VOLUME 27 E-Mail: [email protected] / Web: D D D Tel: +39 055 603 251 / Fax: +39 055 603 383 AUTUMN 2007

Total Page:16

File Type:pdf, Size:1020Kb

VOLUME 27 E-Mail: Info@Itatti.It / Web: D D D Tel: +39 055 603 251 / Fax: +39 055 603 383 AUTUMN 2007 THE HARVARD UNIVERSITY CENTER FOR ITALIAN RENAISSANCE STUDIES VIL L A I TAT T I Via di Vincigliata 26, 50135 Florence, Italy VOLUME 27 E-mail: [email protected] / Web: http://www.itatti.it D D D Tel: +39 055 603 251 / Fax: +39 055 603 383 AUTUMN 2007 Letter from Florence an Giovanni fi nds me once again to deliver the Berenson Lectures. The S sitting on the Berenson bench in book based on them, Friendship, Trust the garden, wondering how the year has and Fidelity in Renaissance Florence, will managed to speed by so fast. It seems just be published by Harvard University yesterday that we were fêting the arrival Press in 2008. It will be a worthy sequel of the new Fellows with a concert in to Edward Muir’s (VIT’73) Berenson the Big Library by four lovely young Lectures of 2006, The Culture Wars of harpsichordists from Moscow. In late the Late Renaissance: Skeptics, Libertines, and September the Fellows went on a trip Opera, which appeared earlier this year. to the Mantegna exhibitions in Padua, In the spring our Visiting Verona and Mantua. It was still bright Professors included John Law, still autumn weather when we awarded the Scottish after years in Wales, who I Tatti Mongan Prize to Paola Barocchi, enriched the community with his vast the dean of Vasari studies and master knowledge of Renaissance history and of the sources, digitized and printed, and Doris Carl (VIT’95) to combine of that burgeoning fi eld, the Renaissance of Renaissance art. She reminisced erudition and pleasure on a day-long visit in the nineteenth century; Daniel Javitch, movingly about a walk in the garden to the fresco cycles of San Gimignano. who added literary depth and lectured on sixty years earlier with the sage of I Tatti Nicholas Eckstein, nearing completion of Ariosto’s delicate interweaving of classical and his ironical but encouraging advice. his own work on the Cappella Brancacci, literature and the world of romance; and But then time sped up dizzyingly, rushing brought the Fellows to the Carmine for James Hankins and Virginia Brown, who faster and faster through Thanksgiving a memorable visit, putting art back into were genial hosts in the Casa Morrill. and Christmas, through three visits to the context of neighborhood. Deborah In April Jim organized a conference America and one to Slovenia and two Howard crossed the Atlantic to address jointly with the Istituto Nazionale di to Hungary, when suddenly I found the I Tatti family in New York on the Studi sul Rinascimento celebrating myself on a beautiful spring morning Metropolitan Museum exhibition, Venice the publication of the fi nal volume of welcoming James Ackerman back to and the Islamic World. But she also allowed Marsilio Ficino’s Platonic Theology I Tatti for a short stay, and hearing about us to sit in on the acoustical experiments for the I Tatti Renaissance Library. It was his visit to B.B., not quite sixty years ago, that she conducted in Venice, when the an occasion to offer tribute to Michael to ask for advice on his thesis. (“Now that choir of St. John’s College Cambridge Allen, the genial Shakespearian who saw you’re in Italy, work on something that came to sing in a dozen churches, in this Everest of a translation through all you can see.”) every conceivable position, from choir fi ve volumes. Visiting Professors enlivened to barca to space under the cupola. Never The spring saw a grand pile-up the year and got us out into the wider will I be able to visit those churches on the foggy autostrada of conferences, as world. On an unforgettable October again without thinking of those sublime we took up opportunities that were too Monday the Uffi zi was opened just for moments of sound. In April Guido good to be missed. In May, working with us and Henk van Os took us to the Siena Beltramini, Director