DOCSLIB.ORG

Streaming Queen SUBSCRIBER’S SUBSCRIBER’S COPY

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Streaming Queen SUBSCRIBER’S SUBSCRIBER’S COPY FOR THE MAN IN FULL | www.mansworldindia.com AUGUST 2020 | K 150 RADHIKA APTE • JAPANESE SUPERCARS • SATHYU 90 AT / ISSUE 246 / AUGUST 2020 Radhika ISSN 2277 - 1840 MW MAHENG/2008/26535 NO. RNI ApteStreaming Queen SUBSCRIBER’S COPY SUBSCRIBER’S MW Radhika Apte August 2020 Cover R1.indd All Pages 03/08/20 6:01 PM Executive Editor’s Note AUGUST 2020 Publisher & Editor N RADHAKRISHNAN Executive Publisher MINAL SURVE Executive Editor ARNESH GHOSE Associate Editor RAJU BIST OF FRIENDSHIPS, Assistant Editor SAMREEN TUNGEKAR Fashion Editor NEELANGANA VASUDEVA FINDING YOUR SQUAD, AND THAT Art Director TANVI SHAH Associate Art Director HEMALI LIMBACHIYA 4 AM PHONE CALL Assistant Art Director NANDKISHOR SAWANT Graphic Designers GAUTAMI DAVE, SANJANA SUVARNA Senior Digital Manager JAYESH V. SALVI Production Manager MANGESH SALVI Idiots (that’s what F.R.I.E.N.D.S. should actually have been titled) never befriend anyone beyond the circle. And because of shows like that, as well mansworldindia.com as pop culture, we believe we are supposed to do the same — form a gang early on and stick with it, warts and all. Sometimes, does it get unhealthy? ARNESH GHOSE Web Editor Sure. But would we rather stay put than go out into the wild to make new Sta Writers MAYUKH MAJUMDAR, SANIKA ACHREKAR, RAJEEV MATHEW friends in our mid-thirties? Hell yeah. The lucky ones find their “gangs” and “squads”. From Dil Chahta Hai Consulting Editor PABLO CHATERJI to Taylor Swift, your squad will always have your back. They will be the tightest of friends, and if scorned, unfortunately, the most relentless Contributing Editors MAITHILI RAO, SOLEIL NATHWANI, foes. Finding your squad is a blessing — some of us forge bonds in our MAGANDEEP SINGH emember “Man is a social animal”? It used to be childhoods that last a lifetime, while others might find new people in everybody’s favourite opener for essays in school. dierent stages in our lives who become our support systems. They say, Man is a social animal. While the adage opened “I’ve got your back”, and you make a Trust Fall. MANOJ SHARMA General Manager, Sales & Marketing discussions on companionship, equations, and our While we might dierentiate our circles as personal and social (media), ([email protected]), NEW DELHI roles in society, today, I'd update it to “Man is a social it might just be an update on the “fair weather friend” construct of the media animal”. All of us have two social setups these previous generation. Our socials are all about what’s great in our lives. I'd TULSI BAVISHI General Manager, Sales & Marketing days. The personal, and the social. The social setup is say, hold on to the ones you demolish waes with, at midnight, in your ([email protected]), MUMBAI the one we portray on social media, the network we boxer shorts, cribbing about your job. Or put face masks with on weekends Deputy General Manager-Sales & Marketing NOHA QADRI Rinvest in online, the “friends” we follow, DM, comment on, and fight trolls while binge watching crappy films. Or video call for hours, trying to ([email protected]), MUMBAI with. These are like-minded people we might be genuinely invested in, but navigate the pangs of growing up and losing track. As for me, I determine might have never physically interacted with. I remember a certain someone my closeness with someone depending on if they are allowed to watch Assistant Manager - Sales & Marketing SAGRIKA SANJAY walking up to me at a highway dhaba while I was on a road trip with a me get tattooed. If you allow people to experience you when you are ([email protected]), NEW