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WORKSHOP: Sitar Workshop www.4shillingsshort.com [email protected] THE SITAR: An introduction to the King of North Indian instruments HISTORY The “Sahtar” (sah = three / tar = string), dates back at least 700 years. Originating in ancient Persia, the instrument is said to have been invented by Amir Khusro. With the Persian invasions of India came the meeting of the arts and musics of the two cultures. By the 14th Century the innovation of combining the Sahtar with the Veena, the ancient Vedic instrument, took hold. This “Sitar” was a new and strange instrument which did not catch the musican’s fancy immediately. Over the next 400 years the Sitar underwent further refinements, with the addition of more strings and a bridge of sympathetic resonating strings. By the late 18th Century, there came a blossoming of the instrument under the masterful hands of Ustad Imdad Khan and Allauddin Khan of Maihar. Ustad Allauddin Khan is the famous teacher of Sarod maestro Ali Akbar Khan (his son). He is also the teacher of Ravi Shankar, the famed Sitarist who taught George Harrison (of the Beatles) the instrument. Other famous Sitar masters are Ustaad Vilayat Khan and Nikhil Bannerji. CONSTRUCTION OF THE SITAR Constructed of Teak wood for the neck and sound board, Rosewood pegs, brass frets, metal strings of varying gauges and alloys, bone and sometimes ivory ornaments, and a large gourd for the body. STRINGS: GAUGES AND REPLACEMENT OF STRINGS (handout) CARE OF THE SITAR HOLDING THE SITAR/YOGA Store in the case Foot placement Carrying the sitar Support w/elbow & balance The gourd and cracks Thumb at last fret The bridges, frets and pegs: Mizrab technique CLEANING DA = inside MOVING RA = outside REPAIRING DIRI = in/out Sitar TUNING THE SITAR – LISTENING FOR THE MICROTONE Microtonal vs. Tempered tuning The importance of vocalization and singing to pitch SARGAM and RAGA NOTATION (handout) SA-RE-GA-MA-PA-DHA-NI-SA RAGA DEMONSTRATION & QUESTIONS AND ANSWERS.

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