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Glaadawards March 16, 2013 New York New York Marriott Marquis
#glaadawards MARCH 16, 2013 NEW YORK NEW YORK MARRIOTT MARQUIS APRIL 20, 2013 LOS AnGELES JW MARRIOTT LOS AnGELES MAY 11, 2013 SAN FRANCISCO HILTON SAN FRANCISCO - UnION SQUARE CONNECT WITH US CORPORATE PARTNERS PRESIDENT’S LETTer NOMINEE SELECTION PROCESS speCIAL HONOrees NOMINees SUPPORT FROM THE PRESIDENT Welcome to the 24th Annual GLAAD Media Awards. Thank you for joining us to celebrate fair, accurate and inclusive representations of the lesbian, gay, bisexual and transgender (LGBT) community in the media. Tonight, as we recognize outstanding achievements and bold visions, we also take pause to remember the impact of our most powerful tool: our voice. The past year in news, entertainment and online media reminds us that our stories are what continue to drive equality forward. When four states brought marriage equality to the election FROM THE PRESIDENT ballot last year, GLAAD stepped forward to help couples across the nation to share messages of love and commitment that lit the way for landmark victories in Maine, Maryland, Minnesota and Washington. Now, the U.S. Supreme Court will weigh in on whether same- sex couples should receive the same federal protections as straight married couples, and GLAAD is leading the media narrative and reshaping the way Americans view marriage equality. Because of GLAAD’s work, the Boy Scouts of America is closer than ever before to ending its discriminatory ban on gay scouts and leaders. GLAAD is empowering people like Jennifer Tyrrell – an Ohio mom who was ousted as leader of her son’s Cub Scouts pack – to share their stories with top-tier national news outlets, helping Americans understand the harm this ban inflicts on gay youth and families. -
Cooper, Anderson (B
Cooper, Anderson (b. 1967) by Linda Rapp Encyclopedia Copyright © 2015, glbtq, Inc. Anderson Cooper. Entry Copyright © 2012 glbtq, Inc. Photograph by Flickr Reprinted from http://www.glbtq.com user minds-eye. CC-BY- SA 2.0. Award-winning television journalist Anderson Cooper has traveled the globe, reporting from war zones and scenes of natural and man-made disasters, as well as covering stories on political and social issues. Cooper is a ubiquitous presence on American television, for in addition to being a news anchor, he also hosts a talk show. Cooper is the son of heiress and designer Gloria Vanderbilt and her fourth husband, Wyatt Cooper. In his memoir, Dispatches from the Edge (2006), Cooper stated that his parents' "backgrounds could not have been more different." Whereas his mother descends from one of American best-known and wealthiest families, his father was born into a poor farm family in the small town of Quitman, Mississippi. When he was sixteen he moved to the Ninth Ward of New Orleans with his mother and five of his seven siblings. Anderson Cooper wrote that his "father fell in love with New Orleans from the start" and delighted in its culture. After graduating from Francis T. Nicholls High School, however, Wyatt Cooper headed to California to pursue his dream of becoming an actor. Although he found work on both screen and stage, he eventually turned to screenwriting for Twentieth Century Fox. Wyatt Cooper and Vanderbilt married in 1964 and took up residence in a luxurious mansion in New York City. The couple had two sons, Carter, born in 1965, and Anderson, born on June 3, 1967. -
The King Premieres on Independent Lens Monday, January 28 on PBS
FOR IMMEDIATE RELEASE CONTACT Tanya Leverault, ITVS 415-356-8383 [email protected] Mary Lugo 770-623-8190 [email protected] Cara White 843-881-1480 [email protected] For downloadable images, visit pbs.org/pressroom The King Premieres on Independent Lens Monday, January 28 on PBS Climb into Elvis’s 1963 Rolls-Royce for a Musical Road Trip and Timely Meditation on Modern America Online Streaming Begins January 29 (San Francisco, CA) — Forty years after the death of Elvis Presley, two-time Sundance Grand Jury winner Eugene Jarecki takes the King’s 1963 Rolls-Royce on a musical road trip across America. From Tupelo to Memphis to New York, Las Vegas, and countless points between, the journey explores the rise and fall of Elvis as a metaphor for the country he left behind. What emerges is a visionary portrait of the state of the American dream and a penetrating look at how the hell we got here. The King premieres on Independent Lens Monday, January 28, 2019, 9:00-10:30PM ET (check local listings) on PBS. Far more than a musical biopic, The King is a snapshot of Credit: David Kuhn America at a critical time in the nation’s history. Tracing Elvis’ life and career from his birth and meteoric rise in the deep south to his tragic and untimely end in Hollywood and Las Vegas, The King covers a vast distance across contemporary America, painting a parallel portrait of the nation’s own heights and depths, from its inspired origins to its perennial struggles with race, class, power, and money. -
