Marimas Hosan Mostiller ABSTRACT
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Partial List of Institutional Clients
Lord Cultural Resources has completed over 2500 museum planning projects in 57+ countries on 6 continents. North America Austria Turkey Israel Canada Belgium Ukraine Japan Mexico Czech Republic United Kingdom Jordan USA Estonia Korea Africa France Kuwait Egypt Central America Germany Lebanon Morocco Belize Hungary Malaysia Namibia Costa Rica Iceland Philippines Nigeria Guatemala Ireland Qatar South Africa Italy Saudi Arabia The Caribbean Tunisia Aruba Latvia Singapore Bermuda Liechtenstein Asia Taiwan Trinidad & Tobago Luxembourg Azerbaijan Thailand Poland Bahrain United Arab Emirates South America Russia Bangladesh Oceania Brazil Spain Brunei Australia Sweden China Europe New Zealand Andorra Switzerland India CLIENT LIST Delta Museum and Archives, Ladner North America The Haisla Nation, Kitamaat Village Council Kamloops Art Gallery Canada Kitimat Centennial Museum Association Maritime Museum of British Columbia, Victoria Alberta Museum at Campbell River Alberta Culture and Multiculturalism Museum of Northern British Columbia, Alberta College of Art and Design (ACAD), Calgary Prince Rupert Alberta Tourism Nanaimo Centennial Museum and Archives Alberta Foundation for the Arts North Vancouver Museum Art Gallery of Alberta, Edmonton Port Alberni Valley Museum Barr Colony Heritage Cultural Centre, Lloydminster Prince George Art Gallery Boreal Centre for Bird Conservation, Slave Lake National Historic Site, Port Alberni Canada West Military Museums, Calgary R.B. McLean Lumber Co. Canadian Pacific Railway, Calgary Richmond Olympic Experience -
The Fate of National Socialist Visual Culture: Iconoclasm, Censorship, and Preservation in Germany, 1945–2020
City University of New York (CUNY) CUNY Academic Works School of Arts & Sciences Theses Hunter College Fall 1-5-2021 The Fate of National Socialist Visual Culture: Iconoclasm, Censorship, and Preservation in Germany, 1945–2020 Denali Elizabeth Kemper CUNY Hunter College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/hc_sas_etds/661 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] The Fate of National Socialist Visual Culture: Iconoclasm, Censorship, and Preservation in Germany, 1945–2020 By Denali Elizabeth Kemper Submitted in partial fulfillment of the requirements for the degree of Master of Arts in Art History, Hunter College The City University of New York 2020 Thesis sponsor: January 5, 2021____ Emily Braun_________________________ Date Signature January 5, 2021____ Joachim Pissarro______________________ Date Signature Table of Contents Acronyms i List of Illustrations ii Introduction 1 Chapter 1: Points of Reckoning 14 Chapter 2: The Generational Shift 41 Chapter 3: The Return of the Repressed 63 Chapter 4: The Power of Nazi Images 74 Bibliography 93 Illustrations 101 i Acronyms CCP = Central Collecting Points FRG = Federal Republic of Germany, West Germany GDK = Grosse Deutsche Kunstaustellung (Great German Art Exhibitions) GDR = German Democratic Republic, East Germany HDK = Haus der Deutschen Kunst (House of German Art) MFAA = Monuments, Fine Arts, and Archives Program NSDAP = Nationalsozialistische Deutsche Arbeiterpartei (National Socialist German Worker’s or Nazi Party) SS = Schutzstaffel, a former paramilitary organization in Nazi Germany ii List of Illustrations Figure 1: Anonymous photographer. -
Interdisciplinary, and Some Resources for History, Philosophy, Religion, and Literature Are Also Included in the Guide. Images A
