The Representation of Black Women in the Harlem Riots of 1943 and 1964
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The representation of black women in the Harlem riots of 1943 and 1964 A comparative analysis Alessandra Galiani Independent degree project Main field of study: History Credits: 15 hp Semester/Year: Fall 2020 Supervisor: Christian Gerdov Examiner: Per Sörlin Table of Contents 1. Introduction ........................................................................................................................... 2 2. Problem statement and guiding questions ........................................................................ 6 3. Primary sources ..................................................................................................................... 7 4. Methodology ....................................................................................................................... 10 5. Theory ................................................................................................................................... 12 6. Literature review ................................................................................................................. 14 7. The role of representation .................................................................................................. 16 8. Why the Harlem riots ......................................................................................................... 22 9. African American women between the 1940s and the 1960s ........................................ 26 10. The representation of the black women in the Harlem riot of 1943 ........................... 36 11. The representation of the black women in the Harlem riot of 1964 ........................... 45 12. Conclusion ......................................................................................................................... 53 Bibliography ............................................................................................................................ 55 1 1. Introduction African American uprisings seem never to get out of fashion. It is the summer of 2020 and the past weeks have seen the United States swept out by one riot after another. Not the United States only; the whole world has experienced a domino effect of demonstrations and revolts to address systemic brutality against people of colour, especially in America. These new waves of protests seem to show that the world may have become ready to embrace the cause of the American black population and its claim for racial justice. Yet, even if the echo of the cry for racial justice resounds the world over as never before, the history of American riots as a response to systemic violence at the expense of black people is anything but new; it is almost as long as the African American experience itself. Even if demonstrating in different eras and historical circumstances have produced disparate outcomes, taking to the streets in order to claim respect and equality has been a constant in the black American history, even though many strategies and aspects have changed throughout time. Among those aspects, the use of technology and the ability to reach out to a vast audience via social media figure as positive and crucial. Another essential key to read the development of African American protest is the role of women, how it has evolved and the controversy that it still bears. The role of the African American woman as spokesperson and representative of the black community has grown with time; she has become the protagonist and ambassador of new strategies of communication.1 The death of George Floyd that has caused worldwide demonstrations in 2020 has come to the people’s knowledge thanks to the testimony of a quick young African American woman who shot the video and spread it to the entire world via social media; crowds 1 Two of the most popular Human Rights campaigns of the 2010s that have spread worldwide thanks to social media have been founded by African American women: the #metoo campaign against sexual harassment was founded by Tarana Burke; the Black Lives Matter campaign was founded by Alicia Garza, Opal Tometi and Patrisse Cullors. 2 have been inflamed by the articulated speech of Tamika Mallory, a black woman who has embodied the spirit of the protest and whose public address has gone viral and has been acclaimed worldwide; the first statue dedicated to the Black Lives Matter movement represents a proud black woman, the activist Jen Reid. If we were to stop here, the representation of black females involved in the riots we would get would be that of fierce, knowledgeable, leading women; and that would mean looking at one side only. While it is undeniable that some women are taking the lead in the protests that urge the unequal treatment towards black people to come to an end, an increasing group of black feminists is, in fact, lifting the issue of how all the attention gathers around black male victims, leaving black female victims in the shadow. Black feminists have brought to the public attention the case of Breonna Taylor, an innocent black woman killed in her apartment by the police. They wonder why the killing of a black man can raise hell, but not the killing of a black woman. In an experiment conducted at a TED conference, scholar and activist Kimberlé Crenshaw asked the audience to stand up when they recognized the name of a black person who had fallen victim of police brutality. While the pictures and the names of black males rang the bell, the pictures and names of black women were unknown to all the people sitting there, with one or two exceptions. Who is rioting for African American women?2 Crenshaw’s theory is that we do not take those women into consideration, because we do not see them, they are not represented, whereas men are. The double standard that black women are subjected to, due to their belonging to two overlapping minority groups, has been first analysed by Crenshaw in the 1980s and has been named intersectionality: being discriminated for being black and for being a woman intersect, thus putting black women in a situation of double 2 https://www.ted.com/talks/kimberle_crenshaw_the_urgency_of_intersectionality 3 jeopardy.3 The main point of the intersectionality theory is that black women have been historically excluded by the women’s movements on one side and the black movement on the other, thus remaining behind in terms of social conquests.4 What black feminist groups claim is that a fair visibility of black women be offered, complaining the fact that too often black women have remained invisible or unheard or that the black woman’s image has been represented in a distorted way, thus mining her opportunities to be seen and consequently to have access to the means that provide her social growth. These demands have in the past months been embodied in a movement called #SayHerName. The sharp contrast between the representation of few fierce black women on the one hand, and the lack of representation of a crowd of invisible women on the other hand can raise questions about the role of African American women in historical riots. Therefore, the main idea of this dissertation is to deliver a description of the representation of black women involved in two different riots in the renowned black neighbourhood of Harlem at two turning points in American history: the first one in 1943, in the middle of World War II, and the second one right after the approval of the Civil Rights Act in 1964. This study attempts to see how the media wanted black women to be perceived by the American readers, how much attention they got, and if they fitted in a stereotype or not. The thesis is structured as follows: In the first place, I will clarify the goal of this dissertation and present the sources, the methodology and the theory that have been used to carry out the study, together with a brief overview of the body of works that have previously considered the representation of black women. 3 Cho, Sumi, Crenshaw Williams, Kimberlé & McCall Leslie, Toward a Field of Intersectionality Studies: Theory, Applications, and Praxis in Signs , Vol. 38, No. 4, Intersectionality: Theorizing Power, Empowering Theory (Summer 2013), pp. 785-810 4 Carastathis, Anna, Intersectionality. Origin, Contestation, Horizons, University of Nebraska Press, 2016, pg. 16 4 In the second place, I will clarify the importance of representation, the role of stereotypes, and how they can affect popular imagery and consequently lead to the increment of discrimination. In the third place, I will give a historical overview of the changes that black women underwent between the Forties and the Sixties and how their role dwindled during those years; in addition, I will offer an explanation as to why I have chosen Harlem, the riots and those specific historical moments as valid references to measure the quality of black women’s representation. I will then display the sources that I have found and I will make a comparative analysis of the description of black women in the Harlem riot of 1943 first, and in 1964 then, and see if their depiction has changed throughout time following the parameters given in the previous chapters. As a conclusion, I will analyse whether the female images that we have left from those riots can have contributed to the stereotypes that have negatively affected the black woman experience and how a different representation can turn into a positive change in society. 5 2. Problem statement and guiding questions This dissertation aims at analysing the representation of black women that took part in the Harlem riots of 1943