Spain Hunts Suspect Over Barcelona Terror Attacks
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Kijkwijzer (Netherlands Classification) Some Content May Not Be Appropriate for Children This Age
ACCM Kijkwijzer (Netherlands Classification) Some content may not be appropriate for children this age. Parental Content is age Kijkwijzer Australian guidance appropriate for (Netherlands Year Netflix Classification recommended children this age Classification) Kijkwijzer reasons 1 Chance 2 Dance 2014 N 12+ Violence 3 Ninjas: Kick Back 1994 N 6+ Violence; Fear 48 Christmas Wishes 2017 N All A 2nd Chance 2011 N PG All A Christmas Prince 2017 N 6+ Fear A Christmas Prince: The Royal Baby 2019 N All A Christmas Prince: The Royal Wedding 2018 N All A Christmas Special: Miraculous: Tales of Ladybug & Cat 2016 N Noir PG A Cinderella Story 2004 N PG 8 13 A Cinderella Story: Christmas Wish 2019 N All A Dog's Purpose 2017 N PG 10 13 12+ Fear; Drugs and/or alcohol abuse A Dogwalker's Christmas Tale 2015 N G A StoryBots Christmas 2017 N All A Truthful Mother 2019 N PG 6+ Violence; Fear A Witches' Ball 2017 N All Violence; Fear Airplane Mode 2020 N 16+ Violence; Sex; Coarse language Albion: The Enchanted Stallion 2016 N 9+ Fear; Coarse language Alex and Me 2018 N All Saints 2017 N PG 8 10 6+ Violence Alvin and the Chipmunks Meet the Wolfman 2000 N 6+ Violence; Fear Alvin and the Chipmunks: The Road Chip 2015 N PG 7 8 6+ Violence; Fear Amar Akbar Anthony 1977 N Angela's Christmas 2018 N G All Annabelle Hooper and the Ghosts of Nantucket 2016 N PG 12+ Fear Annie 2014 N PG 10 13 6+ Violence Antariksha Ke Rakhwale 2018 N April and the Extraordinary World 2015 N Are We Done Yet? 2007 N PG 8 11 6+ Fear Arrietty 2010 N G 6 9+ Fear Arthur 3 the War of Two -
Presentano Un Film Di Alessandro Valori Prodotto Da Iginio Straffi E
presentano un film di Alessandro Valori prodotto da Iginio Straffi e Simone Riccioni durata 98' www.tiroliberoilfilm.it UFFICIO STAMPA PIERLUIGIMANZOALESSIOPICCIRILLO FILM • COMMUNICATION • PR (+39) 347.0133173 (+39) 393.9328580 [email protected] - www.manzopiccirillo.com CAST ARTISTICO SIMONE RICCIONI Dario Lanciotti ANTONIO CATANIA Emilio Lanciotti MARIA CHIARA CENTORAMI Isabella BIAGIO IZZO Direttore Carmine PAOLO CONTICINI Avvocato Riccardi SAMUELE SBRIGHI Filippo MARIANNA DI MARTINO Rebecca JACOPO BARZAGHI Simone CARLTON MYERS Campione di Basket CARLO RECALCATI Campione di Basket LUCA VITALI Campione di Basket PIER GIORGIO BELLOCCHIO Primario NANCY BRILLI Diana 2 CAST TECNICO UNA PRODUZIONE Rainbow e Linfa Crowd 2.0 PRODOTTO DA Iginio Straffi Simone Riccioni REGIA Alessandro Valori FOTOGRAFIA Sandro De Pascalis MONTAGGIO Letizia Caudullo SCENEGGIATURA Valentina Capecci MUSICHE Andrea Gargioni SCENOGRAFIA Laura Perini COSTUMI Marzia Mataloni TRUCCO E PARRUCCO Matteo Scibetta FONICO DI PRESA DIRETTA Giovanni Frezza ORGANIZZATORE GENERALE Davide Tovi DIRETTORE GENERALE Stefano Rabbolini UFFICIO STAMPA ManzoPiccirillo 3 TIRO LIBERO è la storia di un cambiamento, di un venticinquenne fortunato ma tanto arrogante da sfidare persino Dio, e Dio raccoglie la sfida mettendolo alla prova e aprendogli gli occhi sul senso delle cose. È anche la storia di un amore che nasce tra due coetanei apparentemente così diversi, inaspettato e improvviso. È una storia di coraggio, sport e solidarietà, che mette in luce i veri “campioni” nella vita. SINOSSI Dario ha 25 anni, è bello, ammirato da tutti e leader, pieno di fan, di una squadra di basket. È un ragazzo arrogante e spocchioso che non avrebbe mai immaginato che tipo ti prova la vita gli chiederà di superare. -
GROUP B National Anthem Did You Know?