DELHI friend — “Hey, you're Arnesh, right? I know you from Facebook. We're vulnerable, in pain, hurting, and aren’t looking pretty at all (all this holds friends.” I smiled. Friends. F.R.I.E.N.D.S. Friends on Facebook. That word true for getting tattooed too, by the way), you've found yourself a squad, a has gone through such an update. shoulder, a pillow for your Trust Fall. They are the ones you have on speed Sr. Circulation Exc. (MIS & Opr) SANTOSH P. GAJINKAR In school, we used to make our individual hierarchy of friendships. dial, the ones your significant others have to impress and win approval of, (+91 99695 71319) Batchmates – Lab buddies – Friends – Good friends – Close friends – Best and the ones you can uninhibitedly call any time (even in the middle of friend(s). It used to help us navigate our equations in our then social circle. the night), because you want to. Pro tip: If you've got people in your life, Accountant PRADEEP ACHAREKAR Primarily, it used to be about relaying information. How much about yourself whom you don’t have to apologise to for ruining their sleep, you've got you share with a certain person determined that person’s proximity to your preciouses. Hold on to them like Gollum. RAJEEV POOJARY Oce Manager you. Today, we eagerly share intimate details online, so, honestly, what do Oce Assistant VAIBHAV MORE we hold back for those who form the physical, personal circle? Many of us, unfortunately, might not even have one. Childhood and college friends recede often as we grow up, and after a certain age, “making friends” is cringe worthy. We might come across many people we like and admire, MW.Com (India) Pvt. Ltd but are we able to necessarily pick up the phone and text them “Hey, wanna hang out and grab a beer this weekend?” Men, especially, are quite EDITORIAL & MARKETING OFFICE: 401, 4th Floor, Todi Building, Mathuradas Mills Compound, ill-equipped at doing this. And I don’t blame anybody. Our wiring, social Senapati Bapat Marg, Lower Parel, Mumbai 400 013., Tel:67487777 construct, and TV shows have instilled a basic understanding of friendship NEW DELHI: 1104, Prakash Deep Building, 7 Tolstoy Marg New Delhi - 110001, Tel:011- 43503672, 23356071, 23356072 BANGALORE: Santhome-33/01, Ist stage, Ist Cross, Indira Nagar, Bangalore-560 038 — one that is old. Everything else is networking. Hence, the Six White Horny — Arnesh Ghose Contact for editorial: [email protected] Circulation: [email protected] Printed and Published by N Radhakrishnan on behalf of MW.Com India Private Limited. Printed at Spenta Multimedia, Peninsula Spenta, Mathuradas Mill Compound, N.M. Joshi Marg, Lower Parel, Mumbai 400 013. Published at MW.Com India Private Limited, 401, 4th Floor, Todi Building, Mathuradas Mill Compound, Senapati Bapat Marg, Lower Parel, Mumbai 400 013. Editor: N Radhakrishnan. All rights reserved worldwide. Unsolicited manuscripts will not be returned unless accompanied by a postage pre-paid envelope. AUGUST 2020 • MW 5 NEWS-STAND PRICE ` 150 INTERNATIONAL SUBSCRIPTION RATES US $ 115 (1 year); US $ 220 (2 years); US $ 325 (3 years); US $ 525 (5 years) FUJIFILM.indd 1 03/08/20 6:06 PM MW Executive Editor’s Note.indd 12 03/08/20 9:24 AM Contents AUGUST 2020 Contributors SEEMA ANAND In this issue: Tall, dark, 64 handsome (Pg 38) COVER STORY Describe yourself in one word: Optimistic What’s your life’s theme song? Radhika Apte: “There may be trouble ahead but while there’s music and Streaming Queen moonlight and love and romance, From feature films, web releases, international let’s face the music and dance....” projects, to writing and directing short films, If you were a man for the whole Radhika Apte has constantly proven that day, what would you do? she is outrageously