Bard Graduate Center Research Guide: Ancient and Medieval China (to c. 1000 C.E.) This guide lists resources for researching the arts and material culture of ancient and medieval imperial China, to c. 1000 C.E. This time period begins with the neolithic and bronze ages (c. 4000 - 200 B.C.E.) and continues through the end of the Five Dynasties period (960 C.E.), including the Xia, Shang, Zhou, Han, and T'ang dynasties. Although art history and material archaeology resources are emphasized, research on this topic is very interdisciplinary, and some resources for history, philosophy, religion, and literature are also included in the guide. This guide was compiled by Karyn Hinkle at the Bard Graduate Center Library. Images above, left to right: a gold cup from the Warring States period, jade deer from the Zhou dynasty, a bronze wine vessel from the Shang dynasty, all described in Patricia Buckley Ebrey's Visual Sourcebook of Chinese Civilization. Reference sources for ancient and medieval China Ebrey, Patricia Buckley, and Kwang-Ching Liu. The Cambridge Illustrated History of China. Cambridge: Cambridge University Press, 1996. DS 706 .E37 1996 Loewe, Michael and Edward L. Shaughnessy. The Cambridge History of Ancient China: From the Origins of Civilization to 221 BC. Cambridge: Cambridge University Press, 1999. DS 741.5 .C35 1999; also available online through Bard College Nadeau, Randall Laird, ed. The Wiley-Blackwell Companion to Chinese Religions. Wiley-Blackwell Companions to Religion. Chichester, UK: Wiley-Blackwell, 2012. Available online through Bard College Gold Monster Shaanxi Museum The Han Dynasty Length:11 cm Height:11.5 cm Unearthed in 1957 from Gaotucun,Shenmu County,Shaanxi Province Important books on ancient and medieval China, and good general introductions to Chinese history and art Boyd, Andrew. -
Vibrancy in Stone: Masterpieces of the Đà Nẵng Museum of Cham Sculpture, by Trần Kỳ Phương, V
Vibrancy in Stone: Masterpieces of the Đà Nẵng Museum of Cham Sculpture, by Trần Kỳ Phương, V. Văn Thắng, and Peter D. Sharrock. Photographs by Paisarn Piemmettawat (Bangkok: River Books, 2018) In 2018, the University of London’s School of Oriental and African Studies (SOAS) partnered with the Đà Nẵng Museum of Cham Sculpture in central Vietnam to produce a remarkable and visually striking centenary catalogue of its world- renowned collection of the sacred arts of the Cham people of Vietnam. The publication of Vibrancy in Stone: Masterpieces of the Đà Nẵng Museum of Cham Sculpture was timed to coincide with the renovation and expansion of the museum. Beginning in the second century CE, settlements appeared along the central coast of what became Vietnam. The Chams probably migrated over the ocean from Borneo and were accomplished navigators. Their ports were the first call for any ship heading from China to India and the Arab world. Their role in the medieval maritime trade grew steadily and reached an apogee in the fourteenth and fifteenth centuries, when the great neighboring empire of Cambodia declined. The prosperity won from trade led to large scale temple construction earlier than the Cambodians. Figure 1. Map of Cham archaeological sites in Vietnam When tourism resumed in Vietnam after the wars of the twentieth century, the museum quickly became a prime attraction in the port city of Đà Nẵng. It is the world’s only museum devoted exclusively to the art of ancient Champa, the name given to the civilization of the Cham people. With 500 objects on display, its collection far outnumbers those in the Hanoi and Ho chi Minh City History museums, as well as the Musée Guimet in Paris. -
Museum Partnership Report Understanding the National Museums’ Partnership Activities in 2017/18
Museum Partnership Report Understanding the national museums’ partnership activities in 2017/18 August 2019 We can also provide documents to meet the Specifc requirements for people with disabilities. Please email [email protected] Department for Digital, Culture, Media & Sport Printed in the UK on recycled paper ©Crown copyright 2019 You may re-use this information (excluding logos and images) free of charge in any format or medium, under the terms of the Open Government Licence. To view this licence, visit http://www.nationalarchives.gov.uk/doc/ open-government-licence/ or e-mail: [email protected] Where we have identifed any third party copyright information you will need to obtain permission from the copyright holders concerned. Any enquiries regarding this document should be sent to us at [email protected] Museum Partnership Report : Understanding the national museums’ partnership