GROUP B England National Anthem God Save the Queen God save our gracious Queen! Long live our noble Queen! God save the Queen! Send her victorious, Happy and glorious, Long to reign over us, God save the Queen. Thy choicest gifts in store On her be pleased to pour, Long may she reign. May she defend our laws, And ever give us cause, Capital: London To sing with heart and voice, God save the Queen. Population: 53,010,000 There is only a 34 Currency: British Pound Sterling kilometre (21 mile) gap Area: 130,279km2 between England and Highest Peak: Scafell Pike (978 metres) France and the countries are connected by the Longest River: River Severn (350km) Channel Tunnel which opened in 1994. The city of London has a population of approximately Did you 12 million people, making it the largest city in all of Europe. know? English computer London is home scientist Tim There have been a to several UNESCO World Berners-Lee number of influential English Heritage Sites: The Tower of is credited with authors but perhaps the London, Royal Botanical Kew inventing the World Wide Web. most well-known is William Gardens, Westminster Palace, Shakespeare, who wrote Westminster Abbey, classics such as Romeo and St. Margaret’s Church, and Juliet, Macbeth Maritime Greenwich. and Hamlet. 14 English GROUP B football crest CURRENT SQUAD Joe Hart Manchester City FC English Jack Butland Stoke City FC Fraser Forster Southampton FC football Nathaniel Clyne Liverpool FC Leighton Baines Everton FC English Gary Cahill Chelsea FC football John Stones Everton FC team facts -
RESUME TG 2017 B.Pages
MAIL [email protected] PHONE+39 366 6325960 ! WEBSITE www.tommasogomez.com ARTSTATION h6ps://tommasogomez.artsta;on.com/ BLOG tommasogomez.blogspot.it ! PROFILE Art Director and Concept Ar;st for many produc;ons in anima;on, Set Designer for opera pro- duc;ons and Illustrator. My best skills are a strong knowledge of fundamentals of the tradi;onal art and digital pain;ng. Versa;lity in the concept styles, autonomy and flexibility, a6en;on to the details, speed of exe- cu;on and propensity to work in team. I’m a person with a great passion for work and always a6racted to new challenges, with interests in many fields as art, music, science, comics, movies, fantas;c literature and science fic;on. ! MAIN PROFESSIONAL EXPERIENCES ! 2014 - present ART DIRECTOR-LEAD ARTIST (environments) Rainbow srl, LORETO (AN) ITALY Project: Animated TV series Regal academy (season 1 & 2) • Crea;on of the environments and backgrounds concepts for new animated 3D Tv Series • Supervise the produc;ons artworks of the background and Environments department from the concept art to color, giving ar;s;c feedbacks. • Supervise and revise the crea;on (concepts, modeling, shade and texturing ) of 3D environ- ments • Revise the assets produced in home and in external studios at every step: modeling, shade, color and texturing. • Check scripts and storyboards to give any feedbacks rela;ve to the environments. ! ! ART DIRECTOR (environments) Rainbow srl, LORETO (AN) ITALY Project: Animated TV series winx club (season 6) • Concepts of the main loca;ons and environments of the whole produc;on. • Supervise the produc;ons 2D artworks of the background and Environments department from the concept to the coloring. -
October 2014
OCTOBER 2014 DATE KO* HOME AWAY VENUE TOURNAMENT 03-Oct-14 19:35 Connacht Rugby 24-24 Cardiff Blues Sportsground 03-Oct-14 19:35 Ulster Rugby 30-0 Edinburgh Rugby Kingspan Stadium 03-Oct-14 19:45 Bath Rugby 21-11 Saracens Recreation Ground 03-Oct-14 20:35 Zebre 14-15 Ospreys Stadio XXV Aprile 03-Oct-14 20:45 Oyannax 18-21 Toulon Stade Charles Mathon 04-Oct-14 14:45 Bordeaux Bègles 51-21 ASM Clermont Auvergne Stade André Moga 04-Oct-14 15:00 Harlequins 52-0 London Welsh Twickenham Stoop 04-Oct-14 15:00 London Irish 12-19 Northampton Saints Madejski Stadium 04-Oct-14 15:15 Gloucester Rugby 33-16 Leicester Tigers Kingsholm Centro Sportivo Fiamme 04-Oct-14 16:00 Fiamme Oro Roma 56-0 I Cavalieri Prato Oro 04-Oct-14 16:00 L'Aquila Rugby 1936 17-43 Cammi Calvisano Stadio Tommaso Fattori 04-Oct-14 16:00 Rugby Viadana 22-15 Mantovani Lazio Stadio Luigi Zaffanella 04-Oct-14 17:05 South Africa 27-25 New Zealand Ellis Park, J’burg 04-Oct-14 18:30 Bayonne 10-15 Montpellier Stade Jean Dauger 04-Oct-14 18:30 Castres Olympique 51-10 Grenoble Stade Pierre Antoine 04-Oct-14 18:30 La Rochelle 29-8 Lyon Olympique Universitaire Stade Marcel Deflandre 04-Oct-14 18:30 Leinster Rugby 23-34 Munster Rugby AVIVA Stadium 04-Oct-14 18:30 Racing Métro 92 46-32 Brive Stade Yves Du Manoir Estadio Mundialista 04-Oct-14 19:40 Argentina 21-17 Australia Malvinas Argentinas 04-Oct-14 20:45 Toulouse 22-10 Stade Français Stade Ernest Wallon 05-Oct-14 14:00 Sale Sharks 25-14 Wasps AJ Bell Stadium 05-Oct-14 15:00 Benetton Treviso 23-40 Glasgow Warriors Stadio Monigo 05-Oct-14 -