talented, bankable, and Revel in all my “unwanted” hair definitely one of India’s most prominent international celebrities BY ARNESH GHOSE FEATURES MAGANDEEP SINGH 56 Current Cinema: In this issue: Six Best Performing Sathyu at 90 By Earbuds (Pg 18) Maithili Rao Describe yourself in one word: 60 Friendship Day Alright Special: Better call What’s your life’s theme song? your bud Creep by Radiohead or Semi- Charmed Life by Third Eye Blind If you could shop for free at one store, which one would you choose? I’m free shopping for the moment at FOB a Dior x Air Jordan pop-up 09 Radar 12 Digital collage artists 14 The Interview: Anvita Dutt 16 The A-List 18 Six best performing earbuds 20 Zoom call weddings 23 Apps for millionaires 24 Sustainable architecture 26 Podcasts for a ASHWIN RAJAGOPALAN good sleep In this issue: The A-List (Pg 16) 28 Community history Describe yourself in one word: projects Unru ed 30 Japanese supercars What’s your life’s theme song? Here Comes The Sun What gadget trend do you wish to bring back in 2020? It would be great to see the TALK return of industrial design, like 36 Not thirsting for the the iPhone 5S thirties By Arnesh Ghose 38 Tall, dark, handsome PRABHAT SHETTY By Seema Anand 40 Hair way to heaven By Pritika Mathur AUGUST 2020 • MW 7 6 AUGUST 2020 • MW CONTENT.indd 10 03/08/20 3:05 PM Contributors.indd 6 03/08/20 4:36 PM Contents AUGUST 2020 RADARWHO & WHAT YOU SHOULD BE CHECKING OUT THIS MONTH Curated by Arnesh Ghose 50 TECH INFUSED The boldness of tech meets urban fashion. From business Actor meetings to after work scenes, TRIPTI DIMRI the newly launched OPPO Reno4 Let's face it: the only thing that was Pro and OPPO Watch (46mm) will bewitching about Bulbbul was Tripti Dimri's exceptionally nuanced and empower premium lifestyle layered performance. The young actress, earlier seen (maybe not by a lot of people) as the lead in Laila Majnu, delivered a performance in the Anvita Dutt film that is far beyond her age.
Load more

Recommended publications
  • NATION, NATIONALISM and the PARTITION of INDIA: PARTITION the NATION, and NATIONALISM , De Manzoor Ehtesham
    NATION, NATIONALISM AND THE PARTITION OF INDIA: TWO MOMENTS FROM HINDI FICTION* Bodh Prakash Ambedkar University, Delhi Abstract This paper traces the trajectory of Muslims in India over roughly four decades after Independ- ence through a study of two Hindi novels, Rahi Masoom Reza’s Adha Gaon and Manzoor Ehtesham’s Sookha Bargad. It explores the centrality of Partition to issues of Muslim identity, their commitment to the Indian nation, and how a resurgent Hindu communal discourse particularly from the 1980s onwards “otherizes” a community that not only rejected the idea of Pakistan as the homeland for Muslims, but was also critical to the construction of a secular Indian nation. Keywords: Manzoor Ehtesham, Partition in Hindi literature, Rahi Masoom. Resumen Este artículo estudia la presencia del Islam en India en las cuatro décadas siguientes a la Independencia, según dos novelas en hindi, Adha Gaon, de Rahi Masoom Reza y Sookha Bargad, de Manzoor Ehtesham. En ambas la Partición es el eje central de la identidad mu- sulmana, que en todo caso mantiene su fidelidad a la nación india. Sin embargo, el discurso del fundamentalismo hindú desde la década de 1980 ha ido alienando a esta comunidad, 77 que no solo rechazó la idea de Paquistán como patria de los musulmanes, sino que fue fundamental para mantener la neutralidad religiosa del estado en India. Palabras clave: Manzoor Ehtesham, Partición en literatura hindi, Rahi Masoom. DOI: https://doi.org/10.25145/j.recaesin.2018.76.06 Revista Canaria de Estudios Ingleses, 76; April 2018, pp. 77-89; ISSN: e-2530-8335 REVISTA CANARIA 77-89 DE ESTUDIOS PP.
