We Want Sex Equality

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Genre Comédie dramatique Adapté pour les niveaux À partir de la 3e Disciplines concernées Histoire · Anglais · SES · EMC We Want Sex Equality [MADE IN DAGENHAM] Inspiré de faits réels, We Want sex Equality raconte avec humour Un flm de nigel Cole, et émotion le combat mouvementé d’ouvrières engagées contre la Grande-Bretagne · 2011 · 1h53 discrimination salariale entre hommes et femmes dans l’Angleterre Au printemps 1968, un vent de contestation souffe sur des années 1960. l’usine Ford de Dagenham, dans la banlieue londonienne. éjà avec saving grace ou Calendar girls, ouvrières, parmi les milliers d’ouvriers les ouvrières découvrent que DNigel Cole prenait plaisir à raconter des des usines de construction automobile Ford, les hommes sont mieux payés récits de femmes ordinaires qui se retrouvent travaillent à l’assemblage et à la couture des que les femmes et décident de impliquées dans histoires extraordinaires. sièges pour un salaire inférieur à celui des se mettre en grève afn En 2010, il s’appuie sur le même argument hommes les moins qualifiés. Pour la première d’obtenir l’égalité salariale. de départ. Ainsi, il s’inspire d’un fait réel con- fois, ces femmes se mobilisent pour défendre Pour obtenir gain de cause, cernant des femmes, un mouvement social leurs droits et décident de faire la grève elles iront manifester à et civique, et surtout il traite le sujet avec comme les hommes. Une grève historique londres sous les fenêtres du autant de précision historique que d’énergie puisqu’elle aboutira à l’adoption de l’Equal Parlement contre l’avis des et d’humour. Pari gagné : We Want sex Equa- Pay Act de 1970, loi britannique qui a instauré syndicats et de leurs propres collègues.… lity est une comédie sociale, historique (et la parité des rémunérations. Pourtant, un tellement actuelle), sympathique et quelque mouvement social largement méconnu Producteur Stephen Woolley peu éducative ! Au-delà du récit factuel d’un avant la sortie de We Want sex Equality. En scénario William Ivory conflit social en Angleterre à la fin des France, le film est sorti en salle à une date Avec sally hawkins (Rita O’Grady), années 1960, le film dresse le portrait de symbolique : le lendemain de la journée de Bob hoskins (Albert Passingham), Miranda Richardson (Barbara les suffragettes femmes, au caractère affirmé, animées par la femme. À l’instar de , Castle), geraldine James (Connie), leur désir d’émancipation, qui bousculent la l’exploitation pédagogique de ce film per- Rosamund Pike (Lisa Hopkins)… société sexiste et paternaliste de leur temps. mettra de mesurer les acquis et le chemin qui Nous sommes en 1968, à Dagenham, et 183 reste à parcourir sur ce terrain. ¶ 165.

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