of the Centro Beatrice Paolozzi Strozzi of the Bargello, rooms to refl ect on the historiography Palladio in Vicenza, offered a fascinating and Alessandro Nova and Gerhard Wolf of Sienese art over the half-century visit to villas of Renaissance humanists of the Kunsthistorisches Institut, I Tatti (nearly) that he had been working in the Veneto. joined in on a three-day conference on on it, exchanging ideas with curator Dale Kent was Visiting Pro- Desiderio da Settignano, the Vermeer of Alessandro Cecchi and with Machtelt fessor in the fall and returned in March Renaissance sculpture, to accompany Israëls (VIT’05). Henk later teamed Continued on back page. up with Eve Borsook (VIT’82-’08) CAMBRIDGE OFFICE: Villa I Tatti, Harvard University, 124 Mt. Auburn Street, Cambridge, MA 02138-5762 Tel: +1 617 496 8724 or +1 617 495 8042 / Fax: +1 617 495 8041 / Web: http://www.itatti.it Visiting Professors VIRGINIA BROWN (2nd sem), Lila Wallace - Reader’s Digest Visiting Professor, Pontifi cal Institute of Mediaeval Studies, Literature. Fellows MONIQUE O’CONNELL, Melville J. Kahn “Impact of Antiquity on the Middle Ages GÁBOR A LMÁSI (2nd sem), Andrew W. Mellon Fellow, Wake Forest University, History. and Renaissance.” Research Fellow, Hapsburg Historical “Venice’s Maritime Empire: Confl ict and NICHOLAS ECKSTEIN (1st sem), Robert Institute, Literature. “The Humanist and Negotiation in the Renaissance.” Lehman Visiting Professor, University of his Dog: the Social and Anthropological VALENTINA PROSPERI, Andrew W. Mellon Sydney, History. “The Cultural History Aspects of Scholarly Dog-Keeping in the Fellow, Università di Sassari, Literature. of the Brancacci Chapel: Confraternities Italian Renaissance.” “The War of Troy from Antiquity to the and Communities in 16th-Century JOSKO BELAMARIC (2nd sem), Craig Hugh Renaissance.” Florence.” nd Smyth Visiting Fellow, Croatian Ministry HELENA SERAZIN (2nd sem), I Tatti Research JAMES HANKINS (2 sem), Lila Wallace - of Culture, Art History. “The Protagonist, Fellow, France Stele Institute of Art Reader’s Digest Visiting Professor, Harvard 2 the Project and the Iconographic History, Slovenia, Art History. “The University, History. “Repertorium Programme of the Chapel of the Blessed Circle of Baldassare Peruzzi between Brunianum: A Guide to the Writings of John in Trogir.” Italy and Central-East Europe: The Leonardo Bruni, vol. 2.” nd GIORGIO CARAVALE, Lila Wallace - Diffusion of the Inventions in Late DEBORAH HOWARD (2 sem), Robert Reader’s Digest Fellow, Università di Renaissance Military Architecture.” Lehman Visiting Professor, University of Roma “La Sapienza,” Musicology. “Dal SAMO STEFANAC (2nd sem), I Tatti Research Cambridge, Art History. “Architecture Rinascimento fi orentino all’irenismo Fellow, University of Ljubljana, Art and Music in Renaissance Venice” and europeo: Francesco Pucci e la ‘terza via’ History. “A Monograph on Niccolò “State Building Projects in Late 16th italiana alla Riforma.” di Giovanni Fiorentino, Architect and Century Venice.” nd FEDERICA CICCOLELLA, Francesco De Sculptor.” DANIEL JAVITCH (2 sem), Lila Wallace - Dombrowski Fellow, Texas A & M ELEONORA STOPPINO, Ahmanson Fellow, Reader’s Digest Visiting Professor, New York University, Literature. “Greek Grammars, University of Illinois, Literature. “The University, Literature. “A Collection of Schoolbooks, and Elementary Readings Travelers’ Library: Early Modern Essays on Ariosto’s Orlando Furioso.” in the Italian Renaissance.” Exploration and Italian Popular Epic.” DALE V. K ENT (1st sem), Lila Wallace MICHAEL COLE, Robert Lehman Fellow, T. B ARTON T HURBER, (1 st sem), Craig Hugh - Reader’s Digest Visiting Professor, University of Pennsylvania, Art Smyth Visiting Fellow, Hood Museum of University of California, Riverside, History. “The Art and Architecture of Art, Dartmouth College, Art History. “ Art, History. “Friendship, Love and Fidelity Giambologna and his Circle.” Architecture and Religious Confl ict in in Renaissance Florence.” nd IPPOLITA DI MAJO, Hanna Kiel