    [Show full text]
  • The Literary Herald
    ISSN : 2454-3365 THE LITERARY HERALD AN INTERNATIONAL REFEREED ENGLISH E-JOURNAL A Quarterly Indexed Open-access Online JOURNAL Vol.1, No.1 (June 2015) Editor-in-Chief: Dr. Siddhartha Sharma Managing Editor: Dr. Sadhana Sharma www.TLHjournal.com [email protected] hhhhhhhhhhhhhhhhhhkkkkkkkkkkkkkkkkk;khngggh www.TLHjournal.com The Literary Herald ISSN: 2454-3365 An International Refereed English e-Journal The Representation of Agony during Partition as shown in M S Sathyu’s film “Garm Hawa” Ms Rekha Paresh Parmar Associate Professor Department of English Veer Narmad South Gujarat University, Surat Abstract “Garm Hawa” (Scorching Winds/Hot Winds) is a 1973 Hindi Urdu drama film directed by M S Sathyu with veteran actor Balraj Sahni as the lead. It was written by Kaifi Azmi and Shama Zaidi, based on an unpublished short story by a famous Urdu writer Ismat Chughtai. This controversial film has won several national awards in 1974 including a National Integration award. This political narrative deals with the plight of a North Indian Muslim businessman Salim Mirza and his family in 1947 in Agra. He is a patriot and a Muslim shoemaker, struggles to survive in this pathetic and critical condition of communal riots. He is in a dilemma either to live in India or to emigrate to Pakistan like his other family members. The Mirza family suffers for not doing anything wrong in this post-partition environment. They could neither manage their business nor got the job. The social and marital relations are affected. Salim Mirza’s elder son Baqar moves to Pakistan with his family. His daughter Amina is frustrated having two affairs with her cousins and committed suicide.
    [Show full text]
  • Global Media Journal–Pakistan Edition Vol.Xii, Issue-01, Spring, 2019 1
    GLOBAL MEDIA JOURNAL–PAKISTAN EDITION VOL.XII, ISSUE-01, SPRING, 2019 Screen Adaptation: An Art in Search of Recognition Sharaf Rehman1 Abstract This paper has four goals. It offers a brief history and role of the process of screen adaptation in the film industries in the U.S. and the Indian Subcontinent; it explores some of the theories that draw parallels between literary and cinematic conventions attempting to bridge literature and cinema. Finally, this paper discusses some of the choices and strategies available to a writer when converting novels, short stories, and stage play into film scripts. Keywords: Screen Adoption, Subcontinent Film, Screenplay Writing, Film Production in Subcontinent, Asian Cinema 1 Professor of Communication, the University of Texas Rio Grande Valley, USA 1 GLOBAL MEDIA JOURNAL–PAKISTAN EDITION VOL.XII, ISSUE-01, SPRING, 2019 Introduction Tens of thousands of films (worldwide) have their roots in literature, e.g., short stories and novels. One often hears questions like: Can a film be considered literature? Is cinema an art form comparable to paintings of some of the masters, or some of the classics of literature? Is there a relationship or connection between literature and film? Why is there so much curiosity and concern about cinema? Arguably, no other storytelling medium has appealed to humanity as films. Silent films spoke to audiences beyond geographic, political, linguistic, and cultural borders. Consequently, the film became the first global mass medium (Hanson, 2017). In the last one hundred years, audiences around the world have shown a boundless appetite for cinema. People go to the movies for different social reasons, and with different expectations.
    [Show full text]
  • Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
    University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films.
    [Show full text]
  • Shemaroo Entertainment Limited
    DRAFT RED HERRING PROSPECTUS Dated September 19, 2011 Please read section 60B of the Companies Act, 1956 (This Draft Red Herring Prospectus will be updated upon filing with the RoC) 100% Book Building Issue SHEMAROO ENTERTAINMENT LIMITED Our Company was originally incorporated as a private limited company under the Companies Act, 1956 on December 23, 2005, with the name Shemaroo Holdings Private Limited. Subsequently, pursuant to a Scheme of Arrangement approved by the Hon’ble High Court of Bombay vide order dated March 7, 2008 and by the special resolution of our shareholders dated May 28, 2008, the name of our Company was changed to Shemaroo Entertainment Private Limited and a fresh certificate of incorporation was granted to our Company on June 3, 2008, by the RoC. Thereafter, pursuant to a special resolution of our shareholders dated March 26, 2011, our Company was converted to a public limited company and a fresh certificate of incorporation consequent to the change of status was granted on April 1, 2011, by the RoC. For further details in connection with changes in the name and registered office of our Company, please refer to the section titled “History and Certain Corporate Matters” on page 95 of this Draft Red Herring Prospectus. Registered and Corporate Office: Shemaroo House, Plot No.18, Marol Co-operative Industrial Estate, Off Andheri Kurla Road, Andheri East, Mumbai- 400059 Telephone: +91 22 4031 9911; Facsimile: +91 22 2851 9770 Contact Person and Compliance Officer: Mr. Ankit Singh, Company Secretary; Telephone: +91 22 4031 9911; Facsimile: +91 22 2851 9770 E-mail: [email protected]; Website: www.shemaroo.com PROMOTERS OF OUR COMPANY: MR.