Sarah A. Tejeda (951) 233-9185 [email protected]
Sarah A. Tejeda www.sarahtejeda.com (951) 233-9185 [email protected] PROFILE A creative and enthusiastic animator, with experience in various forms of animation. A quick-thinking, problem solver who gives 100% to all projects. Adept in written and oral communication, and works well independently or with a team. Thrives in fast-paced environments, and can adapt to meet deadlines and handle multiple tasks. EDUCATION University of Southern California Los Angeles, CA BA Animation and Digital Arts 2014 EXPERIENCE Animator Stoopid Buddy Stoodios July 2017-Sept 2018 Robot Chicken Season 9, Supermansion Season 3 ● Animated various characters, props, and cameras while perfecting the animation styles of various shows. Lead Animation Assistant/Track Reader/ Jr. Animator Stoopid Buddy Stoodios May 2015-June 2017 Supermansion Seasons 1 & 2, Buddy Thunderstruck, Robot Chicken Seasons 8 & 9, Verizon Bumpers ● Acted as a fill-in animator for studio projects. Supported and assisted animators and crews by helping with rigging, anticipating and solving problems, and keeping areas and materials well-stocked and organized. Proficient track reader for all studio projects. Animation Assistant Hello! & Company November 2014 McDonald’s Spot: Morning Song ● Provided support to director and animators for a location shoot. Assisted with the preparation of sets and props. Senior Thesis Film USC Jan 2013-May 2014 Expiration Date ● Created original concept art through extensive pre-production. Developed script, hired and directed voice-over talent. Molded, fabricated, and painted over 30 puppets, including facial expressions. Fabricated multiple props and sets. Animation Intern Shadow Machine Jan -May 2012 Hell and Back ● Supported animation, puppet, and art departments through the building of sets and props. -
2019-20 Impeccable Premier League Soccer Checklist Hobby
2019-20 Impeccable Premier League Soccer Checklist Hobby Autographs=Yellow; Green=Silver/Gold Bars; Relic=Orange; White=Base/Metal Inserts Player Set Card # Team Print Run Callum Wilson Gold Bar - Premier League Logo 13 AFC Bournemouth 3 Harry Wilson Silver Bar - Premier League Logo 8 AFC Bournemouth 25 Joshua King Silver Bar - Premier League Logo 7 AFC Bournemouth 25 Lewis Cook Auto - Jersey Number 2 AFC Bournemouth 16 Lewis Cook Auto - Rookie Metal Signatures 9 AFC Bournemouth 25 Lewis Cook Auto - Stats 14 AFC Bournemouth 4 Lewis Cook Auto Relic - Extravagance Patch + Parallels 5 AFC Bournemouth 140 Lewis Cook Relic - Dual Materials + Parallels 10 AFC Bournemouth 130 Lewis Cook Silver Bar - Premier League Logo 6 AFC Bournemouth 25 Lloyd Kelly Auto - Jersey Number 14 AFC Bournemouth 26 Lloyd Kelly Auto - Rookie + Parallels 1 AFC Bournemouth 140 Lloyd Kelly Auto - Rookie Metal Signatures 1 AFC Bournemouth 25 Ryan Fraser Silver Bar - Premier League Logo 5 AFC Bournemouth 25 Aaron Ramsdale Metal - Rookie Metal 1 AFC Bournemouth 50 Callum Wilson Base + Parallels 9 AFC Bournemouth 130 Callum Wilson Metal - Stainless Stars 2 AFC Bournemouth 50 Diego Rico Base + Parallels 5 AFC Bournemouth 130 Harry Wilson Base + Parallels 7 AFC Bournemouth 130 Jefferson Lerma Base + Parallels 1 AFC Bournemouth 130 Joshua King Base + Parallels 2 AFC Bournemouth 130 Nathan Ake Base + Parallels 3 AFC Bournemouth 130 Nathan Ake Metal - Stainless Stars 1 AFC Bournemouth 50 Philip Billing Base + Parallels 8 AFC Bournemouth 130 Ryan Fraser Base + Parallels 4 AFC -
Your Name Here