activities in 2017/18 3 Contents EXECUTIVE SUMMARY 4 INTRODUCTION 5 Background to the Report 5 The national museums 6 The Survey 9 SHARING COLLECTIONS 10 Sharing collections in the UK 10 Sharing collections internationally 17 Sharing collections for research 19 Supporting new collections and acquisitions 20 Borrowing Collections 20 SHARING KNOWLEDGE 24 Partnering to build capacity and deliver professional development in the museums sector 24 Academic partnerships and collaborations 29 Acting as experts for Government 34 SUPPORTING AUDIENCE ENGAGEMENT AND SOCIAL OUTCOMES 36 Partnering to improve museum and cultural participation 37 Partnering to deliver education and learning 38 Partnering to support our health and wellbeing 41 Partnering to develop skills and careers 42 CONCLUSIONS AND LOOKING FORWARD 45 APPENDIX 1: LIST OF IMAGES 46 APPENDIX 2: THE SURVEY 48 APPENDIX 3: USEFUL LINKS 50 4 1. -
JSS 027 1G Reviewofbooks
115 1'1EVIEWS OF BOOKS. JEAN YvEs CLAEYS, Me.mbre de !'Ecole Fmnc;a,iHe d'Extreme Orient, Inspecteur du Service Archeulogiqne de 1'Indochiue L'.A.?·eheolO[JI:o d1L Siam; Hano'i, 1931, in-8, 88 pages; with numerous photogntphs, sketches, phms a,ucl ouc mtLp of Si111u. 'rhe author of the above vet·y interesting book is a young French architect and archreologist ·who, t[Uite recently, on the retirement of Monsieur Henri Parmentier, the Nestor of Indochinese archreo logists, took over the important position of Im>poctor of the Archreological Service in the iive countt-ies whiel1 constitute the French Indochinese Union. l\1. OlaeyH modestly calls his book a rapid survey o.E the archreological sites of Siam f'rom Nakhon Sri 'rhammarat in the south to Ohiengsaen in the extreme north. We think, however, that his survey contains more tha,n the rudiments of that complete and all embracing archu,eological Hnrvey of the kingdom o£ Siam which some day surely must be made if science is only given the necessu.ry means to carry it out. Monsieur Claeys' "book moreover reads easily, due to his clear style, his up-to-da~e information and the intelligent manner in which he treats hi,; Rubjcct aml an·ives at his conclusions. His book has made Siamese 11rchreology richer and better known to the world outside this country, for ·which all students of things Siamese will thank him. In his introduction, the author praises with good reasons the admirable pioneer work done by His Royal .Highness P?'l>nce Damrong, "un vrai erudit ",who by his indefatigable interest in his country's past history has also powerfully stimulated others to work for the cause of archaeology. -
Museum Policies in Europe 1990 – 2010: Negotiating Professional and Political Utopia
Museum Policies in Europe 1990 – 2010: Negotiating Professional and Political Utopia Lill Eilertsen & Arne Bugge Amundsen (eds) EuNaMus Report No 3 Museum Policies in Europe 1990–2010: Negotiating Professional and Political Utopia (EuNaMus Report No. 3) Lill Eilertsen & Arne Bugge Amundsen (eds) Copyright The publishers will keep this document online on the Internet – or its possible replacement – from the date of publication barring exceptional circumstances. The online availability of the document implies permanent permission for anyone to read, to download, or to print out single copies for his/her own use and to use it unchanged for noncommercial research and educational purposes. Subsequent transfers of copyright cannot revoke this permission. All other uses of the document are conditional upon the consent of the copyright owner. The publisher has taken technical and administrative measures to assure authenticity, security and accessibility. According to intellectual property law, the author has the right to be mentioned when his/her work is accessed as described above and to be protected against infringement. For additional information about Linköping University Electronic Press and its procedures for publication and for assurance of document integrity, please refer to its www home page: http://www.ep.liu.se/. Linköping University Interdisciplinary Studies, No. 15 ISSN: 1650-9625 Linköping University Electronic Press Linköping, Sweden, 2012 URL: http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-81315 Copyright © The Authors, 2012 This report has been published thanks to the support of the European Union’s Seventh Framework Programme for Research - Socio-economic Sciences and Humanities theme (contract nr 244305 – Project European National Museums: Identity Politics, the Uses of the Past and the European Citizen). -