    [Show full text]
  • परीक्षेचे नांव : सहायक ाध्यापक, इंगर्जी, परीक्षेचा िदनांक : 09 फे बर्ुवारी, 2014 महाराटर् िशक्षण सेवा (महािवद्यालयीन शाखा), गट -अ, चाळणी परीक्षा-2013
    परीक्षेचे नांव : सहायक ाध्यापक, इंगर्जी, परीक्षेचा िदनांक : 09 फे बर्ुवारी, 2014 महाराटर् िशक्षण सेवा (महािवद्यालयीन शाखा), गट -अ, चाळणी परीक्षा-2013 िवषय : इंगर्जी महाराटर् लोकसेवा आयोगामाफर् त सहायक ाध्यापक, इंगर्जी, महाराटर् िशक्षण सेवा (महािवालयीन शाखा), गट -अ, चाळणी परीक्षा-2013 या चाळणी परीक्षेच्या नपितर्के ची उरतािलका उमेदवारांच्या मािहतीसाठी संके तथळावर िसध्द करण्यात आली होती. त्यासंदभार्त उमेदवारांनी अिधमािणत (Authentic) पटीकरण / संदभर् देऊन पाठिवलेली लेखी िनवेदने, तसेच तज्ज्ञांचे अिभाय िवचारात घेऊन आयोगाने उरतािलका सधािरतु के ली आहे. या उरतािलके तील उरे अंितम समजण्यात येतील. यासंदभार्त आलेली िनवेदने िवचारात घेतली जाणार नाहीत व त्याबाबत कोणताही पतर्यवहार के ला जाणार नाही, याची कृ पया नद घ्यावी. उत्तरतािलका - KEY Assessment Knowledge Center MPSC Notations: 1. Options shown in green color are correct. 2. Options shown in red color are incorrect. Group A Number of optional sections to be attempted: 0, Group Maximum duration : 0, Group Minimum duration : 60, Revisit allowed for view? : No, Revisit allowed for edit? : No, Break time: 0 Assistant Professor English Section type : Online, Number of Questions to be attempted:100, Mandatory or Optional: Mandatory Subsection : 1, Question Shuffling Allowed : Yes Question id : 4303 Question Type : MCQ In literary criticism, the term “archetype” denotes Options : 1.
    [Show full text]
  • Jantar Mantar Strike Seeks a Sustainable Earth
    STUDENT PAPER OF TIMES SCHOOL OF MEDIA GREATER NOiDA | MONDAY, OCTOBER 14, 2019 | VOL 3 , ISSUE 8 | PAGES 8 THE TIMESOF BENNETT Exploring a slice of Tibet in Delhi Trophy from the hunt Hip-hop: culture over trends The ISAC Walk 1.0 : Glimpses of Geeta Bisht, BU’s front desk executive, on Rapper’s take on today’s the photowalk to Majnu-ka-tilla winning the Super Model Hunt 2019 hip-hop industry | Page 5 | Page 4 | Page 6 BU hosts 1st inter-college sports fest, Expedite 2019 Silent walks to By ASHIMA CHOUDHARY were soul-stirring. As the the yum eateries. Even Zardicate came together was one to remember. took trophies, cash mon- Bennett University con- audience and athletes Mrs. Pratima was thrilled to mellow down the stress The crowd lit up the night ey and hampers home! fight harassment ducted its first-ever came together, the event to see the level of enthu- from the tournaments. with grooving students The stir caused by sports fest from 27th to electrified the atmosphere. siasm shown by students. The first night ended with and radium accessories. the fest was palpable as 29th of September. It Food stalls, to source In her words, “I expect- a bonfire, relaxing every- The DJ night lasted well Yashraj Saxena, former welcomed 400 students everyone’s energy, were ed it to be chaotic, but one, but it was the 28th, into the hours. Everyone head of the committee, from 16 universities from voiced his words, “We’ve the Delhi NCR region, been trying to host this Jaipur, Gwalior and a for the past two years.