FAKE NEWS!”: President Trump’S Campaign Against the Media on @Realdonaldtrump and Reactions to It on Twitter
“FAKE NEWS!”: President Trump’s Campaign Against the Media on @realdonaldtrump and Reactions To It on Twitter A PEORIA Project White Paper Michael Cornfield GWU Graduate School of Political Management [email protected] April 10, 2019 This report was made possible by a generous grant from William Madway. SUMMARY: This white paper examines President Trump’s campaign to fan distrust of the news media (Fox News excepted) through his tweeting of the phrase “Fake News (Media).” The report identifies and illustrates eight delegitimation techniques found in the twenty-five most retweeted Trump tweets containing that phrase between January 1, 2017 and August 31, 2018. The report also looks at direct responses and public reactions to those tweets, as found respectively on the comment thread at @realdonaldtrump and in random samples (N = 2500) of US computer-based tweets containing the term on the days in that time period of his most retweeted “Fake News” tweets. Along with the high percentage of retweets built into this search, the sample exhibits techniques and patterns of response which are identified and illustrated. The main findings: ● The term “fake news” emerged in public usage in October 2016 to describe hoaxes, rumors, and false alarms, primarily in connection with the Trump-Clinton presidential contest and its electoral result. ● President-elect Trump adopted the term, intensified it into “Fake News,” and directed it at “Fake News Media” starting in December 2016-January 2017. 1 ● Subsequently, the term has been used on Twitter largely in relation to Trump tweets that deploy it. In other words, “Fake News” rarely appears on Twitter referring to something other than what Trump is tweeting about. -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
No City Limits 2019 Agenda
NO CITY LIMITS 2019 AGENDA WELCOME Sheldon Danziger (Russell Sage Foundation); Wes Moore (Robin Hood) INTRODUCTION: THE MOBILITY IMPERATIVE Marta Tienda (Board NCL Advisory Committee; Princeton University, Department of Sociology and Woodrow Wilson School) MOBILITY FROM POVERTY IN THE UNITED STATES: RACE, GENDER, AND GEOGRAPHY Raj Chetty (Harvard University and Opportunity Insights) ADDRESSING MOBILITY IN DIFFERENT GEOGRAPHIES Daniel Lurie (Tipping Point Community); Rachel Garbow Monroe (The Harry and Jeanette Weinberg Foundation); Wes Moore (Robin Hood); Moderator: Nisha Patel (Robin Hood) THE STATE OF POVERTY AND MOBILITY IN NYC Geoff Canada (Board NCL Advisory Committee; Harlem Children’s Zone); Jane Waldfogel (Columbia University); Moderator: Sarah Oltmans (Robin Hood) LEARNING FROM THE EXPERTS: ENGAGING COMMUNITY IN MOBILITY SOLUTIONS Blue Ridge Labs Design Insight Group Members; Moderator: Kaya Henderson (Board NCL Advisory Committee; Teach For All) MOBILITY THEN AND NOW Nicholas Kristof (The New York Times); Wes Moore (Robin Hood); Moderator: Katie Couric (Katie Couric Media) INTRODUCTION: THE INTERSECTION OF POLICY AND PRACTICE John King, (Board NCL Advisory Committee; Education Trust) LESSONS FROM THE FIELD: THE IMPACT OF POLICY ON COMMUNITY AND MOBILITY Judith Browne Dianis (Advancement Project); Katherine O’Regan (NYU Wagner and NYU Furman Center); Michael Tubbs (Mayor of Stockton, CA); Moderator: John King (Board NCL Advisory Committee; Education Trust) INTRODUCTION: SHIFTING THE NARRATIVE Steve Stoute (NCL Board Advisory Committee; Translation and UnitedMasters) HOW RACIAL STEREOTYPING IMPACTS NARRATIVES ABOUT POVERTY Jennifer L. Eberhardt (Stanford University) TELLING A NEW STORY: SETTING THE GROUNDWORK FOR NARRATIVE CHANGE Heather McGhee (Demos); Soledad O’Brien (Starfish Media Group); John Ridley (Filmmaker); Rashad Robinson (Color Of Change); Moderator: Van Jones (CNN) OUR COLLECTIVE FUTURE Jim Shelton (Amandla Enterprises); Wes Moore (Robin Hood) CLOSING Wes Moore (Robin Hood). -
CNN Communications Press Contacts Press