PHENOMENAL BODIES, PHENOMENAL GIRLS: HOW YOUNG ADOLESCENT GIRLS EXPERIENCE BEING ENOUGH IN THEIR BODIES by HILARY ELIZABETH HUGHES (Under the Direction of Mark D. Vagle) ABSTRACT Drawing on philosophers (Ahmed, 2006; Fanon, 1986; Heidegger, 1927, 1962, 1992; Merleau-Ponty, 1962) and social science scholars (Dahlberg, Dahlberg, & Nystrom, 2008; Vagle, 2009, 2010, 2011; van Manen, 1990, 2000) for this phenomenological study, I asked what it was like for the seventh grade girls who participated with me in a year-long writing group to experience moments where they found themselves in bodily-not-enoughness: moments when someone or something was telling them they were not enough of something in their bodies. Using a multigenre magazine format for the dissertation, I describe how I learned—as an adult, a qualitative researcher, a middle grades teacher, and a teacher educator—from these seventh grade girls how to be-enough in my own body, by illustrating various moments when some of the girls seemed to talk-back-TO those societal messages telling them they were not pretty- enough, thin-enough, English-speaking-enough, white-enough, popular-enough, or smart-enough by embodying some kind of resistance-to those messages. I then suggest that if we as adults, qualitative researchers, middle grades educators, and teacher educators wish to try and understand better how female young adolescents of color experience living in their bodies, we should begin listening differently so that we can begin seeing/knowing/thinking the bodies of young adolescents, -
Interview Horst Heldt
Eintracht „Was mich erschreckt, ist ...“ kämpft um Horst Heldt übt Kritik am Fußball und der Gesellschaft: Vier Journalistenschüler haben Hannovers Manager interviewt Anschluss BRAUNSCHWEIG. Eigent- VON JANIK MARX, LENNART Unser Ziel muss es zum Bei- lich hatte man beide Mann- HECHT, MARCO NEHMER spiel sein, dass wir mit Hanno- schaften an der Tabellen- UND JONAS NAYDA ver 96 über die Landesgren- spitze der 2. Fußball-Bun- zen hinaus bekannter werden. desliga erwartet. Doch Herr Heldt, seit sechs Monaten Wir wollen wachsen. Bayern, wenn Union Berlin und Ein- leben Sie in Hannover. Haben Dortmund, Schalke oder der tracht Braunschweig heute Sie einen Lieblingsort? HSV sind schon gewachsene um 18.30 Uhr aufeinander- Mein Büro (lacht). Einen rich- Klubs, die überregionale Auf- treffen, ist es eher ein kleiner tigen Lieblingsort habe ich merksamkeit genießen. Wir Krisengipfel. Wer verliert, noch nicht – ich bin viel im Bü- können uns noch in allen Be- verpasst den Anschluss. ro und unterwegs und habe reichen weiterentwickeln. Zwar stehen beide Verei- selten Freizeit in Hannover. ne nur zwei (Union) bezie- Ich fühle mich aber sehr wohl Rund um Hannover 96 herrscht hungsweise drei (Eintracht) hier. trotz des aktuellen sportlichen Punkte hinter dem Tabel- Erfolges keine wirkliche Eupho- lenzweiten, aber die Ergeb- Sie sind seit 2006 als Fußball- rie. Stattdessen sorgt der Stim- nisse stimmten zuletzt we- manager tätig. Ein Job, in dem mungsboykott der Ultra-Szene der in Berlin noch in Braun- man häufig auch in der Kritik für eine Spaltung der Fankurve. schweig. Union-Coach Jens steht. Nervt Sie das? Gibt es vonseiten des Vereins Keller knöpfte sich sein Ich gehe mit Kritik genauso konkrete Bestrebungen, auf die Team deshalb unter der Wo- um wie jeder andere Mensch Fans zuzugehen, um einen che vor. -
Cthulhu Lives!: a Descriptive Study of the H.P. Lovecraft Historical Society
CTHULHU LIVES!: A DESCRIPTIVE STUDY OF THE H.P. LOVECRAFT HISTORICAL SOCIETY J. Michael Bestul A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Dr. Jane Barnette, Advisor Prof. Bradford Clark Dr. Marilyn Motz ii ABSTRACT Dr. Jane Barnette, Advisor Outside of the boom in video game studies, the realm of gaming has barely been scratched by academics and rarely been explored in a scholarly fashion. Despite the rich vein of possibilities for study that tabletop and live-action role-playing games present, few scholars have dug deeply. The goal of this study is to start digging. Operating at the crossroads of art and entertainment, theatre and gaming, work and play, it seeks to add the live-action role-playing game, CTHULHU LIVES, to the discussion of performance studies. As an introduction, this study seeks to describe exactly what CTHULHU LIVES was and has become, and how its existence brought about the H.P. Lovecraft Historical Society. Simply as a gaming group which grew into a creative organization that produces artifacts in multiple mediums, the Society is worthy of scholarship. Add its humble beginnings, casual style and non-corporate affiliation, and its recent turn to self- sustainability, and the Society becomes even more interesting. In interviews with the artists behind CTHULHU LIVES, and poring through the archives of their gaming experiences, the picture develops of the journey from a small group of friends to an organization with influences and products on an international scale. -