Fellow, Villa Counter-Reformation Bologna.” JOHN E. LAW (2 sem), Lila Wallace - I Tatti, Art History. “Il mecenatismo di ELENA V ALERI, Jean-François Malle Fellow, Reader’s Digest Visiting Professor, University Alfonso d’Avalos (1509-1546).” Università di Roma “La Sapienza,” of Wales, Swansea, History. “The Urban ERIC DURSTELER, Committee to Rescue History. “Storia civile e storia ecclesiastica: Lordship – the signorie – of Early Italian Art Fellow, Brigham Young la rappresentazione dell’Italia nella Renaissance Italy.” University, History. “The Experience storiografi a del Rinascimento.” HENK VAN OS (1st sem), Lila Wallace - of Renegade Women as a Window into MAUDE VANHAELEN, Deborah Loeb Brice Reader’s Digest Visiting Professor, University Gender and Religious Identity in the Fellow, University of Warwick, Literature. of Amsterdam, Art History. “Refl ections Early Modern Mediterranean.” “Mysticism and Reason in Quattrocento on 50 Years of Art History of Sienese MORTEN HANSEN, Hanna Kiel Fellow, Florence: Ficino’s and Pico’s doctrines of Painting.” University of Copenhagen, Art History. philosophical Raptus.” Research Associate “The Imitation of Michelangelo in MATTHEW VESTER, Florence J. Gould Fellow, INGRID BAUMGÄRTNER (2nd sem), Sixteenth-Century Italy.” West Virginia University, History. “The Universität Kassel, History. “Cartography WENDY HELLER, Frederick Burkhardt Geography of Political Culture in the and Travel Reports in the Late Middle Residential Fellow, Princeton University, Early Modern Alps.” Ages.” Musicology. “Baroque Dramatic Music GIOVANNI ZANOVELLO, Francesco De and the Uses of Antiquity.” Dombrowski Fellow, Università di Padova, Senior Research Associates ESTELLE LINGO, Rush H. Kress Fellow, Musicology. “Investigation of Music, EVE BORSOOK, Villa I Tatti, Art History. University of Washington at Seattle, Art Ritual, and Politics at Santissima “Medieval Mosaic Technology.” History. “Sculptural Form and Reform: Annunziata.” ALLEN GRIECO, Villa I Tatti, History. “A Francesco Mochi and the Edge of Social and Cultural History of Alimentary Tradition.” Readers in Renaissance Studies Habits in Renaissance Italy.” st ANDREA MOZZATO, Lila Wallace - Reader’s DAVID KIM (1 sem), Harvard University, MARGARET HAINES, Opera di Santa Digest Fellow, Istituto Veneto di Scienze, Art History. Maria del Fiore, Art History. “Online Lettere ed Arti, History.
Recommended publications
  • The Paintings and Sculpture Given to the Nation by Mr. Kress and Mr
    e. FOR IMMEDIATE RELEASE THE COLLECTIONS OF THE NATIONAL GALLERY OF ART \YASHINGTON The National Gallery will open to the public on March 18, 1941. For the first time, the Mellon Collection, deeded to the Nation in 1937, and the Kress Collection, given in 1939, will be shown. Both collections are devoted exclusively to painting and sculpture. The Mellon Collection covers the principal European schools from about the year 1200 to the early XIX Century, and includes also a number of early American portraits. The Kress Collection exhibits only Italian painting and sculpture and illustrates the complete development of the Italian schools from the early XIII Century in Florence, Siena, and Rome to the last creative moment in Venice at the end of the XVIII Century. V.'hile these two great collections will occupy a large number of galleries, ample space has been left for future development. Mr. Joseph E. Videner has recently announced that the Videner Collection is destined for the National Gallery and it is expected that other gifts will soon be added to the National Collection. Even at the present time, the collections in scope and quality will make the National Gallery one of the richest treasure houses of art in the wor 1 d. The paintings and sculpture given to the Nation by Mr. Kress and Mr. Mellon have been acquired from some of -2- the most famous private collections abroad; the Dreyfus Collection in Paris, the Barberini Collection in Rome, the Benson Collection in London, the Giovanelli Collection in Venice, to mention only a few.
