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The Library of America Interviews Lloyd Schwartz About Elizabeth Bishop
The Library of America Interviews Lloyd Schwartz about Elizabeth Bishop In connection with the publication in October 2007 of Elizabeth Bishop: Poems, Prose, and Letters , edited by Robert Giroux and Lloyd Schwartz, Rich Kelley conducted this exclusive interview for The Library of America e-Newsletter. Sign up for the free monthly e-Newsletter at www.loa.org . Critics now consider Elizabeth Bishop one of the great poets of the 20th century, but they have a bit of problem placing her. Marianne Moore was an early mentor and Robert Lowell raved about her first book of poems and became a close friend, yet her poems are not confessional. Some people say she reminds them of Wallace Stevens, others of Robert Frost. How would you characterize Elizabeth Bishop’s achievement and why is she so difficult to place? Maybe what makes her hard to place is exactly what makes her different from anyone else. The more we learn about her the more we realize that her biography has a lot more to do with both the kind of poet she was and with the subject of her poems than first meets the eye. Here was someone who grew up essentially an orphan. Her father died when she was only a few months old. Her mother had a series of nervous breakdowns , was not able to take care of her , and was institutionalized when Bishop was four. Elizabeth never saw her again even though her mother lived for 18 more years. She was brought up by her grandparents and her aunts and farmed out to private schools. -
The Seven Storey Mountain
M &W merton and waugh FORMAT.indd 1 12/23/14 4:29 PM Merton &Waugh Mary Frances Coady merton and waugh FORMAT.indd 2 12/23/14 4:29 PM Merton &Waugh A MONK, A CRUSTY OLD MAN, & THE SEVEN STOREY MOUNTAIN M &W Mary Frances Coady Paraclete Press BREWSTER, MASSACHUSETTS merton and waugh FORMAT.indd 3 12/23/14 4:29 PM 2015 First printing Merton and Waugh: A Monk, A Crusty Old Man, and The Seven Storey Mountain Copyright © 2015 by Mary Frances Coady, except for the following: Letters written by Thomas Merton to Evelyn Waugh from THE COURAGE FOR TRUTH: THE LETTERS OF THOMAS MERTON TO WRITERS by Thomas Merton, edited by Christine M. Bochen, are copyright © 1993 by the Merton Legacy Trust. Reprinted by permission of Farrar, Straus and Giroux, LLC. Excerpts from the several letters by Evelyn Waugh are copyright © [date of letter] by Evelyn Waugh, copyright renewed 2014 by the Evelyn Waugh Estate, used by permission of The Wylie Agency LLC. Excerpts from THE SEVEN STOREY MOUNTAIN by Thomas Merton are copyright © 1948 by Houghton Mifflin Harcourt Publishing Company; copyright renewed by the Trustees of The Merton Legacy Trust. Reprinted by permission of Houghton Mifflin Harcourt Publishing Company. All rights reserved. ISBN 978-1-61261-628-5 The Paraclete Press name and logo (dove on cross) are trademarks of Paraclete Press, Inc. Library of Congress Cataloging-in-Publication Data Coady, Mary Frances, author. Merton and Waugh : a monk, a crusty old man, and the seven storey mountain / Mary Frances Coady. pages cm Includes bibliographical references. -
Eastern and Western Promises in Jonathan Franzen's Freedom
ATLANTIS Journal of the Spanish Association of Anglo-American Studies 37.1 (June 2015): 11-29 issn 0210-6124 Eastern and Western Promises in Jonathan Franzen’s Freedom Jesús Ángel González Universidad de Cantabria [email protected] This essay examines Jonathan Franzen’s novel Freedom (2010) and explores the symbolic way in which this novel uses the urban and regional spaces/places of the United States. Franzen’s use of space/place is related to Francis Scott Fitzgerald’s The Great Gatsby (1925), as well as to Franzen’s previous novels, his well-known Harper’s essay (1996), and other writings like “A Rooting Interest” (2012) or his memoir The Discomfort Zone (2007), where he scrutinizes his own position as a writer and his attitude towards nature. Franzen’s environmental concerns in the novel are also considered from the perspective of