Downloaded from ORCA, Cardiff University's Institutional Repository
This is an Open Access document downloaded from ORCA, Cardiff University's institutional repository: http://orca.cf.ac.uk/90447/ This is the author’s version of a work that was submitted to / accepted for publication. Citation for final published version: Roberts, Annette, Roche, Neil, Jones, Calvin and Munday, Max 2016. What is the value of a Premier League football club to a regional economy? European Sport Management Quarterly 16 (5) , pp. 575-591. 10.1080/16184742.2016.1188840 file Publishers page: http://dx.doi.org/10.1080/16184742.2016.1188840 <http://dx.doi.org/10.1080/16184742.2016.1188840> Please note: Changes made as a result of publishing processes such as copy-editing, formatting and page numbers may not be reflected in this version. For the definitive version of this publication, please refer to the published source. You are advised to consult the publisher’s version if you wish to cite this paper. This version is being made available in accordance with publisher policies. See http://orca.cf.ac.uk/policies.html for usage policies. Copyright and moral rights for publications made available in ORCA are retained by the copyright holders. What is the value of a Premier League football club to a regional economy? Annette Roberts*, Neil Roche, Calvin Jones & Max Munday Welsh Economy Research Unit, Cardiff Business School, Colum Drive, Cardiff, CF10 3EU. UK. email addresses and telephone numbers: [email protected]* Tel. 0044 2920 875058 [email protected] Tel. 0044 2920 876648 [email protected] Tel. 0044 2920 875470 [email protected] Tel. -
Developing a Farmworker Disaster Plan: a Guide for Service Providers
DOCUMENT RESUME ED 372 882 RC 019 679 AUTHOR Outterson, Beth; And Others TITLE Developing a Farmworker Disaster Plan: A Guide for Service Providers. INSTITUTION Association of Farmworker Opportunity Program, Arlington, VA, PUB DATE Mar 94 NOTE 112p. AVAILABLE FROMThe Association of Farmworker Opportunity Programs, 1925 North Lynn Street, Suite 701, Arlington, VA 22209. PUB TYPE Guides Non-Classroom Use (055) EDRS PRICE MF01/PC05 Plus Postage. DESCRIPTORS Agricultural Laborers; *Community Resources; Elementary Secondary Education; *Emergency Programs; *Farm Labor; Government Role; Migrants; *Natural Disasters; Philanthropic Foundations; *Program Development; *Social Services; Training IDENTIFIERS *Disaster Planning; Federal Emergency Management Agency ABSTRACT This guide assists service providers in developing a comprehensive plan for aiding farmworkers during federally declared disasters, undeclared emergencies, and other crises that affect the agricultural industry. The first section outlines general characteristics of the farmworker population and describes how farmworkers have been overlooked during disaster relief efforts in the past. The seccnd section explains the role of government and how disaster aid is allocated during presidentially declared and undeclared disasters. This section also introduces the four phases of comprehensive emergency management used by the Federal Emergency Management Agency and state emergency plans. The third section outlines the development of a plan, including researching the community, coordinating with other agencies, sharing information about resources, determining whether resources meet needs, and annexing the plan to the state emergency operations plan. Also included are ideas for in-staff training and an assessment tool for assessing farmworker damage. The next section includes forms and instructions for evaluating service strengths and weaknesses. The last section lists names and addresses of contacts and resources for social workers, teachers, and others who work with migrant farmworkers.