    [Show full text]
  • VILLA I TAT TI Via Di Vincigliata 26, 50135 Florence, Italy
    The Harvard University Center for Italian Renaissance Studies VILLA I TAT TI Via di Vincigliata 26, 50135 Florence, Italy Volume 30 E-mail: [email protected] / Web: http://www.itatti.it Tel: +39 055 603 251 / Fax: +39 055 603 383 Autumn 2010 or the eighth and last time, I fi nd Letter from Florence to see art and science as sorelle gemelle. Fmyself sitting on the Berenson gar- The deepening shadows enshroud- den bench in the twilight, awaiting the ing the Berenson bench are conducive fi reworks for San Giovanni. to refl ections on eight years of custodi- In this D.O.C.G. year, the Fellows anship of this special place. Of course, bonded quickly. Three mothers and two continuities are strong. The community fathers brought eight children. The fall is still built around the twin principles trip took us to Rome to explore the scavi of liberty and lunch. The year still be- of St. Peter’s along with some medieval gins with the vendemmia and the fi ve- basilicas and baroque libraries. In the minute presentation of Fellows’ projects, spring, a group of Fellows accepted the and ends with a nostalgia-drenched invitation of Gábor Buzási (VIT’09) dinner under the Tuscan stars. It is still a and Zsombor Jékeley (VIT’10) to visit community where research and conver- Hungary, and there were numerous visits sation intertwine. to churches, museums, and archives in It is, however, a larger community. Florence and Siena. There were 19 appointees in my fi rst In October 2009, we dedicated the mastery of the issues of Mediterranean year but 39 in my last; there will be 31 Craig and Barbara Smyth wing of the encounter.
    [Show full text]
  • ISREC - Progetto Linea Gotica CERVIA
    ISREC - Progetto Linea Gotica CERVIA Denominazione: Comune di Cervia Tipologia: Comune Localizzazione: Piazza Giuseppe Garibaldi 1 [44° 15’ 40” Nord – 12° 20’ 58” Est] Descrizione: Comune di 29.164 abitanti (dato al 29 febbraio 2012) situato a 20 km a sud di Ravenna, si affaccia sul mare con un litorale di 10 km caratterizzato da un arenile di sabbia finissima e da bassi fondali. Cervia, l’antica “città del sale”, con le sue località di Milano Marittima, Pinarella e Tagliata è oggi un rinomato centro turistico di fama internazionale. Nell’autunno del 1944, in questo tratto di riviera adriatica, dove il regime fascista aveva coltivato il sogno dell’“italica gioventù” nella costruzione d’imponenti colonie (si ricordano tra le tante gli stabilimenti “Montecatini” e “Varese” di Milano Marittima), i partigiani della 28a Brigata GAP “Mario Gordini” (Distaccamento “Settimio Garavini”) opposero una dura resistenza alle truppe di occupazione tedesca arroccate in città, riuscendo a convincere il Comando alleato a desistere dal proposito di raderla al suolo. Cervia fu liberata il 22 ottobre 1944 dalle forze partigiane e dalle truppe del 3° Reggimento Corazzato del I Corpo Canadese (3rd Canadian Armoured Reconnaissance Regiment). Note: Centralino: 0544 979111 Sito internet: www.comunecervia.it INDICE DELLE SCHEDE 1. Lapide in ricordo dell’eccidio fascista del Caffè Roma 2. Monumento a ricordo della missione partigiana presso gli Alleati per salvare Cervia dalla distruzione 3. Sistemi difensivi tedeschi 4. Ponte Bailey sullo scolo Cupa 5. Cimitero militare tedesco di Milano Marittima – Lido di Savio 6. Campo di concentramento di Tagliata per prigionieri tedeschi 7. Colonia Varese (già Colonia Marina “Costanzo Ciano”) 8.
