the song to cross over to a mainstream audience. ‘Smells Like Teen Spirit’ ENTERTAIN US was first played on college radio before rock stations and MTV picked it up. It is widely praised as one of I FEEL STUPID AND CONTAGIOUS the greatest songs in the history of rock music. RECORDING AND PRODUCTION Cobain began writing ‘Smells Like Teen Spirit’ a few weeks before Nirvana were due in the studio to record Nevermind. After presenting the main riff and melody of the chorus to the rest of the band, they jammed around the riff for an hour and a half. Bassist Krist Novoselic slowed the verse down and drummer Dave Grohl created a drum beat and as a result, ‘Smells Like Teen Spirit’ is the only song on Nevermind to give songwriting credits to all three band members.
    [Show full text]
  • The First Time America Heard Itself
    T BONE BURNETT ROBERT REDFORD JACK WHITE PRESENT THE FIRST TIME AMERICA HEARD ITSELF 2 x 60, 1 x 90 In the late 1920s, record company scouts toured America with a recording machine, and for the first time captured the raw expression of an emerging culture, democratizing music and giving a voice to the poorest in the nation. 2 x 60, 1 x 90 American Epic follows the recording machine’s trail across the United States to rediscover the families whose music was recorded—music that would lead to the development of blues, country, gospel, Hawaiian, Cajun and folk music, contact and without which there would be no rock, pop, R&B and hip hop today. The Tom Koch, Vice President remarkable lives of these seminal musicians are revealed through previously PBS International unseen film footage, unpublished photographs and exclusive interviews with 10 Guest Street some of the last living witnesses to that era, when the musical strands of a Boston, MA 02135 USA diverse nation first emerged, sparking a cultural revolution who reverberations TEL: 617-300-3893 are felt to this day. FAX: 617-779-7900 [email protected] Also Available: American Epic: The Sessions 1x120 HD pbsinternational.org 171051 “This is America’s greatest untold story. It’s an credits account of the cultural revolution that ultimately Producers: Bernard MacMahon, Allison Mcgourty, Duke Erikson, Bill Holderman, and Adam Block Executive Producers: T Bone Burnett, Robert Redford, Jack White, Anthony Wall for BBC Arena united a nation. It is the story of when America Supervising Editor: Dan Gitlin first heard itself.” Editors: Dan Gitlin, Gillian McCarthy, Brittonya Sanden, and Karl Steig —Robert Redford, Executive Producer Special Sound Supervisor: Nicholas Bergh Co-Producer: Jack McLean Associate Producer: Patrick Ferris Narrator: Robert Redford For Thirteen/WNET: Executive Producer: Julie Anderson “These are the real American heroes.
    [Show full text]
  • SXSW2016 Music Full Band List
    P.O. Box 685289 | Austin, Texas | 78768 T: 512.467.7979 | F: 512.451.0754 sxsw.com PRESS RELEASE - FOR IMMEDIATE RELEASE SXSW Music - Where the Global Community Connects SXSW Music Announces Full Artist List and Artist Conversations March 10, 2016 - Austin, Texas - Every March the global music community descends on the South by Southwest® Music Conference and Festival (SXSW®) in Austin, Texas for six days and nights of music discovery, networking and the opportunity to share ideas. To help with this endeavor, SXSW is pleased to release the full list of over 2,100 artists scheduled to perform at the 30th edition of the SXSW Music Festival taking place Tuesday, March 15 - Sunday, March 20, 2016. In addition, many notable artists will be participating in the SXSW Music Conference. The Music Conference lineup is stacked with huge names and stellar latebreak announcements. Catch conversations with Talib Kweli, NOFX, T-Pain and Sway, Kelly Rowland, Mark Mothersbaugh, Richie Hawtin, John Doe & Mike Watt, Pat Benatar & Neil Giraldo, and more. All-star panels include Hired Guns: World's Greatest Backing Musicians (with Phil X, Ray Parker, Jr., Kenny Aranoff, and more), Smart Studios (with Butch Vig & Steve Marker), I Wrote That Song (stories & songs from Mac McCaughan, Matthew Caws, Dan Wilson, and more) and Organized Noize: Tales From the ATL. For more information on conference programming, please go here. Because this is such an enormous list of artists, we have asked over thirty influential music bloggers to flip through our confirmed artist list and contribute their thoughts on their favorites. The 2016 Music Preview: the Independent Bloggers Guide to SXSW highlights 100 bands that should be seen live and in person at the SXSW Music Festival.