Our Paris PDF Slide Show
Paris City Sites By Hank Schrader “Your Journey Begins Here” Post Card from my first visit July 24, 1971 Souvenir from the top of the Eiffel Tower Outside of the Louvre Palace Outside the Louvre Photo Anne Schrader www.dreamdestinations.com Arc du Photo Anne Schrader Carrousel www.dreamdestinations.com This is another monument to Napoleon’s victories Louvre Winged Victory Louvre Napoleon’s Crown Louvre Louvre Entrance to Orsay Museum Photo Anne Schrader www.dreamdestinations.com Model of the Statue of Liberty Orsay Museum Photo Anne Schrader www.dreamdestinations.com Photo Anne Schrader Eiffel Tower www.dreamdestinations.com Eiffel Tower Photo Anne Schrader www.dreamdestinations.com at Night Paris at Night Photo Anne Schrader www.dreamdestinations.com Arc de Triomphe Hall of Mirrors Versailles Notre Dame Cathedral Inside Notre Dame Cathedral Army Museum & Napoleon’s Tomb The Thinker Rodin Museum The Gates of Hell Rodin Museum Sorbonne Photo Anne Schrader www.dreamdestinations.com Photo Anne Schrader Sorbonne www.dreamdestinations.com Paris Opera House Photo Anne Schrader www.dreamdestinations.com Place de la Concorde Photo Anne Schrader www.dreamdestinations.com Danton’s Cafe Photo Anne Schrader www.dreamdestinations.com Paris Parking Photo Anne Schrader www.dreamdestinations.com Pompidou Center Photo Anne Schrader www.dreamdestinations.com Pompidou Center Photo Anne Schrader www.dreamdestinations.com Sacre-Coeur Photo Anne Schrader www.dreamdestinations.com Walking the Seine Love Locks on a Seine River Bridge Photo Anne Schrader www.dreamdestinations.com -
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Pensées mili-terre Centre de doctrine et d’enseignement du commandement Les collections de l’armée de Terre conservées dans les musées de la défense Cahiers de la pensée mili-Terre 1 le Chef de bataillon Aude PIERNAS publié le 12/12/2017 Histoire & stratégie héritage, histoire et genèse d’un patrimoine "muséal" Après avoir précisé la génèse et la filiation des collections du musée de l’Armée et des musées d’armes, le Chef de bataillon Aude Piernas détaille les choix pris en matière d’organisation et de rationalisation, la formation nécessaire des conservateurs, et dessine une orientation possible pour répondre au défi muséal du XXIème siècle. La commémoration du centenaire de la Grande Guerre donne l’occasion aux musées de la défense de témoigner de l’action des troupes françaises en exposant les objets contemporains de cet événement historique militaire majeur. Force est de constater en visitant l’exposition «Verdun, la force aérienne»[1] que les objets présentés sont parvenus jusqu’à nous de différentes manières. Ces objets soit ont été des trophées pris à l’ennemi, soit ont été récupérés sur le champ de bataille, soit ont équipé les forces, puis ont été conservés par les unités ou ont transité dans des collections privées d’amateurs de militaria avant d’être acquis par l’un des musées de la défense. Cependant, il s’avère que cet héritage des collections militaires puise ses racines au-delà de la Première Guerre mondiale pour les musées de l’armée de Terre. Même si le musée de l’Armée fait figure de premier musée militaire, sa création et ses origines sont bien plus complexes[2] et anciennes. -
Presented To