    [Show full text]
  • Download Document
    The J. Paul Getty Trust 1200 Getty Center Drive, Suite 400 Tel 310 440 7360 Communications Department Los Angeles, California 90049-1681 Fax 310 440 7722 www.getty.edu [email protected] NEWS FROM THE GETTY DATE: September 14, 2007 FOR IMMEDIATE RELEASE GETTY EXHIBITION HIGHLIGHTS THE TRIALS AND TRIBULATIONS OF A YOUNG ARTIST’S JOURNEY AS TOLD BY HIS BROTHER Taddeo and Federico Zuccaro: Artist-Brothers in Federico Zuccaro Renaissance Rome Italian, about 1541 - 1609 Taddeo Rebuffed by Francesco Il Sant'Agnolo, about 1590 Pen and brown ink and brown wash over black chalk The J. Paul Getty Museum At the J. Paul Getty Museum, Getty Center 99.GA.6.5 October 2, 2007 – January 6, 2008 LOS ANGELES—The journey to becoming an artist in Renaissance Rome during the 16th century was fraught with daily hardships and struggles. These tribulations are best exemplified in the tale of Taddeo Zuccaro, a young lad who left his home on the eastern coast of Italy at the tender age of 14 to pursue a career as an artist in the great metropolis of Rome. His tenuous journey of starvation, deprivation, sickness, and ultimately triumph—sensitively recounted by his younger brother, Federico, who would himself become an artist of great significance—will be celebrated in a major international loan exhibition organized by the J. Paul Getty Museum. On view at the Getty Center, October 2, 2007 through January 6, 2008, Taddeo and Federico Zuccaro: Artist-Brothers in Renaissance Rome is the first exhibition devoted to the artist-brothers that focuses on their relationship and brings together some of their greatest drawings.
    [Show full text]
  • The Best of Renaissance Florence April 28 – May 6, 2019
    Alumni Travel Study From Galleries to Gardens The Best of Renaissance Florence April 28 – May 6, 2019 Featuring Study Leader Molly Bourne ’87, Professor of Art History and Coordinator of the Master’s Program in Renaissance Art at Syracuse University Florence Immerse yourself in the tranquil, elegant beauty of Italy’s grandest gardens and noble estates. Discover the beauty, drama, and creativity of the Italian Renaissance by spending a week in Florence—the “Cradle of the Renaissance”—with fellow Williams College alumni. In addition to a dazzling array of special openings, invitations into private homes, and splendid feasts of Tuscan cuisine, this tour offers the academic leadership of Molly Bourne (Williams Class of ’87), art history professor at Syracuse University Florence. From the early innovations of Giotto, Brunelleschi, and Masaccio to the grand accomplishments of Michelangelo, our itinerary will uncover the very best of Florence’s Renaissance treasury. Outside of Florence, excursions to delightful Siena and along the Piero della Francesca trail will provide perspectives on the rise of the Renaissance in Tuscany. But the program is not merely an art seminar—interactions with local food and wine experts, lunches inside beautiful private homes, meanders through stunning private gardens, and meetings with traditional artisans will complement this unforgettable journey. Study Leader MOLLY BOURNE (BA Williams ’87; PhD Harvard ’98) has taught art history at Syracuse University Florence since 1999, where she is also Coordinator of their Master’s Program in Renaissance Art History. A member of the Accademia Nazionale Virgiliana, she has also served as project researcher for the Medici Archive Project and held a fellowship at Villa I Tatti, the Harvard Center for Renaissance Studies.
    [Show full text]
  • Press Release
    NEWS FROM THE GETTY news.getty.edu | [email protected] DATE: March 23, 2018 MEDIA CONTACT: FOR IMMEDIATE RELEASE Amy Hood Getty Communications (310)440-6427 [email protected] GETTY MUSEUM ACQUIRES BUST OF A YOUNG BOY, BY DESIDERIO DA SETTIGNANO, ABOUT 1460–64 The endearing marble sculpture is a rare masterpiece by one of the most skilled and influential sculptors of Renaissance Florence Bust of a Young Boy, about 1460–1464, Desiderio da Settignano (about 1430 – 1464), marble. 25 x 24.5 x 14 cm (9 13/16 x 9 5/8 x 5 1/2 in.) The J. Paul Getty Museum, Los Angeles LOS ANGELES – The Getty Museum has acquired Bust of a Young Boy, about 1460-64, by Desiderio de Settignano (Italian, circa 1430–1464). The approximately life-size sculpture is a well-known work by one of the most influential and skilled sculptors in Quattrocento (fifteenth-century) Florence. “This is an extraordinarily fine work by one of the greatest sculptors of the early Renaissance,” said Timothy Potts, director of the Getty Museum. “In his short but spectacular career (he died at about age 34), Desiderio de Settignano became one of the most renowned The J. Paul Getty Trust 1200 Getty center Drive, Suite 403 Tel: 310 440 7360 www.getty.edu Communications Department Los Angeles, CA 90049-1681 Fax 310 440 7722 and sought-after artists of his generation, and it is remarkable good fortune that we are able to add such a rare and iconic work of his to our collection. Although sculptures dating from Quattrocento Florence have for museums been among the most coveted trophies for over a century, there is nothing comparable to this bust in any West Coast museum.