CNN Communications Press Contacts Allison Gollust, EVP, & Chief Marketing Officer, CNN Worldwide [email protected] ___________________________________ CNN/U.S. Communications Barbara Levin, Vice President ([email protected]; @ blevinCNN) CNN Digital Worldwide, Great Big Story & Beme News Communications Matt Dornic, Vice President ([email protected], @mdornic) HLN Communications Alison Rudnick, Vice President ([email protected], @arudnickHLN) ___________________________________ Press Representatives (alphabetical order): Heather Brown, Senior Press Manager ([email protected], @hlaurenbrown) CNN Original Series: The History of Comedy, United Shades of America with W. Kamau Bell, This is Life with Lisa Ling, The Nineties, Declassified: Untold Stories of American Spies, Finding Jesus, The Radical Story of Patty Hearst Blair Cofield, Publicist ([email protected], @ blaircofield) CNN Newsroom with Fredricka Whitfield New Day Weekend with Christi Paul and Victor Blackwell Smerconish CNN Newsroom Weekend with Ana Cabrera CNN Atlanta, Miami and Dallas Bureaus and correspondents Breaking News Lauren Cone, Senior Press Manager ([email protected], @lconeCNN) CNN International programming and anchors CNNI correspondents CNN Newsroom with Isha Sesay and John Vause Richard Quest Jennifer Dargan, Director ([email protected]) CNN Films and CNN Films Presents Fareed Zakaria GPS Pam Gomez, Manager ([email protected], @pamelamgomez) Erin Burnett Outfront CNN Newsroom with Brooke Baldwin Poppy -
NOMINEES for the 39Th ANNUAL NEWS & DOCUMENTARY EMMY
NOMINEES FOR THE 39th ANNUAL NEWS & DOCUMENTARY EMMY® AWARDS ANNOUNCED Paula S. Apsell of PBS’ NOVA to be honored with Lifetime Achievement Award October 1st Award Presentation at Jazz at Lincoln Center’s Frederick P. Rose Hall in NYC New York, N.Y. – July 26, 2018 (revised 9.30.18) – Nominations for the 39th Annual News and Documentary Emmy® Awards were announced today by The National Academy of Television Arts & Sciences (NATAS). The News & Documentary Emmy Awards will be presented on Monday, October 1st, 2018, at a ceremony at Jazz at Lincoln Center’s Frederick P. Rose Hall in the Time Warner Complex at Columbus Circle in New York City. The event will be attended by more than 1,000 television and news media industry executives, news and documentary producers and journalists. “New technologies are opening up endless new doors to knowledge, instantly delivering news and information across myriad platforms,” said Adam Sharp, interim President& CEO, NATAS. “With this trend comes the immense potential to inform and enlighten, but also to manipulate and distort. Today we honor the talented professionals who through their work and creativity defend the highest standards of broadcast journalism and documentary television, proudly providing the clarity and insight each of us needs to be an informed world citizen.” In addition to celebrating this year’s nominees in forty-nine categories, the National Academy is proud to be honoring Paula S. Apsell, Senior Executive Director of PBS’ NOVA, at the 39th News & Documentary Emmy Awards with the Lifetime Achievement Award for her many years of science broadcasting excellence. -
We Organize for Knowledge and Empowerment 2017 Conference Booklet
W.O.K.E. ‘17 An Institute for College Men of Color We Organize for Knowledge and Empowerment 2017 Conference Booklet Saturday, May 6, 2017 Chicago, Illinois Letter from the Conference Chairs Greetings, Welcome to the inaugural We Organize for Knowledge and Empowerment Conference a.k.a. W.O.K.E. 17! We are glad that you took the time to join us for what is sure to be a dynamic day. There are a number of conference in the United States that are specifically geared towards undergraduate men. Most of which, engage men in masculinity work, but fail to address issues of race and the intersections of race and gender. Our goal was to produce a one-day conference experience which addresses the intersection of race and gender grounded in theory. In this one-day conference we aim to explore the identities of men of color and their socialization within the United States. Using the Cycle of Liberation as a framework for the schedule, you all as undergraduate men of color will engage deeply around your identities, name injustices, build community within and outside of your racial identity, and begin to construct an action plan to combat racism and sexism in your communities. The conference will be divided into five stages that mirror the five beginning levels of the Cycle of Liberation. Using Cycle of Socialization, Privilege Identity Exploration, and Critical Race Theories, we hope you will begin to work through a critical consciousness towards creating effective change in society. Get ready to WAKE UP the activist in you! Let’s get to work. -
January 2014 Sunday Morning Talk Show Data