    [Show full text]
  • Akshay Kumar
    Akshay Kumar Topic relevant selected content from the highest rated wiki entries, typeset, printed and shipped. Combine the advantages of up-to-date and in-depth knowledge with the convenience of printed books. A portion of the proceeds of each book will be donated to the Wikimedia Foundation to support their mis- sion: to empower and engage people around the world to collect and develop educational content under a free license or in the public domain, and to disseminate it effectively and globally. The content within this book was generated collaboratively by volunteers. Please be advised that nothing found here has necessarily been reviewed by people with the expertise required to provide you with complete, accu- rate or reliable information. Some information in this book maybe misleading or simply wrong. The publisher does not guarantee the validity of the information found here. If you need specific advice (for example, medi- cal, legal, financial, or risk management) please seek a professional who is licensed or knowledgeable in that area. Sources, licenses and contributors of the articles and images are listed in the section entitled “References”. Parts of the books may be licensed under the GNU Free Documentation License. A copy of this license is included in the section entitled “GNU Free Documentation License” All used third-party trademarks belong to their respective owners. Contents Articles Akshay Kumar 1 List of awards and nominations received by Akshay Kumar 8 Saugandh 13 Dancer (1991 film) 14 Mr Bond 15 Khiladi 16 Deedar (1992 film) 19 Ashaant 20 Dil Ki Baazi 21 Kayda Kanoon 22 Waqt Hamara Hai 23 Sainik 24 Elaan (1994 film) 25 Yeh Dillagi 26 Jai Kishen 29 Mohra 30 Main Khiladi Tu Anari 34 Ikke Pe Ikka 36 Amanaat 37 Suhaag (1994 film) 38 Nazar Ke Samne 40 Zakhmi Dil (1994 film) 41 Zaalim 42 Hum Hain Bemisaal 43 Paandav 44 Maidan-E-Jung 45 Sabse Bada Khiladi 46 Tu Chor Main Sipahi 48 Khiladiyon Ka Khiladi 49 Sapoot 51 Lahu Ke Do Rang (1997 film) 52 Insaaf (film) 53 Daava 55 Tarazu 57 Mr.
    [Show full text]
  • Four Killed, 5 Injured in Road Mishap in Doda in Mishap Road in Injured 5 Killed, Four D Dsrc Today
    K K M M Y Y C C )$$!%$%$ ,' %&#&* *" $"' $'( +& nation, 7P sports, 9P world, 8P DAILY Price 2.00 Pages : 12 JAMMU SATURDAY | APRIL 22 2017 | VOL. 32 | NO. 110 | REGD. NO. : JM/JK 118/15 /17 | E-mail : [email protected] | epaper.glimpsesoffuture.com 888).+/24'41((6563'%1/ " Four killed, 5 injured in road mishap in Doda Official panel to work-out implementation modalities '84%#.'4515#-''(('%5+0(31/ 23+. Monitoring Department, the *#&#38#* 23+. Ahmed. Doctors declared four Committee comprises passengers as brought dead As a follow to the an- Administrative Secretary Four persons, including a while 5 critically injured are nouncement made by the Home Department, woman, were killed and five under going treatment at the Finance Minister, Dr Haseeb Administrative Secretary others got critically injured, District Hospital, the DySP Drabu in his budget speech Public Works (R&B) when their vehicle skidded off said. He said that perhaps the regarding implementation of Department, Administrative the road and fell into a 150 feet driver was tired due to lack of the 7th Pay Commission rec- Secretary Finance deep gorge near Khellani in sleep and lost control on a ommendations in the State, Department, Administrative Doda district today. sharp curve resulting in the the Government today con- Secretary General According to eyewitnesses, fatal accident. The deceased stituted a high-level official Administration Department the vehicle driver lost control have been identified as Haji panel to work-out the modali- and Administrative on the sloppy curve and it Ali, Hashim Din, Khadim ties in this regard. According Secretary Department of skidded off the road and fell Hussain and Aasiya Begum to an order issued by the Law, Justice & 150 feet down hill after several while the injured were identi- General Administration Parliamentary Affairs as somersaults.
    [Show full text]
  • Koel Chatterjee Phd Thesis
    Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar.