    [Show full text]
  • The Engineers Journal
    The o c Royal Engineers s! Q Journal M Id ts. VOL. LXI 3z SEPTEMBER, 1947 Wi ·c----- '1 CONTENTS Officers on "Spearfish " Exercise Editorial Notes g;0 With Works in Paiforce 199 ColonelR ' E. ood 200 More About Communications 1 Within the Divisional Engineers 202 The Fen Floods 1947 . Lieut.-Cl. C. F. Hutchinson 221 Development of I.W.T. on the River W Chindwin, 1945 Brigadier E. E. Read 225 Flood Relef Operations in Northern Command Lieut-Col. D. C. Merry 235 Water Supply for a Brigade on Patk Basis in a 241 An Aspect of Soil Dry one Major J. Clarke Stabilizaton with Bituminous Emulsion 247 Discpline and Leadership Maor E. Logan and smailla-El Auja Road Major A. E. Ross 250 Lieut.-Col. G. 0. N. Thompson 256 Memoirs Books Magazines ne G CorrespondenceCorepon K Cassels 263 270 I 1 26 256 1 l Published Quarterly by THE INSTITUTION OF ROYAL ENGINEERS CHATHAM, KENT Telephone: Chatham 2669 AGENTS and PRINTERS. W. & j. MACKAy & CO., LTD. CHATHAM. leakages, N TA TI O MN: for sealing water CEME deterioration ^ estg settlement of structures, remedying of concrete or masonry works. defective concrete struc- G UNI TE: for reconditioning lining tunnels, water tures, encasing structural- steelwork, reservoirs and other works. of damaged UN DA I O N S: underpinning -FO if FRANCOIS property presents little difficulty BORED PILES are used. LTD. THE CEMENTATION CO. -BENTLEY WORKS DONCASTER Telegrams: Cementatp Telephone: Doncaster 54177-8-9. Donc SHEPHERD NEAME LTD. FAVERSHAM ALES Malt and Hops Only Royal Engineers' Mess Are supplied to the Mess Ask for them in YOUR 17 Street, FAVERSHAM Registered Office: Court Telephone: 2206 & 2207 New Road, S.E.
    [Show full text]
  • ROME : ART and HISTORY OPENAIR 2020-2021, 2Nd Semester Meeting 1 – 13.03.2021 the Eternal City
    University of Rome Tor Vergata School of Global Governance Prof. Anna Vyazemtseva ROME : ART AND HISTORY OPENAIR 2020-2021, 2nd semester Meeting 1 – 13.03.2021 The Eternal City 10 am – 5 pm :, The Palatine (Domus Augustana, Horti Farnesiani), Roman and Imperial Forums, The Colosseum, Vittoriano Complex, Musei Capitolini. 1 - 2pm:Lunch Meeting 2 – 20.03.2021 Introduction to the Renaissance 10 am – 5 pm: St. Peter’s Basilica, Vatican Museums (Sistine Chapel by Michelangelo, Stanze by Raphael). 1 - 2pm: Lunch Meeting 3 – 27.03.2021 Architecture and Power: Palaces of Rome 10 am – 5 pm: Villa Farnesina, Via Giulia, Palazzo Farnese, Palazzo Spada-Capodiferro, Palazzo della Cancelleria, Palazzo Mattei, Palazzo Venezia 1 - 2pm: Lunch Meeting 4 – 10.04.2021 Society, Politics and Art in Rome in XV-XVIII cc. 10 am – 5 pm: Santa Maria del Popolo, Piazza di Spagna, Barberini Palace and Gallery, Fon tana di Trevi, San Carlino alle Quattro Fontane, Sant’Andrea al Quirinale, Palazzo del Quirinale 1 - 2pm:Lunch Meeting 5 – 14.04.2021 The Re-use of the Past 10 am – 5 pm: Pantheon, Piazza di Pietra, Piazza Navona, Baths of Diocletian, National Archeological Museum Palazzo Massimo alle Terme. 1 - 2pm: Lunch Meeting 6 – 08.03.2021 Contemporary Architecture in Rome 10 am – 5pm: EUR district, MAXXI – Museum of Arts of XXI c. (Zaha Hadid Architects), Ara Pacis Museum. 1 – 2 pm: Lunch Proposals and Requirements The course consists of 6 open air lectures on artistic heritage of Rome. The direct contact with sites, buildings and works of art provides not only a better comprehension of their historical and artistic importance but also helps to understand the role of heritage in contemporary society.