ecocriticism. The conclusion is that following Fitzgerald’s example, Franzen uses the East and West (and the urban locales of the inner city and the suburbs) as a backdrop to explore not only the meanings and interpretations of the word freedom (as has been repeatedly pointed out) but also the hopes and aspirations shared by the people of his country, the different dimensions and contradictions of the amalgam of promises and myths known as the American Dream. Keywords: Jonathan Franzen; Freedom; American Dream; space; place; F. Scott Fitzgerald; The Great Gatsby . Promesas del Este y del Oeste en Freedom, de Jonathan Franzen Este artículo analiza la última novela de Jonathan Franzen, Freedom (2010), y explora el modo simbólico en que esta novela usa los espacios regionales y urbanos de los Estados Unidos. -
Report on Micro Data, Sorted by Title
English Language Graphic Novels Winners and Nominations of Comics and Graphic Novels Awards up to 2004 (list sorted first by title) Prepared by Olivier Charbonneau [email protected] Concordia University Data current as of May 18, 2004 PS. Please feel free to use and circulate this list – as long as the person using or receiving it does not use it for commercial purposes (selecting books for a library is OK) and agrees to send me a thank you letter at the following address: Olivier Charbonneau, Webster Library, room LB-279 Concordia University 1400 de Maisonneuve Blvd. W. Montreal, Quebec, H3G 1M8 Page 1 of 56 Title Publisher Wins Nominations 100 Unknown 1 Workman, John letterer 100 BulletDC 4 5 Azzarello, Brian writer Johnson, Dave cover 2002-2003 Risso, Eduardo artist 1001 Nights of BacchusDark Horse Comics 1 Schutz, Diana editor 1963 Image 2 Moore, Alan 20 Nude Dancers 20Tundra 1 Martin, Mark 20/20 VisionsDC/Vertigo 1 Alonso, Axel editor Berger, Karen editor 300Dark Horse Comics 2 2 Miller, Frank Varley, Lynn colorist 32 Stories Drawn & Quarterly 1 Tomine, Adrian A Contract with GodDC 2 Eisner, Will A Decade of Dark HorseDark Horse Comics 1 Stradley, Randy editor A History of ViolenceParadox 1 Wagner, John A Jew in Communist PragueNBM 1 4 Giardino, Vittorio Nantier, Terry editor A Small KillingVG Graphics/Dark Horse 1 1 Moore, Alan Zarate, Oscar A1Atomeka 1 2 Elliott, Dave editor Abraham StonePlatinum/Malibu 2 Kubert, Joe Page 2 of 56 Title Publisher Wins Nominations Acid Bath CaseKitchen Sink Press 1 Schreiner, Dave editor -
Farrar, Straus & Giroux
Farrar, Straus & Giroux Collection of Isaac Bashevis Singer Papers, 1925-97 at the Harry Ransom Humanities Research Center Descriptive Summary Creator: Farrar, Straus & Giroux Title: Collection of Isaac Bashevis Singer Papers Dates: 1925-1997 Extent: 12 boxes, 1 oversize box, 1 galley folder (5 linear feet) Abstract: This collection contains the papers of Isaac Bashevis Singer received from Robert Giroux and his publishing firm, Farrar, Straus & Giroux. These include photocopy tearsheets from some of his early short stories( "Abandoned," "In Old Age," "In the World of Chaos," "The Way Back," and "Remnants" ); handwritten manuscripts and corrected typescripts of other short stories; Jewish Daily Forward serialization clippings( Meshugah, Scum, and Shadows on the Hudson, and others); playscripts of Play for the Devil (based on the short story "The Unseen" ), Shlemeil the First, and Teibele and Her Demon; programs, other production material, and review clippings. Other papers in the collection include correspondence; financial and legal papers; photographs; clippings and other material related to Singer's receipte of the Nobel Prize; interview transcipts, clippings, and tearsheets of works about Singer; and teaarsheets of works by Arthur J. Magida and Kurt Vonnegut. RLIN Record #: TXRC05-A10001 Language: Most material in English and Yiddish . Access: Open for research Administrative Information URL: http://www.hrc.utexas.edu/research/fa/farrar.singer.html Acquisition: Gifts,1994 (G9961); 1995 (G10202); 1997 (G11024); 1998 (G11289) Processed by: Katherine Mosley, 2004 Repository: The University of Texas at Austin, Harry Ransom Humanities Farrar, Straus & Giroux Repository: The University of Texas at Austin, Harry Ransom Humanities Research Center 2 Farrar, Straus & Giroux Organizational History The publishing firm Farrar, Straus & Giroux was founded as Farrar, Straus & Company in New York City in 1945 by Roger W. -
