Striking the Wrong Note

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REVIEWS workers. They wallflower to rebel, STRIKING THE courageously and the company is challenged male called upon to help WRONG NOTE managers, union this inexperienced leaders and singer land musical Marianka Swain wanted more politicians in their climaxes. More grit from Made in Dagenham at the demand for equal impressive are Naomi Adelphi Theatre on November 5 pay – a battle Frederick’s frustrated that rages on. wife, Sophie Stanton’s abour disputes score from David If that sounds foul-mouthed factory have proved a Arnold (Sherlock), earnest, fear not: worker and Sophie- L fruitful West plus it’s helmed by Made in Dagenham Louise Dann’s diva End topic, from Billy hotshot director is so eager to Barbara Castle. Elliot and The Full Rupert Goold. And entertain, it veers Arnold’s pleasant Monty to The Pajama yet this homegrown into squawking but utilitarian Game, and this new musical is rather less pantomime. Bean’s numbers stall the addition is keen to than the sum of its relentless one-liners story, while Thomas’s follow in their picket- celebrated parts. neuter the conflict, satirical lyrics, though lined footsteps. It It takes as its with deprivation, enormous fun, are has strong creative inspiration the female struggle and sacrifice at odds with the pedigree, too, with a machinists at Ford’s referenced rather source material. script from Richard Dagenham plant who, than dramatised. Made in Dagenham Bean (One Man, in 1968, went on The antagonists, is most successful as Two Guvnors), lyrics strike to protest the including music-hall pure pastiche, with by Richard Thomas sexist, parsimonious clown Harold Wilson Aletta Collins’ feast (Jerry Springer: decision to reclassify (Mark Hadfield), of 1960s dance The Opera) and them as unskilled are all buffoonish crazes – rock ’n’ caricatures: good roll, mashed potato, for an easy laugh, twist, pony and but diminishing the Motown – and Bunny strikers’ achievement. Christie’s ingenious This perky farce Airfix model set. short-changes The only moment darker, emotionally that truly moved was Centre, Gemma Arterton and engaging threads the actual strikers Adrian der Gregorian like campaigning taking to the stage Connie’s (Isla Blair) for a bashful bow. illness or leader Rita’s This broad, feel- (Gemma Arterton) good show locates marital problems. their spirit, but not Arterton, their soul. l though likeably www.madein gutsy, struggles dagenham The cast of to convincingly Made In Dagenham themusical.com transform from Photographs © Manuel Harlan DECEMBER 2014 \ DANCE TODAY 61.

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Huq, Rupa. "Pastoral Paradises and Social Realism: Cinematic Representations of Suburban Complexity." Making Sense of Suburbia Through Popular Culture
Huq, Rupa. "Pastoral Paradises and Social Realism: Cinematic Representations of Suburban Complexity." Making Sense of Suburbia through Popular Culture. London: Bloomsbury Academic, 2013. 83–108. Bloomsbury Collections. Web. 25 Sep. 2021. <http:// dx.doi.org/10.5040/9781472544759.ch-004>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 04:19 UTC. Copyright © Rupa Huq 2013. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 4 Pastoral Paradises and Social Realism: Cinematic Representations of Suburban Complexity I never wanted to get into this rat-race but now that I’m in it I think I’d be a fool not to play it just like everyone else plays it. (Gregory Peck as Tom Rath, Th e Man in the Gray Flannel Suit , 1956) Th e cinema in its literal sense has been both a landmark of the suburban-built environment and staple source of popular culture in the post-war era: with the Regals, Gaumonts, UCGs and ABCs off ering relatively cheap escapism from everyday mundanity and routine. Th e cinema has served the function of a venue for suburban courtship for couples and entertainment for fully formed family units with the power to move audiences to the edge of their seats in suspense or to tears – be that laughter or of sadness. While the VHS and advent of domestic video recorders was seen to threaten the very existence of the cinema, many suburban areas have seen the old high street picture palaces replaced/displaced/ succeeded by out-of-town complexes where suburbia has sometimes been the subject on the screen as well as the setting of the multiplex they are screened in.