    [Show full text]
  • 1 Santo Spirito in Florence: Brunelleschi, the Opera, the Quartiere and the Cantiere Submitted by Rocky Ruggiero to the Universi
    Santo Spirito in Florence: Brunelleschi, the Opera, the Quartiere and the Cantiere Submitted by Rocky Ruggiero to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Art History and Visual Culture In March 2017. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. (Signature)…………………………………………………………………………….. 1 Abstract The church of Santo Spirito in Florence is universally accepted as one of the architectural works of Filippo Brunelleschi (1377-1446). It is nevertheless surprising that contrary to such buildings as San Lorenzo or the Old Sacristy, the church has received relatively little scholarly attention. Most scholarship continues to rely upon the testimony of Brunelleschi’s earliest biographer, Antonio di Tuccio Manetti, to establish an administrative and artistic initiation date for the project in the middle of Brunelleschi’s career, around 1428. Through an exhaustive analysis of the biographer’s account, and subsequent comparison to the extant documentary evidence from the period, I have been able to establish that construction actually began at a considerably later date, around 1440. It is specifically during the two and half decades after Brunelleschi’s death in 1446 that very little is known about the proceedings of the project. A largely unpublished archival source which records the machinations of the Opera (works committee) of Santo Spirito from 1446-1461, sheds considerable light on the progress of construction during this period, as well as on the role of the Opera in the realization of the church.
    [Show full text]
  • Questa Speciale Pubblicazione Permette Di Seguire Un Itinerario Tra Luoghi Di Firenze E Della Toscana Per Celebrare Una Stagione Unica Per La Storia Dell’Arte
    Questa speciale pubblicazione permette di seguire un itinerario tra luoghi di Firenze e della Toscana per celebrare una stagione unica per la storia dell’arte. This special booklet is designed to offer you an Con Verrocchio, il maestro itinerary embracing sites di Leonardo, Palazzo in Florence and Tuscany, Strozzi celebra Andrea del to celebrate a truly unique Verrocchio, artista simbolo del season in the history of art. Rinascimento, attraverso una grande mostra che ospita oltre With Verrocchio, Master of 120 opere tra dipinti, sculture Leonardo, Palazzo Strozzi e disegni provenienti dai più celebrates Andrea del importanti musei e collezioni Verrocchio, an emblematic artist del mondo. L’esposizione, of the Florentine Renaissance, con una sezione speciale al in a major exhibition showcasing Museo Nazionale del Bargello, over 120 paintings, sculptures raccoglie insieme per la prima and drawings from the volta celebri capolavori di world’s leading museums and Verrocchio e opere capitali dei collections. The exhibition, più famosi artisti della seconda with a special section at the metà del Quattrocento Museo Nazionale del Bargello, legati alla sua bottega, come brings together for the first time Domenico del Ghirlandaio, both Verrocchio’s celebrated Sandro Botticelli, Pietro masterpieces and capital works Perugino e Leonardo da Vinci, by the best-known artists il suo più famoso allievo, di associated with his workshop in cui sarà possibile ricostruire la the second half of the 15th century formazione e lo scambio con il such as Domenico Ghirlandaio, maestro attraverso eccezionali Sandro Botticelli, Pietro Perugino prestiti e inediti confronti. and Leonardo da Vinci, his most famous pupil, reconstructing Leonardo’s early artistic career and interaction with his master thanks to outstanding loans and unprecedented juxtapositions.