Writing About Comics
NACAE National Association of Comics Art Educators English 100-v: Writing about Comics From the wild assertions of Unbreakable and the sudden popularity of films adapted from comics (not just Spider-Man or Daredevil, but Ghost World and From Hell), to the abrupt appearance of Dan Clowes and Art Spiegelman all over The New Yorker, interesting claims are now being made about the value of comics and comic books. Are they the visible articulation of some unconscious knowledge or desire -- No, probably not. Are they the new literature of the twenty-first century -- Possibly, possibly... This course offers a reading survey of the best comics of the past twenty years (sometimes called “graphic novels”), and supplies the skills for reading comics critically in terms not only of what they say (which is easy) but of how they say it (which takes some thinking). More importantly than the fact that comics will be touching off all of our conversations, however, this is a course in writing critically: in building an argument, in gathering and organizing literary evidence, and in capturing and retaining the reader's interest (and your own). Don't assume this will be easy, just because we're reading comics. We'll be working hard this semester, doing a lot of reading and plenty of writing. The good news is that it should all be interesting. The texts are all really good books, though you may find you don't like them all equally well. The essays, too, will be guided by your own interest in the texts, and by the end of the course you'll be exploring the unmapped territory of literary comics on your own, following your own nose. -
The Cambridge Companion to Elizabeth Bishop Edited by Angus Cleghorn and Jonathan Ellis Frontmatter More Information
Cambridge University Press 978-1-107-02940-8 - The Cambridge Companion to Elizabeth Bishop Edited by Angus Cleghorn and Jonathan Ellis Frontmatter More information The Cambridge Companion to Elizabeth Bishop Elizabeth Bishop is increasingly recognized as one of the twentieth century’s most important and original poets. Initially celebrated for the minute detail of her descriptions, what John Ashbery memorably called her “thinginess,” Bishop’s reputation has risen dramatically since her death, in part owing to the publication of new work, including letters, stories, and visual art, as well as a controversial volume of uncollected poems, drafts, and fragments. This Companion to Elizabeth Bishop engages with key debates surrounding the interpretation and reception of Bishop’s published and unpublished writing in relation to questions of biography, the natural world, and politics. Individual chapters focus on well-known texts such as North & South, Questions of Travel , and Geography III , while offering fresh readings of the signifi cance of Nova Scotia, Massachusetts, and Brazil to Bishop’s life and work. With a chronology and guide to further reading, this volume explores the full range of Bishop’s artistic achievements and the extent to which the posthumous publications have contributed to her enduring popularity. Angus Cleghorn is professor of English and Liberal Studies at Seneca College, Toronto. Since 2004, he has served as the editor of the Elizabeth Bishop Bulletin for the Elizabeth Bishop Society. He has published articles on Bishop and Wallace Stevens, as well as the book Wallace Stevens’ Poetics: The Neglected Rhetoric (2000); guest-edited two issues of the Wallace Stevens Journal (1999, 2006); and co-edited the volume Elizabeth Bishop in the Twenty-First Century: Reading the New Editions (2012). -
Download Shortcomings, Adrian Tomine, Drawn & Quarterly