    [Show full text]
  • New Name & Opportunities
    Youth Garagebands Rocking Wisconsin 2016 ROCKONSIN Youth Garagebands Rocking Wisconsin - New Name & Opportunities MADISON, Wis. (March 1, 2016) – “Music means everything to me and its great to see ROCKONSIN encourage and recognize young Wisconsin garagebands that want to play their music and give these young musicians an opportunity to showcase their talents by performing at Summerfest” said Butch Vig, drummer for the internationally acclaimed band Garbage, Grammy Award winning producer and Wisconsin native. LIKE us on Facebook and see a ROCKONSIN video message from Butch Vig. Dennis Graham Associates, in association with the not for profit MAMA (Madison Area Music Association), is kicking off his 12th year producing a statewide youth garageband competition (now called ROCKONSIN), featuring 7th – 12 grade bands of all musical genres, that is the only program of its kind in the nation. ROCKONSIN will select twelve (12) statewide Wisconsin high school or middle school garagebands to compete at Summerfest, the world’s largest music festival, on the Johnson Controls Stage. The band application period opens on March 1 and will close on April 30, 2016; bands can sign up now at www.ROCKONSIN.org and download a free poster. What are the major changes with ROCKONSIN: • The new program will be a Finals only format for 12 statewide garagebands of all musical genres to be held at Summerfest, the world’s largest music festival, on the Johnson Controls Stage on June 30 (6 bands) and July 1 (6 bands) from Noon – 3:30 pm each day. • All 7th and 8th grade garagebands can now join high school bands in applying for the competition; or a band can be a combination of any students in 7th - 12th grade; the band must be formed outside the school music program.
    [Show full text]
  • A Madison Wisconsin Story
    EAST MEETS WEST IN MADISON: CHINESE SOPRANO POP STAR RUHAN JIA AND NEW YORK BASED ROCK BAND, EDISUN WILL PERFORM TO PROMOTE CROSS-CULTURAL COLLABORATION, MUSICAL ARTISTRY, AND INNOVATIVE TECHNOLOGY. A Madison Wisconsin Story Edisun front man, Ethan Isaac grew up in Madison, attending James Madison Memorial High School. While in high school, his first recording was with Butch Vig (producer of nirvana sonic youth smashing pumpkins, and foo fighters) at the legendary Smart Studios. Playing in various bands on the Madison music scene he often played at the once popular clubs O’caz Corral and Club de Wash. He later moved his band, Wooden, that formed in Madison Wisconsin, to NYC. They were to get involved in a much larger music market, playing clubs like CBGB’s, Irving Plaza, The Continental, and the like. After years of success in the New York music scene, with his band, Wooden, Ethan found himself in the west village, NYC, on September 11th watching the attack on the Trade Towers. Heeding the word to evacuate the NYC area, Ethan managed to escape in his truck, while moving barricades, and maneuvering through chaotic, NYC law enforced streets…. eventually he made his way to the parkway, where he reached his cabin in the Catskills. Moved by the incredible effects, and magnitude of the tragedy, Ethan wrote a song called “Into the Sunlight” which lyrically reflects his experiences on 9/11. This would change his music career dramatically. His story, and song gets national press. And is discovered by the U.S. Armed Forces Entertainment Division (AFE).
    [Show full text]
  • BUTCH VIG the Pioneering Platinum Producer Continues to Explore New Sonic Landscapes by Michael Gallant
    ISSUE #37 MMUSICMAG.COM PRODUCER BUTCH VIG The pioneering platinum producer continues to explore new sonic landscapes By Michael Gallant WHEN BUTCH VIG HELPED CREATE NIRVANA’S 1991 and “I Think I’m Paranoid”—also sold 4 million and garnered another masterpiece Nevermind, little did he know the project would pair of Grammy nominations. fundamentally transform the rock world. Though the Grammy-winning, “When the first Garbage record came out, it surprised people,” multiplatinum producer had been toiling behind the glass for nearly a says Vig. “Everyone expected this alternative grunge record, but we decade, that iconic album marked the beginning of a singular career. ended up with something that was more experimental-sounding pop.” Following Nevermind, Vig helmed groundbreaking albums like As the band’s popularity grew, so did the sonic clones. “It’s totally Gish and Siamese Dream for Smashing Pumpkins, Dirty for Sonic cool,” he says. “I’m more flattered than not when I hear bands that Youth, and Bricks Are Heavy for L7. His resume includes Green sound like Garbage or Smashing Pumpkins or Nirvana.” Day’s 21st Century Breakdown and Foo Fighters’ Wasting Light, Most recently, Vig released the self-titled debut of his new band, as well as production and remix credits with U2, Korn, Nine Inch the Emperors of Wyoming, a project that reunites him with three Nails and many more. friends—Phil Davis and brothers Frank and Peter Anderson—from In the mid-1990s, Vig formed Garbage, ushering in a now- his days growing up in Wisconsin. The rootsy, haunting album is ubiquitous paradigm of dark, electronic-flavored pop-rock by a departure for Vig.
    [Show full text]