    [Show full text]
  • E Scribano Fausto Sozzini.Pdf
    K. AUSTIN - L. BASCHERA - M. BIAGIONI E.CAMPI-G.CARAVALE-S.CAVAZZA D. DALMAS - L. FELICI - E. FIUME M. GOTOR - V. LAVENIA - C. MARTINUZZI S. PEYRONEL RAMBALDI - U. ROZZO E. SCRIBANO - D. SOLFAROLI CAMILLOCCI M. VALENTE - M. VENTURA AVANZINELLI FRATELLI D'ITALIA Riformatori italiani nel Cinquecento a cura di Mario Biagioni, Matteo Duni e Lucia Felici Claudiana - Torino www.claudiana.it - [email protected] Mario Biagioni ha studiato Storia moderna a Firenze e insegna Materie letterarie e Latino a Pistoia. Per Claudiana ha pubblicato Francesco Pucci e l'lnfor­ matione della religione christiana, Torino, 2011. Matteo Duni insegna storia del Rinascimento italiano presso la Syracuse Univcr­ sity in Florence. Tra le sue pubblicazioni ricordiamo: Tra religione e magia. Storia del prete modenese Guglielmo Campana ( 1460?-1541 ), Firenze, Olschki, 1999. Lucia Felici insegna Storia moderna all'università di Firenze. Per Claudiana ha pubblicato Giovanni Calvino e l'Italia, Torino, 2010. Scheda bibliografica CIP Fratelli d'Italia : Riformatori italiani nel Cinquecento I a cura di Mario Biagioni, Matteo Duni, Lucia Felici Torino: Claudiana, 2011 192 p.; 2 1 cm. - (Studi storici) ISBN 978-88-7106-820-4 I .Riforma - Italia 2. Protestantesimo - Italia (CDD 22) 270.6092 Storia della chiesa. Riforma e Controriforma. 1517-1648. Persone 280.40945 Chiese protestanti e protestantesimo. Italia © Claudiana srl, 2011 Via San Pio V 15 - 10125 Torino Tel. 011.668.98.04 - Fax 011.65.75.42 e-mail: [email protected] sito internet: www.claudiana.it Tutti i diritti riservati - Printed in Italy Ristampe: 17 16 15 14 13 12 11 l 2 3 4 5 Copertina: Umberto Stagnaro Stampa: Stampatre, Torino In copertina: Ritratto di Pier Paolo Yergerio; carta nautica cinquecentesca disegnata da Diego Homen.
    [Show full text]
  • Rome Tor Vergata
    University of Rome Tor Vergata School of Global Governance Anna Vyazemtseva, Ph. D. ROME : ART AND HISTORY OPENAIR Meeting 1 – 09.03.2019 The Eternal City 10 am – 5 pm :, The Palatine (Domus Augustana, Horti Farnesiani), Roman and Imperial Forums, The Colosseum, Vittoriano Complex, Musei Capitolini. 1- 2pm:Lunch Meeting 2 – 16.03.2019 Introduction to the Renaissance 10 am – 5 pm: St. Peter’s Basilica, Vatican Museums (Sistine Chapel by Michelangelo, Stanze by Raphael). 1 - 2pm: Lunch Meeting 3 – 23.03.2019 Architecture and Power: Palaces of Rome 10 am – 5 pm: Villa Farnesina, Via Giulia, Palazzo Farnese, Palazzo Spada-Capodiferro, Palazzo della Cancelleria, Palazzo Mattei, Palazzo Venezia 1 - 2pm: Lunch Meeting 4 – 06.04.2019 Society, Politics and Art in Rome in XV-XVIII cc. 10 am – 5 pm: Santa Maria del Popolo, Piazza di Spagna, Barberini Palace and Gallery, Fon tana di Trevi, San Carlino alle Quattro Fontane, Sant’Andrea al Quirinale, Palazzo del Quirinale 1- 2pm:Lunch Meeting 5 – 13.04.2019 The Re-use of the Past 10 am – 5 pm: Pantheon, Piazza di Pietra, Piazza Navona, Baths of Diocletian, National Archeological Museum Palazzo Massimo alle Terme. 1 - 2pm: Lunch Meeting 6 – 04.05.2019 Contemporary Architecture in Rome 10 am – 5pm: EUR district, MAXXI – Museum of Arts of XXI c. (Zaha Hadid Architects), Ara Pacis Museum. 1–2pm: Lunch Proposals and Requirements The course consists of 6 open air lectures on artistic heritage of Rome. The direct contact with sites, buildings and works of art provides not only a better comprehension of their historical and artistic importance but also helps to understand the role of heritage in contemporary society.
    [Show full text]