Shortcomings, Adrian Tomine, Drawn & Quarterly Publications, 2007, 1897299168, 9781897299166, 108 pages. FROM THE PREEMINENT CARTOONIST OF HIS GENERATION, THE MOST ANTICIPATED GRAPHIC NOVEL OF 2007Shortcomings, Adrian Tomine's first long-form graphic novel, is the story of Ben Tanaka, a confused, obsessive Japanese American male in his late twenties, and his cross-country search for contentment (or at least the perfect girl). Along the way, Tomine tackles modern culture, sexual mores, and racial politics with brutal honesty and lacerating, irreverent humor, while deftly bringing to life a cast of painfully real antihero characters. A frequent contributor to The New Yorker, Tomine has acquired a cultlike fan following and has earned status as one of the most widely acclaimed cartoonists of our time.Shortcomings was serialized in Tomine's iconic comic book series Optic Nerve and was excerpted in McSweeney's Quarterly Concern #13.. DOWNLOAD HERE Lucky , Gabrielle Bell, Nov 28, 2006, , 112 pages. A wry daily comics journal of urban ennui Gabrielle Bell fascinatingly documents the mundane details of her below-minimum-wage, twentysomething existence in Brooklyn, New York .... Good-Bye , Yoshihiro Tatsumi, Adrian Tomine, Jun 24, 2008, , 208 pages. A third collection of illustrated short tales by a forefront Japanese cartoonist is comprised of World War II pieces that were drawn in 1971 and 1972 and includes the stories .... The Acme Novelty Library Volume 17, Chris Ware, Nov 28, 2006, Comics & Graphic Novels, 64 pages. More thorough examinations of many of the main characters' cloudy motivations, personal habits, and favorite restaurants are included in this second half of the introduction to ... -
Jonathan Franzen: the Comedy of Rage
Swarthmore College Works English Literature Faculty Works English Literature 2015 Jonathan Franzen: The Comedy Of Rage Philip M. Weinstein Swarthmore College, [email protected] Follow this and additional works at: https://works.swarthmore.edu/fac-english-lit Part of the English Language and Literature Commons Let us know how access to these works benefits ouy Recommended Citation Philip M. Weinstein. (2015). "Jonathan Franzen: The Comedy Of Rage". Jonathan Franzen: The Comedy Of Rage. https://works.swarthmore.edu/fac-english-lit/294 This work is brought to you for free by Swarthmore College Libraries' Works. It has been accepted for inclusion in English Literature Faculty Works by an authorized administrator of Works. For more information, please contact [email protected]. Introductory who is Jonathan Franzen and what is the comedy of rage? The first question is easy. Franzen is perhaps the best-known American novelist of his generation, all but uniquely capable of reaching both highbrow sophisticates and less demanding mainstream readers. A visual answer to the first question is even easier. Seen by untold numbers, the image of Franzen that filled the cover of the August 23, 2010 edition of Time Magazine (“Great American Novelist” plastered on his chest) is mesmerizing. (In case you missed it there, it reappears in this books inset sheaf of photos and images, as well as—slightly stylized—on its dust jacket.) Tousle-headed, bespectacled, looking away from the camera (guarding his privacy), the fifty-year-old Franzen wears a gray shirt and three-day beard. His face and body look outdoorsy, rough-hewn, vaguely all-American. -
Drawn & Quarterly
DRAWN & QUARTERLY WINTER 2018 Killing And DYING NEW PAPERBACK EDITION ADRIAN TOmINE Red WinteR ANNElI FuRmARK FRom Lone MOUNTAIN JOhN PORCEllINO Von SpATZ ANNA hAIFIsCh Red ColoRed ELEGY sEIIChI hAyAshI Shit iS REAL AIshA FRANz KITARo the VAMPIRe SlAYER shIgERu mIzuKI Moomin WinteR TOvE JANssON NEW paperback EDITION KILLING AND DYING ADRIAN TOMINE “[Adrian Tomine] has more ideas in twenty panels than novelists have in a lifetime.”