Incentive Trip to Vietnam Proposal Presented by H.I.S Singapore About Vietnam Where is Vietnam? Vietnam is located on the southern and eastern portion of the Indochinese peninsula and belongs to Southeast Asia. Its borders are China to the north, and Laos and Cambodia to the west. The eastern part of the country, consisting of over 3000km of coastline is facing the South China Sea. Vietnam Language Official language: Vietnamese There are three main dialects of Vietnamese that can be classified geographically: north (Hanoi), south (Ho-Chi-Minh-City), central (Hue). Time Zones Local time in Vietnam is 7 hours ahead of Greenwich Mean Time (GMT + 7) 1 hour behind Singapore Currency Vietnam’s shift from one of the poorest in the world into a The official currency of Vietnam is the dong, lower middle-income country. Vietnam now is one of the most which can be found only in notes ranging from dynamic emerging countries in East Asia region. 200 VND to 500,000 VND. One of south-east Asia's fastest-growing Country . Useful Information Vietnam Visa Policy Free visa Vietnam offers visa exemptions to travelers from 24 countries Vietnam Electronic Visa (e-Visa) to travelers from 80 countries. Singapore Passport :Visa free for 30 days Malaysia Passport :Visa free for 30 days Japan Passport :Visa free for 15 days Travelers can also easily apply for a visa on arrival online or in person at a Vietnamese embassy or consulate Remarks : for Japan Passport, your 2nd trip must more than 30 days after the 1st trip to enjoy the visa free. -
The French Archaeological Mission and Vat Phou : Research on an Exceptional Historic Site in Laos Marielle Santoni, Christine Hawixbrock, Viengkeo Souksavatdy
The French archaeological mission and Vat Phou : Research on an exceptional historic site in Laos Marielle Santoni, Christine Hawixbrock, Viengkeo Souksavatdy To cite this version: Marielle Santoni, Christine Hawixbrock, Viengkeo Souksavatdy. The French archaeological mission and Vat Phou : Research on an exceptional historic site in Laos. 2017, 27 p. hal-03144441 HAL Id: hal-03144441 https://hal.archives-ouvertes.fr/hal-03144441 Submitted on 17 Feb 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Marielle Santoni; Christine Hawixbrock; Viengkeo Souksavatdy The French archaeological mission and Vat Phou : Research on an exceptional historic site in Laos Marielle Santoni* Christine Hawixbrock** Viengkeo Souksavatdy*** “La Mission archéologique française et le Vat Phu : recherches sur un site exceptionnel du Laos”. in Y. Goudineau et M. Lorrillard (ed.), Recherches nouvelles sur le Laos, Vientiane/Paris, EFEO, coll.“Études thématiques” (18), 2008, pp. 81-111. The Vat Phou complex [fig. 1] is located in Champasak Province in Southern Laos on the right bank of the Mekong River, 100 km north of the Khone waterfalls which mark the border with Cambodia. It stretches to a sacred mountain, the tip of which has a remarkable shape, identified in antiquity as a liṅga, hence the ancient Sanskrit name Liṅgaparvata, meaning “Liṅga Mountain”. -
Pre-Angkorian Communities in the Middle Mekong Valley (Laos and Adjacent Areas) Michel Lorrillard
Pre-Angkorian Communities in the Middle Mekong Valley (Laos and Adjacent Areas) Michel Lorrillard To cite this version: Michel Lorrillard. Pre-Angkorian Communities in the Middle Mekong Valley (Laos and Adjacent Areas). Nicolas Revire. Before Siam: Essays in Art and Archaeology, River Books, pp.186-215, 2014, 9786167339412. halshs-02371683 HAL Id: halshs-02371683 https://halshs.archives-ouvertes.fr/halshs-02371683 Submitted on 20 Nov 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. hek Thak Thakhek Nakhon Nakhon Phanom Phanom Pre-Angkorian Communities in g Fai g g Fai n n the Middle Mekong Valley Se Ba Se Se Ba Se Noi Se Se Noi (Laos and Adjacent Areas) That That That Phanom Phanom MICHEL LORRILLARD Laos Laos on on P P Vietnam Se Se Vietnam i i n n het Savannak Savannakhet Se Xang Xo Xang Se Se Xang Xo Introduction Se Champho Se Se Champho Se Bang Hieng Bang Se Se Bang Hieng he earliest forms of “Indianisation” in Laos have not been the Mekong Mekong Se Tha Moak Tha Se Se Tha Moak Tsubject of much research to date. Henri Parmentier (1927: 231, 233-235), when introducing some two hundred sites related to Se Bang Hieng Bang Se Se Bang Hieng “Khmer primitive art” – soon reclassified as “pre-Angkorian art” as being prior to the ninth century – took into account only five such sites located upstream of the Khone falls.