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Cast List - Made in Dagenham Rita O’Grady mid 30s Ordinary working class mother with the ability to lead. In the beginning she is just Lead role solos Eddie’s wife one of the girls trying to hold together her job and family but she grows into an ensemble singing inspirational leader ﬁghting for equal pay Beryl 40s- 60s Tough, always with a quip and banter. Uses foul mouthed language as part of her normal Ensemble singing vocabulary solo lines Connie Riley 50s/60s A life time trade unionist who has worked hard for the union but is tired and ground down by the One big solo plus ﬁght ensemble singing Sandra Beaumont 20’s Sees herself as a potential fashion model- her way out of the daily grind Needs belting lulu type voice, solo lines Clare 30’s A real Dagenham girl who struggles to express herself One big solo plus ensemble singing, solo lines Cass 20s to 30s Sharpe and with some ambition, albeit unrealistic, frustrated by her lot in life Ensemble singing, solo linesi Barbara Castle 50’s but could be Fiery red head politician. accent. No nonsense approach Solos plus played by someone ensemble singing younger Lisa Hopkins 30’s to 40’s Wife of MD. Oxford graduate - clever and frustrated by the limitations of being a housewife and Some ensemble the role she is expected to play by her husband singing Sharon O’Grady Rita and Eddie’s daughter Some singing Eddie O’Grady - Mid 30s Hard working father who is also one of the lads and has traditional views about his and Rita’s Lead role - solos Rita’s Husband roles in life.
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Made in Dagenham
GEMMA ARTERTON TO STAR IN MADE IN DAGENHAM NEW MUSICAL PARKS UP AT THE ADELPHI THEATRE THIS AUTUMN NEW MUSICAL DIRECTED BY MULTI-AWARD WINNING RUPERT GOOLD BOOK BY RICHARD BEAN, MUSIC FROM DAVID ARNOLD & LYRICS BY RICHARD THOMAS OPENING NIGHT CONFIRMED FOR WEDNESDAY 5 NOVEMBER Stage Entertainment, Glass Half Full Productions and Just for Laughs Theatricals are delighted to announce that MADE IN DAGENHAM will open at the Adelphi Theatre on Wednesday 5 November, with previews from Thursday 9 October. Based on the hit British film, this new musical comedy will star international stage and screen actress GEMMA ARTERTON in the lead role of Rita O’Grady, with ADRIAN DER GREGORIAN as her husband Eddie. Essex 1968. Like millions of other working women, each morning Rita O’Grady is just trying to get her husband out of bed, get the kids off to school and get to work at the factory on time. But life is about to change forever when it’s announced that the girls in the sewing room of Ford’s Dagenham car plant will have their pay grade dropped to ‘unskilled’. Quickly drawing on a strength she never knew she had, Rita leads her friends in a battle against the might of Ford and the corruption of the Union supposed to protect them. As the girls’ inspiring journey gets bigger than anyone could have imagined, the pressure is too much for some, but can Rita keep up the fight and the happy home she’s worked so hard for? Funny, touching and timeless, Made in Dagenham shows how ordinary people can do extraordinary things when they stand together.
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Made in Dagenham”
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Rupert Graves Actor Winner Best Film at the 1996 Montreal World Film Festival for DIFFERENT FOR GIRLS Winner Best Actor Award at the 1996 Montreal World Film Festival for INTIMATE RELATIONS Nominated for an Olivier Award for Best Actor in 1997 for HURLYBURLY Agents Lindy King Associate Agent Joel Keating [email protected] 0203 214 0871 Assistant Tessa Schiller [email protected] Roles Film Production Character Director Company SEACOLE Major Harvey Charlie Stratton Racing Green Pictures / Arsia Production EMMA Mr. Weston Autumn de Wilde Working Title Films / Blueprint Pictures / Perfect World Pictures A WORKING MOM'S Eddie Richard Redwine Dandelion Productions / Dark NIGHTMARE Matter / Lexis Media United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company HORRIBLE HISTORIES: Governor General Dominic Altitude Films ROTTEN ROMANS Paulinus Brigstocke SWIMMING WITH MEN Luke Oliver Parker Met Film Productions LIE OF YOU Eddie Richard Redwin Megaflio Media LTD SILENCIO Peter Lorena Villarreal Barraca Producciones SACRIFICE Duncan Guthrie Peter A. Dowling Subotica Entertainment NATIVE Cane Daniel Glasshouse Productions Fitzsimmons BONE IN THE THROAT Rupert Graham Henman Dignity Film Finance/ Hello and Company WORRICKER Striling Rogers David Hare Carnival Films FAST GIRLS David Temple Regan Hall Studio Canal MADE IN DAGENHAM (Peter Hopkins) Nigel Cole Audley Films/ BBC Films THE GOOD TIMES ARE Lexy John L'Ecuyer Shaftesbury Films / CTV KILLING ME THE WAITING ROOM George Roger Goldby INTERVENTION Mark Mary McGuckian Pembridge Pics DEATH AT A FUNERAL Robert Frank Oz Sidney Kimmel Entertainment SON OF THE DRAGON Prince of the North David Wu Hallmark V FOR VENDETTA Dominic James Mcteigue Warner Bros.
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