January 2014 Sunday Morning Talk Show Data January 5, 2014 27 men and 10 women NBC's Meet the Press with David Gregory: 6 men and 3 women Janet Napolitano (F) Gene Sperling (M) Jim Cramer (M) Dr. Delos Cosgrove (M) Dr. John Noseworthy (M) Steve Schmidt (M) Rep. Donna Edwards (F) Judy Woodruff (F) Chuck Todd (M) CBS's Face the Nation with Bob Schieffer: 6 men and 1 woman Sen. Harry Reid (M) Rep. Peter King (M) Rep. Matt Salmon (M) Peggy Noonan (F) David Ignatius (M) David Sanger (M) John Dickerson (M) ABC's This Week with George Stephanopoulos: 5 men and 2 women Sen. Rand Paul (M) Sen. Chuck Schumer (M) Cokie Roberts (F) Bill Kristol (M) Ana Navarro (F) Fmr. Gov. Brian Schweitzer (M) Ben Smith (M) CNN's State of the Union with Candy Crowley: 5 men and 1 woman Gov. Scott Walker (M) Gene Sperling (M) Stuart Rothenberg (M) Cornell Belcher (M) Mattie Dupler (F) Fox News' Fox News Sunday with Chris Wallace: 5 men and 3 women Fmr. Gov. Mitt Romney (M) Ilyse Hogue (F) Mark Rienzi (M) Brit Hume (M) Amy Walter (F) George Will (M) Charles Lane (M) Doris Kearns Goodwin (F) January 12, 2014 27 men and 10 women NBC's Meet the Press with David Gregory: 7 men and 4 women Reince Priebus (M) Mark Halperin (M) Chuck Todd (M) Mayor Stephanie Rawlings-Blake (F) Kimberley Strassel (F) Maria Shriver (F) Fmr. Sen. Rick Santorum (M) Jeffrey Goldberg (M) Fmr. Rep. Jane Harman (F) Chris Matthews (M) Harry Smith (M) CBS's Face the Nation with Bob Schieffer: 7 men and 1 woman Sen. -
Dark Knight's War on Terrorism
The Dark Knight's War on Terrorism John Ip* I. INTRODUCTION Terrorism and counterterrorism have long been staple subjects of Hollywood films. This trend has only become more pronounced since the attacks of September 11, 2001, and the resulting increase in public concern and interest about these subjects.! In a short period of time, Hollywood action films and thrillers have come to reflect the cultural zeitgeist of the war on terrorism. 2 This essay discusses one of those films, Christopher Nolan's The Dark Knight,3 as an allegorical story about post-9/11 counterterrorism. Being an allegory, the film is considerably subtler than legendary comic book creator Frank Miller's proposed story about Batman defending Gotham City from terrorist attacks by al Qaeda.4 Nevertheless, the parallels between the film's depiction of counterterrorism and the war on terrorism are unmistakable. While a blockbuster film is not the most obvious starting point for a discussion about the war on terrorism, it is nonetheless instructive to see what The Dark Knight, a piece of popular culture, has to say about law and justice in the context of post-9/11 terrorism and counterterrorism.5 Indeed, as scholars of law and popular culture such as Lawrence Friedman have argued, popular culture has something to tell us about society's norms: "In society, there are general ideas about right and wrong, about good and bad; these are templates out of which legal norms are cut, and they are also ingredients from which song- and script-writers craft their themes and plots."6 Faculty of Law, University of Auckland. -
An Empirical Study of the Ideologies of Judges on the Unites States
JUDGED BY THE COMPANY YOU KEEP: AN EMPIRICAL STUDY OF THE IDEOLOGIES OF JUDGES ON THE UNITED STATES COURTS OF APPEALS Corey Rayburn Yung* Abstract: Although there has been an explosion of empirical legal schol- arship about the federal judiciary, with a particular focus on judicial ide- ology, the question remains: how do we know what the ideology of a judge actually is? For federal courts below the U.S. Supreme Court, legal aca- demics and political scientists have offered only crude proxies to identify the ideologies of judges. This Article attempts to cure this deficiency in empirical research about the federal courts by introducing a new tech- nique for measuring the ideology of judges based upon judicial behavior in the U.S. courts of appeals. This study measures ideology, not by subjec- tively coding the ideological direction of case outcomes, but by determin- ing the degree to which federal appellate judges agree and disagree with their liberal and conservative colleagues at both the appellate and district court levels. Further, through regression analysis, several important find- ings related to the Ideology Scores emerge. First, the Ideology Scores in this Article offer substantial improvements in predicting civil rights case outcomes over the leading measures of ideology. Second, there were very different levels and heterogeneity of ideology among the judges on the studied circuits. Third, the data did not support the conventional wisdom that Presidents Ronald Reagan and George W. Bush appointed uniquely ideological judges. Fourth, in general judges appointed by Republican presidents were more ideological than those appointed by Democratic presidents.