    [Show full text]
  • Veer–Zaara Regie: Yash Chopra
    Veer–Zaara Regie: Yash Chopra Land: Indien 2004. Produktion: Yash Raj Films (Mumbai). Regie: Yash Chopra. Buch: Aditya Chopra. Regie Actionszenen: Allan Amin. Kamera: Anil Mehta. Ton: Anuj Mathur. Musik: Madan Mohan. Neueinspielung: Sanjeev Kohli. Arrangements: R.S. Mani. Liedtexte: Javed Akhtar. Sänger: Lata Mangeshkar, Udit Narayan, Sonu Nigam, Roop Kumar Rathod, Gurdas Mann, Ahmed Hussain, Mohammed Hussain, Mohammed Vakil, Javed Hussain, Pritha Majumder. Ausstattung: Sharmishta Roy. Choreographie: Saroj Khan, Vaibhavi Merchant. Kostüme: Manish Malhotra. Beratung (Drehbuch & Ausstattung): Nasreen Rehman. Schnitt: Ritesh Soni. Produzenten: Yash Chopra, Aditya Chopra. Co-Produzenten: Pamela Chopra, Uday Chopra, Payal Chopra. Aufnahmeleitung: Sanjay Shivalkar, Padam Bhushan. Darsteller: Shahrukh Khan (Veer Pratap Singh), Rani Mukerji (Saamiya Siddiqui), Preity Zinta (Zaara), Kirron Kher, Divya Dutta, Boman Irani, Anupam Kher, Amitabh Bachchan, Hema Malini, Manoj Bajpai, Zohra Segal (Bebe), S.M. Zaheer (Justice Qureshi), Tom Alter (Dr. Yusuf), Gurdas Mann (als er selbst), Arun Bali (Abdul Mallik Shirazi, Razas Vater), Akhilendra Mishra (Gefängniswärter Majid Khan), Rushad Rana (Saahil), Vinod Negi (Ranjeet), Balwant Bansal (Qazi), Rajesh Jolly (Priester), Anup Kanwal Singh (Sänger), Kanwar Jagdish (Glatzkopf im Bus), Dev K. Kantawalla (Munir), Vicky Ahuja (Vernehmungsbeamtin), Ranjeev Verma (Vernehmungsbeamter), Jas Keerat (Junger Cricket-Spieler), Sanjay Singh Bhadli (Bauer), Kulbir Baderson (Töpferin), Shivaya Singh (Kamli), Huzeifa Gadiwalla
    [Show full text]
  • A Bollywood Commercial for Ireland: Filming Ek Tha Tiger in Dublin
    Technological University Dublin ARROW@TU Dublin Books/Book chapters School of Media 2018 A Bollywood Commercial for Ireland: Filming Ek Tha Tiger in Dublin Giovanna Rampazzo Technological University Dublin Follow this and additional works at: https://arrow.tudublin.ie/aaschmedbk Part of the Film and Media Studies Commons Recommended Citation Rampazzo, G. (2018) A Bollywood Commercial for Ireland: Filming Ek Tha Tiger in Dublin S. Dibeltulo and C. Barrett ( eds. ), Rethinking Genre in Contemporary Global Cinema, DOI:10.1007 /978-3-319-90134-3_12 165 This Book Chapter is brought to you for free and open access by the School of Media at ARROW@TU Dublin. It has been accepted for inclusion in Books/Book chapters by an authorized administrator of ARROW@TU Dublin. For more information, please contact [email protected], [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License 164 P. KAA PA Kaapa, Pietari, and Guan Wenbo. 2011. Santa Claus in China and Wu X' in Finland: Translocal Reception Networks Between Finland and Chinia Participations 8 ( 2): 24- 51. a. Kaukomaa, Tero. 2015. Skype Interview with Pietari Kaapa. April 5. Kinnuen, Kalle. 2015. Big Game. Kuinka Hollywood tuotiin Suomeen. Helsinki· Johnny Kniga. · Kulturkontakt Nord. 2015. 362000 in KreaNord Grants. Kulturkontakt A Bollywood Commercial for Ireland: Nord. Retrieved on April 5, 2017 from http:/ /www.kulturkontaktnord org/lang-en/nordic-culture-point/news/20-nyheter-om-programme: Filming Ek Tha Tiger in Dublin ne / 17 82-kreanord-uddeler-362-000 -euro-til- nordiske-projekter. Larsson, Mariah, and Anders Marklund.
    [Show full text]