—Zadie Smith After enjoying over six months on the story, “Killing and Dying,” centers on par- New York Times Bestseller list and enthood, mortality, and stand-up comedy. receiving a rave review from the same In six interconnected, darkly funny stories, institution, acclaimed cartoonist Adrian Tomine forms a quietly moving portrait of Tomine’s Killing and Dying is now avail- contemporary life. able in paperback, with an updated cover Adrian Tomine is a master of the small and French flaps. With this work, Tomine gesture, equally deft at signaling emotion (Shortcomings, Scenes from an Impending via a subtle change of expression or writ Marriage) reaffirms his place not only as large across landscapes illustrated in full one of the most significant creators of con- color. Killing and Dying is a fraught, realist temporary comics, but as one of the great masterpiece. voices of modern American literature. His gift for capturing emotion and intellect res- onates: the weight of love and its absence, PRAISe FoR KILLING AND DYING the pride and disappointment of family, the “Pocket epics of romantic, creative and anxiety and hopefulness of being alive in social frustration set in recognizably the twenty-first century. -
Zines and Minicomics Collection
http://oac.cdlib.org/findaid/ark:/13030/c85t3pmt No online items Guide to the Zines and Minicomics Collection Finding Aid Authors: Anna Culbertson and Adam Burkhart. © Copyright 2014 Special Collections & University Archives. All rights reserved. 2014-05-01 5500 Campanile Dr. MC 8050 San Diego, CA, 92182-8050 URL: http://library.sdsu.edu/scua Email: [email protected] Phone: 619-594-6791 Guide to the Zines and MS-0278 1 Minicomics Collection Guide to the Zines and Minicomics Collection 1985 Special Collections & University Archives Overview of the Collection Collection Title: Zines and Minicomics Collection Dates: 1985- Bulk Dates: 1995- Identification: MS-0278 Physical Description: 42.25 linear ft Language of Materials: EnglishSpanish;Castilian Repository: Special Collections & University Archives 5500 Campanile Dr. MC 8050 San Diego, CA, 92182-8050 URL: http://library.sdsu.edu/scua Email: [email protected] Phone: 619-594-6791 Access Terms This Collection is indexed under the following controlled access subject terms. Topical Term: American poetry--20th century Anarchism Comic books, strips, etc. Feminism Gender Music Politics Popular culture Riot grrrl movement Riot grrrl movement--Periodicals Self-care, Health Transgender people Women Young women Accruals: 2002-present Conditions Governing Use: The copyright interests in these materials have not been transferred to San Diego State University. Copyright resides with the creators of materials contained in the collection or their heirs. The nature of historical archival and manuscript collections is such that copyright status may be difficult or even impossible to determine. Requests for permission to publish must be submitted to the Head of Special Collections, San Diego State University, Library and Information Access. -
Salmon Vol4 FM Test
The Letters of Robert Giroux and Thomas Merton © 2015 UNIVERSITY OF NOTRE DAME © 2015 UNIVERSITY OF NOTRE DAME The Letters of Robert Giroux and Thomas Merton Edited and Annotated by Patrick Samway, S.J. Foreword by jonathan montaldo University of Notre Dame Press Notre Dame, Indiana © 2015 UNIVERSITY OF NOTRE DAME Copyright © 2015 by the University of Notre Dame Notre Dame, Indiana 46556 www.undpress.nd.edu All Rights Reserved Manufactured in the United States of America Library of Congress Cataloging-in-Publication Data Giroux, Robert. The letters of Robert Giroux and Thomas Merton / edited and annotated by Patrick Samway, S.J. pages cm Includes bibliographical references and index. isbn 978-0-268-01786-6 (pbk. : alk. paper) — isbn 0-268-01786-7 (pbk. : alk. paper) 1. Giroux, Robert—Correspondence. 2. Editors—United States—Correspondence. 3. Book editors—United States—Correspondence. 4. Merton, Thomas, 1915–1968— Correspondence. 5. Trappists—United States—Correspondence. 6. Authors, American—20th century—Correspondence. 7. Authorship—Correspondence. 8. Authors and publishers—United States—Correspondence. 9. Publishers and publishing—United States—Correspondence. I. Merton, Thomas 1915–1968. II. Samway, Patrick H., editor. III. Montaldo, Jonathan, writer of foreword. IV. Title. pn149.9.g57a4 2015 070.5'1092—dc23 2015017675 ∞ The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. © 2015 UNIVERSITY OF NOTRE DAME Contents Foreword